"Charcoal Dusk", black and white charcoal on gray toned paper, 5" x 8" © Bernadette E. Kazmarski

New Works

Find what’s new on this site!

I add items nearly every day that are either completely new paintings, photos, products or writing, or items I’ve just added from my archives. No one except me would know where they are, and I don’t expect anyone to have the patience to dig around and see what’s new.

This gallery includes links to works added in the past three months, the new ones at the top of the list.

“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

The original is still available along with signed prints of “One L-o-o-o-ng Kitty”, cartoon, 9″ x 5.5″ are made in archival inks on various media.

ABOUT THE ART

It’s a sweet memory of the very first time two formerly feral fosters braved the first floor of the house.

Bella and Basil, respectively, are finally having some time on the first floor after thoroughly inspecting the second floor. I still won’t let them in the basement for fear I’ll never find them in the chaos down there, but they weathered their first journey to the new land well. They are each a little timid when it comes to moving into new spaces for the first time, so I’m cautious not to overwhelm them, and my downstairs can be overwhelming. I tell everyone who visits that I am in “full warehouse mode” and stacks of bins and things are everywhere.

They did need to be coaxed down by me and Bean, but after a few times of running up and down the steps they were exploring, little by little, sometimes together, most times not, then eventually playing.

This sketch was awarded a Certificate of Excellence for Cartoons in the Cat Writers’ Association annual Communications Contest in 2015.

Read more about the Cat Writers’ Association and the awards I’ve won for my writing, art, photography and design.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Sah'Side

Sah’Side, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

If you know Pittsburgh, PA, you know that “SahSide” is how we pronounce “South Side” in Pittsburghese, and also that part of town is just as colorful as the photograph!

And if you don’t know Pittsburgh, this photo seems to remind many people of other favorite cities–Amsterdam and New Orleans are usually the first guess. It’s a view of an old-style city street rejuvenated with new coats of paint and lots to offer.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

"Front and Back", white and black charcoal on toned paper, 8" x 5" © Bernadette E. Kazmarski

“Front and Back”, black and white charcoal pencils on tan toned paper, 5″ x 8″ © Bernadette E. Kazmarski. The original is available as well as prints made in archival inks on paper and canvas.

ABOUT THE ARTWORK

The framed sample above is a different sketch, but a sample of the style of mat and frame, in coordinating tones, of course.

Giuseppe and Jelly Bean were sharing the same spot of sun on the landing today, contentedly tucked side to side, facing opposite directions. Jelly Bean looks like just a pile of something. Giuseppe at least has ears. They were absolutely fast asleep.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Serenity, pastel, 5 x 20, 1998 © Bernadette E. Kazmarski

Serenity, pastel, 5 x 20, 1998 © Bernadette E. Kazmarski

This is a signed digital print of an original painting, “Serenity”, pastel, that’s 5 x 20, just a long which I painted to fit a frame I recycled.

ABOUT THE ARTWORK

This sailboat drifted lazily for hours on the calm waters of Lake Arthur in Western Pennsylvania. As the August afternoon tended toward evening, the sky began to grow pink and the shadows darkened and lengthened, and the serene moment seemed to last for hours.

Painted en plein air as I sat on one of the beaches at the north end of the lake, watching this sailboat was one of my favorite afternoons; this painting always takes me back to that day.

Because of the odd size of this painting, the only reasonable reproduction is a giclee or a digital print, but I also offer custom framing.

Framed print

I use a white mat with a plain square 1″ pine frame in the sample above. Other mat and frame choices may cost more.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

One Pepper, pastel, 5 x 7, 2001 © Bernadette E. Kazmarski

Hat With Wildflowers, pastel, 5.5″ x 8.5″, 2013 © Bernadette E. Kazmarski

Just the art.

Just the art.

ABOUT THE ARTWORK

I happened to leave one green pepper in the oval enamel bowl on the deck from the morning’s harvest. I love my collection of red-rimmed white enamel bowls of all sizes and shapes, and I actually use them to prepare and process vegetables from my garden. I’ve always been fascinated by how the light and shadow plays around on the inside, and seeing that and the light and shadow on the pepper as well I couldn’t help but grab my pastels for a quick sketch.

The art is 5″ x 7″, double-matted with a quarter-inch of tan black core and 1-1/4″ natural white black core in a cinnamon wood frame.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

Wheels and Spokes

“Wheels and Spokes” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Working on my “real” bike and an old salvage bike on my front porch, the sun came around to a nice angle and cast their tangled shadows across the porch.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This 14″ x 14″ canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

"Spring Comes to a Bend in the Creek", 26" x 19", pastel on sanded paper © Bernadette E. Kazmarski

This painting is entitled “Spring Comes to Bend in the Creek”, 26″ x 19″, done in soft pastel on sanded pastel paper. I offer full-size giclee prints as well as a variety of digital and canvas prints.

ABOUT THE ARTWORK

I didn’t paint my inspirations of the seasons in any particular order, simply in the order they came to me, though I painted the sketch for this painting, “Spring Thaw”, long before the idea of painting images of my local watershed ever occurred to me. I wanted to capture the wild feeling of this familiar little spot: the spring mist, the tangled branches, the rushing water full of color.

"Spring Thaw", 8" x 10", pastel, 2003 © Bernadette E. Kazmarski

“Spring Thaw”, 8″ x 10″, pastel, 2003 © Bernadette E. Kazmarski

So here is spring as the snowmelt rushes over rocks and gravel and around the bend right here in Carnegie, the sycamores reflecting white in the stark early morning sunlight, a little bit of mist wafting among the trees.

This site looks remote, but it’s a bend in the creek I pass nearly daily in all seasons, especially if I’m on foot on my way to Main Street. Chartiers Creek bends so much, but at this one point it lines up with the morning sun as it rises over Library Hill and both touches the water, rippling over rocks in this area, and the trees, illuminating individual branches.

A hill behind this bend also reflects that light back onto the water at the bend which created an interesting change in color palette across the water.

And the mist is rising as the sun warms the channel, as if sweeping it away.

This painting became the inspiration for my fourth annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, Coming Spring.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

The price below would include a 16″ x 20″ gold frame with decorative corners, but it would likely not be identical to the original, unless I happen to find a similar one at another thrift shop. I do all my own framing and can custom frame a print for you. Please ask.

© 2016 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If youdon’t find it there, visit “purchasing” for availability and terms.

Vintage Daffodils

“Vintage Daffodils” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I love these old daffodils standing to greet the dawn.

Years ago I visited the site of an abandoned farm with a friend who had discovered it, and the place was like a wonderland of leftovers and memories from decades of people loving their land and working very hard.

The farmland had been sold and was due to be cleared and “made ready” for development. The wooded hillsides, the partly-overgrown upper fields, the packed clay roads from one pasture to another, the locust posts still sound and straight would all disappear.

The barn still stood, though it was hardly sound. Barns carried tons of weight in livestock and stuff for livestock and are generally built the sturdiest of any building on the land and last a long time past nearly anything else. Off in the woods was an old chicken coop, still smelling just a bit like chickens, but obviously made from hand-hewn boards. We knew this would be either plowed under or sent to a landfill and we wanted to salvage as much wood as we could, but the three of us couldn’t easily carry even one of the 12-foot 2x10s and knew that cutting them would be impossible. Some of the artifacts we found in the barn, empty food tins and old tools, told us the farm had probably been there since the mid-nineteenth century.

But the most magical thing was the spot where the house had been. There was no trace of the building, but a rectangle of open green grass remained, surrounded by a riot of forsythia and lilacs and rhododendrons and roses ready to bloom and crocuses and stars of Bethlehem and so many other plants just sprouting, as if they were all waiting for the house and the people who had loved them so much to come back, and wouldn’t fill in the empty spot just in case they would reappear some day. I was moved to tears at the generations of people who worked hard on their traditional farm, but also loved their flowers and surrounded their house with color and scent.

And there were these daffodils, bright yellow and “doubled” as flowers are called when they sprout extra rows of petals. Doubled is an understatement—they have so many rows of petals I couldn’t count, and each flower takes several days to fully open. They were clustered around the house and barn, here and there in the dim under trees, but the most joyous display was all along the road that curved up from the barn to the upper pasture, a riot of daffodils that would have accompanied the person on the tractor or leading the cows, as winter led to spring and the hard work of farming began again in earnest, they would be cheered on by a long line of yellow flowers nodding and waving as if in applause. It must have taken decades for them to naturalize and fill in like that.

The daffodils were in full bloom when we were there on a sunny spring morning. Knowing it was all going to the backhoe, we decided to preserve this memory by taking as much as we could and filled our cars with buckets of daffodils, a few other plants, and my beloved dogwood, a native sapling the day I took it home, now proudly filled out and blooming with creamy flowers the size of dessert plates.

Every spring these daffodils still turn their faces to the sun and bloom enthusiastically, and I think of the people who loved and planted and nurtured these things and hope they know that someone found their little paradise and helped to salvage some of what they loved.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Of the Rain and Giuseppe

“Of the Rain and Giuseppe” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

About the artwork

“Of the Rain and Giuseppe” is one of a series of photos I took of Giuseppe looking out the window at the rain and have always thought they’d be able to convey a variety of messages as photo cards, each of which can be found in my Feline Photo Greeting Cards gallery, and also attractive photo prints, which you can also find in my Cat Photos and Black and White galleries.

I could hardly pass up the mood and the composition, chose six of all the photos I’d taken, decided they’d look best in black and white and set them up as a photo short story on The Creative Cat in Of the Rain and Giuseppe. Giuseppe often gazes out “the big north window” dreaming in eloquent and sometimes lyrical terms of his precious French-Canadian Mlle. Daisy Emerald Marguerite who lives up the hill in faraway Canada, and who in real life is kept safe and loved by a friend in Hamilton. She and I enjoy composing messages back and forth in very purple Victorian prose, I enjoy the exercises in writing in a different style and subject matter, and we all have a great laugh, except Giuseppe who is a little insecure.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 14 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

This painting is entitled “Spring Cleaning”, 20″ x 14″, done in various pastels on self-prepared sanded pastel paper. I offer full-size giclee prints as well as a variety of digital and canvas prints.

ABOUT THE ARTWORK

Click the images to see the enlarged version, click the right edge of the image to bring up the next image in the gallery.

I regularly passed the backyard of an old farmhouse near me, and was drawn at first by the forsythia, which was right on the edge of the road as I drove past, then as I slowed down I saw the colorful hanging laundry, always a favorite subject. That hazy spring sunlight with long shadows on the grass, easily distinguished bare lilacs, young leaves on the trees and the white-sided house all combined in a scene that could have been any year in the previous century when everyone hung their laundry outside and that first spring day warm enough to dry it left it smelling so fresh.

This scene and this painting have many levels of memory for me. I passed this house because it was on a corner very near the personal care home where my mother lived for six years, and as I approached, seeing this angle, I would wonder how she would be. I painted it while she still lived there, remembering those drives and thinking of her. Just a few years later the house and grounds were remodeled, changing the corner completely, so that only the painting held those memories.

