This is a view of the Allegheny River in Western Pennsylvania, seen from Tarentum. I took a quick walk through the park along the river on a beautiful autumn day and took as many photos as I could. The hill is very high and steep behind this row of trees and otherwise the hill comes down to the bank of the river, but for this short stretch the row of trees was separated from the hill, deep in bluish shadow, while the trees caught the late afternoon sunlight.
I knew I wanted to keep this loose, just capturing the visual of the reflection and the contrast with the bright sunlight, bright leaves, and dark hillside.
I had intended to use navy blue paper for this painting because of the bluish cast of autumn, but I had no navy blue left in the pad of paper, so I used black. I used Strathmore charcoal paper, which is lightweight and has a finer texture than the other black pastel paper I’ve used. When paper is made the pulp is poured into a mold that has a screen in the bottom of it. The paper pulp is spread on the screen, then pressed into it with a piece of heavy felt. As it dries the paper holds the screen pattern on one side but is relatively smooth on the back. I considered using the “felt” side, which has only a slight screen texture, but then decided I wanted to use the texture to build the detail in the trees.
PURCHASE THE ORIGINAL OR A PRINT
Allegheny River Reflections, Pastel, 12 x 16, 2017. The original is not framed yet but I’m picturing a brushed copper/amber metal, double mats. Digital, giclee and canvas prints as well as greeting cards are available.
This was my painting from Day 26. See other paintings in this and other painting challenges on the page Creative Challenges.
See more paintings in Leslie Saeta’s 30 Paintings in 30 Days Painting Challenge, September 2017.
SHIPPING AND CHARGES
Shipping within the US is included in the cost of each print.
Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.
Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.
Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.
I do all my own framing and can custom frame a print for you. Please ask.
Don’t miss any new items or opportunities!
“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.
Sign up for e-newsletters
You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.
Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.
Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.
. . . . . . .
© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski
All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.