Sunset-14

Nature

 

Most of my photos of flowers and nature are from my own back yard (and front yard) and walks along local trails to capture the flora you’d see along the trails as you walked. Most are digital, but I’m also scanning decades of negatives from my trust old Pentax K1000.

All images used on this site are copyrighted to Bernadette E. Kazmarski and may not be used without my written permission.

The images below link to galleries by subject (please understand some areas and galleries are still “under construction). You can browse even more photography on my daily photo site “Today”.

Nature

Cloud Trees

Cloud Trees, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

Cloud Trees

Cloud Trees

ABOUT THE ARTWORK

When the clouds parted the sky was so incredibly blue and the clouds themselves sculptural, as in this photo where they seemed to mimic the shape of the sycamores when they were in full leaf.

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

I based my 2017 “Sun Shadow Ice & Snow” exhibit on this series of photos. Read more about that exhibit on 2017: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

The Palace

The Ice Palace, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

The Palace

The Palace

ABOUT THE ARTWORK

This photo, with the trees leaning in and the brightness above, made it feel as if I was in a secret, protected place, albeit cold, like the Winter Palace in the movie Dr. Zhivago.

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

I based my 2017 “Sun Shadow Ice & Snow” exhibit on this series of photos. Read more about that exhibit on 2017: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Frosted

Frosted, Photo, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

Frosted

Frosted

ABOUT THE ARTWORK

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

As I drove there, looking at the sun and shadow play across the frosted hills and glow down into valleys I had an idea for two photos I wanted to capture. This was one of them, the frosted hills and the dark sky, just a streak of light to give the scene dimension, but the run of water was a totally unplanned and a perfect addition.

I usually try not to plan ahead for photos because it’s possible to miss others while focusing on a goal that may not even be possible. I was lucky this particular morning and not only captured the ones I wanted, but many, many more I would never have imagined.

See another photo from that day, Dramatic Light.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“I Chased a Sunset” photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

…and it disappeared over the edge
and took a piece of my soul with it.

Really, on the way home from a quick errand to a shopping center I encountered a stunning winter sunset just beginning to color and decided to take a detour through a local park to see it in progress. All I had was my smartphone which doesn’t handle colors and contrasts at all well, but decided I couldn’t pass up the opportunity.

The sunset had me racing over acres of the park which is on a ridge over a valley, just the perfect setting to watch the sun drop below the far horizon with both trees as a foreground, and then nothing but sky. This was the first photo I took, and I decided if this was the only good one I got, I would be happy. I love so many things about the composition—the shape the trees make and how they march over the edge of the snow, the perfect shading in the sky from violet through red to yellow, the violet snow—and most of it is nature made, I was only there to record it.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Here area  a few more images from that same sunset.

“Cathedral of Trees” photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

This photo is “Cathedral of Trees”, a spot on the floodplain where trees have to reach high out of the valley to capture the sunlight and so grow tall and straight. The trail among the trees and bends through an area where the trees arch over the soft leaf-littered path like an entry way to a magical place and has the feeling of a high-ceilinged cathedral where the light comes in from clerestory windows.

It’s right off the Panhandle Trail in Collier Township, PA, and part of my “Sun Shadow Ice and Snow: Seasons Along the Panhandle Trail” exhibit. It’s so exciting to share some of my favorite places with people who might never otherwise see them.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This photo is 10″ wide x 20″ tall, and is framed in a wide solid walnut frame with a green parchment mat. Mat and backing are acid free, glass is premium clear. All framing is done by me. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Moonrise and Mist

“The Thunder Moon” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

In 2006 I was still lugging around a few film cameras that could capture what my first little 2MP point-and-shoot digital could not. I’d been working with a number of local and larger land conservation groups for years and had a literal field day photographing and painting those beautiful areas as they recovered from industrial or other use, or were simply conserved as overgrown land that housed an ecosystem all their own.

At the same time I was canoeing Chartiers Creek, sometimes for work but usually for fun, and from early morning until night I saw incredibly lovely scenes that I couldn’t catch in a moving canoe. I vowed to return some time to capture as many as I could in different areas.

I was familiar with a large flood plain conservation area and also its access to the creek, and I remembered at one evening event watching the moon rise over the ridge to the east, so when I got the idea to photograph the moon rising in summer using black and white film I chose that destination. Next full moon available was the Thunder Moon in July.