More than one friend mentioned there was a sense of a spirit there, flitting among the laundry, perhaps someone who had lived there years ago and planted all the shrubs, or perhaps my mother’s memory, dressed in one of her early 1950s tiny-waisted dresses, her dark hair in a pert cut with bangs, bringing in the laundry in the late afternoon.

A friend, who has also purchased other paintings from me, purchased this painting in 2011, and it reminds her of many of the same things as it does me. I’m so happy it’s in a home where all its little quirks are appreciated.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

The price below would include a 16″ x 20″ gold frame with decorative corners, but it would likely not be identical to the original, unless I happen to find a similar one at another thrift shop. I do all my own framing and can custom frame a print for you. Please ask.

© 2016 | www.PortraitsOfAnimals.net
Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

This art is “Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski, signed and dated 3/22/14. The original is available but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ART

Click to see a larger image.

“Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

“Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

It was decidedly difficult to choose which one of Mimi’s wanderings in the sunlight this morning I would sketch. She wandered around making the most wonderful elongated and distorted shadows of herself in the long streams of sunlight and they were all wonderful. Of course, this has been going on for days. Interpreting this morning sundance at the back door has been years in the making and sketched in pencil, ink, pastel and more.

I chose the toned paper because of the mid-range warm tone and the ability to blend on it, though I wish it had been darker to start with; the lightness kind of threw me off at first. The base in shadow is entirely vine charcoal which dusts off but repeated layers can be built up and burnished into the paper surface. I then applied soft 6B charcoal pencil atop that and blended for extra darkness right around the edges of the shadows, and drew Mimi’s tiny shape entirely in that pencil, blending and filling two or three times to make sure she was darker than the background and solid. A few highlights distinguish Mimi from her shadow.

Looking at it full size I can see it still needs some refinement but while I’d been picturing something more smooth and clear I like it for its roughness, especially where it blends out around the edges.

I left it as it was. When I went back to it, I liked it just as I’d done it.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Bent But Not Broken

“Bent But Not Broken” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The first thing to bloom in my yard this year and just about every year, my tiny delicate crocus versicolor, purchased just after I moved here. It’s been blooming here and there ever since. It prefers much more sun than it gets here, and some years the greens come up but never flower, so I’m always glad to see one and know they’ve made it through another year.

This inspired…

Five Sentence Fiction, 2015

The days stolidly dark, the nights impenetrable, the monochromatic sameness seeped into my soul to harden it, slowly, without detection, as trees are petrified into stone replicas of themselves, unable to hide, fight, run and save themselves. Those last breaths, knowing the newness of life was just ahead, always it had been there as this process ran its course, but the disbelieving heart would not, could not let it in, smothering in the end of days. The last moment of consciousness is at hand. The taste of acceptance is on my tongue. Just at that moment a bit of light softens the gloom as if it was not a miracle but the ordinary everydayness of life to see from out of the sepia world a flower, a cup of purple filled with golden sunlight, the entrance to a new life, on the threshold of spring.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

"Fruit", original framed pastel, 5.5" x 3.5", 2000 © Bernadette E. Kazmarski

Original pastel, 5.5″ x 3.5″, 2000. The mats are 2.25″, white under mat and deep orange suede top mat. Frame is 8″ x 10″, a 1.5″ wide decorative antique gold for a total size of 11″ x 13″

ABOUT THE ARTWORK

I did this quick little sketch while teaching a class in plein air sketching and working with minimal materials. It’s an orange and a red apple and a green apple with blue shadows. I’ve always liked it. and finally decided to frame it up.

The sketch is done in pastels on mat board I primed with fine grit tinted blue. The mats are 2.25″, white under mat and deep orange suede top mat. Frame is 8″ x 10″, a wide decorative antique gold.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

Just Bloomed

“Just Bloomed” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Years ago I visited the site of an abandoned farm with a friend who had discovered it, and the place was like a wonderland of leftovers and memories from decades of people loving their land and working very hard.

The farmland had been sold and was due to be cleared and “made ready” for development. The wooded hillsides, the partly-overgrown upper fields, the packed clay roads from one pasture to another, the locust posts still sound and straight would all disappear.

The barn still stood, though it was hardly sound. Barns carried tons of weight in livestock and stuff for livestock and are generally built the sturdiest of any building on the land and last a long time past nearly anything else. Off in the woods was an old chicken coop, still smelling just a bit like chickens, but obviously made from hand-hewn boards. We knew this would be either plowed under or sent to a landfill and we wanted to salvage as much wood as we could, but the three of us couldn’t easily carry even one of the 12-foot 2x10s and knew that cutting them would be impossible. Some of the artifacts we found in the barn, empty food tins and old tools, told us the farm had probably been there since the mid-nineteenth century.

But the most magical thing was the spot where the house had been. There was no trace of the building, but a rectangle of open green grass remained, surrounded by a riot of forsythia and lilacs and rhododendrons and roses ready to bloom and crocuses and stars of Bethlehem and so many other plants just sprouting, as if they were all waiting for the house and the people who had loved them so much to come back, and wouldn’t fill in the empty spot just in case they would reappear some day. I was moved to tears at the generations of people who worked hard on their traditional farm, but also loved their flowers and surrounded their house with color and scent.

And there were these daffodils, bright yellow and “doubled” as flowers are called when they sprout extra rows of petals. Doubled is an understatement—they have so many rows of petals I couldn’t count, and each flower takes several days to fully open. They were clustered around the house and barn, here and there in the dim under trees, but the most joyous display was all along the road that curved up from the barn to the upper pasture, a riot of daffodils that would have accompanied the person on the tractor or leading the cows, as winter led to spring and the hard work of farming began again in earnest, they would be cheered on by a long line of yellow flowers nodding and waving as if in applause. It must have taken decades for them to naturalize and fill in like that.

The daffodils were in full bloom when we were there on a sunny spring morning. Knowing it was all going to the backhoe, we decided to preserve this memory by taking as much as we could and filled our cars with buckets of daffodils, a few other plants, and my beloved dogwood, a native sapling the day I took it home, now proudly filled out and blooming with creamy flowers the size of dessert plates.

Every spring these daffodils still turn their faces to the sun and bloom enthusiastically, and I think of the people who loved and planted and nurtured these things and hope they know that someone found their little paradise and helped to salvage some of what they loved.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Field of Daffodils

“Field of Daffodils” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

These daffodils bloom in my neighbor’s garden across the street, right where I can watch them and enjoy them when they bloom each year.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Old Friends

“Old Friends” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Theses two daffodils in one old clump always bloom together.

Years ago I visited the site of an abandoned farm with a friend who had discovered it, and the place was like a wonderland of leftovers and memories from decades of people loving their land and working very hard.

The farmland had been sold and was due to be cleared and “made ready” for development. The wooded hillsides, the partly-overgrown upper fields, the packed clay roads from one pasture to another, the locust posts still sound and straight would all disappear.

The barn still stood, though it was hardly sound. Barns carried tons of weight in livestock and stuff for livestock and are generally built the sturdiest of any building on the land and last a long time past nearly anything else. Off in the woods was an old chicken coop, still smelling just a bit like chickens, but obviously made from hand-hewn boards. We knew this would be either plowed under or sent to a landfill and we wanted to salvage as much wood as we could, but the three of us couldn’t easily carry even one of the 12-foot 2x10s and knew that cutting them would be impossible. Some of the artifacts we found in the barn, empty food tins and old tools, told us the farm had probably been there since the mid-nineteenth century.

But the most magical thing was the spot where the house had been. There was no trace of the building, but a rectangle of open green grass remained, surrounded by a riot of forsythia and lilacs and rhododendrons and roses ready to bloom and crocuses and stars of Bethlehem and so many other plants just sprouting, as if they were all waiting for the house and the people who had loved them so much to come back, and wouldn’t fill in the empty spot just in case they would reappear some day. I was moved to tears at the generations of people who worked hard on their traditional farm, but also loved their flowers and surrounded their house with color and scent.

And there were these daffodils, bright yellow and “doubled” as flowers are called when they sprout extra rows of petals. Doubled is an understatement—they have so many rows of petals I couldn’t count, and each flower takes several days to fully open. They were clustered around the house and barn, here and there in the dim under trees, but the most joyous display was all along the road that curved up from the barn to the upper pasture, a riot of daffodils that would have accompanied the person on the tractor or leading the cows, as winter led to spring and the hard work of farming began again in earnest, they would be cheered on by a long line of yellow flowers nodding and waving as if in applause. It must have taken decades for them to naturalize and fill in like that.

The daffodils were in full bloom when we were there on a sunny spring morning. Knowing it was all going to the backhoe, we decided to preserve this memory by taking as much as we could and filled our cars with buckets of daffodils, a few other plants, and my beloved dogwood, a native sapling the day I took it home, now proudly filled out and blooming with creamy flowers the size of dessert plates.

Every spring these daffodils still turn their faces to the sun and bloom enthusiastically, and I think of the people who loved and planted and nurtured these things and hope they know that someone found their little paradise and helped to salvage some of what they loved.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Nodding Trillium

“Nodding Trillium” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I am so fortunate to have wooded hillsides all around me with trails that make them accessible, and perfect for photography and painting in all season. I’ve walked the trails as each successive seasonal flower blooms and chosen a few of my favorites, among them the Nodding Trillium, so welcome in the shadows under early tree cover.

Visit this link in my Photography section to see these slideshows of wildflowers from all seasons.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

That Green One in the Back, Photo

That Green One in the Back, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I had a great time photographing this bunch of marbles and I took so many playing around with angles and focal depth. This image is focused on “that green one in the back”.

I found this bunch of marbles in the soil of a yard where I lived years ago. None is valuable, but are all interesting and were probably some child’s collection of neat stuff that somehow got tossed in the yard—big brother teasing? little sister go hold of them? mom tired of the noise of them rolling around the floor? They were all in an area where I’d dug my garden and I found them as I tilled the soil, so unfortunately some of them are nicked or scraped.

Right now I use them in the bottom of flasks and bottles with cut flowers and plant cuttings, but I rinsed them and laid them in the sun to dry and I really lost my marbles with the inspiration of the color, iridescence, reflections and refracted light through colored glass in early spring sun. This is one of many, many photos. I can guarantee you’ll be seeing more from this particular photo shoot.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Front Line, Photo

Front Line, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I had a great time photographing this bunch of marbles and I took so many playing around with angles and focal depth. This image looks like the marbles are pressing forward for action.

I found this bunch of marbles in the soil of a yard where I lived years ago. None is valuable, but are all interesting and were probably some child’s collection of neat stuff that somehow got tossed in the yard—big brother teasing? little sister go hold of them? mom tired of the noise of them rolling around the floor? They were all in an area where I’d dug my garden and I found them as I tilled the soil, so unfortunately some of them are nicked or scraped.

Right now I use them in the bottom of flasks and bottles with cut flowers and plant cuttings, but I rinsed them and laid them in the sun to dry and I really lost my marbles with the inspiration of the color, iridescence, reflections and refracted light through colored glass in early spring sun. This is one of many, many photos. I can guarantee you’ll be seeing more from this particular photo shoot.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Patiently Waiting, Photo

Patiently Waiting, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I had a great time photographing this bunch of marbles and I took so many playing around with angles and focal depth. Each marble is holding perfectly still and relaxed in a group, reminding me of people in a small crowd patiently waiting for something to happen.

