Seasons Along the Panhandle Trail, All Paintings

SUN SHADOW ICE & SNOW

seasons along the panhandle trail

original paintings and sketches

Panhandle Trail quarry area as part of Rock the Quarry

I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos. I’ve collected a number of these for an exhibit, but not in a gallery—right on the trail, where I’ve spent so much time and found these inspirations. It’s the place where I found the scene of one of my favorite paintings, “Dusk in the Woods”.

I use this trail all the time, and part of my giveback is to maintain their website and the little bit of social networking that we do, along with photographing things. I always volunteer during the event, usually in the kitchen dishing out easy food, but I decided I could give something a little different.

You’ll find me in my tent during Rock the Quarry, the annual fundraiser for the Collier Friends of the Panhandle Trail. I’ll have my exhibit set up and also have a small display of prints, photos and notecards I’ve created over the years of scenes from along the trail and off in the woods. Once Rock the Quarry is over, they all come home with me so this will be your only opportunity to see them all together, although I will set them up as an online gallery as I have been setting up each of my exhibits.

A portion of sales of art and merchandise during Rock the Quarry will benefit the Collier Friends of the Panhandle Trail.

Paintings and Prints for Sale

I add the most popular paintings to my website, but I include many other images in my exhibit as well, including many photos. You can see all the art below, and I will add the photos soon as well.

"The Swimming Hole", pastel, 17 x 8, 2014 © Bernadette E. Kazmarski

“The Swimming Hole” is a pastel painting of my great niece and nephews swimming in Robinson Run, 17″ x 8″ using mixed pastels on Wallis pastel paper.

Note that 11 x 14 and 12 x 16 canvases and prints will crop image from left and right.

ABOUT THE ARTWORK

This painting was actually visualized during one of the visits with my great nieces and nephews and I knew I’d have to paint it, but this one came about in bits and pieces, and I’ll say it evolved over a period of years. I took a photo during one visit in 2010, but that wasn’t enough information when I decided I wanted to catch the whole scene, not just the kids in the water so I went back to the spot and took more photos on my own, but no one was in the water and it just wasn’t right.

On another visit in 2011 I took lots of reference photos from different angles and even did a small pencil sketch, then individual photos of them in the water, knowing I could never get out my pastels and paint them right there. In my studio the following year I lined up my photos and visualized something pretty close to this but couldn’t get a feel for it from just the photos, so I took my pastels to the trail the next summer, 2013, and laid down the basics of this sketch while there, trying to capture the colors and light and positioning of everything. I didn’t have all the colors with me which I needed and I knew I’d be working on it in my studio to add the kids in the water so I knew I wouldn’t be finishing it right then. I set the sketch in my holding area for more work, and there it sat. I finished it in time for my exhibit “Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail”, the very first one in 2014.

I love painting water, and never give myself enough of a chance to paint it. I just couldn’t wait to get my hands on all the details in the water as well as the direct and reflected light and the colorful shadows on the kids, the way the mid-day sun fell on the water, alighting the top layer of the brush and just touching leaves in the trees with brilliant highlights and creating deep shadows underneath. It’s part of what I think of when I think of summer.

Like the rope swing, how did we kids live through our childhoods jumping into a deep pool of water in a creek off in the woods? For me, unless the water smelled really bad or it was filled with something I didn’t want to touch, I was in it. Water is irresistible to me—if there is water, I at least have my feet in it, if that’s at all possible, and even when it rains I’m out in it for a bit, or standing in the gutter along the street in front of my house letting the rain water run over my feet. I think most kids are like that, and while there are dangers in places like swimming holes, avoiding dangers is not always the best way to deal with them. Instead, learning how to safely use the swimming hole can help teach a life lesson about observation, caution, and when to let go and enjoy things that aren’t manufactured for our use. That’s one of the joys, and lessons, of nature.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

You can also find this painting in my Landscape Artwork gallery and in my exhibit 2014: Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail and Seasons Along the Panhandle Trail,  All Paintings.

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Sycamore Moon", pastel, 14" x 20" © Bernadette E. Kazmarski

Sycamore Moon, Pastel is 12″ x 18″ in soft pastel on blue Canson pastel paper. Prints on paper and canvas are available.

