"Charcoal Dusk", black and white charcoal on gray toned paper, 5" x 8" © Bernadette E. Kazmarski

New Works

Find what’s new on this site!

I add items nearly every day that are either completely new paintings, photos, products or writing, or items I’ve just added from my archives. No one except me would know where they are, and I don’t expect anyone to have the patience to dig around and see what’s new.

This gallery includes links to works added in the past three months, the new ones at the top of the list.

Birthroot, Red Trillium, digital photo

“Birth Root, Red Trillium” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Birthroot, Red Trillium, digital photo

Birthroot, Red Trillium, digital photo

I took at least a half dozen photos of red trillium on this outing on the Panhandle Trail, and on other days as well, but I love this photo of the red trillium for the interesting angle I could get, the repeating shapes, the two-color palette, capturing that uncertain spring light through the early tree canopy. I was lying on my belly on the trail propped up on my elbows so I could just look uphill over the layer of leaves in the little colony of these trillium with occasional flowers hovering over the leaves. It might also be that this red violet/burgundy is one of my favorite colors. In either case I find it a visually interesting composition. I had one framed on the wall because it’s included in my Panhandle Trail exhibit and it caught my eye each time I went past it. I hope it has this effect on you as well.

Trilliums are truly a magical harbinger of spring for me. I didn’t meet them until I was an adult exploring a tract of land that had been a farm, the buildings had been demolished and many trees cut and left to lay on the ground. I went picking through for something old to take away to remember what this land had nurtured and found an old handmade wooden stool that I still use on my deck. Among the long straight trunks of trees lying about I found a small colony of glorious white flowers with three petals open wide supported beneath by three wide, shiny green leaves growing from the leaf litter as if in defiance to their fate. I pulled out my wildflower guide book and identified them as large-flowered trillium and knew that when summer came the entire area would be bulldozed and by autumn there would be streets and houses here, and no trace left of the trillium. I dug up three and planted them in my back yard under my own trees. Digging up wildflowers to take home is NOT permitted, and on the two or three instances I’ve done this it was for the same reason: I knew the land and all that grew on it was to be bulldozed and those flowers would be no more. I enjoy bringing my photos home from the woods instead, knowing those flowers and the land is somehow preserved to visit forever.

The trillium grandiflorum in my back yard from that long-ago farm.

The trillium grandiflorum in my back yard from that long-ago farm.

Most spring flowers are small, but trilliums are different. They have many names too that refer to the different perceptions and uses people had for them. “Birth root” refers to the practice among Native Americans to use to help stimulate labor. There is also “wake-robin” because they appear about the time the robins do. This variety is also called red trillium or purple trillium, and, of all things, Stinking Benjamin. You can read this article to find out why, and to find out more about trilliums.

Visit this link in my Photography section to see these slideshows of wildflowers from all seasons.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the image.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Kelly in forget-me-nots

Kelly in Forget-me-nots, Feline Photo, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Kelly in forget-me-nots

Kelly in forget-me-nots

Kelly had been stepping out into the back yard with me now and then, even asking at the door to go out. She’d never shown any interest in the 15 years she’d been with me until the spring we lost Cookie, and I couldn’t help but think she associated the outdoors, and the spring forget-me-nots, with Cookie, as I did. Kelly was now the lone senior cat, and she was very lonely without an older kitty to cuddle with and protect her; she was a little intimidated by the gregarious black cats.

This is a kind of an odd angle—I had my zoom lens as I’d been photographing details of forget-me-nots and buttercups together and the cranesbill geraniums and columbines with raindrops from last night’s storms. Kelly’s a little foreshortened, but it’s a good view of her face and those brilliant green eyes; even without the reflection of lush vegetation, Kelly’s eyes are like gems, though the reflected greenness is giving them an extra touch here. It’s hard to believe she was 19 that year because she was still active, lithe and graceful, and because she was the youngest for 11 years I still thought of her as the little one.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Spring Window Trinket Dish

This 3.5” round curved dish is made from natural white polymer clay, handpainted with acrylic paints in a design adapted from a daily sketch, “Spring Window”, and embellishment. Price includes shipping.

ABOUT THE ARTWORK

The black silhouette is adapted from a daily sketch using the silhouette and color scheme of Spring Window using black, bright aqua and bright yellow. Mimi quietly settled on the windowsill in the studio on a sunny late afternoon, when the sun is best. I worked a simple, kind of abstract version of her contentedly watching out the window, the calming blue and purple and green showing in her fur, the bright yellow and pale green surrounding. You can read more about the art and my daily sketches on The Creative Cat.

ABOUT THE TRINKET DISHES

This little trinket dish is 3.5″ in diameter and approximately 1/2″ deep, made from natural white polymer clay. Each dish is formed and painted individually. When I first made polymer clay trinket dishes last year they were kind of lumpy until I worked out how to make the shape for “Curving Silhouette”, but I kept those lumpy beginner dishes knowing I’d do something with them. With one of the pet expos coming up I decided it was time to explore the idea of a little decorative painting on these, and especially those rays in a circle around the central figure. And those colors!

The design is painted in matte soy-based paint. I did not add a finish to protect it because I wanted the original look and feel of the clay and paint.

This may be my last experiment with polymer clay, though. With all the warnings about its toxicity and my felines’ keen interest in what I was doing, I’ve been working with air-dry clay until the time I can start firing things.

OTHER TRINKET DISHES

Find other trinket dishes in my Handmade Gifts Gallery or search “trinket dish”.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

World Cat trinket dish.

This 3.5” round curved dish is made from natural white polymer clay, handpainted with acrylic paints in a design adapted from a daily sketch, “World Cat”, and embellishment. Price includes shipping.

ABOUT THE ARTWORK

The figure in the center is adapted from a daily sketch using the silhouette and color scheme of World Cat.

I sketched this on September 2, 2012, and on that day that I couldn’t sit down in my studio because a certain black cat had taken over my chair, so I was doing other things I could do standing because heaven forbid I move the cat. I remember I spun the chair and the light hit him just right and in the highlights and shadows in his fur I pictured the globe, blue and green, little bits of peach here and there, floating in the dusty cosmos of the Milky way, envisioning an ink sketch with watercolor in those colors.

And so I grabbed my watercolor pad and my favorite Pentel Hybrid Technica drawing pen and sketched his graceful cat curve and shoulders and big ears and minimal details. Then, because he often followed me when I left the room, I tiptoed so I wouldn’t wake him to get a jar of water and my watercolors and brushes and painted the interesting light falling on him from the window and from my work lights using the watercolors from my limited traveling palette, blue, green, purple, orange and yellow.

It was all over in about 15 minutes. I named the sketch “World Cat” not because Giuseppe represents the world of cats or cats of the world (though he might like to think so), but because I set it aside for the finishing glance and it really did look like an image of the earth from space, that lovely blue and green globe, that I’d seen in that first glance.

Or perhaps it worked out this way because I think the world of my cats.

You can read more about the art and my daily sketches on The Creative Cat.

ABOUT THE TRINKET DISHES

This little trinket dish is 3.5″ in diameter and approximately 1/4″ deep, made from natural white polymer clay. Each dish is formed and painted individually. When I first made polymer clay trinket dishes last year they were kind of lumpy until I worked out how to make the shape for “Curving Silhouette”, but I kept those lumpy beginner dishes knowing I’d do something with them. With one of the pet expos coming up I decided it was time to explore the idea of a little decorative painting on these, and especially those rays in a circle around the central figure. And those colors!

The design is painted in matte soy-based paint. I did not add a finish to protect it because I wanted the original look and feel of the clay and paint.

This may be my last experiment with polymer clay, though. With all the warnings about its toxicity and my felines’ keen interest in what I was doing, I’ve been working with air-dry clay until the time I can start firing things.

OTHER TRINKET DISHES

Find other trinket dishes in my Handmade Gifts Gallery or search “trinket dish”.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Hearts and Cats frames

I purchase unfinished frames and add color and black cat silhouettes in acrylic paint. Your photo fits in the heart-shaped opening. Frames are 5.5 x 8.5 and are displayed using dowel pegs in the back of the frame. I add a hanging hook as well just in case you’d like to hang it on the wall.

Hearts and Cats frames

Hearts and Cats frames

ABOUT THE ARTWORK

The silhouette I used for these frames was adapted from a marker sketch of three cats called “Three Cat Shapes”, modeled by Giuseppe. I switched the tail to an angle that worked better with the layout of the frame. I also added the pawprints near the heart because it just needed a little something over there, just purrfect for a few little kitty paws.

In the future I’ll be varying the silhouette on these frames as well as the color, pattern and posture of the feline shape. I look forward to playing around with another idea of mine!

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

 

Mimi in Buttercups and Forget-me-nots

Mimi in Buttercups and Forget-me-nots, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Mimi in Buttercups and Forget-me-nots

Mimi in Buttercups and Forget-me-nots

Mimi is never so happy as when she’s out in the yard, as you can see by her “happy tail”. She’s so short that I can’t get a good photo of her face without flowers in the way, but perhaps that’s how she wants it.

I keep a breakaway bell collar on her all the time even in the house—I like the happy little sound and I can always keep track of her, and she seems to like it to since it means we’ll be going out in the yard again some time. When she hasn’t been outside often enough, she takes it off, usually when she’s in the room with me, and looks at me. Mimi knows how to make a statement.

When we go out, she wears that as well as another nylon collar to which I attach a long leash. She wasn’t too keen on this at first; after all, my yard was her hunting ground when she was raising babies outdoors and she looks at me as if I’m out of my mind—get real, human, I know this yard better than you. But she puts up with it and my silly human fears about her potentially disappearing forever. I may hold the end of the leash or stand on the end of it if my hands are occupied, or I may let it trail along behind her. In any case, we’re getting accustomed to this. Cookie, Stanley, Moses, Sally, Kublai never needed a leash, but Namir did at first, and after a while he understood and stayed with me and Cookie.

She does enjoy being a model, though.

 

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

Giuseppe Resting, black and white charcoal pencils on gray toned paper, 5″ x 7″. The original is available and prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.

    "Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

“Giuseppe Resting”, black and white charcoal on tan toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

So Giuseppe rests all the time, why draw him now? Just because he looked so velvety black there on my desk, completely covering up something I needed to work on. You can see a few extra lines I’d erased at the bottom; he had started out with one paw curled under and his head up. I no sooner had that roughly outlined than he laid his head on his paw.

My desk lights are shining on him from behind so his face is in shadow, and I did my best to capture the subtleties of highlights and reflections on his features in several different hardnesses of regular charcoal plus white charcoal on tan toned paper, then I used the kneaded eraser to burnish the densest black areas.

And when I scanned it, putting the entire sketchbook in the scanner, I liked the way that looked too. I don’t think of just seeing the sketches as you do because I actually see them in my sketchbooks. So this is what it looks like.