I found this bunch of marbles in the soil of a yard where I lived years ago. None is valuable, but are all interesting and were probably some child’s collection of neat stuff that somehow got tossed in the yard—big brother teasing? little sister go hold of them? mom tired of the noise of them rolling around the floor? They were all in an area where I’d dug my garden and I found them as I tilled the soil, so unfortunately some of them are nicked or scraped.

Right now I use them in the bottom of flasks and bottles with cut flowers and plant cuttings, but I rinsed them and laid them in the sun to dry and I really lost my marbles with the inspiration of the color, iridescence, reflections and refracted light through colored glass in early spring sun. This is one of many, many photos. I can guarantee you’ll be seeing more from this particular photo shoot.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Pittsburgh's Pennsylvania Station, ink and watercolor, 8 x 10, 2006 © Bernadette E. Kazmarski

Pittsburgh’s Pennsylvania Station is an 8″ x 10″ ink and watercolor sketch. Prints are framed in in a 14″ x 16″ matte-finish black frame with a 3″ white mat, ready for hanging.

ABOUT THE ARTWORK

I truly love older illustration styles, and this I initially saw on ceramic plates and tiles imported from Italy. It’s an ink sketch colorized with watercolor.

This was another image for “100 West Busway”, the remodeled and renewed Pennsylvania Station where trains had actually rolled into the roundhouse in front and turned around. A bustling place from the time trains ran through Pittsburgh, it fell into disrepair but its Victorian grandeur would not be hidden and it was turned into luxury condos upstairs and restaurants and services downstairs; the Amtrak station is in the bottom level, next to where the tracks run now.

I created this work for an exhibit I had in 2006 entitled “100 West Busway”, featuring 125 thumbnail photos of Pittsburgh taken through the bus window on the round-trip journey from Carnegie and back on the 100 West Busway route, running from the south hills into downtown Pittsburgh, through the east end and Oakland and all the colleges and research centers, back into downtown and back to the suburbs.

From the 125 thumbnails I created a dozen works, each in a different medium, all framed with black wood frames and white mats. This is one of those pieces, and is actually one of the originals from the show.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Misty River Morning, watercolor, 8 x 11, 2006 © Bernadette E. Kazmarski

Misty River Morning, Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

It’s often misty along the rivers, and coming toward Pittsburgh from the west the early morning sun lights the mist with different tones, on this particular day it was pink and all else looked a dusky blue. I painted this watercolor in two colors, a pink wash in the background and the elements in cool Prussian Blue.

Pittsburgh’s skyline is so familiar to anyone who lives here, especially PPG Tower with its four modern glass spires at the corners, and you can also see the fountain at The Point, pale against the darker trees of Point State Park behind it, a little bit of Heinz Field and a tugboat plying its way down the still river creating just a bit of a wake, all seen through and around the arch of the West End Bridge.

I created this work for an exhibit I had in 2006 entitled “100 West Busway”, featuring 125 thumbnail photos of Pittsburgh taken through the bus window on the round-trip journey from Carnegie and back on the 100 West Busway route, running from the south hills into downtown Pittsburgh, through the east end and Oakland and all the colleges and research centers, back into downtown and back to the suburbs.

From the 125 thumbnails I created a dozen works, each in a different medium, all framed with black wood frames and white mats. This is one of those pieces, and is actually one of the originals from the show.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Waiting Bench, watercolor, 8 x 10, 2006 © Bernadette E. Kazmarski

Waiting Bench, Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Pennsylvania Station had been cleaned up and updated with new paints and benches and on a sunny day the bright colors and clear shadows were stunning.

I created this work for an exhibit I had in 2006 entitled “100 West Busway”, featuring 125 thumbnail photos of Pittsburgh taken through the bus window on the round-trip journey from Carnegie and back on the 100 West Busway route, running from the south hills into downtown Pittsburgh, through the east end and Oakland and all the colleges and research centers, back into downtown and back to the suburbs.

From the 125 thumbnails I created a dozen works, each in a different medium, all framed with black wood frames and white mats. This is one of those pieces, and is actually one of the originals from the show.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

"Listening to Granados, de Falla and Rodrigo", watercolor, 6" x 9" © Bernadette E. Kazmarski

This art is “Listening to Granados, de Falla and Rodrigo”, 6″ x 9″, watercolor on 40 lb. watercolor paper, © Bernadette E. Kazmarski, signed and dated 4/8/14. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

Click this image to see a larger version.

This painting probably has the longest name of any of my pieces of artwork! But there’s a story behind it, as there always is.

About “Listening to Granados, de Falla and Rodrigo”

If you don’t know your Spanish classical guitar composers, now is your chance. I was listening to them while I painted this, but it could also be that Fromage was listening to them when I took the photo and I tried my best to capture the rich red and green of the woven pillow and filled the background with an old gold brushy pattern remeniscent of stucco on old Spanish walls.

No, this is not one of my Five. Don’t I have enough black cats, I have to go looking for others? Well, Fromage is related to us, not by blood, but by bond. She is the neo-natal kitten I fostered in 2009, bottle feeding her and helping her along until I handed her over to the capable paws of the Fantastic Four so that she would learn to be a proper black cat.

Fromage was rescued by and lives with a friend (Cranberry’s lady), and I visit regularly. I took this photo of Fromage on the striped woven pillow on an Easter visit, several photos in fact because her soft black shape looked so graceful on the colorful pillow, and ever since that moment this image has been requesting its chance to be painted. That happens with many images, like Dusk in the Woods and Peaches and Peonies—each time I thought about what I’d like to paint next, the painting itself would appear for me and patiently hover in my mind. When an image wants that badly to be painted you have to give in eventually.

In fact, this painting was such a pest it was getting in the way of other things, like visualizing daily sketches and a portrait or two. And there are plenty other images I’ve been waiting to paint when I found the time, but this one finally won its place. And I’m really glad!

So this is not really a “daily sketch”, it’s a planned painting taking a little more time and effort. Typically with daily sketches, no matter the medium, I don’t do a starting sketch underneath, I just start to paint, but here I did, wanting to be sure I captured all the details in proportion. And I wanted to work it a certain way, with flat bright colors but just enough detail through a few highlights and shadows. Fromage is not entirely black because I wanted to capture some of the warm and cool highlights and accentuate her graceful curve. The native pillow is really just a few colors but I wanted a little more shape in the larger red areas.

And the pillow was on a tan leather couch but from the beginning I pictured this yellow gold background, kind of rough and slightly gradated, like stucco perhaps. That may have been a suggestion from the pillow, but I really was listening to Spanish classical guitar as I was painting and when I got to the background, last of all, after everything else had been painted, I was fully into the color and texture of antique stucco.

Below is a matted sample from my August 2016 Feline Sampler Box.

"Listening to Granados, de Falla and Rodrigo", watercolor, 6" x 9" © Bernadette E. Kazmarski

Featured print: “Listening to Granados, de Falla and Rodrigo”, watercolor, 6″ x 9″ © Bernadette E. Kazmarski

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

Pear Trees on Main Street, Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

“Pear Trees on Main Street”, pastel, 12″ x 10″, 2003 © Bernadette E. Kazmarski

In April , when the ornamental pears bloom, Main Street seems more colorful than usual with big clouds of soft white pear trees all along the street. Even though I painted this in 2003, it carries the memories of Carnegie’s Main Street as I was growing up, visiting the shops and walking here after leaving St. Luke’s School, then, later, working my first full-time job at the Isaly’s.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

"Tonal Nap", pastel on pastello paper, 8" x 10" © Bernadette E. Kazmarski

This art is “Tonal Nap”, 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 4/13/13.

ABOUT THE ARTWORK

Giuseppe was napping, as usual, outside the door of my studio in a pool of sun on the landing. We’ve all grown accustomed to that piece of cardboard, they’ve been enjoying it as a scratching item and bed and big toy, and I’ve been enjoying it as an art element in my sketches and photos.

The floor and the cardboard are about the same color, and the same colors appear in Giuseppe as well. I’ve been wanting to sketch him for a couple of weeks and finally had the chance. I used my 24-pastel set with just limited colors; I wanted to keep that limited tonal range that I’d been admiring.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"A Vigilant Nap", black and white charcoal pencils on gray toned paper, 4.5" x 7" © Bernadette E. Kazmarski

“A Vigilant Nap”, black and white charcoal pencils on gray toned paper, 4.5″ x 7″ © Bernadette E. Kazmarski. The original is sold but prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.

ABOUT THE ARTWORK

This has become one of my most popular daily sketches, and it’s the one where I really feel I hit my stride with sketching in charcoal on the toned paper.

Yes, Giuseppe is napping, but it’s not a serious nap, it’s a vigilant nap. He’s on my worktable under the lights while I am at my drafting table and computer in my studio, and apparently he’s been assigned to keep an eye on me. They take turns at this, and it’s clearly a different nap from a curled-in-a-ball, or a cuddle with siblings because the attention must be on what is happening, and one must be able to awaken immediately. He lifts his head at every noise, or sometimes only opens to big golden eyes, assesses what, if anything, needs to be done, then puts his head back down on his paws. I see his ears swivel constantly, and when he open his eyes, even though he is facing away from me, I can see his whiskers shift upward and the shape of his forehead changes. I am so accustomed to this position of his—see also “Tonal Nap”, where he is just outside the door of the studio—that I sometimes look past him, but I also spend time studying him.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

I Have Vanquished the Blue Fuzzy

“I Have Vanquished the Blue Fuzzy” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the artwork

Mewsette emerges into the sun with the blue fuzzy she has chased around and around and around my room until finally she captured it and presents it to me.

I am honored.

Her triumphal stance is priceless.

Possibly one of my favorite photos EVER, this was Mewsette’s “debut” in 2010, and another of the photos that encouraged me to post daily photos of my cats—I first posted this on my daily photo blog, Today, instead of posting it here! But I remember, and revisiting the folder of photos I took that day, that I only had one chance to get this shot, and it was only by luck that it was a clear and well-exposed shot. With Mewsette’s playful activity she only held still for a few seconds, and with the contrast in the sunlight and darkness it could have been completely overexposed or totally blurry. Lucky me! Enjoy Mewsette!

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting card is printed on 12 pt, uncoated stock.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Leaves and Shadows", watercolor, 5" x 7" © Bernadette E. Kazmarski

Leaves and Shadows prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

Here I’m trying to catch my impression of Jelly Bean on the table by Cat TV, where the leaves from the lilac flutter and the sun comes in at an angle, a little bit of leaf patterning and shadows. The scene itself is actually much darker than this but I wanted to capture the sense of light so I used the transparency of watercolor to its best ability. Bean is napping, and facing away from the window his face is in shadow while his back disappears in highlight.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Mimi's Sunbath, 5" x 7", ink marker and watercolor pencil © B.E. Kazmarski

Mimi’s Sunbath, Ink and Watercolor. The original art was 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I really liked this as an ink sketch and almost left it with just Mimi, but when I had looked at Mimi in this very spot I envisioned an ink drawing with watercolor washes. I began the sketch on watercolor paper, and so I finished it. I like it just as much.