ABOUT THE ARTWORK

There are two large sycamore trees near the entrance of the Panhandle Trail, but because they are growing against a hill I don’t see them from this angle against the sky until I am headed back home, nearly at the trailhead, and often at dusk, especially the early dusk of a winter night. Because the light changes so quickly at that time of day I knew there was no way I’d be able to capture the scene en plein air, so I photographed it almost every time I saw it. I guess I really wanted to paint this scene, and for this year’s Panhandle Trail exhibit I decided it was time.

I debated among media to use. I wanted the smooth solid color of the evening sky to the east, I wanted each branch and twig to be clear, and I wanted it to look almost monochromatic, capturing the l’heure bleu I love so much. Though I’d always imagined a watercolor I decided on pastel, mostly because I could feel my hand drawing the twisted twigs. To achieve the smooth background I used colored pastel paper, Canson Mi Tientes, on the smooth side, because the blue was just what I wanted for a cold winter dusk. I drew the shadows and characteristic mottling of a sycamore tree on the trunks and branches in dark warm gray pastel, the highlights in light warm gray, then added just touches of blue for the mid-range shadows. The moon is in pure white with its characteristic grayish shapes on the glowing white surface that make it recognizably our moon, and resting among the somewhat gnarled sycamore branches.

This painting was included in 2016: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

The original frame is 18″ x 24″ silver metal, the mat is 3″ wide, white with black core.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, and this print wraps around the sides.

See more art from 2016: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail.

See more Landscape Artwork.

"Paths I Have Walked", pastel, 16" x 28" © Bernadette E. Kazmarski

Paths I Have Walked, Pastel is 16″ x 28″ in soft pastel on 2-ply acid-free natural illustration board. The original and prints on paper and canvas are available.

ABOUT THE ARTWORK

This painting was the featured art for 2016: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail and depicts me walking through a favorite section of the woods along the trail where the sycamores and maples grow straight up toward the sky from the flood plain and it feels like a green cathedral.

I’ve never done a self-portrait of any sort. At my first Panhandle Trail exhibit in 2014 I set the standard for exhibits to follow by walking through the woods to Robinson Run to get water for my big enamel cooking pot and walking back gathering wildflowers for my display. I don’t usually think of myself as a subject in my landscapes but liked the idea of myself walking along a familiar path dressed to meet the public in my festival clothes, carrying flowers and a bucket of water. Because I have so few photos of me and find I both like to see them and need to use them in promotions, I asked a friend to photograph me in this activity after the show. They quickly became some of my favorite photos, and I’d always wanted to do a painting or two from them. I have never been the subject of one of my paintings, but kept visualizing this painting, especially when I had come into a really beautiful vintage frame that would be perfect for my idea. I added touches of different gold finishes to the details of the frame and it all came together.

A decade ago I called my first poetry ready “Paths I Have Walked” because so much of the inspiration for my poetry, other writing art and photography came from finding paths all over the hills and valleys where I grew up and following them wherever they led, and also following some other paths out of this place, giving me experience and a perspective. I had used this title on my 2011 poetry book using Dusk in the Woods on the cover. When I cast about for a title for this painting it came to mind fairly quickly; I also have future plans to set up my writing website and I’d planned to use one of the photos from the series of me in the woods so it all ties in together. I will write more later about the symbolism of this piece in my life today, but for now I will just say it feels entirely suitable. I have the feeling we will be seeing much more of this painting, and though I feel a little self-conscious that it’s kind of a self-portrait I’m glad I’ve finally appeared in my own art. Somehow that becomes necessary after time.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

The frame is 24″ x 36″ solid wood with a detailed carved finish to which I added a gold wash and a green gold wash. The mat is 4″ wide, soft yellow-green flecked with a black core.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

"Running Through the Woods", pastel, 20" x 14" © Bernadette E. Kazmarski

Running Through the Woods, Pastel is 16″ x 22″ in soft pastel on 2-ply acid-free natural illustration board. The original and prints on paper and canvas are available.

ABOUT THE ARTWORK

This painting was included in 2016: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail. It’s another one I’d been wanting to paint, a day in the woods and on the trail with my great-niece Cassidy and great-nephew Kyler from 2011, from the same visit where I got the reference photos for “The Swimming Hole” and the photo “Looking Forward”. This piece is titled “Running Through the Woods”, something everyone should have the chance to do when they are growing up, just letting loose and running along a path with the tall trees all around and the expanse of green urging you on. I’m so glad I had the chance to paint it after visualizing it for all these years.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

The frame is 24″ x 30″ solid wood stained mahogany with a lightly carved finish. The mat is 4″ wide, soft yellow-green flecked with a black core.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

"Bright Autumn", pastel, 14" x 20" © Bernadette E. Kazmarski

Bright Autumn, pastel is 14″ x 20″, matted and framed, and prints are available on paper and canvas.