 "Giuseppe Resting", in the sketchbook.

“Giuseppe Resting”, in the sketchbook.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

I stencil Bella’s Silhouette onto a canvas or twill bag and embellish with buttons.

Bella! Tote bag.

Bella! Tote bag.

ABOUT THE ARTWORK

O.M.Geeeee! It’s Bella! On a bag with green button eyes just like her big round eyes! This new idea couldn’t wait any longer, Bella, in silhouette, at the bottom of a bag and with just big blue-green eyes that are two-hole buttons sewn on with black thread.

I had intended to work it out for tote bags first and maybe a few other items and screen print it, but making screens has been a challenge (workspace issues) so I’ve been holding off, but holding the idea. With the Homeless Cat Management Team and Pittsburgh CAT spaghetti dinner I really wanted this item because Bella is an alum of both organizations! Based on one of my sketches of Bella from shortly after she arrived here simply called “Bella”, so I pulled out the scan of the little painting and refined the design in Photoshop. Bella’s eyes are not yellow green, they are a cooler blue-green, and I found pretty close to a good color for her.

You’ll be seeing this design on a variety of bags as well as on other items soon.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Bella! Flour Sack Dishtowel

I stencil Bella’s silhouette onto a 100% cotton 17″ x 28″ or 28″ x 28″ flour sack dishtowel. You can  mix and match the two sizes when you buy in quantity.

Bella! Flour Sack Dishtowel

Bella! Flour Sack Dishtowel

ABOUT THE ARTWORK

When I created the Bella! Tote Bag I also had the idea of adding Bella to as many other products as I could, including dishtowels. I had some on hand I’d bought for just this purpose so I stenciled her graceful silhouette onto the flour sack cotton. After debating the issue I decided I liked the silhouette alone and that I would leave the buttons off—would you want buttons on your dishtowel?—and just have the silhouette grace the bottom edge.

The only really plain white dishtowels I could find were flour sack dishtowels, but that’s okay because they dry the best. I offer the towel in two different sizes, though both are the same price: 17″ x 38″ and 28″ x 28″. These towels aren’t always exact in size, but they are always the same soft, absorbent cotton. I pre-wash and dry them on the clothesline before I print.

Read more about this design in the Bella! Tote Bag.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


“Memorial Day Parade”, 12″ x 18″, pencil, 2008 © Bernadette E. Kazmarski

Memorial Day Parade, Pencil prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“Memorial Day Parade”, 12″ x 18″, pencil, 2008 © Bernadette E. Kazmarski

“Memorial Day Parade”, 12″ x 18″, pencil, 2008 © Bernadette E. Kazmarski

The good old traditional parade on the good old traditional Main Street, in my home town of Carnegie, PA. I am not a big fan of parades but my mother loved them, so every year until the year before she died I set us up on Main Street regardless of the weather and we cheered along the high school marching bands and local dignitaries and fire companies and reenactors marching in the parade. Going out for an ice cream sundae afterward capped it off.

Each year our community held an art exhibit called “Carnegie Painted” for 2-D art depicting images of Carnegie; this was one of my entries in 2008, sketched from photos I had taken of the parade. Instead of color I decided to render it in pencil, in a style reminiscent of World War II cartoons. Pencil is so expressive, and it really reduces lines down to just what they need to be to get the point across, and this illustration style is almost impressionistic in its quality of line and level of detail.

Also, my father was a veteran of WWII, and my mother graduated high school and began her life during the war years—she considered it “her time”. I always felt as if I’d lived then with all the stories and memories. As my mother was growing older and finding and reading through my father’s service papers I actually came to feel closer to that time. This drawing in this style was a memory of that parade, of my mother, my father and a lot of other things combined. It all connects to a story I’m writing.

I sold the original, but have prints and notecards of it in various sizes. This sketch is also part of the gallery My Home Town.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Morning Brilliance

“Morning Brilliance” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Morning Brilliance

Morning Brilliance

I took so many photos on this morning of the buttercups glistening with the night’s rainfall, and some I took just for the effect of all that brilliant yellow.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Buster Lookin' at His Toes, watercolor, 4" x 5", 1995 © Bernadette E. Kazmarski

Buster Lookin’ at His Toes prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Buster Lookin' at His Toes

Buster Lookin’ at His Toes

SOMETIMES THE CAT you least expect will steal your heart, and you don’t really realize that until years have gone by. Buster wasn’t the brightest kitten in the litter, one of those cats who looks eternally surprised and a little uncertain, but he was sweet and loving and loyal all his life.

Here’s how Buster was rescued…

Buster was but one kitten from many litters born to a cat in a trailer park who simply was never spayed. The fact that a neighbor was setting out antifreeze for them to drink neither inspired the cat’s owner to get the cat fixed nor to keep them all indoors and safe. Buster’s mom and dad had recently lost a kitten they’d adopted to feline leukemia, and Buster’s dad, wanting to save at least one kitten from death by antifreeze and help ease the grief of the loss, chose one tiny black and white kitten to take home. At first, he was ordered to take the kitten back, the loss was too soon, but within hours, reconsidering the possible fate of the little guy, Buster’s mom told him to go back and get him.

This portrait wasn’t exactly commissioned, but was one of a pair of paintings I did as a housewarming gift for a friend. Back when I was just beginning in animal portraiture a friend and fellow cat rescuer showed me photos of her cats, Buster and Kitty, and offered me prints in case I’d ever like to create paintings from any of them. Though I have difficulty just keeping up with my own household I won’t turn down photos of any cats, especially those in her lovely Victorian-themed apartment. The sunlight, the curtain, the cats in the window, I couldn’t wait.

“Cats looking out windows” has always been a favorite theme of mine. Add the delicacy of sheer ruffled curtains and I’m totally hooked. It’s the whole scene I love, the moment, even the silly one of just seeing butts and tails on the windowsill and shadowed silhouettes through the curtain. Those memories are special, and even if we’re looking at others’ cats they still call to mind our own cats at the same moments.

I knew her cats and her apartment as she knew my cats and my home. We worked together and were also cat sitters for each other, and while my visit to her house was fairly simple with her two and then three cats, I had nine cats for her to feed and pet and entertain in my house.

She and her husband purchased a home and as I pondered what would be an appropriate housewarming gift for a friend I remembered the photos, especially those two of the kitties on the windowsills. I’d do a portrait! I remembered how she had loved the traditional features of that apartment, the oak parquet floors, big rooms and high ceilings, that wide traditional molding on the windows darkened with age. And of course she loved her cats, so the combination of the two was sure to be a winner.

I loved the sheer curtain and the traditional wooden windowsill, but rather than my usual pastel, I had been visualizing them in watercolor all along. I was pretty new to watercolor then, just about two years into it and not too many paintings yet, but I’d been studying quite a bit of other artists’ work. I could picture how I’d render the harder shadows and highlights on the wood, and knew it would carry the gauzy shadows on the curtain. The soft shadows on the walls would be a challenge, but the cats would be a joy—meeting my favorite subject in a different medium for once, like sharing a new experience with a friend.

But which photo? The photo with both cats didn’t show their faces, and while I do like unconventional poses and scenes for portraits I didn’t feel that was enough. The other was a typical posture for Buster with his legs stretched out and “looking at his toes”, and while I pondered how to fit Kitty in there from other photos I decided I’d rather not.

I’d do them both. Just two little paintings, 4″ x 5″. That solved it. Here’s the other painting. You can also purchase prints of this painting, and both images are available as greeting cards.

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, Watercolor prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty was a rather large and imperious long-haired black kitty they’d adopted from a shelter, and oh how I wanted a long-haired black kitty after meeting him! My black kitty Kublai was the love of my life, but that didn’t mean I couldn’t have a crush on another, even with Kitty’s, well, cattitude. He was okay, he never swatted me—but then I’d been well-trained by Sally, my white long-haired kitty, in the fine art of knowing when “happy happy purr purr” turned into “I’m totally done with this right now.”

This portrait wasn’t exactly commissioned, but was one of a pair of paintings I did as a housewarming gift for a friend. Back when I was just beginning in animal portraiture a friend and fellow cat rescuer showed me photos of her cats, Buster and Kitty, and offered me prints in case I’d ever like to create paintings from any of them. Though I have difficulty just keeping up with my own household I won’t turn down photos of any cats, especially those in her lovely Victorian-themed apartment. The sunlight, the curtain, the cats in the window, I couldn’t wait.

“Cats looking out windows” has always been a favorite theme of mine. Add the delicacy of sheer ruffled curtains and I’m totally hooked. It’s the whole scene I love, the moment, even the silly one of just seeing butts and tails on the windowsill and shadowed silhouettes through the curtain. Those memories are special, and even if we’re looking at others’ cats they still call to mind our own cats at the same moments.

I knew her cats and her apartment as she knew my cats and my home. We worked together and were also cat sitters for each other, and while my visit to her house was fairly simple with her two and then three cats, I had nine cats for her to feed and pet and entertain in my house.

She and her husband purchased a home and as I pondered what would be an appropriate housewarming gift for a friend I remembered the photos, especially those two of the kitties on the windowsills. I’d do a portrait! I remembered how she had loved the traditional features of that apartment, the oak parquet floors, big rooms and high ceilings, that wide traditional molding on the windows darkened with age. And of course she loved her cats, so the combination of the two was sure to be a winner.

I loved the sheer curtain and the traditional wooden windowsill, but rather than my usual pastel, I had been visualizing them in watercolor all along. I was pretty new to watercolor then, just about two years into it and not too many paintings yet, but I’d been studying quite a bit of other artists’ work. I could picture how I’d render the harder shadows and highlights on the wood, and knew it would carry the gauzy shadows on the curtain. The soft shadows on the walls would be a challenge, but the cats would be a joy—meeting my favorite subject in a different medium for once, like sharing a new experience with a friend.

They are matted and framed individually, but with the same mats and frames. Unlike most other portraits I feature, you are seeing these at about the actual size they were painted.

But which photo? The photo with both cats didn’t show their faces, and while I do like unconventional poses and scenes for portraits I didn’t feel that was enough. The other was a typical posture for Buster with his legs stretched out and “looking at his toes”, and while I pondered how to fit Kitty in there from other photos I decided I’d rather not.

I’d do them both. Just two little paintings, 4″ x 5″. That solved it. Here’s the other painting. You can also purchase prints of this painting, and both images are available as greeting cards.

Buster Lookin' at His Toes, watercolor, 4" x 5", 1995 © Bernadette E. Kazmarski

Buster Lookin’ at His Toes, watercolor, 4″ x 5″, 1995 © Bernadette E. Kazmarski

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

This art is “Beans”, 10″ wide x 6″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 6/9/13.

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

I had a day of painting en plein air, and came home and sketched my cat en plein air.