This has both deep shadows and bright highlights, and both direct and reflected light, a challenge for me in ink, for sure! But while Mimi did move her head to face front, look up at me and look behind herself, she sat for long enough for me to get the light and shadow on her torso sketched in with pen, then a bit of watercolor pencil scribbled on top.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Curving Silhouette Trinket Dish

This 4” round curved dish is made from natural white polymer clay, handpainted with black design adapted from a daily sketch.

This little trinket dish is 4″ in diameter and made from natural white polymer clay. The black design is adapted from a daily sketch that is actually made from cut paper, in black of course, and Mimi was the model, “Curving Silhouette”. You can read more about the art and my daily sketches on The Creative Cat. Price includes shipping.

Each dish is formed and painted individually, and I only made eight of them, so just a few are left.

I rolled the clay fairly thin, cut it with a 4″ cookie cutter, and placed it in the bottom of an old cereal bowl and rolled a smaller bowl around the inside to thin the sides but leave the bottom a little thicker, then ran my finger around the edge to thin it out just a slight rounded edge.

The design is painted in matte black soy-based acrylic paint. I did not add a finish to protect it because I wanted the original look and feel of the clay and paint.

I’ve long wanted to experiment with polymer clay and fixated on this design when I first began thinking about my Sampler Box program, so this little dish was part of my first box.

This may be my last experiment with polymer clay, though. With all the warnings about its toxicity and my felines’ keen interest in what I was doing, I think I’ll try air-dry clay next time, until the time I can start firing things.

ABOUT THE ARTWORK

Read more about “Curving Silhouette” and my daily sketches on The Creative Cat.

Morning After the Rain

“Morning After the Rain” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I wasn’t outside to take photos this morning, but I ended up doing just that when I came around the corner of the house to the back yard to see this glory of color and sparkles. What a gift.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

"Snowy Morning", watercolor, 5.5" x 8.75" © Bernadette E. Kazmarski

The original has already been sold, but, signed prints of “Snowy Morning”, watercolor,5.5″ x 8.5″ are made in archival inks on various media.

ABOUT THE ART

We had some snow this morning. The kittens have only seen snow in the air once before today, and are fascinated.

This is Bella on my bedroom windowsill first thing this morning, watching the air thick with flurries, and no doubt birds too, in the maple tree outside the bedroom window. It is also many other cats through the years as well as I’ve awakened and watched them utterly immersed in whatever was happening right outside the window. The little cat, the big window, it seems to be a theme.

When I woke up and saw Bella fascinated by the early snow squall, this is what I saw, and I also remember that without someone to rescue her she’d be out there, she might be trying to feed herself and kittens like Mimi did, she might not even have survived, instead of sitting safe inside a big window in a warm house with her current career as an artist’s model. It’s not just what I see that’s inspiring, it’s what I know too.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Fun Things Bella Does With Her Tail”, brush pen, 5″ x 10″ © Bernadette E. Kazmarski

The original is still available along with signed prints of “Fun Things Bella Does With Her Tail”, cartoon, 5 x 10″ are made in archival inks on various media.

ABOUT THE ART

Bella has a long, thick, very expressive tail that she waves and curls and twirls as she walks around the room rubbing herself up against things and stretching. It’s hard to tell exactly what is happening, so I did my best to interpret it.

I did this sketch when Bella was still unsure about being touched by humans and kept her distance, and was even still a little shy with the other cats. Amazing what a year can do.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"The Woodland Garden", pastel, 7" x 10" © Bernadette E. Kazmarski

The Woodland Garden prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The Woodland Garden

This is what Mimi and I did on an afternoon in May 2104. The woodland garden blooms mostly at this time of the year, and is pretty much just shades and textures of green otherwise, but I’ve been enjoying looking at it and how it’s evolved. Winter storms brought down limbs and whole small trees and portions of it had been overgrown until I had the chance to clear those out and renew the groundcovers. The ferns and periwinkle are back on the right, and the cranesbill geraniums, bluets and spring bluebells are back on the left.

Outside of this area the sun is shining on the yard and vegetable garden with brighter blue and yellow of the forget-me-nots and buttercups. Birds are landing the bird bath and the feeder, and Mimi loves to wander up and down the path, though she spent a good bit of my sketching time as you see below, directing me in details as felines are masters of detail.

black cat

Mimi on my lap while I’m drawing.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Swirling Bath", pastel, 7" x 10" © Bernadette E. Kazmarski

Swirling Bath prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Well, this wasn’t at all what I’d set out to do, but then I’d set out with kind of a loose idea to begin with, “sketch Mr. Sunshine on my desk”. I started out with the toned paper and charcoal seeing Sunshine with his glossy black fur, but suddenly discarded that in favor of my pastels and a half-formed idea of blended color areas on paper with a black outline sketch on top to give them definition. He is so graceful, especially when he turned to wash his side with his tail curling around to the front. So, here it is. It’s a little darker than I’d have liked it had I planned it, but overall I like it. Below, I cropped it so that it didn’t have the white edges. Often the white edge dilutes the colors, which is why I sometimes crop the colorful ones to eliminate that influence. The colors look a little more intense this way.

pastel sketch of cat bathing

“Swirling Bath” cropped.

I donated this original sketch, framed, to the Animal Rescue League Shelter & Wildlife Center’s annual Paws & Prints Benefit in 2014.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Kelly With Grapes and Apples (cropped), ink marker and watercolor pencil © B.E. Kazmarski

Kelly With Grapes and Apple. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

When the sun moves around to filter into this window, Kelly hops over to enjoy it and have a nice bath on the cabinet. In a rare moment of repose, she sits still and lets the sun warm her back, the light reflecting back from the pine wood cabinet warming the tones of her tortoiseshell fur.

This is not an easy image to paint as a quick sketch, and certainly I would never have considered it as such if I hadn’t watched Kelly at this activity nearly every day since late March. I have enough of the colors and shapes and details memorized just from frequently looking at it and photographing it, so actually doing a quick sketch wasn’t as difficult as it might have been.

I let Kelly bathe and find a comfortable spot, sketched her torso and tail and paws, then watched her as she moved her head to a position that worked well and quickly sketched the outline of her face and ears; I had wanted more sun on her face, but that was not to be.

While I waited for Kelly’s tail and face to find a moment of stillness for at least ten seconds, I began on the objects in the background, the mid-century brass and tempered glass raised fruit dish with its olive green glow cast on the table, the apple and green grapes which I’d kept replenishing to continue photographing and hoping to get time to sketch or paint, and the simple shapes of the curtains and shadows on the tabletop.

As usual, there are areas I am not happy with and would render differently, but visualizing, then actually diving into the subject and rendering it is the only process for finding out what does and doesn’t work.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Saturday Morning", Ink hybrid technical pen, 9" x 4" © Bernadette E. Kazmarski

The original is still available along with signed prints of “Saturday Morning”, cartoon, 9″ x 4″ are made in archival inks on various media.

ABOUT THE ART

“Don’t act like you’re dead. We know dead things. We’re cats.”

Yeah, this is pretty much what I saw when I woke up this morning. I may have slept a little later than usual, but not by much. I could only see two over the edge of the covers, Giuseppe’s ears and Mr. Sunshine’s baleful eye, but I could feel that all five were there. And they were sitting very still and watching me.

But they did catch me in the act of trying to fool them. The two are so cute at trying to pull the covers off me and digging me out that I confess I lie there pretending to be asleep just to enjoy all the effort they put into getting me out of bed! First, though, I thought, “That would make an interesting piece of artwork. How should I do it?” Then, because it can sometimes take me years to get to ideas like the more realistic view I was considering, I decided a sketch would be immediate gratification, and possibly the best way to render it. I took notes with my eyes at what it all looked like, and drew it later in the day.

. . . . . . .

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Being Used as a Fort". 6" x 8", technical drawing pen © B.E. Kazmarski

The original is still available along with signed prints of “Being Used as a Fort” are made in archival inks on various media.

ABOUT THE ART

The full title is “I realized upon awakening that I was being used as a fort”.

So this is a daily sketch of something that happened, but it was not done in real time as I visualized it, truly, upon awakening, when I really was being used as a fort. I’m not sure exactly which were who, but I know it was the boys and Bean was the one peering over my hip. Likely the one delivering the swat was Giuseppe, he’s like that.

I’ve always wanted to do these little cartoons that occur to me now and then, well, probably more often than now and then. There are a few ideas that are several years old, and I think I’ll start working them up. (And so I did!)

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Feline Punctuation", ink drawing pen, 6.5" x 7" © B.E. Kazmarski

The original is still available along with signed prints of “Feline Punctuation, Cartoon” are made in archival inks on various media.

ABOUT THE ART

Another one of those visualizations as I awoke today. I could feel cats tucked up against me all around, two on one side, two on the other, and one at my feet. They tend to trade places so I wasn’t sure who was where, but of course they are all black, and as I laid there, face in my pillow, trying to determine which was who, I could picture them black against the white bedspread, and then as quotation marks on either side of me, and a period by my feet.

So here it is, not sure if it works visually, but this is pretty much what I visualized.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Purring Points", ink drawing pen, 6.5" x 3.5" © Bernadette E. Kazmarski

The original is still available along with signed prints of “Purring Points, Cartoon” are made in archival inks on various media.

ABOUT THE ART

It’s a wonder I get out of bed with treatment like this.

Every healing discipline has its healing points on the body. My cats certainly know mine.

I sleep on my stomach, and when I awoke I could feel them all lined up on me from top to bottom. Because I had shifted slightly when I awoke they each began purring, but no one moved to get up, only curled tighter for the moment. I visualized this, much as I had my other “awake” cartoons as I was lying there, falling back to sleep from all that purring.

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning” and “Feline Punctuation”.

. . . . . . .

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Saturday Morning Cartoons, set of four.

This set includes four cartoons inspired by awakening with cats.

Shipping is included in all prices listed.

ABOUT THE ART

Each of these is available individually. Click the title to find the post about the individual cartoon.

PURRING POINTS

It’s a wonder I get out of bed with treatment like this.

Every healing discipline has its healing points on the body. My cats certainly know mine.

I sleep on my stomach, and when I awoke I could feel them all lined up on me from top to bottom. Because I had shifted slightly when I awoke they each began purring, but no one moved to get up, only curled tighter for the moment. I visualized this, much as I had my other “awake” cartoons as I was lying there, falling back to sleep from all that purring.

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

SATURDAY MORNING

“Don’t act like you’re dead. We know dead things. We’re cats.”

Yeah, this is pretty much what I saw when I woke up this morning. I may have slept a little later than usual, but not by much. I could only see two over the edge of the covers, Giuseppe’s ears and Mr. Sunshine’s baleful eye, but I could feel that all five were there. And they were sitting very still and watching me.