ABOUT THE ARTWORK

This painting was included in 2016: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail. Autumn along the trail is overwhelming with all the colors in the mix of trees and brush in the woods and on the hills. I took this photo years ago because it was so rich in detail, sun and the sun illuminating the leaves on the left, colorful shadows, a road running through it and wanting to walk on.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

The vintage frame is 22″ x 28″ solid maple with a gold foil finish on the decorative carving on the inside edge. The mat is 4″ wide, tan faux leather texture.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This painting wraps around the edges.

Dusk in the Woods, pastel, 31″ x 23″, 2007 © Bernadette E. Kazmarski

The original of this painting was pastel, 31″ x 23″, on illustration board hand-finished with pastel ground. I offer full-size giclee prints as well as a variety of digital and canvas prints.

Dusk in the Woods, pastel, 31″ x 23″, 2007 © Bernadette E. Kazmarski

Dusk in the Woods, pastel, 31″ x 23″, 2007 © Bernadette E. Kazmarski

ABOUT THE ARTWORK
That “blue time of day”…a quick walk in the woods after a heavy snowfall as clouds parted and the sun set on the distant horizon, bare trees like sentinels. This time of day always carries a certain melancholy for me, as if a deep instinctive part of me realizes the sun is about to leave and may not come back. The moment stands in all its silent beauty along Robinson Run in Collier Township, on a trail in the woods running parallel to the Panhandle Trail.

I didn’t have my art materials with me when I saw this, but planned to return to do at least a portion of it under similar conditions. That time of day the light changes so quickly, but I could set up and be prepared for the moment I wanted. Alas, we had no appreciable snow for two years and this image was really begging to be painted—I was visualizing it daily and even dreaming about it, which is how I know a painting really needs to be done. I began with my photos, then put them away and spent the hours remembering that moment, the sound, the smell, the cold…

Most important was the color of the snow at that time of day, difficult to achieve in a painting because so much of that color depends on the reflected light from the sky, difficult to reproduce in a two-dimensional painting. I also wanted to capture the stillness of the woods in the large expanse of unbroken snow at the bottom, as all the winter wildlife had taken cover before the snow and still stayed protected, leaving only the constant, comforting gurgling of the water as it flowed past, shallow water rippling over a rocky stream bed.

This piece was the signature painting at my first annual poetry reading and fine art show at Andrew Carnegie Free Library & Music Hall, Paths I Have Walked. The theme was, literally, the paths I’ve walked all over this valley since childhood, and the inspiration they’ve given me. Visit the page to see more artwork and read the poetry from that reading.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

“Snowfall”, pastel, 11″ x 7″ © Bernadette E. Kazmarski
“Snowfall”, pastel, 11″ x 7″ © Bernadette E. Kazmarski

“Snowfall”, pastel, 11″ x 7″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

It isn’t always eternal summer on the trail, though memories might make us think so. Winter is my favorite season to paint. I love the subtleties of color and shape with snow in the air and on the ground, and on the trail I am often all alone with the quiet of a winter day, or a gentle snowfall.

In this case, I was glad for the time alone and quiet, and my art materials. This is from several years ago, one of the sketches I’d actually done in the front seat of my car during a late winter ice and snow storm, with a personal connection. I’d moved my mother to a personal care home in a neighborhood adjacent to the trail and often combined visits to the trail and visits to my mother. She didn’t care at all for trails, but she thought it was pretty cool when I would pull up in front of the home on my bicycle in shorts and a tank top to visit and cool off and eat my lunch on a summer afternoon when all the other daughters were in jogging suits driving minivans. Though my mother suffered from a number of heart and lung conditions she was overall well but weak, though she often suffered from mild dementia; visits could be troubling.

So it was this winter day when I had driven there. The roads were cleared but the trail was not, still, I wanted a dose of nature after my visit and knew of a spot close where I could pull up next to the trail. Not a mark was in the deeply fallen snow, and I decided I would not be the one to leave mine, it was just too perfect. The snow was falling too heavily to work outside my car, so I angled my car just right and sat in my font seat and began a sketch, then decided I should leave before the roads grew worse.

