There was not a cloud in the sky, hazy from a morning mist, and though it was mid-September it was hot and humid. It was that last warm, languid morning of the season that I wanted to capture.
I love quiet little street scenes, and living in a small town they aren’t difficult to find. There were people around aside from me—some of the shadows on the sidewalk are from cars—so it was just a momentary empty sidewalk. But I remember paying more attention to the two flags slowly waving back and forth on the slight morning breeze so who would notice the people?
I used all Sennelier pastels on this self-prepared board because the surface is so heavily textured but it didn’t hold the pastel very well, and it turned out this had only gesso and no grit or pastel ground. I’d chosen to use this board because of its texture and knowing it could add its own level of detail in many areas of the painting. I was a little disappointed in how it performed, but I always end up liking how it turned out. I stippled the surface with a sponge, I think, and it has an interesting grainy texture. We all have to challenge ourselves sometimes.
Your 25% discount on summer artwork originals
Until the Autumnal Equinox: 25% OFF select original paintings with a summer theme or subject. Use the coupon code SUMMERSOLSTICE25 in your shopping cart. You can use that on this painting, and visit this page to see the rest.
This was my painting for Day 23 in Leslie Saeta’s 30 Paintings in 30 Days Painting Challenge, September 2017. See other paintings in this and other painting challenges on the page Creative Challenges.
Purchase the original or a print
Main Street, September Morning, Pastel, 8″ x 11″, 2017. The original is framed in a 1″ solid wood antique gold frame with no mat and digital, giclee and canvas prints as well as greeting cards are available.
SHIPPING AND CHARGES
Shipping within the US is included in the cost of each print.
Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.
Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.
Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.
I do all my own framing and can custom frame a print for you. Please ask.
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© 2018 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski
All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.