Wheels and Spokes

Black and White

I still shoot black and white film with my trust old Pentax K1000, but for my digitals I use a process I set up long ago with filters in Photoshop that looks more like a black and white photo than any camera setting I’ve used. But I still love film; when it comes to black and white, there is nothing like black and white film.

All images used on this site are copyrighted to Bernadette E. Kazmarski and may not be used without my written permission.

The images below link to galleries by subject (please understand some areas and galleries are still “under construction). You can browse even more photography on my daily photo site “Today”.

Black and White

Wheels and Spokes

“Wheels and Spokes” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Working on my “real” bike and an old salvage bike on my front porch, the sun came around to a nice angle and cast their tangled shadows across the porch.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This 14″ x 14″ canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Of the Rain and Giuseppe, Searching

“Of the Rain and Giuseppe, Searching” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

About the artwork

“Of the Rain and Giuseppe, Searching” is one of a series of photos I took of Giuseppe looking out the window at the rain and have always thought they’d be able to convey a variety of messages as photo cards, each of which can be found in my Feline Photo Greeting Cards gallery, and also attractive photo prints, which you can also find in my Cat Photos and Black and White galleries.

I could hardly pass up the mood and the composition, chose six of all the photos I’d taken, decided they’d look best in black and white and set them up as a photo short story on The Creative Cat in Of the Rain and Giuseppe. Giuseppe often gazes out “the big north window” dreaming in eloquent and sometimes lyrical terms of his precious French-Canadian Mlle. Daisy Emerald Marguerite who lives up the hill in faraway Canada, and who in real life is kept safe and loved by a friend in Hamilton. She and I enjoy composing messages back and forth in very purple Victorian prose, I enjoy the exercises in writing in a different style and subject matter, and we all have a great laugh, except Giuseppe who is a little insecure.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 14 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

Of the Rain and Giuseppe, Pondering

“Of the Rain and Giuseppe, Pondering” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

About the artwork

“Of the Rain and Giuseppe, Pondering” is one of a series of photos I took of Giuseppe looking out the window at the rain and have always thought they’d be able to convey a variety of messages as photo cards, each of which can be found in my Feline Photo Greeting Cards gallery, and also attractive photo prints, which you can also find in my Cat Photos and Black and White galleries.

I could hardly pass up the mood and the composition, chose six of all the photos I’d taken, decided they’d look best in black and white and set them up as a photo short story on The Creative Cat in Of the Rain and Giuseppe. Giuseppe often gazes out “the big north window” dreaming in eloquent and sometimes lyrical terms of his precious French-Canadian Mlle. Daisy Emerald Marguerite who lives up the hill in faraway Canada, and who in real life is kept safe and loved by a friend in Hamilton. She and I enjoy composing messages back and forth in very purple Victorian prose, I enjoy the exercises in writing in a different style and subject matter, and we all have a great laugh, except Giuseppe who is a little insecure.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 14 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

Of the Rain and Giuseppe, Dreaming

“Of the Rain and Giuseppe, Dreaming” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

About the artwork

“Of the Rain and Giuseppe, Dreaming” is one of a series of photos I took of Giuseppe looking out the window at the rain and have always thought they’d be able to convey a variety of messages as photo cards, each of which can be found in my Feline Photo Greeting Cards gallery, and also attractive photo prints, which you can also find in my Cat Photos and Black and White galleries.

I could hardly pass up the mood and the composition, chose six of all the photos I’d taken, decided they’d look best in black and white and set them up as a photo short story on The Creative Cat in Of the Rain and Giuseppe. Giuseppe often gazes out “the big north window” dreaming in eloquent and sometimes lyrical terms of his precious French-Canadian Mlle. Daisy Emerald Marguerite who lives up the hill in faraway Canada, and who in real life is kept safe and loved by a friend in Hamilton. She and I enjoy composing messages back and forth in very purple Victorian prose, I enjoy the exercises in writing in a different style and subject matter, and we all have a great laugh, except Giuseppe who is a little insecure.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 14 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

Of the Rain and Giuseppe

“Of the Rain and Giuseppe” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

About the artwork

“Of the Rain and Giuseppe” is one of a series of photos I took of Giuseppe looking out the window at the rain and have always thought they’d be able to convey a variety of messages as photo cards, each of which can be found in my Feline Photo Greeting Cards gallery, and also attractive photo prints, which you can also find in my Cat Photos and Black and White galleries.