Though it was a clear night, a mist rose with the moon and went drifting across the flood plain and among the trees like a spectre. These were shot with film, and while I had my notes from a test session on a night with a partial moon, and from photographing the moon at other times, I knew the mist was a variable I couldn’t control, and I might possibly end up with just a bunch of blur because the mist was moving across the open field, not hanging in the air like a fog.

When I got the photos back I was so disappointed at not being able to get the clarity I’d remembered in the moon and the surroundings that I put them away for a bit, then got them back out and decided I liked them for what they were. In fact, I find them quite magical. A few of them I like very much.

And because a few of canoeing buddies didn’t want me wandering around on a full moon night in an isolated area alone, or walking in the creek with my camera gear and no one else around, they joined me.

I need a scanner that can scan all my old negatives. The grit and noise you see in some of the photos is largely from the printing process. But as I found when I realized I treasured the photos even though they weren’t at all what I’d envisioned, I think all that unintended pattern adds to the feeling of wandering through a field on a misty moonlit night, trying to focus where our human eyes are not created to see with much clarity.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

 

Curious

“The Backyard Bunny” photo series prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
Little bunnies acting like they are big bunnies are just adorable. If that sounds corny, it’s true. This little one lives in a nest along the edge of my garden. It’s the only one I see and I don’t know the status of the bunny’s siblings, so she may really be the center of her own little universe.

They look a little blurry and soft because I photographed them through the screen door in my basement. But I like that softening, it adds a bit of magic to an ordinary scene.

In the last photo I decided to apply a filter to the image and desaturate the photo so the bunny looks like the little statue she is trying to imitate.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

This canvas print is beautifully printed in archival inks on artist canvas and gallery wrapped around 1″ stretchers. Sides are finished in white.

Sunset Tonight, photo

Sunset Tonight, Photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

After a stormy start and a hot humid afternoon, the last of the storm clouds dispersed and the sun put on quite a show. I was not out in nature, I was driving through the city and suburbs, and it’s not often I find a spot that isn’t criss-crossed with wires and light poles rudely jutting into my sunset.  I this case just one light fixture and a cell tower and a bit of wires that I edited out. All worth it for a perfect sunset.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

A plain matte black frame and white mat is available. Visit “Framing” for details or ask about custom framing. Framed prints are signed on the photo and on the mat.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Simple

“Simple” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK
I really wanted the silhouette of the crow against the uncertain, flat post-storm sky but, still dim from rain, my camera didn’t focus fast enough and I caught this simple balanced composition instead. Maybe that’s what I was intended to get. http://wp.me/s75dub-simple

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

open your heart to unexpected moments of beauty

Unexpected Beauty, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“open your heart to unexpected moments of beauty”

That’s my own observation. Heading to the basement in the morning and planning on some laundry to be hung outside, which I enjoy, I knew it was raining and though disappointed I looked out the door to see this.

A Rainy Morning

A Rainy Morning

I was so moved by the color, the random shapes of the hangers fading off into the distance, sparkling drops, blurred drops, gentle bokeh highlights of raindrops glistening on the plants in my garden. So simple, yet satisfyingly complicated in all the details to study. I added the text later, describing how I felt. The laundry could be done another day.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, and this image wraps around the sides.

Red, photo

“Red” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Red, photo

Red, photo

Sometimes the scene is just visually stunning, especially with a little flash of angled late afternoon sun on that bright red Virginia Creeper. Love the peeling paint, the weathered wood, gentle dappled and reflected autumn light, cloudy windows and rusty chipping door hinge. Yet the creeper and the old garage have their own ways of fading into a new season: the plant flashes its brilliance before it fades after its one season of life, while the building fades though it gathers and carries memories from year to year.

Even though the autumn landscape is one big beautiful scene, this is my favorite iconic autumn photo for its contrasts and its focus on one small portion of the season. And that shade of red.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Autumn Rainbow

Autumn Rainbow, Photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

ABOUT THE ARTWORK

This is the colorful sugar maple that stands by Chartiers Creek on my way to Main Street. It’s like an old friend. I chose this angle because it had every color of leaf in it and filled the whole frame with just bits of that brilliant complementary blue autumn sky. Because the leaves are almost gradated in a semi-circle it made me think of a rainbow.