But they did catch me in the act of trying to fool them. The two are so cute at trying to pull the covers off me and digging me out that I confess I lie there pretending to be asleep just to enjoy all the effort they put into getting me out of bed! First, though, I thought, “That would make an interesting piece of artwork. How should I do it?” Then, because it can sometimes take me years to get to ideas like the more realistic view I was considering, I decided a sketch would be immediate gratification, and possibly the best way to render it. I took notes with my eyes at what it all looked like, and drew it later in the day.

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

BEING USED AS A FORT

The full title is “I realized upon awakening that I was being used as a fort”.

So this is a daily sketch of something that happened, but it was not done in real time as I visualized it, truly, upon awakening, when I really was being used as a fort. I’m not sure exactly which were who, but I know it was the boys and Bean was the one peering over my hip. Likely the one delivering the swat was Giuseppe, he’s like that.

I’ve always wanted to do these little cartoons that occur to me now and then, well, probably more often than now and then. There are a few ideas that are several years old, and I think I’ll start working them up. (And so I did!)

FELINE PUNCTUATION

Another one of those visualizations as I awoke today. I could feel cats tucked up against me all around, two on one side, two on the other, and one at my feet. They tend to trade places so I wasn’t sure who was where, but of course they are all black, and as I laid there, face in my pillow, trying to determine which was who, I could picture them black against the white bedspread, and then as quotation marks on either side of me, and a period by my feet.

So here it is, not sure if it works visually, but this is pretty much what I visualized.

ORDERING INFORMATION

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches. Often I use them as illustrations for graphics projects I’m designing.

GREETING CARDS AND NOTE CARDS

Set includes four cards. All cards are printed on 100# white matte-finish card stock and include matching white envelopes. Discounts are available for multiple sets. Please see individual entries to purchase individual cards or sets of individual designs.

 

In Window Light, 5" x 7", oil pastel © B.E. Kazmarski

This art is “In Window Light”, 5″ x 7″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 5/26/12.

ABOUT THE ART

Oil pastel again, for the strength of colors and the texture; it’s hot and feels like summer. Here Mimi naps in the light from the window, slipping in under the mini blind. In the strength of the sun, all colors appear in her fur and on the old marble windowsill and the hot yellow sun outside the window.

I’ve been working out this style now following Two Cats After van Gogh. In fact, in my garden flags, this image backs Two Cats After van Gogh, and I just finished a few keepsake boxes bearing the image. Sweet Mimi, so inspiring!

So inspiring, it won the President’s Award along with Two Cats After van Gogh in the Cat Writers Association 2013 Communications Contest. Read about that here.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Soldier

Soldier, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

In the dense, comforting shade of a century-old spreading maple, a section of the row of headstones farthest back in the military veteran’s section, the first stones to be installed during the Civil War, reads only:

SOLDIER
1861–1865

A father, brother, husband, son of someone, unknown, but honored by a headstone that tells of his final sacrifice, rests there.

One of the most moving photos I took from the 2010 Memorial Day ceremony at Chartiers Cemetery, but perhaps the most fitting, no name, no rank, no distinguishing remarks, but the most common thread of all, a soldier.

And not just in remembering the Civil War, or even other conflicts following. My ancestors were fighting their own civil wars in Eastern Europe at the time of America’s Civil War, only one in a long line of civil wars that perhaps finalized their decisions to leave the only land they’d known to come to America for freedom and a chance at the dream they’d never see, not even today, in the lands where their families had lived for centuries. A few decades later, they had no qualms about bearing arms and traveling back to those lands to protect the country they had embraced as their home. Centuries of soldiers everywhere who fought for freedom, protected their loved ones, gave their lives, each brought us a step closer. May the day soon come when no one needs to die for freedom.

This photo is one of my most often-shared images from my photo blog Today; I am honored. 

 

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

"Blue Purple Cats", ink and watercolor, 5" x 7" © Bernadette E. Kazmarski

This art is “Blue Purple Cats”, ink and watercolor, 5″ x 7″ on watercolor paper, © Bernadette E. Kazmarski, signed and dated 5/23/13. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ART

I might come up with a better name for this if I took some time, but the blue highlights and purple shadows were what inspired me about Giuseppe and Mewsette atop the wardrobe by the window, though after the sun had moved away and the light was only reflected, mostly off the sky, and very cool. They were bathing, lazily, sometimes licking themselves and sometimes each other. Giuseppe’s paw above Mewsette’s head looks a little confusing, but it was kind of confusing to me!

I did the watercolor sketch first, just the lightest blue as a wash that laid out the two shapes together. When that was still damp but had no puddles, I added a light wash of purple in the darker areas. I let that dry completely, then added a heavier layer of richer, less dilute purple in the deepest shadows. Then I added the ink outlines, this time using one of my felt-tip drawing pens.

Of course, they had moved after the first quick blue wash but not so much that I couldn’t see my original visual in their postures, and I had my reference photo. Poor Mewsette’s lovely long, thick tail literally got short shrift when I couldn’t fit the whole thing in the sketch—it’s nearly touching the bottom edge of the paper.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Stanley With Geraniums", ink and watercolor, 9" x 12" © Bernadette E. Kazmarski

Stanley With Geraniums prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

This painting is one I’ve wanted to do for years—since the very moment it depicts, in fact, on July 30, 2006, in fact, when Stanley and I enjoyed a Sunday morning on the deck.

As I’ve been digging through old photos while moving them to my studio and organizing, both prints and digitals, I’m finding special moments I’d forgotten, moments of inspiration, beauty and especially a growing closeness with my older generation of cats even as they stepped ever closer to their last days with us. While it seemed like any other morning, looking at the rest of the photos from this day, I can see this was a quietly memorable morning. This was Stanley’s last summer with us, he’d been with me for 21 years and at my best guess was 25 years old, and he and I spent every possible moment together, especially out on the deck. While he slept most of the time and was fragile and often confused, each time our eyes met we built a deepening bond I’ll always carry with me; we had lost Moses and Cream in the spring, Lucy had just joined us in June, and though there were seven (or more) other cats in the house, Stanley and I carved out time for just the two of us nearly every day.

 Detail of "Stanley With Geraniums".

Detail of “Stanley With Geraniums”.

And on this morning when I looked at Stanley sleeping on the table I knew I’d want to remember this moment and to paint it, and visualized the painting in this style. But believe it or not, for as often as you see this particular style of ink sketch with watercolor washes, I was not at all skilled with it at that time and had only tentatively experimented in a few sketches. The desire to see this painting on paper was one of the driving forces for me to work this out, find the right drawing pen with the right ink, the right brushes and set of watercolors. And finally, seven years later, here it is.

The details are comforting to look at: the round picnic table where I’ve spent so much time with and without cats; the faded linen dishtowel calendar with the cardinals, one of many with birds, all of which are beyond threadbare and completely faded now; the mug I loved for my Sunday morning coffee; the binoculars my mother had used to watch birds and I “inherited” for birdwatching, given to her by someone who’d served in Viet Nam; the geraniums, collected over years from friends and family, overwintered and renewed each year—they are ancestors of the ones you see in my photos today.

Here is the reference photo, and as I remember Stanley this month—we had a little escape in July that year which I’ll be writing about—I’ll be sharing other photos as well.

photo of cat on table with flowers

Reference photo for “Stanley With Geraniums”

You can see I took a number of liberties with lightening the entire scene and reorganizing some of the flowers, but this particular digital camera was not terribly accurate for color or lighting, and being able to change some of the details is part of the fun and challenge of creating an original piece of artwork. I actually liked the flag in this photo and had originally intended to include it because I’d brought it home from the Carnegie Memorial Day parade I’d taken my mother to in May and that was a memory too, but I didn’t want to “date” this painting for a holiday or event, or set it for a country since many of my readers and collectors are from other countries. That detail was not so important to me as the others I included.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Garden Sketch With Mimi", 5" x 7", watercolor, 2013 © Bernadette E. Kazmarski

Garden Sketch With Mimi prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

This was not what I’d intended to paint that day but I like it anyway. It’s Mimi napping in the shadow on the cool bricks among the geraniums, near the vintage aluminum tub where I grow pole beans. Mimi was so happy to be outside she only rested in each position for less than a minute, and the sun was in and out behind the clouds. The temperature was in the 90s and we weren’t doing much but looking for a comfortable spot.

I had wanted something a little tighter in detail, but I like the details this one has. I did a light pencil sketch underneath because it’s so small I knew I’d run out of space if I didn’t give myself some guidance about Mimi, the geraniums and the barrel, but aside from that I just painted.

In part I was using the quick and easy eight-color grade-school watercolor set that’s easy to carry and use. I really need to get a set with a greater color range if I’m going to paint outdoors.

But what was my purpose with this painting? Sometimes I sit down to capture the details of the moment, and some day I’d like to do just that with the reference photos from this, but with my actual sketch, and all my daily sketches, my purpose is just to capture the essence of the moment and share what moved me to render the scene. In this case it was a relaxed Mimi in the shade on a hot morning, stretched on those familiar bricks next to the cool anodized aluminum tub where I’ve always planted pole beans and surrounded by my geraniums saved from year to year. It was a scene I loved for my love of my garden, my appreciation of Mimi relaxing in a place she’d once hunted for food to feed her kittens, and the memory of the generations of cats before her who enjoyed that very spot, this little patio and the verdance of my garden.

I also have this art as a garden flag in a separate listing.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

GARDEN FLAG

I also have this art as a garden flag in a separate listing.

Blue Pitcher With Black Cat

“Blue Pitcher With Black Cat” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the artwork

I have to say, I do like it, Mr. Sunshine, subtle, almost abstract. I have some talented cats here. I do like the photos that show all the assets of my beautiful cats, but I also like the abstract shots that happen to have a cat in them in a very artful way.

I also had way more photos of the blue pitcher with black cats in them than without. I had my DSLR in my right hand and my left arm around Mr. Sunshine, Giuseppe and Mewsette on the cabinet, holding them against me as they struggled, and waving my right foot at Mimi and Bean on the floor to decoy them from jumping up. So I was standing on my left foot and doing the hokey pokey, and I don’t know why the photo is as clear as it is, or how I got the angle I wanted showing a bit of the table above it…

 

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting card is printed on 12 pt, uncoated stock.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
“Spring Sidewalk”, pastel, 6.5″ x 9.5″ © Bernadette E. Kazmarski

“Spring Sidewalk”, pastel on multi-media paper, 7″ x 10″, 2014 © Bernadette E. Kazmarski. The original is framed in a 1-1/2″ solid wood white molded frame with 1″ white mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

Suddenly, it’s spring, and most days are really sunny! After this winter it’s totally captivating, and distracting. I can’t go anywhere without seeing possible paintings. Like this one, which I photographed as I didn’t have my sketching materials with me because, for the past couple of months, there hasn’t been anything I wanted to sketch, really. I’ll have to pick up the bag when I leave the house, along with my camera…so much to carry.

In part it was the loveliness of the row of trees, but it was also the deep shadows contrasted with the brilliant sunlight, the vivid green grass and young green leaves. It’s just a simple walk down a sidewalk, changing each minute of the day, and each day of spring, but still so special.

This is sketched in mixed soft pastels on multi-media paper, just enough tooth to hold pastel but no real finish.