It’s interesting to see what I would come up with after a day of art. Typically the daily sketch of one of my cats is the first piece of art-on-paper I do in a day, and often the only thing, but I looked at the weather and knew it was one of my Sunday art days, no matter what I “should” have been doing. I’d started out with my contrived trip to the grocery store knowing I’d pass several areas I’d want to sketch and photograph, so when I came back I’d been warmed up with landscapes and streetscapes, then saw Bean on the top shelf of the cat tree in the quiet corner of the kitchen where the shadows are very green from the trees outdoors and the light is blue reflected from the sky.

The original inspiration was Bean’s toes, his little toe beans, oddly enough the clearest thing in the scene, matched with the subtleties of the light on his fur. I watched him settling for only a moment before getting the art bag I’d just put down and quickly roughing him in with the softer black pastel on the dark green paper and pulling the highlights with a few strokes of only three highlight colors. Then I blend with my fingers, one of the things I love best about drawing any animals in pastel but especially my cats, that as I use my fingers to blend the pastel into the paper and the colors into each other, the subject emerges, as if I’m petting them and they come to life.

And warmed up after a day of going about the business of art, photographing and painting and visualizing, this came about much more quickly and surely than it otherwise would have.

~~~

I actually did this sketch on a Sunday but waited to post it on a Money. There are no coincidences. I know the reason for the title and perhaps my even noticing Bean’s toes was the thought of another kitty and a conversation about the nickname “Bean” for her, and the name “Bean” turning up for several other cats at an auspicious time. We lost that little Bean on Monday, another little black Bean, way too early. She was so beautiful, and made me think of Mimi. For my friends who are missing their Sabrina Bean tonight, this sketch is in her memory, whether I intended it or not.

~~~

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Small jute tote bags with my leopard block print, "Yes?"

I imprinted my wildlife block print “Yes?” on both sides of a pre-made jute tote bag or small purse and detailed the edges with a spotted print. The bag is 8″ x 10″ x 3″, lined with thin clear vinyl and holds its shape well. Handles are sturdy plastic coated cord covered with jute. I only purchased and printed two of these bags to experiment, so when they sell out they are out of stock until I can find another similar bag.

Small jute tote bags with my leopard block print, "Yes?"

Small jute tote bags with my leopard block print, “Yes?”

ABOUT THE ARTWORK

G. Print only, black and white, $35.00

G. Print only, black and white

This linoleum block print captures a leopard I saw at the zoo, turning around with quite the question on her face. I so loved the spots that showed up so clearly in my photos so I decided to just print the spots. The art size is 12″W x 10″H.

Block printing is a technique wherein the artist carves the surface of a piece of linoleum, leaving raised areas which will become the image. Ink is rolled onto these raised areas, then a piece of paper is pressed against the block and when it’s lifted away the ink remains, leaving the image on the paper.

I also offer this print without color, as a print alone, and matted and framedI also offer this print without color, as a print alone, and matted and framed in my Wildlife Linoleum Blocks Print gallery, as well as on t-shirts and sweat shirts.

 

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Yes? Tote Bag

I imprinted my wildlife block print “Yes?” on a pre-made hemp tote bag. The bag is 15″ x 17″ x 3″ and unlined, great for shopping. I only purchased and printed two of these bags to experiment, so when they sell out they are out of stock until I can find another similar bag.

Yes? Tote Bag

Yes? Tote Bag

ABOUT THE ARTWORK

G. Print only, black and white, $35.00

G. Print only, black and white

This linoleum block print captures a leopard I saw at the zoo, turning around with quite the question on her face. I so loved the spots that showed up so clearly in my photos so I decided to just print the spots. The art size is 12″W x 10″H.

Block printing is a technique wherein the artist carves the surface of a piece of linoleum, leaving raised areas which will become the image. Ink is rolled onto these raised areas, then a piece of paper is pressed against the block and when it’s lifted away the ink remains, leaving the image on the paper.

I also offer this print without color, as a print alone, and matted and framed, as well as on t-shirts and sweat shirts.

 

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Summer Back Road, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Summer Back Road, Pastel, 8″ x 12″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

Summer Back Road, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Summer Back Road, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 3.

For me, almost any spot along winding, hilly back roads through fields with old trees and fence posts is a worthy spot for painting. This is one of many I liked best of the group I’ve been taking over the years for various reasons. The tree in the center is the main subject if you ask me, and I like the way it owns the road. The road itself leads straight into the scene, unlike most of my road sketches where the roads have bends. The field on the left gently reaches up and up and up out of the shadow in the left corner. That fluffy summer sky is just so pretty, just enough cloud, just enough blue. It’s a scene that always makes me feel very expansive, positive, wanting to run to the top of the hill as I did when I was a child when I saw such a place. The whole scene has a very simple color palette, and where I like to add complementary colors to most of my paintings to liven up the shadows and highlights, I wanted to maintain the scene’s simple, literal sense. A summer day is very uncomplicated.

It’s painted in soft pastel on a self-prepared board. Where I had added the pastel grounds smoothly on other boards, I stippled it on this one intending to use it for a scene that had fine details, like the leaves on the trees. I used that texture to build the textures all over the painting.

Read my wrap-up of all my paintings from this painting challenge.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Front and Back", white and black charcoal on toned paper, 8" x 5" © Bernadette E. Kazmarski

“Front and Back”, black and white charcoal pencils on tan toned paper, 5″ x 8″ © Bernadette E. Kazmarski. The original is available as well as prints made in archival inks on paper and canvas.

ABOUT THE ARTWORK

The framed sample above is a different sketch, but a sample of the style of mat and frame, in coordinating tones, of course.

Giuseppe and Jelly Bean were sharing the same spot of sun on the landing today, contentedly tucked side to side, facing opposite directions. Jelly Bean looks like just a pile of something. Giuseppe at least has ears. They were absolutely fast asleep.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Serenity-detail2
Serenity, pastel, 5 x 20, 1998 © Bernadette E. Kazmarski

Serenity, pastel, 5 x 20, 1998 © Bernadette E. Kazmarski

This is a signed digital print of an original painting, “Serenity”, pastel, that’s 5 x 20, just a long which I painted to fit a frame I recycled.

ABOUT THE ARTWORK

This sailboat drifted lazily for hours on the calm waters of Lake Arthur in Western Pennsylvania. As the August afternoon tended toward evening, the sky began to grow pink and the shadows darkened and lengthened, and the serene moment seemed to last for hours.

Painted en plein air as I sat on one of the beaches at the north end of the lake, watching this sailboat was one of my favorite afternoons; this painting always takes me back to that day.

Because of the odd size of this painting, the only reasonable reproduction is a giclee or a digital print, but I also offer custom framing.

Framed print

I use a white mat with a plain square 1″ pine frame in the sample above. Other mat and frame choices may cost more.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

One Pepper, pastel, 5 x 7, 2001 © Bernadette E. Kazmarski

Hat With Wildflowers, pastel, 5.5″ x 8.5″, 2013 © Bernadette E. Kazmarski

Just the art.

Just the art.

ABOUT THE ARTWORK

I happened to leave one green pepper in the oval enamel bowl on the deck from the morning’s harvest. I love my collection of red-rimmed white enamel bowls of all sizes and shapes, and I actually use them to prepare and process vegetables from my garden. I’ve always been fascinated by how the light and shadow plays around on the inside, and seeing that and the light and shadow on the pepper as well I couldn’t help but grab my pastels for a quick sketch.

The art is 5″ x 7″, double-matted with a quarter-inch of tan black core and 1-1/4″ natural white black core in a cinnamon wood frame.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

Wheels and Spokes

“Wheels and Spokes” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Working on my “real” bike and an old salvage bike on my front porch, the sun came around to a nice angle and cast their tangled shadows across the porch.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This 14″ x 14″ canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

"Spring Comes to a Bend in the Creek", 26" x 19", pastel on sanded paper © Bernadette E. Kazmarski

This painting is entitled “Spring Comes to Bend in the Creek”, 26″ x 19″, done in soft pastel on sanded pastel paper. I offer full-size giclee prints as well as a variety of digital and canvas prints.

ABOUT THE ARTWORK

I didn’t paint my inspirations of the seasons in any particular order, simply in the order they came to me, though I painted the sketch for this painting, “Spring Thaw”, long before the idea of painting images of my local watershed ever occurred to me. I wanted to capture the wild feeling of this familiar little spot: the spring mist, the tangled branches, the rushing water full of color.

"Spring Thaw", 8" x 10", pastel, 2003 © Bernadette E. Kazmarski

“Spring Thaw”, 8″ x 10″, pastel, 2003 © Bernadette E. Kazmarski

So here is spring as the snowmelt rushes over rocks and gravel and around the bend right here in Carnegie, the sycamores reflecting white in the stark early morning sunlight, a little bit of mist wafting among the trees.

This site looks remote, but it’s a bend in the creek I pass nearly daily in all seasons, especially if I’m on foot on my way to Main Street. Chartiers Creek bends so much, but at this one point it lines up with the morning sun as it rises over Library Hill and both touches the water, rippling over rocks in this area, and the trees, illuminating individual branches.

A hill behind this bend also reflects that light back onto the water at the bend which created an interesting change in color palette across the water.

And the mist is rising as the sun warms the channel, as if sweeping it away.

This painting became the inspiration for my fourth annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, Coming Spring.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

The price below would include a 16″ x 20″ gold frame with decorative corners, but it would likely not be identical to the original, unless I happen to find a similar one at another thrift shop. I do all my own framing and can custom frame a print for you. Please ask.

© 2016 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If youdon’t find it there, visit “purchasing” for availability and terms.

Of the Rain and Giuseppe

“Of the Rain and Giuseppe” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

About the artwork

“Of the Rain and Giuseppe” is one of a series of photos I took of Giuseppe looking out the window at the rain and have always thought they’d be able to convey a variety of messages as photo cards, each of which can be found in my Feline Photo Greeting Cards gallery, and also attractive photo prints, which you can also find in my Cat Photos and Black and White galleries.

I could hardly pass up the mood and the composition, chose six of all the photos I’d taken, decided they’d look best in black and white and set them up as a photo short story on The Creative Cat in Of the Rain and Giuseppe. Giuseppe often gazes out “the big north window” dreaming in eloquent and sometimes lyrical terms of his precious French-Canadian Mlle. Daisy Emerald Marguerite who lives up the hill in faraway Canada, and who in real life is kept safe and loved by a friend in Hamilton. She and I enjoy composing messages back and forth in very purple Victorian prose, I enjoy the exercises in writing in a different style and subject matter, and we all have a great laugh, except Giuseppe who is a little insecure.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 14 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

This painting is entitled “Spring Cleaning”, 20″ x 14″, done in various pastels on self-prepared sanded pastel paper. I offer full-size giclee prints as well as a variety of digital and canvas prints.

ABOUT THE ARTWORK

Click the images to see the enlarged version, click the right edge of the image to bring up the next image in the gallery.