I’d always intended to finish this off, adding some bare trees fading into the distance in the heavy snowfall, but I think there was a reason I stopped at this point, and I think it captures this snowy afternoon and my conversations with my mother as it is.

“Snowfall” was part of my August 2014 exhibit “Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail”. I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos.

AWARD

“Snowfall” won in the second highest award category, “Award of Excellence”, in the South Hills Art League annual juried show.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

The Spring Woods, 8” x 12”, pastel © Bernadette E. Kazmarski

Spring Woods, Pastel, 8″ x 12″, in soft pastel on 2-ply illustration board, available as and digital, giclee and canvas prints.

ABOUT THE ARTWORK

Off in the woods in early spring to photograph the fresh new wildflowers, I love the woods itself, damp, muddy, brown and green.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The frame is 2″ wide decorative wood stained walnut with dull good finishes.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Winter Sunset Reflections, 7” x 17”, pastel © Bernadette E. Kazmarski

Winter Sunset Reflections, Pastel, 7″ x 17″, 2014. The framed original is available, and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

I painted this scene for my August exhibit “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail” during Rock the Quarry, the annual fundraiser for the Panhandle Trail.

I decided to do this painting at pretty much the last minute, though I’d been visualizing it for years. The scene is one I’ve often seen along the trail on a winter evening. This painting was done from a photo I’d taken one of those winter evenings on the trail, a clear, cold day with a cloudless sky at sunset, the sky reflected on Robinson Run. The velvety darkness of the land contrasts so completely with the brilliance of the sky and its reflection on the water and, simple as it is, it’s always been one of my favorite images.

I used black Canson charcoal/pastel paper and only painted the areas of light and finally achieved what I’d been visualizing.

SHIPPING AND CHARGES

Shipping within the US is included.

FRAMED ORIGINAL

The original is framed in a gloss black 8″ x 20″ frame with a 1.5″ cream black core mat. Because the shape and size of this painting is not standard prints and canvases are pretty expensive, so I don’t offer them. If you are interested, please ask.

 

“Colorful Autumn Trail”, pastel on Canson pastel paper, 8″ x 12″ © Bernadette E. Kazmarski

Colorful Autumn Trail, Pastel, 8″ x 12″, 2014. The original is sold, and digital, giclee and canvas prints are available.

The canvas print below is 11″ x 14″, and 8″ x 12″ and 8″ x 10″ are also easily available in the thinbar style, with narrower 3/4″ edges. The art stands up well to enlargement and looks great even as a 16″ x20″. Larger canvases have 1-1/2″ edges and take a little longer to make.

I apologize for the bad photo of the framed original, taken during my exhibit in my tent at night (I need to get with the wonderful couple who purchased the original to get a better image). I framed the original in a slightly decorative gold frame, Pacific blue mat with decorative gold fillet, and I can frame a print in the same manner, or I can frame a print with a less expensive single blue mat and gold or oak wood frame.

ABOUT THE ARTWORK

I painted this scene for my August 2014 exhibit “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail” during Rock the Quarry, the annual fundraiser for the Panhandle Trail.

This painting doesn’t have as big of a story as others, but I will say it’s hard to paint along the trail in autumn—or anywhere else for that matter. The overwhelming colors, especially on a sunny day, have me running from place to place looking for the best spot to paint until the narrow window of good sunlight on an autumn day is past, so I end up working in my studio.

I like to capture the tree-covered hills and water and sky and just plain nature in most paintings because the trail itself isn’t a very interesting feature, being just a flat limestone chip path. But in this case, in autumn, it provides a break in the riot of color and also an area to feature those long blue shadows of the trees themselves. That’s really why I chose this scene when I came home with a head full of colors and shapes.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED ORIGINAL AND PRINTS

The original was framed with a 1-1/2″ white mat in a 12″ x 16″ gold frame. I do all my own framing and can custom frame a print for you. Please ask.

 

Dramatic Light

Dramatic Light, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Dramatic Light

Dramatic Light

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

As I drove there, looking at the sun and shadow play across the frosted hills and glow down into valleys I had an idea for two photos I wanted to capture. This was one of them, not necessarily the place, but the light illuminating the trees in front of the dramatically dark background and sky, the trail wandering off around a curve into an adventure.