The original is framed with a 1-1/2″ white mat in a 9″ x 12″ white molded wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Mother and Daughter, Sun and Shadow, watercolor pencil, 5" x 7" © Bernadette E. Kazmarski

Mother and Daughter, Sun and Shadow, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

“Mother and Daughter, Sun and Shadow” is one of my daily sketches from last June when I was still experimenting with my watercolor pencils, mixing my love of simple sketches with the ability to blend colors, though not with my fingers as I am accustomed with my other familiar dry media of pastel, pencil, charcoal and the like. I sketched the basis of this, Mewsette and Mimi curled together on that pink flowered rug in a patch of sun on the upstairs landing, then ran a wet watercolor brush over it, just water, and let the colors blend as they would, magically turning my sketch into something I had not visualized.

These two were curled up together on the rug on the landing, in very diffuse sunlight, not the bright morning light we often have, but it reflected off the white walls and created some interesting color combinations in their fur as well as reflected areas. Nice composition they made, and I wasn’t quite sure what I wanted to do with it at first, but I’m glad I chose watercolor for its opacity.

One of my all-time favorites! I don’t remember making the logical decisions to blend those colors, outline in green and soften it all with a wet watercolor brush, and I love it when that happens.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

NOTE CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

“From the Ground Up”, pastel on multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

“From the Ground Up”, pastel, 7″ x 10″, 2014. The original is framed in a 1-1/2″ solid wood white molded frame with 1″ white mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

I followed my little black cat Mimi into my neighbor’s yard, just across the fence line, no fence, from our yard, and looked up at the tall maple tree that I see out my back windows all the time. What a great view, all those colors and shapes and little bits of sky, I guess I’ll sketch it. So here it is.

This is sketched in mixed soft pastels on multi-media paper, just enough tooth to hold pastel but no real finish.

 

The original is framed with a 1-1/2″ white mat in a 9″ x 12″ white molded wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Columbines, Watercolor, 5 x 7, 1994 © Bernadete E. Kazmarski

My Mother’s Columbines, Watercolor, 5″ x 7″, 1994 © Bernadette E. Kazmarski. The original is still available and is framed in an 8″ x 9″ hand-finished gold frame, deep purple oval mat with a hand-finished gold edge. Prints are also available on paper or canvas.

ABOUT THE ARTWORK

Another piece borne of January inspiration in my seed and flower catalogs, this little bunch of columbines was so joyful that it stayed with me. One of my favorite flowers, it is also a favorite of my mother, and I gave this painting to her as a birthday present one year. She has since passed away and I’ve sold her home, and kept the artwork I’d done. I sold the original to a good friend to give to her mother but this image will always remind me of her.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Red Climbers, watercolor, 10 x 20, 1995 © Bernadette E. Kazmarski

Red Climbers, Watercolor, 14.5″ x 6.5″, 1995 © Bernadette E. Kazmarski. The original is sold but prints are available on paper or canvas.

NOTE: The original art was 14.5 x 6.5, but I also offer a print at 14 x 7 so that it fits standard 10 x 20 frames.

This painting has always been popular so I offer it in a variety of sizes. Because the art is cropped to fit many standard size frames and canvases, the gallery below includes the original and they cropped versions for various sizes:

Framed 9.5 x 4.5 Print (I had a frame and cut the mat to fit).
14.5 x 6.5, the native size
14 x 7, matted to fit 10 x 20 frame
14 x 7, unmatted
16 x 32 (canvas)
12 x 16 (canvas or print)
11 x 14 (canvas or print)
10 x 8 (canvas or print)
5 x 7 (greeting card)

ABOUT THE ARTWORK

This photo reminded me of my mother’s climbing red roses which grew up a trellis on the side of the house. These roses have always fascinated me because they just keep going–up the fence, over the fence, down the other side. As a watercolor it was pure pleasure, with enough color, light and shadow and shape for it to be interesting. The reflected light near the bottom, especially, was a joy to study and discover.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

The Perfect Place, 10 x 10, pastel, 1995 © Bernadette E. Kazmarski

The Perfect Place, Pastel, 10″ x 10″, 1995 © Bernadette E. Kazmarski. The originial is sold but prints are available on paper or canvas.

ABOUT THE ARTWORK

Just one little careful study of sun on the bench and flowers, from anothers’ garden. My own garden bench should be so well landscaped.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Inspire-Me-Monday-Button-1502

"Summer Field", pastel, 10" x 12" © Bernadette E. Kazmarski

“Summer Field”, pastel, 10″ x 12″, 1998. The original and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

This is a field edged in mature maple trees in Settler’s Cabin Park, near me in Western Pennsylvania. On a summer day clouds moved overhead, casting shadows that moved with the breeze. I chose a looser style to capture all the movement I sensed in the afternoon.

The original is framed with a 2-1/2″ white top mat and 1/2″ sage green with olive core bottom mat mat in a 16″ x 18″ plain square 1″ cherry wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

"Cat Mountains", pastel on pastello paper, 12" x 9" © Bernadette E. Kazmarski (adjusted version)

The Cat Mountains original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Three cats asleep, just like mountains in the dark.

This was purely a visual inspiration, looking at Mimi and Bean and Mewsette all curled into one another, all the ears and backs and peaks and valleys looked like a mountain range to me, so I decided to do a more finished drawing with that idea.

In order to make it convincing to anyone else but me, I had to put the moment into context. Where were these mountains? I thought. And what time of day was it? I decided because they were dark and the highlights were one of the very most inspiring things about them that it had to be night. I added stars to the night sky after I’d let it sit for a while; I didn’t want to, it seemed cliché, but in the end it drew attention away from the cat figures long enough that they did, at first, look like mountains in the darkness.

Where are they? Because they were actually sleeping on my nice flat and level work table, I decided they might be mountains near the desert.

What I was trying to capture was the sense that they rose up organically from the surface, much as mountains in the desert seem to do, and convey both the strength of mountains and the quiet peace of a mountain scene at night under a starry sky. It’s not just an interesting visualization, it’s also descriptive of what I intuitively sense from cats themselves, and especially this particular group of five when they get together in cat piles, that quiet tranquility, yet the strength of their structure evident even as they rest.

I’ve never seen mountains in the desert under a dark and starry sky. That part is pretty much made up from some photos probably in National Geographic and some creative visualization.

They are worked in pastel on black pastello paper, though unlike other sketches I didn’t leave the black open, instead I drew in the darkest areas with black pastel and didn’t leave anything uncovered. I’d mentioned earlier that I typically ignore their color, using their silhouettes as a starting point for new designs, but this time their solid blackness is an important part of this idea, imparting the idea of solid strength. Their mahogany mid-highlights and their blue top highlights were part of the inspiration as well, seeming to describe the slopes and peaks of a mountain in starlight. I’m not sure I would have seen this visualization that led to this if they’d been striped or spotted.

And while typically my daily sketches are quick and undetailed studies and a pretty literal interpretation of what I see, this is an example of some of the ideas I have on a regular basis, and which I’ll pursue in between other things.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

“Hummingbird and Irises” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
A female rubythroat peruses purple irises. There was plenty of red and pink in a friend’s garden, but I guess she decided to try a different flavor.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Inspire-Me-Monday-Button-1502

“Cathedral of Trees” photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

This photo is “Cathedral of Trees”, a spot on the floodplain where trees have to reach high out of the valley to capture the sunlight and so grow tall and straight. The trail among the trees and bends through an area where the trees arch over the soft leaf-littered path like an entry way to a magical place and has the feeling of a high-ceilinged cathedral where the light comes in from clerestory windows.

It’s right off the Panhandle Trail in Collier Township, PA, and part of my “Sun Shadow Ice and Snow: Seasons Along the Panhandle Trail” exhibit. It’s so exciting to share some of my favorite places with people who might never otherwise see them.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This photo is 10″ wide x 20″ tall, and is framed in a wide solid walnut frame with a green parchment mat. Mat and backing are acid free, glass is premium clear. All framing is done by me. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Mimi Hunting: Intent, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Mimi Hunting: Listening, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Mimi Hunting: Waiting, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Mimi Hunting: Watching, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

Namir at the Window, acrylic, 13" x 17" © Bernadette E. Kazmarski

“Namir at the Window, Acrylic” is 13″ x 17″ on canvas panel. Prints are made on artist canvas, hot press giclee paper or Epson Velvet Fine Art Paper.

ABOUT THE ARTWORK

This is my one and only (so far) acrylic painting featuring a cat. Here’s the story.

Normally, I’m pretty linear with working on something, focusing on one clear idea at a time. When I’m learning something new I hit points where I’m not skilled enough to do something and need to either work it out there or outside of that piece, or just stop and let the lessons I’ve learned sink in and get back to it when I’m ready to move on. I began this painting in January 2008 from photos I took of Namir in 2005, I think, soon after I’d gotten a big box of acrylic paints and brushes and canvas panels from a neighbor whose aunt had been an artist. I don’t care for the finish on acrylic paints, much preferring oils but not the smells and chemicals, so I’ve just avoided the entire thing. I decided that the gift of free art materials meant the universe wanted me to paint in acrylics, and I wanted to work with a more dimensional medium—I wanted the brushwork, the impasto of layers and colors, the texture of the canvas showing through the paint.I remembered this photo and got started.

I hit a learning wall at one point and put it aside to work on commissions. I pulled it out again in April of 2009 when Namir, at 15 with hypertrophic cardiomyopathy, was having increasing trouble with congestive heart failure, kidney failure and related health issues, and I know we didn’t have much time left. I wanted to work on the painting when he was still with me. He died in July 2009, and again I left it where it had been at that time, and this is what you see today.

I love to remember Namir in any way I can, and the area where I keep this windowbox is too shady for the colorful geraniums and petunias and marigolds I’d always grown in it. The pleasant memory of him at the window with the flowers is a treasure to spend time with, a time that has passed, but one I’d probably return to if I could.

The canvas panel, and the painting, is actually larger than this, but I cropped it down to the area of it I like and feel is the essence of the painting. I want it to show what I remember most and what I feel is most important, and I don’t need to show the whole scene to do that as I first thought. It’s a canvas stretched on cardboard, not stretchers, so all I need to do when I’m done is cut out the part I want to use and frame that. I’ve done that with others I painted in the same era. For now, I just won’t work on that anymore. That’s kind of freeing!

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

 

"Here in the Shadows", pastel on pastello paper, 7.5" x 11" © Bernadette E. Kazmarski

Here in the Shadows original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

June is sunny, July is usually a little too sunny—and hot. But a shady corner next to an open window is a respite from midsummer heat, and sable house panthers tend to melt into the shadows. Seeing my daily photographs you can probably tell I love this mirror and using the reflections in it. In this sketch I had the chance to paint the reflection, so much fun to render mostly with the pastel remaining on my fingers after sketching the Bean.

Here’s what I had to say from 2013:

A very good place to be on a hot day. Jelly Bean is in the shadows behind the curtain, dozing on top of the wardrobe by the open window. He was really the only part I was interested in, his deep blackness with the few intense highlights defining a few features. It’s how I see him when he sleeps there. Pastel carries this off so well, even the texture of the paper.