I regularly passed the backyard of an old farmhouse near me, and was drawn at first by the forsythia, which was right on the edge of the road as I drove past, then as I slowed down I saw the colorful hanging laundry, always a favorite subject. That hazy spring sunlight with long shadows on the grass, easily distinguished bare lilacs, young leaves on the trees and the white-sided house all combined in a scene that could have been any year in the previous century when everyone hung their laundry outside and that first spring day warm enough to dry it left it smelling so fresh.

This scene and this painting have many levels of memory for me. I passed this house because it was on a corner very near the personal care home where my mother lived for six years, and as I approached, seeing this angle, I would wonder how she would be. I painted it while she still lived there, remembering those drives and thinking of her. Just a few years later the house and grounds were remodeled, changing the corner completely, so that only the painting held those memories.

More than one friend mentioned there was a sense of a spirit there, flitting among the laundry, perhaps someone who had lived there years ago and planted all the shrubs, or perhaps my mother’s memory, dressed in one of her early 1950s tiny-waisted dresses, her dark hair in a pert cut with bangs, bringing in the laundry in the late afternoon.

A friend, who has also purchased other paintings from me, purchased this painting in 2011, and it reminds her of many of the same things as it does me. I’m so happy it’s in a home where all its little quirks are appreciated.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

The price below would include a 16″ x 20″ gold frame with decorative corners, but it would likely not be identical to the original, unless I happen to find a similar one at another thrift shop. I do all my own framing and can custom frame a print for you. Please ask.

© 2016 | www.PortraitsOfAnimals.net
Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Fruit", original framed pastel, 5.5" x 3.5", 2000 © Bernadette E. Kazmarski

Original pastel, 5.5″ x 3.5″, 2000. The mats are 2.25″, white under mat and deep orange suede top mat. Frame is 8″ x 10″, a 1.5″ wide decorative antique gold for a total size of 11″ x 13″

ABOUT THE ARTWORK

I did this quick little sketch while teaching a class in plein air sketching and working with minimal materials. It’s an orange and a red apple and a green apple with blue shadows. I’ve always liked it. and finally decided to frame it up.

The sketch is done in pastels on mat board I primed with fine grit tinted blue. The mats are 2.25″, white under mat and deep orange suede top mat. Frame is 8″ x 10″, a wide decorative antique gold.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

Field of Daffodils

“Field of Daffodils” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

These daffodils bloom in my neighbor’s garden across the street, right where I can watch them and enjoy them when they bloom each year.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Nodding Trillium

“Nodding Trillium” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I am so fortunate to have wooded hillsides all around me with trails that make them accessible, and perfect for photography and painting in all season. I’ve walked the trails as each successive seasonal flower blooms and chosen a few of my favorites, among them the Nodding Trillium, so welcome in the shadows under early tree cover.

Visit this link in my Photography section to see these slideshows of wildflowers from all seasons.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

That Green One in the Back, Photo

That Green One in the Back, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I had a great time photographing this bunch of marbles and I took so many playing around with angles and focal depth. This image is focused on “that green one in the back”.

I found this bunch of marbles in the soil of a yard where I lived years ago. None is valuable, but are all interesting and were probably some child’s collection of neat stuff that somehow got tossed in the yard—big brother teasing? little sister go hold of them? mom tired of the noise of them rolling around the floor? They were all in an area where I’d dug my garden and I found them as I tilled the soil, so unfortunately some of them are nicked or scraped.

Right now I use them in the bottom of flasks and bottles with cut flowers and plant cuttings, but I rinsed them and laid them in the sun to dry and I really lost my marbles with the inspiration of the color, iridescence, reflections and refracted light through colored glass in early spring sun. This is one of many, many photos. I can guarantee you’ll be seeing more from this particular photo shoot.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Front Line, Photo

Front Line, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I had a great time photographing this bunch of marbles and I took so many playing around with angles and focal depth. This image looks like the marbles are pressing forward for action.

I found this bunch of marbles in the soil of a yard where I lived years ago. None is valuable, but are all interesting and were probably some child’s collection of neat stuff that somehow got tossed in the yard—big brother teasing? little sister go hold of them? mom tired of the noise of them rolling around the floor? They were all in an area where I’d dug my garden and I found them as I tilled the soil, so unfortunately some of them are nicked or scraped.

Right now I use them in the bottom of flasks and bottles with cut flowers and plant cuttings, but I rinsed them and laid them in the sun to dry and I really lost my marbles with the inspiration of the color, iridescence, reflections and refracted light through colored glass in early spring sun. This is one of many, many photos. I can guarantee you’ll be seeing more from this particular photo shoot.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Patiently Waiting, Photo

Patiently Waiting, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I had a great time photographing this bunch of marbles and I took so many playing around with angles and focal depth. Each marble is holding perfectly still and relaxed in a group, reminding me of people in a small crowd patiently waiting for something to happen.

I found this bunch of marbles in the soil of a yard where I lived years ago. None is valuable, but are all interesting and were probably some child’s collection of neat stuff that somehow got tossed in the yard—big brother teasing? little sister go hold of them? mom tired of the noise of them rolling around the floor? They were all in an area where I’d dug my garden and I found them as I tilled the soil, so unfortunately some of them are nicked or scraped.

Right now I use them in the bottom of flasks and bottles with cut flowers and plant cuttings, but I rinsed them and laid them in the sun to dry and I really lost my marbles with the inspiration of the color, iridescence, reflections and refracted light through colored glass in early spring sun. This is one of many, many photos. I can guarantee you’ll be seeing more from this particular photo shoot.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Misty River Morning, watercolor, 8 x 11, 2006 © Bernadette E. Kazmarski

Misty River Morning, Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

It’s often misty along the rivers, and coming toward Pittsburgh from the west the early morning sun lights the mist with different tones, on this particular day it was pink and all else looked a dusky blue. I painted this watercolor in two colors, a pink wash in the background and the elements in cool Prussian Blue.

Pittsburgh’s skyline is so familiar to anyone who lives here, especially PPG Tower with its four modern glass spires at the corners, and you can also see the fountain at The Point, pale against the darker trees of Point State Park behind it, a little bit of Heinz Field and a tugboat plying its way down the still river creating just a bit of a wake, all seen through and around the arch of the West End Bridge.

I created this work for an exhibit I had in 2006 entitled “100 West Busway”, featuring 125 thumbnail photos of Pittsburgh taken through the bus window on the round-trip journey from Carnegie and back on the 100 West Busway route, running from the south hills into downtown Pittsburgh, through the east end and Oakland and all the colleges and research centers, back into downtown and back to the suburbs.

From the 125 thumbnails I created a dozen works, each in a different medium, all framed with black wood frames and white mats. This is one of those pieces, and is actually one of the originals from the show.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

Pear Trees on Main Street, Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

In April , when the ornamental pears bloom, Main Street seems more colorful than usual with big clouds of soft white pear trees all along the street. Even though I painted this in 2003, it carries the memories of Carnegie’s Main Street as I was growing up, visiting the shops and walking here after leaving St. Luke’s School, then, later, working my first full-time job at the Isaly’s.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

I Have Vanquished the Blue Fuzzy

“I Have Vanquished the Blue Fuzzy” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the artwork

Mewsette emerges into the sun with the blue fuzzy she has chased around and around and around my room until finally she captured it and presents it to me.

I am honored.

Her triumphal stance is priceless.

Possibly one of my favorite photos EVER, this was Mewsette’s “debut” in 2010, and another of the photos that encouraged me to post daily photos of my cats—I first posted this on my daily photo blog, Today, instead of posting it here! But I remember, and revisiting the folder of photos I took that day, that I only had one chance to get this shot, and it was only by luck that it was a clear and well-exposed shot. With Mewsette’s playful activity she only held still for a few seconds, and with the contrast in the sunlight and darkness it could have been completely overexposed or totally blurry. Lucky me! Enjoy Mewsette!

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting card is printed on 12 pt, uncoated stock.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Leaves and Shadows", watercolor, 5" x 7" © Bernadette E. Kazmarski

Leaves and Shadows prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

Here I’m trying to catch my impression of Jelly Bean on the table by Cat TV, where the leaves from the lilac flutter and the sun comes in at an angle, a little bit of leaf patterning and shadows. The scene itself is actually much darker than this but I wanted to capture the sense of light so I used the transparency of watercolor to its best ability. Bean is napping, and facing away from the window his face is in shadow while his back disappears in highlight.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Mimi's Sunbath, 5" x 7", ink marker and watercolor pencil © B.E. Kazmarski

Mimi’s Sunbath, Ink and Watercolor. The original art was 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I really liked this as an ink sketch and almost left it with just Mimi, but when I had looked at Mimi in this very spot I envisioned an ink drawing with watercolor washes. I began the sketch on watercolor paper, and so I finished it. I like it just as much.

This has both deep shadows and bright highlights, and both direct and reflected light, a challenge for me in ink, for sure! But while Mimi did move her head to face front, look up at me and look behind herself, she sat for long enough for me to get the light and shadow on her torso sketched in with pen, then a bit of watercolor pencil scribbled on top.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Curving Silhouette Trinket Dish

This 4” round curved dish is made from natural white polymer clay, handpainted with black design adapted from a daily sketch.

This little trinket dish is 4″ in diameter and made from natural white polymer clay. The black design is adapted from a daily sketch that is actually made from cut paper, in black of course, and Mimi was the model, “Curving Silhouette”. You can read more about the art and my daily sketches on The Creative Cat. Price includes shipping.

Each dish is formed and painted individually, and I only made eight of them, so just a few are left.

I rolled the clay fairly thin, cut it with a 4″ cookie cutter, and placed it in the bottom of an old cereal bowl and rolled a smaller bowl around the inside to thin the sides but leave the bottom a little thicker, then ran my finger around the edge to thin it out just a slight rounded edge.

The design is painted in matte black soy-based acrylic paint. I did not add a finish to protect it because I wanted the original look and feel of the clay and paint.

I’ve long wanted to experiment with polymer clay and fixated on this design when I first began thinking about my Sampler Box program, so this little dish was part of my first box.

This may be my last experiment with polymer clay, though. With all the warnings about its toxicity and my felines’ keen interest in what I was doing, I think I’ll try air-dry clay next time, until the time I can start firing things.

ABOUT THE ARTWORK

Read more about “Curving Silhouette” and my daily sketches on The Creative Cat.