I usually try not to plan ahead for photos because it’s possible to miss others while focusing on a goal that may not even be possible. I was lucky this particular morning and not only captured the ones I wanted, but many, many more I would never have imagined.

See another photo from that day, Frosted.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Frosted

Frosted, Photo, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Frosted

Frosted

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

As I drove there, looking at the sun and shadow play across the frosted hills and glow down into valleys I had an idea for two photos I wanted to capture. This was one of them, the frosted hills and the dark sky, just a streak of light to give the scene dimension, but the run of water was a totally unplanned and a perfect addition.

I usually try not to plan ahead for photos because it’s possible to miss others while focusing on a goal that may not even be possible. I was lucky this particular morning and not only captured the ones I wanted, but many, many more I would never have imagined.

See another photo from that day, Dramatic Light.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

The Rope Swing, pastel, 14" x 20", 2014 © Bernadette E. Kazmarski

The original of this painting was a pastel, 14″ x 20″ in soft pastel on Wallis pastel paper.

I framed it in a custom plain matte black moulding with a 4″ acid-free white mat. Framed size is 22″ x 28″. The original is sold but I also have giclee, digital and and canvas prints.

ABOUT THE ARTWORK

In 2014 when I imagined organizing an exhibit of landscapes I’d on sketched and painted on, and of, the Panhandle Trail, this image was the principal image I envisioned and became my symbol for the exhibit, “Sun Shadow Ice & Snow: Seasons of the Panhandle Trail”.

I hadn’t done this painting yet, but for years I’d planned a painting of this iconic rope swing, which everyone who’d grown up in the area knew about. For all the years I’d considered having an exhibit like this, on the trail, as part of the annual event, the decision to finally paint this also made me decide this was the year to do it. I usually volunteer a few hours in the kitchen and walk around to take photos (I also manage the website) but this would be way more fun.

How did we kids live through our childhoods with things like rope swings available to us? I was thrilled to find a rope swing the first time I went exploring off the trail years ago and took a few swings on it myself just for fun, and when my great nieces and nephews came to visit from Savannah, a visit to the trail and the rope swing were tops on the list.

I pictured this painting to be in high summer, at noon when the sun is bright and hot overhead and the woods are dark and cool, and just coming upon the tree and the swing, the stream running past, standing in the deep darkness underneath looking at the lacy sunlight on the leaves of the tree and lacy shadows on the packed dirt beneath it and the swing itself silhouetted against the brightness beyond, in that moment when the potential is there, just before you decide to go for it.

The spot where this swing hangs is also one of my favorite places off the trail, and I visit there each time I use the trail, in all seasons—in mid-summer to have a dip into Robinson Run where there’s a nice pool there with water that’s always cool, and in winter to see the stream in winter, covered with ice and snow piled in the woods.

So there it is, the old rope swing, waiting for you off in the woods. Go and have an adventure!

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

"Charcoal Dusk", black and white charcoal on gray toned paper, 5" x 8" © Bernadette E. Kazmarski

“Charcoal Dusk”, original black and white charcoal on toned paper, art size 7.75″ x 5.25″, framed size 10.5″ x 8.25″, a walk on the trail in winter dusk.

ABOUT THE ARTWORK

From my Christmas Day walk in 2014, the trail with a dusting of snow, the denseness of the trees along side and on a hill beyond, and the overcast sky. This is the first time I’ve used this toned paper while sketching, and it’s ideal for these winter types of sketches to start with a mid-tone.

The day began with a sunny morning but was so murky dark by the time I was ready to go in the early afternoon I held off until later. We did see some sun here and there, but I decided a late afternoon or even dusk visit would be good, and it was. It meant color was pretty much out of the question, not because there wasn’t any but because an overcast sky like that can really change the way my pastels look in the box and on paper. I did start one but decided to bring it home to finish, and will do others from photos—the clouds broke briefly just before sunset with lots of wispy color in the sky, awakening the cool blues and purples in the landscape, but the light changed so fast it was impossible to catch.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

It’s monochromatic, the top mat pale gray black core and the bottom raven black white core, the frame 1″ wide solid wood finished matte black.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

All Images in This Exhibit

I am adding my exhibit pages as time permits. Visit “Exhibits” for a list of all of my solo exhibits to date.