I could hardly pass up the mood and the composition, chose six of all the photos I’d taken, decided they’d look best in black and white and set them up as a photo short story on The Creative Cat in Of the Rain and Giuseppe. Giuseppe often gazes out “the big north window” dreaming in eloquent and sometimes lyrical terms of his precious French-Canadian Mlle. Daisy Emerald Marguerite who lives up the hill in faraway Canada, and who in real life is kept safe and loved by a friend in Hamilton. She and I enjoy composing messages back and forth in very purple Victorian prose, I enjoy the exercises in writing in a different style and subject matter, and we all have a great laugh, except Giuseppe who is a little insecure.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 14 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

Sally Silhouette

Sally Silhouette, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the artwork

This photo was taken with black and white film in 1984, just a year after I’d bought my Pentax K-1000 fully manual camera. Sally was an Angora-mix cat who was deaf. I’d taken her in from a friend who had a hard time handling a spirited and unpredictable deaf cat, and she did eventually calm down somewhat but was always a bit of a wild child. Sally’s deafness may have added to her mystique as a model since she was often so deeply focused on something without the distraction of sound that she could hold perfectly still and I could capture an immense amount of detail, even as a total amateur.

I still can’t believe I managed to take these photos after having my camera for only about a year. I laid on the floor watching the late afternoon sunlight fill Sally’s frothy fur, its texture and depth holding the light more than reflecting, and in the shadows showing the textures of her fur instead of just a shadow as if she was emitting light on her own. Kublai was black and I was just learning how to photograph him in different lights, without too much success, and Bootsie was gray and white and much easier, but Sally, I found, was the perfect model.

At the time I took these photos I had little understanding of what I was doing. That’s okay, we all begin somewhere. I continued on with this photo shoot, seeing the interesting difference in texture between her fur and that awful olive green sculptured carpet, much improved in contrasty black and white, and the unintended nearly solid black background. The prints have been missing for a while—I find them among a stack of reference photos, then I lose that folder, etc. —and now that I’ve scanned the negatives I have them all digitized.

But I also liked the effect of her face in shadow instead of in the light. I would never have thought of that at the time, I know, if she hadn’t posed herself like that. And this was still in her wild days so I don’t know if she was actively teaching me a lesson or if she was just being Sally. Probably a little of both.

All the photos in this series

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • This design comes with a square 5″ x 5″ option. Remember that square cards have a 21-cent surcharge in addition to first-class postage. But they’re so cool.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Moonrise and Mist

“The Thunder Moon” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

In 2006 I was still lugging around a few film cameras that could capture what my first little 2MP point-and-shoot digital could not. I’d been working with a number of local and larger land conservation groups for years and had a literal field day photographing and painting those beautiful areas as they recovered from industrial or other use, or were simply conserved as overgrown land that housed an ecosystem all their own.

At the same time I was canoeing Chartiers Creek, sometimes for work but usually for fun, and from early morning until night I saw incredibly lovely scenes that I couldn’t catch in a moving canoe. I vowed to return some time to capture as many as I could in different areas.

I was familiar with a large flood plain conservation area and also its access to the creek, and I remembered at one evening event watching the moon rise over the ridge to the east, so when I got the idea to photograph the moon rising in summer using black and white film I chose that destination. Next full moon available was the Thunder Moon in July.

Though it was a clear night, a mist rose with the moon and went drifting across the flood plain and among the trees like a spectre. These were shot with film, and while I had my notes from a test session on a night with a partial moon, and from photographing the moon at other times, I knew the mist was a variable I couldn’t control, and I might possibly end up with just a bunch of blur because the mist was moving across the open field, not hanging in the air like a fog.

When I got the photos back I was so disappointed at not being able to get the clarity I’d remembered in the moon and the surroundings that I put them away for a bit, then got them back out and decided I liked them for what they were. In fact, I find them quite magical. A few of them I like very much.

And because a few of canoeing buddies didn’t want me wandering around on a full moon night in an isolated area alone, or walking in the creek with my camera gear and no one else around, they joined me.

I need a scanner that can scan all my old negatives. The grit and noise you see in some of the photos is largely from the printing process. But as I found when I realized I treasured the photos even though they weren’t at all what I’d envisioned, I think all that unintended pattern adds to the feeling of wandering through a field on a misty moonlit night, trying to focus where our human eyes are not created to see with much clarity.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Oh My Goodness!

Oh My Goodness, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Oh my goodness! I think that needs to be her name. Every time I look at her that’s what I say because she’s so cute.

Ophelia is a formerly feral foster who came to me in September 2015. By July 2016 she was pretty relaxed, as you can see. But she is such a bundle of cuteness that she has to think her name is “Oh My Goodness”! I’ve also included the graphic I created to help promote her adoption. She does love that mirror.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.