Morning After the Rain

“Morning After the Rain” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I wasn’t outside to take photos this morning, but I ended up doing just that when I came around the corner of the house to the back yard to see this glory of color and sparkles. What a gift.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

"Swirling Bath", pastel, 7" x 10" © Bernadette E. Kazmarski

Swirling Bath prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Well, this wasn’t at all what I’d set out to do, but then I’d set out with kind of a loose idea to begin with, “sketch Mr. Sunshine on my desk”. I started out with the toned paper and charcoal seeing Sunshine with his glossy black fur, but suddenly discarded that in favor of my pastels and a half-formed idea of blended color areas on paper with a black outline sketch on top to give them definition. He is so graceful, especially when he turned to wash his side with his tail curling around to the front. So, here it is. It’s a little darker than I’d have liked it had I planned it, but overall I like it. Below, I cropped it so that it didn’t have the white edges. Often the white edge dilutes the colors, which is why I sometimes crop the colorful ones to eliminate that influence. The colors look a little more intense this way.

pastel sketch of cat bathing

“Swirling Bath” cropped.

I donated this original sketch, framed, to the Animal Rescue League Shelter & Wildlife Center’s annual Paws & Prints Benefit in 2014.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Kelly With Grapes and Apples (cropped), ink marker and watercolor pencil © B.E. Kazmarski

Kelly With Grapes and Apple. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

When the sun moves around to filter into this window, Kelly hops over to enjoy it and have a nice bath on the cabinet. In a rare moment of repose, she sits still and lets the sun warm her back, the light reflecting back from the pine wood cabinet warming the tones of her tortoiseshell fur.

This is not an easy image to paint as a quick sketch, and certainly I would never have considered it as such if I hadn’t watched Kelly at this activity nearly every day since late March. I have enough of the colors and shapes and details memorized just from frequently looking at it and photographing it, so actually doing a quick sketch wasn’t as difficult as it might have been.

I let Kelly bathe and find a comfortable spot, sketched her torso and tail and paws, then watched her as she moved her head to a position that worked well and quickly sketched the outline of her face and ears; I had wanted more sun on her face, but that was not to be.

While I waited for Kelly’s tail and face to find a moment of stillness for at least ten seconds, I began on the objects in the background, the mid-century brass and tempered glass raised fruit dish with its olive green glow cast on the table, the apple and green grapes which I’d kept replenishing to continue photographing and hoping to get time to sketch or paint, and the simple shapes of the curtains and shadows on the tabletop.

As usual, there are areas I am not happy with and would render differently, but visualizing, then actually diving into the subject and rendering it is the only process for finding out what does and doesn’t work.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Garden Sketch With Mimi", 5" x 7", watercolor, 2013 © Bernadette E. Kazmarski

Garden Sketch With Mimi prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

This was not what I’d intended to paint that day but I like it anyway. It’s Mimi napping in the shadow on the cool bricks among the geraniums, near the vintage aluminum tub where I grow pole beans. Mimi was so happy to be outside she only rested in each position for less than a minute, and the sun was in and out behind the clouds. The temperature was in the 90s and we weren’t doing much but looking for a comfortable spot.

I had wanted something a little tighter in detail, but I like the details this one has. I did a light pencil sketch underneath because it’s so small I knew I’d run out of space if I didn’t give myself some guidance about Mimi, the geraniums and the barrel, but aside from that I just painted.

In part I was using the quick and easy eight-color grade-school watercolor set that’s easy to carry and use. I really need to get a set with a greater color range if I’m going to paint outdoors.

But what was my purpose with this painting? Sometimes I sit down to capture the details of the moment, and some day I’d like to do just that with the reference photos from this, but with my actual sketch, and all my daily sketches, my purpose is just to capture the essence of the moment and share what moved me to render the scene. In this case it was a relaxed Mimi in the shade on a hot morning, stretched on those familiar bricks next to the cool anodized aluminum tub where I’ve always planted pole beans and surrounded by my geraniums saved from year to year. It was a scene I loved for my love of my garden, my appreciation of Mimi relaxing in a place she’d once hunted for food to feed her kittens, and the memory of the generations of cats before her who enjoyed that very spot, this little patio and the verdance of my garden.

I also have this art as a garden flag in a separate listing.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

GARDEN FLAG

I also have this art as a garden flag in a separate listing.

Blue Pitcher With Black Cat

“Blue Pitcher With Black Cat” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the artwork

I have to say, I do like it, Mr. Sunshine, subtle, almost abstract. I have some talented cats here. I do like the photos that show all the assets of my beautiful cats, but I also like the abstract shots that happen to have a cat in them in a very artful way.

I also had way more photos of the blue pitcher with black cats in them than without. I had my DSLR in my right hand and my left arm around Mr. Sunshine, Giuseppe and Mewsette on the cabinet, holding them against me as they struggled, and waving my right foot at Mimi and Bean on the floor to decoy them from jumping up. So I was standing on my left foot and doing the hokey pokey, and I don’t know why the photo is as clear as it is, or how I got the angle I wanted showing a bit of the table above it…

 

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting card is printed on 12 pt, uncoated stock.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
“Spring Sidewalk”, pastel, 6.5″ x 9.5″ © Bernadette E. Kazmarski

“Spring Sidewalk”, pastel on multi-media paper, 7″ x 10″, 2014 © Bernadette E. Kazmarski. The original is framed in a 1-1/2″ solid wood white molded frame with 1″ white mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

Suddenly, it’s spring, and most days are really sunny! After this winter it’s totally captivating, and distracting. I can’t go anywhere without seeing possible paintings. Like this one, which I photographed as I didn’t have my sketching materials with me because, for the past couple of months, there hasn’t been anything I wanted to sketch, really. I’ll have to pick up the bag when I leave the house, along with my camera…so much to carry.

In part it was the loveliness of the row of trees, but it was also the deep shadows contrasted with the brilliant sunlight, the vivid green grass and young green leaves. It’s just a simple walk down a sidewalk, changing each minute of the day, and each day of spring, but still so special.

This is sketched in mixed soft pastels on multi-media paper, just enough tooth to hold pastel but no real finish.

The original is framed with a 1-1/2″ white mat in a 9″ x 12″ white molded wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Mother and Daughter, Sun and Shadow, watercolor pencil, 5" x 7" © Bernadette E. Kazmarski

Mother and Daughter, Sun and Shadow, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

“Mother and Daughter, Sun and Shadow” is one of my daily sketches from last June when I was still experimenting with my watercolor pencils, mixing my love of simple sketches with the ability to blend colors, though not with my fingers as I am accustomed with my other familiar dry media of pastel, pencil, charcoal and the like. I sketched the basis of this, Mewsette and Mimi curled together on that pink flowered rug in a patch of sun on the upstairs landing, then ran a wet watercolor brush over it, just water, and let the colors blend as they would, magically turning my sketch into something I had not visualized.

These two were curled up together on the rug on the landing, in very diffuse sunlight, not the bright morning light we often have, but it reflected off the white walls and created some interesting color combinations in their fur as well as reflected areas. Nice composition they made, and I wasn’t quite sure what I wanted to do with it at first, but I’m glad I chose watercolor for its opacity.

One of my all-time favorites! I don’t remember making the logical decisions to blend those colors, outline in green and soften it all with a wet watercolor brush, and I love it when that happens.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

NOTE CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

“From the Ground Up”, pastel on multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

“From the Ground Up”, pastel, 7″ x 10″, 2014. The original is framed in a 1-1/2″ solid wood white molded frame with 1″ white mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

I followed my little black cat Mimi into my neighbor’s yard, just across the fence line, no fence, from our yard, and looked up at the tall maple tree that I see out my back windows all the time. What a great view, all those colors and shapes and little bits of sky, I guess I’ll sketch it. So here it is.

This is sketched in mixed soft pastels on multi-media paper, just enough tooth to hold pastel but no real finish.

 

The original is framed with a 1-1/2″ white mat in a 9″ x 12″ white molded wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Columbines, Watercolor, 5 x 7, 1994 © Bernadete E. Kazmarski

My Mother’s Columbines, Watercolor, 5″ x 7″, 1994 © Bernadette E. Kazmarski. The original is still available and is framed in an 8″ x 9″ hand-finished gold frame, deep purple oval mat with a hand-finished gold edge. Prints are also available on paper or canvas.

ABOUT THE ARTWORK

Another piece borne of January inspiration in my seed and flower catalogs, this little bunch of columbines was so joyful that it stayed with me. One of my favorite flowers, it is also a favorite of my mother, and I gave this painting to her as a birthday present one year. She has since passed away and I’ve sold her home, and kept the artwork I’d done. I sold the original to a good friend to give to her mother but this image will always remind me of her.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Red Climbers, watercolor, 10 x 20, 1995 © Bernadette E. Kazmarski

Red Climbers, Watercolor, 14.5″ x 6.5″, 1995 © Bernadette E. Kazmarski. The original is sold but prints are available on paper or canvas.

NOTE: The original art was 14.5 x 6.5, but I also offer a print at 14 x 7 so that it fits standard 10 x 20 frames.

This painting has always been popular so I offer it in a variety of sizes. Because the art is cropped to fit many standard size frames and canvases, the gallery below includes the original and they cropped versions for various sizes:

Framed 9.5 x 4.5 Print (I had a frame and cut the mat to fit).
14.5 x 6.5, the native size
14 x 7, matted to fit 10 x 20 frame
14 x 7, unmatted
16 x 32 (canvas)
12 x 16 (canvas or print)
11 x 14 (canvas or print)
10 x 8 (canvas or print)
5 x 7 (greeting card)

ABOUT THE ARTWORK

This photo reminded me of my mother’s climbing red roses which grew up a trellis on the side of the house. These roses have always fascinated me because they just keep going–up the fence, over the fence, down the other side. As a watercolor it was pure pleasure, with enough color, light and shadow and shape for it to be interesting. The reflected light near the bottom, especially, was a joy to study and discover.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

The Perfect Place, 10 x 10, pastel, 1995 © Bernadette E. Kazmarski

The Perfect Place, Pastel, 10″ x 10″, 1995 © Bernadette E. Kazmarski. The originial is sold but prints are available on paper or canvas.

ABOUT THE ARTWORK

Just one little careful study of sun on the bench and flowers, from anothers’ garden. My own garden bench should be so well landscaped.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Inspire-Me-Monday-Button-1502

"Summer Field", pastel, 10" x 12" © Bernadette E. Kazmarski

“Summer Field”, pastel, 10″ x 12″, 1998. The original and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

This is a field edged in mature maple trees in Settler’s Cabin Park, near me in Western Pennsylvania. On a summer day clouds moved overhead, casting shadows that moved with the breeze. I chose a looser style to capture all the movement I sensed in the afternoon.

The original is framed with a 2-1/2″ white top mat and 1/2″ sage green with olive core bottom mat mat in a 16″ x 18″ plain square 1″ cherry wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

"Cat Mountains", pastel on pastello paper, 12" x 9" © Bernadette E. Kazmarski (adjusted version)

The Cat Mountains original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Three cats asleep, just like mountains in the dark.

This was purely a visual inspiration, looking at Mimi and Bean and Mewsette all curled into one another, all the ears and backs and peaks and valleys looked like a mountain range to me, so I decided to do a more finished drawing with that idea.