And then there’s that red velvet highlight across his mid-section. Sometimes I’m less specific in my sketches and I don’t always remember which black cat was the model, but in this case only Mimi has red velvet highlights like this—that’s where Bean got them. But she is much smaller and while she sits there to look out the window all the time, she rarely stretches out for a nap. That’s a Bean thing, and he was at it a little earlier today.

In 2014 when I posted this image again, I said this:

Over the year I’ve grown to like this simple pastel more and more. The simple shapes in the shadowed warm amber tones of a hot summer afternoon with the blinds pulled halfway, the way the natural texture of the paper became the pattern of the lace curtain, Jelly Bean’s fur, dense black in the shadows but with its natural red velvet cake tones in the mid-range, the highlight on his face and whiskers, and the reflection in the mirror, softened, blurred, natural. It’s one of those I look at later and think, “I don’t remember doing that, as I walked right past my logical mind choosing colors and planning how I’d put the pastel on the paper to my intuitive mind that just went ahead and did what it pleased.

All that comes with practice, and again it’s one of the reasons I am glad for my daily sketches, even if I don’t do them each day; right now I’m working on other art that you’ll see at some point.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
The Garden Bean, color

The Garden Bean, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Moses absorbs the sun on her fur and from the bricks until it gets too hot, then she moves into the shade of the barrel of pole beans, her favorite shady spot.

(Framed photo of Mimi just a sample.)

The beans are growing, the geraniums are blooming, the sun is bright and hot, and I remember a certain sweet gray kitty who spent every available moment on the brick patio next to my garden, summer and winter, and each time I look at the florid overgrowth out there I remember how Moses enjoyed the little brick patio. Other kitties would come and go during the day as the heat and their interest waned, but Moses was serious about her outdoor time.

Her reign as a Garden Sprite lasted from very early in my years here, about 1992 until just before her death in February 2006. A physically limited formerly feral kitty, Moses never asked for much, but was passionate about what she felt she should have. Her hips and hind legs were wasted and her muscles weak the day I took her in in 1987, and while she gained more strength than I ever imagined she would in those legs she was never able to run or jump, instead climbing on the rare occasion she felt the need to be off the floor, and hopping like a bunny for a few steps when walking somewhat quickly wasn’t getting her there quickly enough. As she grew older those hind legs and hips began to develop arthritis, and while I tried many treatments for her from glucosamine and chondroiton capsules to herbals and homeopathics, she resisted having anything administered to her however gently, and the best I could do was add homeopathics to the household water bowls.

Instead, one day as I worked in the garden, she came to the basement screen door. Once Moses came indoors there was no turning back, and she didn’t even look outside, in part fearful of what was out there. But she’d been lying in the sun coming in the basement door and followed it across the floor as it moved…out the door. Well, what was a kitty to do? She looked at me hopefully with that lovely gray tabby face, and gave me one of her sweet, silent meows. I could deny her nothing, my eternally gentle and humble little bodhisattva, and under the spell of her soft green eyes I opened the screen door and let her walk outside. She stepped out the door, let me close it, and laid down on the sun-warmed concrete slab, which was where her sun had gotten to. Through the day, as I weeded and trimmed and transplanted and harvested, she moved along with the sun, sipping now and then from the water bowl I’d brought out.

And so began nearly 15 years of daily thermonuclear treatments for Moses. Summer and winter she had to have time on her bricks, or at least on the wooden deck, even if only 15 minutes. I never let her go out without me so her days during the week were abridged, but when I began working at home she was in her glory; at her advanced age the increased time in the sun, the activity and the sweet pleasure for her probably gave her more years than she otherwise would have had, and made her last years more comfortable for her. I closely watched her, especially as she grew deaf in her later teens, but she never even walked into the garden, staying on the bricks covering about 20′ x 20′, rolling herself lazily over from one side to the other so that she was evenly toasted, and watched with sleepy amusement as birds landed around her and little voles and field mice ran across her paws.

I have a series of similar photos of her in my boxes of prints from years gone by, and I’ve been sorting through them to find these wonderful vintage photos I’d nearly forgotten. I had scanned the print and because the colors were odd—the effects of bad printing and a little bit of aging—I adjusted the color here but there’s still too much red; an aftereffect of Fuji film, so I discovered in comparing prints on Fuji and Kodak. But I’m also now scanning the negatives and getting completely different results from other photos, so it wasn’t entirely the film. Once I find all the negatives and scan them, this will be one of the series of four I call “Moses’ Summer in the Garden” with photos from June, July, August and September. You’ll see these soon as notecards and other paper products and some housewares.

That particular set of photos is not in full color, but desaturated, in part so I could make the colors consistent across two decades, across film and digital, and even different film types and digital cameras, and the softly faded colors were just so…so Moses. Here is the desaturated version.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Echinacea

Echinacea, Photo are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

This may not be the most detailed or realistic shot of purple coneflowers (echinacea), but I composed it for its abstract nature. Like the slideshows I featured earlier today, I like to photograph these native plants—and other flowers—in a recognizable but less realistic style, shortening the depth of field, blurring the background, putting the flowers in their setting. This is a portion of my pink and red garden which I’ll no doubt be featuring this week since it’s finally in full bloom; you’ve already seen the pink pasture roses.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Evening Thoughts

Evening Thoughts, Photo are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The domes and three bar crosses of Sts. Peter and Paul Ukrainian Orthodox Church in Carnegie silhouette against a sunset with colorful clouds billowing like thoughts forming in the sky.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framing depends on the size of the print. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Pittsburgh's Flatiron

Pittsburgh’s Flatiron, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Most cities have a Flatiron building–it always seems there’s one spot where the streets come together at an angle and leave an awkward space, and being downtown, someone has to build on it. Downtown Pittsburgh, being built into the “Golden Triangle” where the Monongahela and Allegheny Rivers come together to form the “Point” at the headwaters of the Ohio River, seems to have triangular buildings on every other corner.

This is just a tiny building in the middle of downtown, now housing Wood Street Station/Wood Street Galleries but originally the Monongahela Bank. Built in 1927 of limestone and marble, with a metal canopy with ginkgo leaf patterns etched in the glass.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Moonrise and Mist

“The Thunder Moon” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

In 2006 I was still lugging around a few film cameras that could capture what my first little 2MP point-and-shoot digital could not. I’d been working with a number of local and larger land conservation groups for years and had a literal field day photographing and painting those beautiful areas as they recovered from industrial or other use, or were simply conserved as overgrown land that housed an ecosystem all their own.

At the same time I was canoeing Chartiers Creek, sometimes for work but usually for fun, and from early morning until night I saw incredibly lovely scenes that I couldn’t catch in a moving canoe. I vowed to return some time to capture as many as I could in different areas.

I was familiar with a large flood plain conservation area and also its access to the creek, and I remembered at one evening event watching the moon rise over the ridge to the east, so when I got the idea to photograph the moon rising in summer using black and white film I chose that destination. Next full moon available was the Thunder Moon in July.

Though it was a clear night, a mist rose with the moon and went drifting across the flood plain and among the trees like a spectre. These were shot with film, and while I had my notes from a test session on a night with a partial moon, and from photographing the moon at other times, I knew the mist was a variable I couldn’t control, and I might possibly end up with just a bunch of blur because the mist was moving across the open field, not hanging in the air like a fog.

When I got the photos back I was so disappointed at not being able to get the clarity I’d remembered in the moon and the surroundings that I put them away for a bit, then got them back out and decided I liked them for what they were. In fact, I find them quite magical. A few of them I like very much.

And because a few of canoeing buddies didn’t want me wandering around on a full moon night in an isolated area alone, or walking in the creek with my camera gear and no one else around, they joined me.

I need a scanner that can scan all my old negatives. The grit and noise you see in some of the photos is largely from the printing process. But as I found when I realized I treasured the photos even though they weren’t at all what I’d envisioned, I think all that unintended pattern adds to the feeling of wandering through a field on a misty moonlit night, trying to focus where our human eyes are not created to see with much clarity.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Curious

“The Backyard Bunny” photo series prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
Little bunnies acting like they are big bunnies are just adorable. If that sounds corny, it’s true. This little one lives in a nest along the edge of my garden. It’s the only one I see and I don’t know the status of the bunny’s siblings, so she may really be the center of her own little universe.

They look a little blurry and soft because I photographed them through the screen door in my basement. But I like that softening, it adds a bit of magic to an ordinary scene.

In the last photo I decided to apply a filter to the image and desaturate the photo so the bunny looks like the little statue she is trying to imitate.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Oh My Goodness!

Oh My Goodness, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Oh my goodness! I think that needs to be her name. Every time I look at her that’s what I say because she’s so cute.

Ophelia is a formerly feral foster who came to me in September 2015. By July 2016 she was pretty relaxed, as you can see. But she is such a bundle of cuteness that she has to think her name is “Oh My Goodness”! I’ve also included the graphic I created to help promote her adoption. She does love that mirror.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.

I sign all prints next to my original signature.

Happy Rain

Happy Rain photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

 

Happy Rain

Happy Rain

In the middle of a heat wave, a downpour can actually be quite welcome. Huge raindrops began smacking into everything, just a few, then more, and within minutes the din was deafening and I could barely see across the street with lots of thunder rolling through the valley. Pretty scary for a while, but then the birds began to sing, including the baby wrens in the pussy willow, and the chickadees who had taken cover and were mad about having to abandon their feeders.

My gutters runneth over. This was a very happy rain.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This 14″ x 14″ canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Kelly on the Windowsill

Kelly on the Windowsill. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Kelly enjoys the sun on her back on the bathroom windowsill, and also likely the reflected heat from the deck roof, just below. It’s not all that warm outside, but just warm enough to have the windows open in mid-afternoon. The pussy willow is right outside the window and the dappled leaves were charming, and the blue sky beyond.

Another combination of media that I enjoy, ink and watercolor. In this case I did the ink sketch first, then scribbled into it with watercolor pencil. The watercolor pencil is a two-part technique, first the drawing, then the watering. In this case I knew I’d want to leave some of my sketching lines and in other cases I wanted to obliterate them.

In other cases, such as the sky and the wall beneath her, I wanted both and I was very pleased with what happened when I just brushed a water-filled brush over my lines. I could achieve a multitude of techniques this way, with just random washes in the sky where I used the brush on its side, but patterned washes in the shadow on the wall where I used the tip of the brush (that’s a white sable no. 4 round, students, you know who you are) in straight parallel lines running through the angled watercolor pencil lines in green and blue.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the te

chnique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Top of the World. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Mimi again enjoys the warmth of the sun on her one side, this time on top of the wardobe at the top of the stairs, her new favorite spot.

This is another one of those complicated sketches that I did quickly, then filled in later, though Mimi spent quite a bit of time up there..