I sign all prints next to my original signature.

"A Good Traveler"

“A Good Traveler” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“A good traveler has no fixed plans,
and is not intent on arriving.”

~Lao-Tzu in Chapter 27 of the Tao te Ching, tr. Stephen Mitchell

It doesn’t mean you make no plans, just that you allow them to change.

These geese look like a bunch of tourists ambling along, and yet on that day we had had heavy rains and our creek, their home, had nearly topped its banks. They had fled the water and the banks and were up in the parking lot and on the streets for safety, yet they were being calm and collected, for a bunch of geese, while the humans were racing around predicting a flood that was not likely to arrive, though it looked imminent.

But aside from that lesson, I’ve always liked the photo of the geese.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, the sides of this photo are finished in black.

Shadows and Light, black and white photo.

Shadows and Light, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The colors of imminent autumn in a black and white photo is poignant, the warm angled light made cold, the rich variation in greens and yellows flattened.

As the season begins to color up from the greens of summer to all the colors of autumn, a black and white photo of the anodized aluminum tub in my garden with a late planting of salad greens in waning summer sunlight seems to hold a mystery, shadows, shapes, angles and lines, the wanted and unwanted, expected and unexpected, a new view on a common thing.

This photo is on traditional black and white film, taken with my Pentax K-1000 to capture the huge variety of textures and patterns without the distraction of color. I scanned the print, and someday may scan the negative. I have left a white border around it, reminiscent of the black and white photo.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are white.

Stripes on Stripe

Stripes on Stripe, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

One of my favorite photos of Stanley from August 2006, it was his last summer with me, he was about 24 years old, needing a little supportive care but still enjoying his time outdoors with me and every moment of every day besides that.

Sunshine and fresh air is a perfect tonic for an old cat. We were keeping the chronic renal failure at bay with doses of subcutaneous fluids, enticing foods, and a morning visit to the back yard and a nap on the deck every day the weather permitted. Stanley forgot all about feeling a little queasy and tired as he pranced around the back yard from bush to tree to post, smelling the messages—downloading his “pee-mail” and uploading his reply, as I always called it. Back up on the deck, a little bath and quick nap in the sun, then inside to eat ravenously as if nothing was the matter.

I have decades of memories of Stanley; he came to me several years into adulthood and lived with me for 21 years, suffering from chronic urinary issues for which he had obviously been violently punished. A sweet, silly, friendly kitty underneath it all, it took years to wear down the aftereffects of Stanley’s early abuse. But he appears in many, many images, including my painting, “After Dinner Nap”, which inspired many commissioned portraits, but before that it inspired me to find a way to share my feline inspirations with the world. Thank you, Stanley.

This photo doesn’t show you much about Stanley, but for me it is a reminder of how my cats have inspired me at every moment since I’ve lived with them, training me to keep my eyes open and always be ready for that unique image, keeping my creative spirit alive and my creative intellect in top condition, in a way living two lives at once, to live the moment, and to record the moment.

I often called Stanley “Stripe” because he was a tabby, and in this photo the confluence of all those stripes was just breathtaking. Straight geometric stripes in the shadows from my deck rail coming in at an obtuse and unsettled angle, the deck boards themselves and the gaps between at a normal and comforting angle, and striped Stanley breaking all the straight lines as he curled in a perfect circle for a nap; I could never have posed this or composed this, but what a moment to remember. And if Stanley had not been there I probably would have noticed the shadows as I was working in the garden but not taken the photo, probably busy harvesting green beans or tomatoes, so I have him to thank for this moment.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Late in the Year

Late in the Year, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

This is my little formerly feral kitty, Moses. It is “late in the year”, as the photo is titled from November 2005, at age 19 it was also late in her life, using a year as a metaphor.

“Portrait of a senior kitty”…this is a favorite of my black and white photos. Aside from a strict adherence to twice-daily mealtimes, her one and only absolute necessity was a sunbath, preferrably al fresco, every day to help soothe the arthritis that had built in her somewhat hobbled hind legs.

I took this photo during the last warm day in November, just three months before she died. Some viewers have told me they have a difficult time piecing the image together because her features are distorted by age, her eyes set deep, her cheekbones sunken, nose slightly flattened by dehydration and ear tips curved as the skin on those extremities begins to wither, but I knew every hair, every feature. And those who’ve loved a cat into this era of their life can see the details right away.

This image of Moses was so meaningful because others recognized their felines in in that I chose her as one of my animal sympathy cards. See the whole set.

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SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.