In order to make it convincing to anyone else but me, I had to put the moment into context. Where were these mountains? I thought. And what time of day was it? I decided because they were dark and the highlights were one of the very most inspiring things about them that it had to be night. I added stars to the night sky after I’d let it sit for a while; I didn’t want to, it seemed cliché, but in the end it drew attention away from the cat figures long enough that they did, at first, look like mountains in the darkness.

Where are they? Because they were actually sleeping on my nice flat and level work table, I decided they might be mountains near the desert.

What I was trying to capture was the sense that they rose up organically from the surface, much as mountains in the desert seem to do, and convey both the strength of mountains and the quiet peace of a mountain scene at night under a starry sky. It’s not just an interesting visualization, it’s also descriptive of what I intuitively sense from cats themselves, and especially this particular group of five when they get together in cat piles, that quiet tranquility, yet the strength of their structure evident even as they rest.

I’ve never seen mountains in the desert under a dark and starry sky. That part is pretty much made up from some photos probably in National Geographic and some creative visualization.

They are worked in pastel on black pastello paper, though unlike other sketches I didn’t leave the black open, instead I drew in the darkest areas with black pastel and didn’t leave anything uncovered. I’d mentioned earlier that I typically ignore their color, using their silhouettes as a starting point for new designs, but this time their solid blackness is an important part of this idea, imparting the idea of solid strength. Their mahogany mid-highlights and their blue top highlights were part of the inspiration as well, seeming to describe the slopes and peaks of a mountain in starlight. I’m not sure I would have seen this visualization that led to this if they’d been striped or spotted.

And while typically my daily sketches are quick and undetailed studies and a pretty literal interpretation of what I see, this is an example of some of the ideas I have on a regular basis, and which I’ll pursue in between other things.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

“Hummingbird and Irises” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
A female rubythroat peruses purple irises. There was plenty of red and pink in a friend’s garden, but I guess she decided to try a different flavor.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Inspire-Me-Monday-Button-1502

“Cathedral of Trees” photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

This photo is “Cathedral of Trees”, a spot on the floodplain where trees have to reach high out of the valley to capture the sunlight and so grow tall and straight. The trail among the trees and bends through an area where the trees arch over the soft leaf-littered path like an entry way to a magical place and has the feeling of a high-ceilinged cathedral where the light comes in from clerestory windows.

It’s right off the Panhandle Trail in Collier Township, PA, and part of my “Sun Shadow Ice and Snow: Seasons Along the Panhandle Trail” exhibit. It’s so exciting to share some of my favorite places with people who might never otherwise see them.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This photo is 10″ wide x 20″ tall, and is framed in a wide solid walnut frame with a green parchment mat. Mat and backing are acid free, glass is premium clear. All framing is done by me. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Mimi Hunting: Intent, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Mimi Hunting: Listening, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Mimi Hunting: Waiting, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Mimi Hunting: Watching, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Namir at the Window, acrylic, 13" x 17" © Bernadette E. Kazmarski

“Namir at the Window, Acrylic” is 13″ x 17″ on canvas panel. Prints are made on artist canvas, hot press giclee paper or Epson Velvet Fine Art Paper.

ABOUT THE ARTWORK

This is my one and only (so far) acrylic painting featuring a cat. Here’s the story.

Normally, I’m pretty linear with working on something, focusing on one clear idea at a time. When I’m learning something new I hit points where I’m not skilled enough to do something and need to either work it out there or outside of that piece, or just stop and let the lessons I’ve learned sink in and get back to it when I’m ready to move on. I began this painting in January 2008 from photos I took of Namir in 2005, I think, soon after I’d gotten a big box of acrylic paints and brushes and canvas panels from a neighbor whose aunt had been an artist. I don’t care for the finish on acrylic paints, much preferring oils but not the smells and chemicals, so I’ve just avoided the entire thing. I decided that the gift of free art materials meant the universe wanted me to paint in acrylics, and I wanted to work with a more dimensional medium—I wanted the brushwork, the impasto of layers and colors, the texture of the canvas showing through the paint.I remembered this photo and got started.

I hit a learning wall at one point and put it aside to work on commissions. I pulled it out again in April of 2009 when Namir, at 15 with hypertrophic cardiomyopathy, was having increasing trouble with congestive heart failure, kidney failure and related health issues, and I know we didn’t have much time left. I wanted to work on the painting when he was still with me. He died in July 2009, and again I left it where it had been at that time, and this is what you see today.

I love to remember Namir in any way I can, and the area where I keep this windowbox is too shady for the colorful geraniums and petunias and marigolds I’d always grown in it. The pleasant memory of him at the window with the flowers is a treasure to spend time with, a time that has passed, but one I’d probably return to if I could.

The canvas panel, and the painting, is actually larger than this, but I cropped it down to the area of it I like and feel is the essence of the painting. I want it to show what I remember most and what I feel is most important, and I don’t need to show the whole scene to do that as I first thought. It’s a canvas stretched on cardboard, not stretchers, so all I need to do when I’m done is cut out the part I want to use and frame that. I’ve done that with others I painted in the same era. For now, I just won’t work on that anymore. That’s kind of freeing!

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

 

"Here in the Shadows", pastel on pastello paper, 7.5" x 11" © Bernadette E. Kazmarski

Here in the Shadows original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

June is sunny, July is usually a little too sunny—and hot. But a shady corner next to an open window is a respite from midsummer heat, and sable house panthers tend to melt into the shadows. Seeing my daily photographs you can probably tell I love this mirror and using the reflections in it. In this sketch I had the chance to paint the reflection, so much fun to render mostly with the pastel remaining on my fingers after sketching the Bean.

Here’s what I had to say from 2013:

A very good place to be on a hot day. Jelly Bean is in the shadows behind the curtain, dozing on top of the wardrobe by the open window. He was really the only part I was interested in, his deep blackness with the few intense highlights defining a few features. It’s how I see him when he sleeps there. Pastel carries this off so well, even the texture of the paper.

And then there’s that red velvet highlight across his mid-section. Sometimes I’m less specific in my sketches and I don’t always remember which black cat was the model, but in this case only Mimi has red velvet highlights like this—that’s where Bean got them. But she is much smaller and while she sits there to look out the window all the time, she rarely stretches out for a nap. That’s a Bean thing, and he was at it a little earlier today.

In 2014 when I posted this image again, I said this:

Over the year I’ve grown to like this simple pastel more and more. The simple shapes in the shadowed warm amber tones of a hot summer afternoon with the blinds pulled halfway, the way the natural texture of the paper became the pattern of the lace curtain, Jelly Bean’s fur, dense black in the shadows but with its natural red velvet cake tones in the mid-range, the highlight on his face and whiskers, and the reflection in the mirror, softened, blurred, natural. It’s one of those I look at later and think, “I don’t remember doing that, as I walked right past my logical mind choosing colors and planning how I’d put the pastel on the paper to my intuitive mind that just went ahead and did what it pleased.

All that comes with practice, and again it’s one of the reasons I am glad for my daily sketches, even if I don’t do them each day; right now I’m working on other art that you’ll see at some point.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
The Garden Bean, color

The Garden Bean, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Moses absorbs the sun on her fur and from the bricks until it gets too hot, then she moves into the shade of the barrel of pole beans, her favorite shady spot.

(Framed photo of Mimi just a sample.)

The beans are growing, the geraniums are blooming, the sun is bright and hot, and I remember a certain sweet gray kitty who spent every available moment on the brick patio next to my garden, summer and winter, and each time I look at the florid overgrowth out there I remember how Moses enjoyed the little brick patio. Other kitties would come and go during the day as the heat and their interest waned, but Moses was serious about her outdoor time.

Her reign as a Garden Sprite lasted from very early in my years here, about 1992 until just before her death in February 2006. A physically limited formerly feral kitty, Moses never asked for much, but was passionate about what she felt she should have. Her hips and hind legs were wasted and her muscles weak the day I took her in in 1987, and while she gained more strength than I ever imagined she would in those legs she was never able to run or jump, instead climbing on the rare occasion she felt the need to be off the floor, and hopping like a bunny for a few steps when walking somewhat quickly wasn’t getting her there quickly enough. As she grew older those hind legs and hips began to develop arthritis, and while I tried many treatments for her from glucosamine and chondroiton capsules to herbals and homeopathics, she resisted having anything administered to her however gently, and the best I could do was add homeopathics to the household water bowls.

Instead, one day as I worked in the garden, she came to the basement screen door. Once Moses came indoors there was no turning back, and she didn’t even look outside, in part fearful of what was out there. But she’d been lying in the sun coming in the basement door and followed it across the floor as it moved…out the door. Well, what was a kitty to do? She looked at me hopefully with that lovely gray tabby face, and gave me one of her sweet, silent meows. I could deny her nothing, my eternally gentle and humble little bodhisattva, and under the spell of her soft green eyes I opened the screen door and let her walk outside. She stepped out the door, let me close it, and laid down on the sun-warmed concrete slab, which was where her sun had gotten to. Through the day, as I weeded and trimmed and transplanted and harvested, she moved along with the sun, sipping now and then from the water bowl I’d brought out.

And so began nearly 15 years of daily thermonuclear treatments for Moses. Summer and winter she had to have time on her bricks, or at least on the wooden deck, even if only 15 minutes. I never let her go out without me so her days during the week were abridged, but when I began working at home she was in her glory; at her advanced age the increased time in the sun, the activity and the sweet pleasure for her probably gave her more years than she otherwise would have had, and made her last years more comfortable for her. I closely watched her, especially as she grew deaf in her later teens, but she never even walked into the garden, staying on the bricks covering about 20′ x 20′, rolling herself lazily over from one side to the other so that she was evenly toasted, and watched with sleepy amusement as birds landed around her and little voles and field mice ran across her paws.

I have a series of similar photos of her in my boxes of prints from years gone by, and I’ve been sorting through them to find these wonderful vintage photos I’d nearly forgotten. I had scanned the print and because the colors were odd—the effects of bad printing and a little bit of aging—I adjusted the color here but there’s still too much red; an aftereffect of Fuji film, so I discovered in comparing prints on Fuji and Kodak. But I’m also now scanning the negatives and getting completely different results from other photos, so it wasn’t entirely the film. Once I find all the negatives and scan them, this will be one of the series of four I call “Moses’ Summer in the Garden” with photos from June, July, August and September. You’ll see these soon as notecards and other paper products and some housewares.