This has both deep shadows and bright highlights, and both direct and reflected light, a challenge for me in ink, for sure! But while Mimi did move her head to face front, look up at me and look behind herself, she sat for long enough for me to get the light and shadow on her torso sketched in with pen, then a bit of watercolor pencil scribbled on top.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the te

chnique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Sunset Tonight, photo

Sunset Tonight, Photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

After a stormy start and a hot humid afternoon, the last of the storm clouds dispersed and the sun put on quite a show. I was not out in nature, I was driving through the city and suburbs, and it’s not often I find a spot that isn’t criss-crossed with wires and light poles rudely jutting into my sunset.  I this case just one light fixture and a cell tower and a bit of wires that I edited out. All worth it for a perfect sunset.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

A plain matte black frame and white mat is available. Visit “Framing” for details or ask about custom framing. Framed prints are signed on the photo and on the mat.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

"Exhibit at the Feline Museum", 10" x 7", ink technical pen © Bernadette E. Kazmarski

The original is still available along with signed prints of “Purring Points, Cartoon” are made in archival inks on various media.

ABOUT THE ART

Anyone who has visited my house knows exactly what I mean.

Stacks of boxes and bins, and a cat sleeping on the top of each one. I walked in and while there are only three stacks and more than one cat on the top of each one, this is what I visualized.

But then, we always put our cats on pedestals, don’t we?

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning”, Purring Points and “Feline Punctuation”.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"A Good Traveler"

“A Good Traveler” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“A good traveler has no fixed plans,
and is not intent on arriving.”

~Lao-Tzu in Chapter 27 of the Tao te Ching, tr. Stephen Mitchell

It doesn’t mean you make no plans, just that you allow them to change.

These geese look like a bunch of tourists ambling along, and yet on that day we had had heavy rains and our creek, their home, had nearly topped its banks. They had fled the water and the banks and were up in the parking lot and on the streets for safety, yet they were being calm and collected, for a bunch of geese, while the humans were racing around predicting a flood that was not likely to arrive, though it looked imminent.

But aside from that lesson, I’ve always liked the photo of the geese.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, the sides of this photo are finished in black.

Simple

“Simple” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
I really wanted the silhouette of the crow against the uncertain, flat post-storm sky but, still dim from rain, my camera didn’t focus fast enough and I caught this simple balanced composition instead. Maybe that’s what I was intended to get. http://wp.me/s75dub-simple

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

“Napping With Colors in Mind”, Ink drawing pen and marker, 5.5″ x 7″ © Bernadette E. Kazmarski

Napping With Colors in Mind, Ink and Marker. The original art is 5.5″ x 7″ on multimedia paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the Artwork

Giuseppe must surely be absorbing some of the colors of the pens in my pen cup. I certainly thought the colors were inspiring next to Giuseppe’s black fur! Because he was sleeping I had the time to get more detail on his face than usual.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original is matted with a white black core top mat and a red black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Three Warm Cats on a Cool Ground", pastel, 7" x 10" © Bernadette E. Kazmarski

Three Warm Cats on a Cool Ground original pastel is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Where do these visual inspirations come from? Giuseppe, Mr. Sunshine and Mewsette were enjoying the view as I rode my exercise bicycle, having plenty of time to watch them and the light and visualize this composition. I wanted lots of mixed colors, but muted, indefinite edges, but the sketch in black on top of all the pastel. The light comes in the door and fills the space among them, then fades to shadows behind. I had sketchbook and basic pastels to block in the shapes and areas, then finished it later from a photo. Mostly, I had a really strong visual that stayed with me as I played fingerpaints with my pastels on the paper.

As I watched them and began visualizing, I also envisioned the style of another artist. See if you can guess who I mean before you click here to see this painting and especially this painting.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Looking Out the Front Door", Watercolor, 6" x 9" © Bernadette E. Kazmarski

Out the Front Door, Watercolor. The original art is 6″ x 9″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Giuseppe, Mimi and Mewsette spend some time watching out the front door. There are birds fluttering and chipmunks racing back and forth across the porch, Fatso the squirrel runs up and down the tree now and then, butterflies and bees fly around, the leaves flutter in the breeze, now and then a car goes by, or people walk up or down the hill, sometimes with a dog. They watch it all with quiet interest. Until the chipmunk goes by.

This took me nearly all day, but only because I wanted to wait for the big splats of watercolor to dry. I’m glad I took a reference photo. The three were long gone by the time I got around to painting them in.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
“Catamount Brushmore”, black and white charcoal on toned paper, 5.5″ x 8″ © Bernadette E. Kazmarski

Catamount Brushmore prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas, and the original art is still available as well.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

I mean no disrespect to these four presidents, but when I looked down from my computer screen at the four, this is what I saw. Well, what I saw is above, but really, this was what I immediately visualized—look at the photo below I used for reference!

“Catamount Brushmore” reference photo.

“Catamount Brushmore” reference photo.

Not quite the same, but certainly suggestive. I just moved Bean up a bit. I quickly blocked out the shapes and snapped a reference photo, sketched in white and black charcoal as long as I could until they’d moved too much, then finished from the photo. In case you didn’t “get it”, I added the blue sky in pastel pencil, like that was going to help. And I looked at a photo of the actual Mt. Rushmore and added the pine trees at the bottom for authenticity. From the left it’s Bean, Mr. Sunshine, Mewsette and Giuseppe.

Really, what would I do without such unusual inspirations! What they were doing was invading my desk and preparing to occupy, my daily torture of cuteness and interruption. Better get all my papers and stuff off my desk because everything will be buried under the pile. See below for how it turned out. Looks like the mountain collapsed. Look at that Bean belly–he’s laying on top of a small box. No wonder I can never clean my desk.

How it all turned out.

How it all turned out.

So now I actually get to get back to work so I can finish what didn’t get done while pursuing my big inspiration.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas carries the gray-toned paper background around the sides.

FRAMED PRINTS

I am reframing the original and will post as soon as it’s done. I do all my own framing and can custom frame a print for you as well. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
open your heart to unexpected moments of beauty

Unexpected Beauty, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“open your heart to unexpected moments of beauty”

That’s my own observation. Heading to the basement in the morning and planning on some laundry to be hung outside, which I enjoy, I knew it was raining and though disappointed I looked out the door to see this.

A Rainy Morning

A Rainy Morning

I was so moved by the color, the random shapes of the hangers fading off into the distance, sparkling drops, blurred drops, gentle bokeh highlights of raindrops glistening on the plants in my garden. So simple, yet satisfyingly complicated in all the details to study. I added the text later, describing how I felt. The laundry could be done another day.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, and this image wraps around the sides.

Shadows and Light, black and white photo.

Shadows and Light, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The colors of imminent autumn in a black and white photo is poignant, the warm angled light made cold, the rich variation in greens and yellows flattened.

As the season begins to color up from the greens of summer to all the colors of autumn, a black and white photo of the anodized aluminum tub in my garden with a late planting of salad greens in waning summer sunlight seems to hold a mystery, shadows, shapes, angles and lines, the wanted and unwanted, expected and unexpected, a new view on a common thing.

This photo is on traditional black and white film, taken with my Pentax K-1000 to capture the huge variety of textures and patterns without the distraction of color. I scanned the print, and someday may scan the negative. I have left a white border around it, reminiscent of the black and white photo.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are white.

Autumn Wildflower Harvest, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

It was one of those moments that completely overtakes me–the extraordinary in the ordinary. I had gathered these wildflowers on the way home from work during one of those too-brief, clear September evenings, warm, but with a creeping chill in the shadows. Goldenrod and fall asters are just about my favorites, so I brought some home and placed them in the vase on the table on my deck. You can read more about the time of this painting in The Artist’s Life: The Splendor of Autumn on The Creative Cat.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

View From Beechwood, 14 x 18, ink and acrylic, 1983 © Bernadette E. Kazmarski

View from Beechwood, Acrylic and Ink prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

This was another entry into Carnegie Painted, even though I’d done the painting years before, just out of college, long before I’d decided to devote my career to art. I had given it to my mother as a gift, and when she moved from her home to assisted living the painting moved with her until she had no wall space for it.

When I took it back I decided to enter it in the show and make prints of it. I marvel that I created this when I did, 1983, and I know how much my mother enjoyed it.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

The Bench, pastel, 6 x 8, 2004 © Bernadette E. Kazmarski

The Bench, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I took a photo of this brilliant scene years ago, then a couple of decades later was surprised one autumn morning to see it wasn’t terribly different. I pulled the original photo and saw the trees hadn’t quite grown in and there was more sun on the sidewalk and more rooftops to see so did a sketch of it in preparation for a larger painting. I never got past the sketch, but I like it as is.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Library Avenue, ink, 12 x 16, 2007 © Bernadette E. Kazmarski

Library Avenue, Ink prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I carry with me a little pouch of art materials including pencils, gel pens, fountain pens, markers, charcoal and Conte crayons so I’m always ready to capture an image. As a contrast to working in pastel, I love drawing in ink because of the patterns I can make with lines to create shadows and textures, and it’s just right for capturing that beautiful stark winter sunlight on a cloudless day that shines nearly horizontally in early December, highlighting distinct edges and shadows.

This is larger than the usual 5″ x 8″ sketchbook, however, as I had started carrying a larger sketchbook when I was on my bicycle. This one was intended to be done on site, but to be honest the angle of the houses nearly defeated me. I had to start the drawing three times before I finally captured the acute angle and could start working on details. By then the sun had moved so far that shadows were very deep and I’d lost much of the fine detail in the facades of the houses. I had taken photos and ended up finishing it up at home.

This sketch is also part of My Home Town.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Green Apples, oil pastel, 12 x 12, 1998 © Bernadette E. Kazmarski

Green Apples, Oil Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I was new to oil pastel–before the “Green Apples” they felt like crayons and I never thought I’d get used to them, being so accustomed to chalk pastels. But it was the very differences that kept drawing me back–the brilliance of the colors, the quickness of a sketch, the ability to create “impasto”, or an actual thickness of the medium on the paper seen most often in oil paintings. My Granny Smiths were politely piled in their bowl, unaware that they were providing a great inspiration for me to do my first still life, and to do it in oil pastel as an experiment. I chose one of my favorite colorful 1940s cotton tablecloths featuring lemons and raspberries to drape over the little round table.

The original was purchased, and the woman who purchased it decided that she would like two paintings for the spot, identical in size, matting and framing and perhaps style. We discussed several subjects, but as the summer waned and she mentioned golds and earth tones, I knew it had to be squashes. One of my favorite vegetables to grow and to eat, they were just about ready to harvest, and their colors were perfect to create a piece to complement the Green Apples. She had incorporated a Jacquard pattern into some of the fabrics in her dining room, so I incorporated it into the background of the painting.

I often sell prints and canvases of Green Apples and Squashes as a set.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Squashes, 12 x 12,oil pastel, 1998 © Bernadette E. Kazmarski

Squashes, Oil Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I had painted “Green Apples” earlier that year, and the woman who purchased it decided that she would like two paintings for the spot, identical in size, matting and framing and perhaps style. We discussed several subjects, but as the summer waned and she mentioned golds and earth tones, I knew it had to be squashes. One of my favorite vegetables to grow and to eat, they were just about ready to harvest, and their colors were perfect to create a piece to complement the Green Apples. She had incorporated a Jacquard pattern into some of the fabrics in her dining room, so I incorporated it into the background of the painting.

I was new to oil pastel–before “Green Apples” they felt like crayons and I never thought I’d get used to them, being so