That particular set of photos is not in full color, but desaturated, in part so I could make the colors consistent across two decades, across film and digital, and even different film types and digital cameras, and the softly faded colors were just so…so Moses. Here is the desaturated version.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Echinacea

Echinacea, Photo are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

This may not be the most detailed or realistic shot of purple coneflowers (echinacea), but I composed it for its abstract nature. Like the slideshows I featured earlier today, I like to photograph these native plants—and other flowers—in a recognizable but less realistic style, shortening the depth of field, blurring the background, putting the flowers in their setting. This is a portion of my pink and red garden which I’ll no doubt be featuring this week since it’s finally in full bloom; you’ve already seen the pink pasture roses.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Evening Thoughts

Evening Thoughts, Photo are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The domes and three bar crosses of Sts. Peter and Paul Ukrainian Orthodox Church in Carnegie silhouette against a sunset with colorful clouds billowing like thoughts forming in the sky.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Pittsburgh's Flatiron

Pittsburgh’s Flatiron, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Most cities have a Flatiron building–it always seems there’s one spot where the streets come together at an angle and leave an awkward space, and being downtown, someone has to build on it. Downtown Pittsburgh, being built into the “Golden Triangle” where the Monongahela and Allegheny Rivers come together to form the “Point” at the headwaters of the Ohio River, seems to have triangular buildings on every other corner.

This is just a tiny building in the middle of downtown, now housing Wood Street Station/Wood Street Galleries but originally the Monongahela Bank. Built in 1927 of limestone and marble, with a metal canopy with ginkgo leaf patterns etched in the glass.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Moonrise and Mist

“The Thunder Moon” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

In 2006 I was still lugging around a few film cameras that could capture what my first little 2MP point-and-shoot digital could not. I’d been working with a number of local and larger land conservation groups for years and had a literal field day photographing and painting those beautiful areas as they recovered from industrial or other use, or were simply conserved as overgrown land that housed an ecosystem all their own.

At the same time I was canoeing Chartiers Creek, sometimes for work but usually for fun, and from early morning until night I saw incredibly lovely scenes that I couldn’t catch in a moving canoe. I vowed to return some time to capture as many as I could in different areas.

I was familiar with a large flood plain conservation area and also its access to the creek, and I remembered at one evening event watching the moon rise over the ridge to the east, so when I got the idea to photograph the moon rising in summer using black and white film I chose that destination. Next full moon available was the Thunder Moon in July.

Though it was a clear night, a mist rose with the moon and went drifting across the flood plain and among the trees like a spectre. These were shot with film, and while I had my notes from a test session on a night with a partial moon, and from photographing the moon at other times, I knew the mist was a variable I couldn’t control, and I might possibly end up with just a bunch of blur because the mist was moving across the open field, not hanging in the air like a fog.

When I got the photos back I was so disappointed at not being able to get the clarity I’d remembered in the moon and the surroundings that I put them away for a bit, then got them back out and decided I liked them for what they were. In fact, I find them quite magical. A few of them I like very much.

And because a few of canoeing buddies didn’t want me wandering around on a full moon night in an isolated area alone, or walking in the creek with my camera gear and no one else around, they joined me.

I need a scanner that can scan all my old negatives. The grit and noise you see in some of the photos is largely from the printing process. But as I found when I realized I treasured the photos even though they weren’t at all what I’d envisioned, I think all that unintended pattern adds to the feeling of wandering through a field on a misty moonlit night, trying to focus where our human eyes are not created to see with much clarity.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Curious

“The Backyard Bunny” photo series prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
Little bunnies acting like they are big bunnies are just adorable. If that sounds corny, it’s true. This little one lives in a nest along the edge of my garden. It’s the only one I see and I don’t know the status of the bunny’s siblings, so she may really be the center of her own little universe.

They look a little blurry and soft because I photographed them through the screen door in my basement. But I like that softening, it adds a bit of magic to an ordinary scene.

In the last photo I decided to apply a filter to the image and desaturate the photo so the bunny looks like the little statue she is trying to imitate.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Oh My Goodness!

Oh My Goodness, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Oh my goodness! I think that needs to be her name. Every time I look at her that’s what I say because she’s so cute.

Ophelia is a formerly feral foster who came to me in September 2015. By July 2016 she was pretty relaxed, as you can see. But she is such a bundle of cuteness that she has to think her name is “Oh My Goodness”! I’ve also included the graphic I created to help promote her adoption. She does love that mirror.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.

I sign all prints next to my original signature.

Happy Rain

Happy Rain photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

 

Happy Rain

Happy Rain

In the middle of a heat wave, a downpour can actually be quite welcome. Huge raindrops began smacking into everything, just a few, then more, and within minutes the din was deafening and I could barely see across the street with lots of thunder rolling through the valley. Pretty scary for a while, but then the birds began to sing, including the baby wrens in the pussy willow, and the chickadees who had taken cover and were mad about having to abandon their feeders.

My gutters runneth over. This was a very happy rain.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This 14″ x 14″ canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Kelly on the Windowsill

Kelly on the Windowsill. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Kelly enjoys the sun on her back on the bathroom windowsill, and also likely the reflected heat from the deck roof, just below. It’s not all that warm outside, but just warm enough to have the windows open in mid-afternoon. The pussy willow is right outside the window and the dappled leaves were charming, and the blue sky beyond.

Another combination of media that I enjoy, ink and watercolor. In this case I did the ink sketch first, then scribbled into it with watercolor pencil. The watercolor pencil is a two-part technique, first the drawing, then the watering. In this case I knew I’d want to leave some of my sketching lines and in other cases I wanted to obliterate them.

In other cases, such as the sky and the wall beneath her, I wanted both and I was very pleased with what happened when I just brushed a water-filled brush over my lines. I could achieve a multitude of techniques this way, with just random washes in the sky where I used the brush on its side, but patterned washes in the shadow on the wall where I used the tip of the brush (that’s a white sable no. 4 round, students, you know who you are) in straight parallel lines running through the angled watercolor pencil lines in green and blue.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the te

chnique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Top of the World. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Mimi again enjoys the warmth of the sun on her one side, this time on top of the wardobe at the top of the stairs, her new favorite spot.

This is another one of those complicated sketches that I did quickly, then filled in later, though Mimi spent quite a bit of time up there..

This has both deep shadows and bright highlights, and both direct and reflected light, a challenge for me in ink, for sure! But while Mimi did move her head to face front, look up at me and look behind herself, she sat for long enough for me to get the light and shadow on her torso sketched in with pen, then a bit of watercolor pencil scribbled on top.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the te

chnique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Sunset Tonight, photo

Sunset Tonight, Photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

After a stormy start and a hot humid afternoon, the last of the storm clouds dispersed and the sun put on quite a show. I was not out in nature, I was driving through the city and suburbs, and it’s not often I find a spot that isn’t criss-crossed with wires and light poles rudely jutting into my sunset.  I this case just one light fixture and a cell tower and a bit of wires that I edited out. All worth it for a perfect sunset.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

A plain matte black frame and white mat is available. Visit “Framing” for details or ask about custom framing. Framed prints are signed on the photo and on the mat.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

"Exhibit at the Feline Museum", 10" x 7", ink technical pen © Bernadette E. Kazmarski

The original is still available along with signed prints of “Purring Points, Cartoon” are made in archival inks on various media.

ABOUT THE ART

Anyone who has visited my house knows exactly what I mean.

Stacks of boxes and bins, and a cat sleeping on the top of each one. I walked in and while there are only three stacks and more than one cat on the top of each one, this is what I visualized.

But then, we always put our cats on pedestals, don’t we?

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning”, Purring Points and “Feline Punctuation”.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"A Good Traveler"

“A Good Traveler” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“A good traveler has no fixed plans,
and is not intent on arriving.”

~Lao-Tzu in Chapter 27 of the Tao te Ching, tr. Stephen Mitchell

It doesn’t mean you make no plans, just that you allow them to change.

These geese look like a bunch of tourists ambling along, and yet on that day we had had heavy rains and our creek, their home, had nearly topped its banks. They had fled the water and the banks and were up in the parking lot and on the streets for safety, yet they were being calm and collected, for a bunch of geese, while the humans were racing around predicting a flood that was not likely to arrive, though it looked imminent.

But aside from that lesson, I’ve always liked the photo of the geese.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, the sides of this photo are finished in black.

Simple

“Simple” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
I really wanted the silhouette of the crow against the uncertain, flat post-storm sky but, still dim from rain, my camera didn’t focus fast enough and I caught this simple balanced composition instead. Maybe that’s what I was intended to get. http://wp.me/s75dub-simple

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

“Napping With Colors in Mind”, Ink drawing pen and marker, 5.5″ x 7″ © Bernadette E. Kazmarski

Napping With Colors in Mind, Ink and Marker. The original art is 5.5″ x 7″ on multimedia paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the Artwork

Giuseppe must surely be absorbing some of the colors of the pens in my pen cup. I certainly thought the colors were inspiring next to Giuseppe’s black fur! Because he was sleeping I had the time to get more detail on his face than usual.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original is matted with a white black core top mat and a red black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Three Warm Cats on a Cool Ground", pastel, 7" x 10" © Bernadette E. Kazmarski

Three Warm Cats on a Cool Ground original pastel is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Where do these visual inspirations come from? Giuseppe, Mr. Sunshine and Mewsette were enjoying the view as I rode my exercise bicycle, having plenty of time to watch them and the light and visualize this composition. I wanted lots of mixed colors, but muted, indefinite edges, but the sketch in black on top of all the pastel. The light comes in the door and fills the space among them, then fades to shadows behind. I had sketchbook and basic pastels to block in the shapes and areas, then finished it later from a photo. Mostly, I had a really strong visual that stayed with me as I played fingerpaints with my pastels on the paper.

As I watched them and began visualizing, I also envisioned the style of another artist. See if you can guess who I mean before you click here to see this painting and especially this painting.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Looking Out the Front Door", Watercolor, 6" x 9" © Bernadette E. Kazmarski

Out the Front Door, Watercolor. The original art is 6″ x 9″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Giuseppe, Mimi and Mewsette spend some time watching out the front door. There are birds fluttering and chipmunks racing back and forth across the porch, Fatso the squirrel runs up and down the tree now and then, butterflies and bees fly around, the leaves flutter in the breeze, now and then a car goes by, or people walk up or down the hill, sometimes with a dog. They watch it all with quiet interest. Until the chipmunk goes by.

This took me nearly all day, but only because I wanted to wait for the big splats of watercolor to dry. I’m glad I took a reference photo. The three were long gone by the time I got around to painting them in.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
“Catamount Brushmore”, black and white charcoal on toned paper, 5.5″ x 8″ © Bernadette E. Kazmarski

Catamount Brushmore prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas, and the original art is still available as well.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

I mean no disrespect to these four presidents, but when I looked down from my computer screen at the four, this is what I saw. Well, what I saw is above, but really, this was what I immediately visualized—look at the photo below I used for reference!

“Catamount Brushmore” reference photo.

“Catamount Brushmore” reference photo.

Not quite the same, but certainly suggestive. I just moved Bean up a bit. I quickly blocked out the shapes and snapped a reference photo, sketched in white and black charcoal as long as I could until they’d moved too much, then finished from the photo. In case you didn’t “get it”, I added the blue sky in pastel pencil, like that was going to help. And I looked at a photo of the actual Mt. Rushmore and added the pine trees at the bottom for authenticity. From the left it’s Bean, Mr. Sunshine, Mewsette and Giuseppe.

Really, what would I do without such unusual inspirations! What they were doing was invading my desk and preparing to occupy, my daily torture of cuteness and interruption. Better get all my papers and stuff off my desk because everything will be buried under the pile. See below for how it turned out. Looks like the mountain collapsed. Look at that Bean belly–he’s laying on top of a small box. No wonder I can never clean my desk.

How it all turned out.

How it all turned out.

So now I actually get to get back to work so I can finish what didn’t get done while pursuing my big inspiration.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas carries the gray-toned paper background around the sides.

FRAMED PRINTS

I am reframing the original and will post as soon as it’s done. I do all my own framing and can custom frame a print for you as well. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
open your heart to unexpected moments of beauty

Unexpected Beauty, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“open your heart to unexpected moments of beauty”

That’s my own observation. Heading to the basement in the morning and planning on some laundry to be hung outside, which I enjoy, I knew it was raining and though disappointed I looked out the door to see this.

A Rainy Morning

A Rainy Morning

I was so moved by the color, the random shapes of the hangers fading off into the distance, sparkling drops, blurred drops, gentle bokeh highlights of raindrops glistening on the plants in my garden. So simple, yet satisfyingly complicated in all the details to study. I added the text later, describing how I felt. The laundry could be done another day.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, and this image wraps around the sides.

Shadows and Light, black and white photo.

Shadows and Light, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The colors of imminent autumn in a black and white photo is poignant, the warm angled light made cold, the rich variation in greens and yellows flattened.

As the season begins to color up from the greens of summer to all the colors of autumn, a black and white photo of the anodized aluminum tub in my garden with a late planting of salad greens in waning summer sunlight seems to hold a mystery, shadows, shapes, angles and lines, the wanted and unwanted, expected and unexpected, a new view on a common thing.

This photo is on traditional black and white film, taken with my Pentax K-1000 to capture the huge variety of textures and patterns without the distraction of color. I scanned the print, and someday may scan the negative. I have left a white border around it, reminiscent of the black and white photo.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are white.

Autumn Wildflower Harvest, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

It was one of those moments that completely overtakes me–the extraordinary in the ordinary. I had gathered these wildflowers on the way home from work during one of those too-brief, clear September evenings, warm, but with a creeping chill in the shadows. Goldenrod and fall asters are just about my favorites, so I brought some home and placed them in the vase on the table on my deck. You can read more about the time of this painting in The Artist’s Life: The Splendor of Autumn on The Creative Cat.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

View From Beechwood, 14 x 18, ink and acrylic, 1983 © Bernadette E. Kazmarski

View from Beechwood, Acrylic and Ink prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

This was another entry into Carnegie Painted, even though I’d done the painting years before, just out of college, long before I’d decided to devote my career to art. I had given it to my mother as a gift, and when she moved from her home to assisted living the painting moved with her until she had no wall space for it.

When I took it back I decided to enter it in the show and make prints of it. I marvel that I created this when I did, 1983, and I know how much my mother enjoyed it.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

The Bench, pastel, 6 x 8, 2004 © Bernadette E. Kazmarski

The Bench, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I took a photo of this brilliant scene years ago, then a couple of decades later was surprised one autumn morning to see it wasn’t terribly different. I pulled the original photo and saw the trees hadn’t quite grown in and there was more sun on the sidewalk and more rooftops to see so did a sketch of it in preparation for a larger painting. I never got past the sketch, but I like it as is.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Green Apples, oil pastel, 12 x 12, 1998 © Bernadette E. Kazmarski

Green Apples, Oil Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I was new to oil pastel–before the “Green Apples” they felt like crayons and I never thought I’d get used to them, being so accustomed to chalk pastels. But it was the very differences that kept drawing me back–the brilliance of the colors, the quickness of a sketch, the ability to create “impasto”, or an actual thickness of the medium on the paper seen most often in oil paintings. My Granny Smiths were politely piled in their bowl, unaware that they were providing a great inspiration for me to do my first still life, and to do it in oil pastel as an experiment. I chose one of my favorite colorful 1940s cotton tablecloths featuring lemons and raspberries to drape over the little round table.

The original was purchased, and the woman who purchased it decided that she would like two paintings for the spot, identical in size, matting and framing and perhaps style. We discussed several subjects, but as the summer waned and she mentioned golds and earth tones, I knew it had to be squashes. One of my favorite vegetables to grow and to eat, they were just about ready to harvest, and their colors were perfect to create a piece to complement the Green Apples. She had incorporated a Jacquard pattern into some of the fabrics in her dining room, so I incorporated it into the background of the painting.

I often sell prints and canvases of Green Apples and Squashes as a set.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Squashes, 12 x 12,oil pastel, 1998 © Bernadette E. Kazmarski

Squashes, Oil Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I had painted “Green Apples” earlier that year, and the woman who purchased it decided that she would like two paintings for the spot, identical in size, matting and framing and perhaps style. We discussed several subjects, but as the summer waned and she mentioned golds and earth tones, I knew it had to be squashes. One of my favorite vegetables to grow and to eat, they were just about ready to harvest, and their colors were perfect to create a piece to complement the Green Apples. She had incorporated a Jacquard pattern into some of the fabrics in her dining room, so I incorporated it into the background of the painting.

I was new to oil pastel–before “Green Apples” they felt like crayons and I never thought I’d get used to them, being so accustomed to chalk pastels. But it was the very differences that kept drawing me back–the brilliance of the colors, the quickness of a sketch, the ability to create “impasto”, or an actual thickness of the medium on the paper seen most often in oil paintings. My Granny Smiths were politely piled in their bowl, unaware that they were providing a great inspiration for me to do my first still life, and to do it in oil pastel as an experiment. I chose one of my favorite colorful 1940s cotton tablecloths featuring lemons and raspberries to drape over the little round table.

I often sell prints and canvases of Green Apples and Squashes as a set.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Winter Still Life, pastel, 8 x 10, 2014 © Bernadette E. Kazmarski

Winter Still Life, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

That deeply angled winter sunlight reaches farther into the windows than summer sunlight, into the corner with the fruit bowl. I’ve been looking at the late afternoon sun hitting this vintage ceramic bowl where I keep my apples and enjoying the shapes of the apples, the reflections on the bowl with its uneven design in indigo with gold leaf brushed into the pattern here and there, the crocheted cloth and the mix of direct and reflected light on the apples, the bowl, the wall, the painting above.

The light changes too fast so I can’t sketch it on site, but of curse I’ve also photographed it, and worked from a series of photographs over a period of minutes as if I was working in the moment. I’ve found that when I work from only one photograph I feel a little stiff with the subject and a series of images feels more natural.

Granny Smiths are just about my favorite apple and are the most likely to be in the bowl and the reflection of their color on the walls around gives the scene an overall green cast. In the original painting, the crocheted cloth is a little more yellow than you see here.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Main Street at Twilight, Photo, 2013

Main Street at Twilight, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I have no idea how my little hand-held digital metered the colors like this, but I heartily approve! Honestly, this is not touched up in any way, even though the sky looks as if I either added from another photo, I adjusted the color in that area or I just painted in another sky. The whole thing looks like a movie set.

The time of day was twilight, after the sun dropped below the horizon but still reflected on the sky and the thin overcast of clouds. I know I pointed my focus spot on the darkest area in the scene, way down at the other end of Main Street, the building that is actually on a hill in the next community, and that would have influenced the internal metering especially since the scene looks very bright although it’s only the street lights that provide illumination. I can assure you they are not that bright.

And likely the yellow lights also pushed the complementary blue of the sky a little brighter than it actually was. However it happened, I approve.

This was taken with my little Lumix point and shoot where I have very little control, but the other settings that would have influenced this outcome are two I’ve always set on these little cameras. First, I turn the stabilizer mode, which will help to eliminate blurriness in low-light conditions, to “off” because in these small cameras it simply changes the ASA setting to a higher number. This results in a photo that looks great in your view screen, but when you open it up on your computer it’s completely grainy. I use a tripod, or, as in this case, I find something to set the camera on or press it against and set the shutter for a 2-second timed delay so that everything is as still as it’s going to get when the shutter finally opens.

Second, I set the EV, or exposure value, setting two or three steps below the middle. Most cameras shoot light so that as much light as possible gets into the lens, but you also lose detail in the highlights and I find it doesn’t meter well for images with a lot of contrast, which is usually what attracts me.

So, I guess that’s how this one turned out like this.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides on this canvas are black.

 

Closeup.

This 5″ x 6″ wood panel chalkboard has “Stanley With Apple” on one side and solid dark green on the back, covered with chalkboard texture; it comes with a piece of chalk to start with.

I am so excited about this little project, partly because it actually worked out as I’d planned on the first try! I have always seen the little sketch, “Stanley With Apple”, as a “back to school”  thing because the combination of the apple and the way I’d worked the background always looked like a chalkboard, and used it for my “back to school” garden flag “Impressionist Cats”. I’ve always wanted to make little chalkboards too, and when I saw chalkboard paint I had to try it with the next idea I had.

So here we are at back-to-school time and I found the perfect little wood panel, fitted the art onto it, painted it with the chalkboard finish (the back is painted forest green in case you want a non-cat area to write notes), and gave it a try with a piece of chalk just to see if the painted surface worked…and it did! After the recent disappointments with the rubber stamps and other projects this just made the month for me. I drilled holes and added the twine hanger and the chalk on a piece of twine. You can hang it on the wall or on a hook on a refrigerator or other surface. Wipe off your notes with a dry or slightly damp soft cloth or sponge.

 

ABOUT THE ARTWORK

Read more about “Stanley With Apple” and my daily sketches on The Creative Cat.

Pittsburgh On the Water, Photo

Pittsburgh On the Water, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I took this photo from a canoe on the Ohio River in 2007. Chartiers Creek, which runs right through Carnegie and which I canoed frequently at that time, spills out into the Ohio River at McKees Rocks. We finished paddling to the end of the creek and proceeded out onto the river. The sun was shining behind the buildings of downtown Pittsburgh so it isn’t as colorful as it could be, but still it’s the same Pittsburgh skyline, the fountain, the bridges, I’d recognize anywhere.

For more photos of Pittsburgh visit my Views of Pittsburgh gallery of images.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Pittsburgh, Troy Hill, Photo

Pittsburgh, Troy Hill, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Great view! On a bluff above the Allegheny River just across from downtown Pittsburgh, these colorful old houses looks like a little street somewhere in Europe, which is pretty much what it was patterned after.

But I couldn’t decide which was better—the row of houses, or the view of the whole scene, sky, houses, hillside, river and all. Plus, it’s more dimensional to frame.