I had a few places to photograph autumn scenes for a couple of customers and I just couldn’t stop, not until the clouds covered the sky and the rain came. What a gorgeous autumn day to be running around in the woods and on Main Street and several other places trying to get the best autumn photos before the rain and cold! This is the colorful sugar maple that stands by Chartiers Creek on my way to Main Street. It’s like an old friend.

You can see more photos from this day in this post.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

A plain matte black frame and white mat is available. Visit “Framing” for details or ask about custom framing. Framed prints are signed on the photo and on the mat.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Exotic from "The Light in the Darkness" series.

“Exotic” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Exotic from "The Light in the Darkness" series.

Exotic from “The Light in the Darkness” series.

“Exotic” is one in a series of photos I took late on a very dark day, and only in that darkness could I capture the delicate beauty of these dry remains of wildflowers I’d photographed through the rest of the year. I will be adding the other photos to my photo gallery here, and collected in a special gallery so you can enjoy the delicacy of gentle highlights, muted earth tones and exotic shapes that met me on my way. Below I have a gallery of all the photos in the collection, and the essay I wrote when I returned and selected the photos to share.

Purchase a print of “Exotic”

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

About The Light in the Darkness

I have had far worse days. Overwhelmed by the demands of commercial work as my customers and I prepared for the holidays along with merchandise orders and custom portraits and my own preparations for ending the year and beginning the next as a small business, I left the house at 4:00 p.m. destined for the post office and bank just before they closed.

Though I had walked this half mile route from my home to Main Street for years, I had lately been driving, using the need to save time or the awkwardness of a pile of packages as an excuse for wasting gas and a chance at exercise and fresh air. The day was hardly inspiring—five days prior to the winter solstice the days were frighteningly short, sunset less than an hour away, and in a series of heavy dark days typical of this area in late autumn and early winter, dense pasty clouds hanging low overhead and so dark it had felt like dusk at noon, and now some of the street lights on Main Street were already alight. I nearly always take photos on these walks, and while I laid the strap of my camera bag over my shoulder I was glad that, for once, I would probably not find anything to photograph and take time from my day in conditions like these.

Traffic was heavy so I took my route under the bridge, next to the creek where traffic noises faded and birds sang, a trickling sound as water flowed smoothly past over the rocks in the shallow waterway. And in the dim and fading light a world so familiar at first appeared dark and nearly colorless until my eyes adjusted to the light and found such wonders among the wildflowers along the way, standing upright though dried and every shade of brown and tan and umber I found fantastical birds, abstract sculptures, amazing complex patters among the dried flower heads, exposed and broken seed pods, leaves clinging curled to stems.

I could not stop for the post office and bank both closed at 4:30, so I walked as fast as I could with my camera bag on one shoulder and a large canvas bag of packages on the other so that I could amble back through this wonderland on my way back to my neighborhood. The light was so dim then, as the time approached sunset within minutes, that I had to set the ISO of my camera on 800 to get anything but vague images floating in sepia darkness, even with all my settings to admit as much light as possible.

These plants had sprung up from seeds tossed here on the wind and water, carried by birds and people walking past, sprouted in spring, housed birds and insects in summer, borne their flowers in summer and fall. I had walked among them many times with my camera and sketchpad, I knew where each stood, when they bloomed, their botanical names and history, I looked for them each year and anticipated the best times to compose the images I visualized, but this was a gift in its unfamiliarity.

Now, after several frosts, autumn storms and snow, the weak parts had been stripped away and the strongest parts of them were burnished by adversity and stood dignified in the dimness, with just enough sheen to highlight their most interesting shapes, textures and combined patterns.

The background now, rather than the usual details of other plants and flowers, was darkness, the more perfect to silhouette each delicate construction as if in a gallery featuring the finest art.

Milkweed pods became flocks of fantastical birds, or individual exotic species clinging to stems. Tightly curled dried flowers or clusters of puffy seeds set loose, sere and twisted leaves and flowers of another time. Even the holiday decorations in a shop front, capturing the blue from the late afternoon light with highlights from the store within echoed the shapes and patterns of the natural forms outdoors, as the raindrops that would soon fall.

I arrived home with dirty shoes from walking in mud, and dirty knees from kneeling in wet grass, bits of leaves and stems and seeds flocked with frills to carry them on the wind on my skirt and jacket, in my hair, on my bags, souvenirs of a timeless magic, both in letting go of the time of day, and letting go of time altogether for that period. I only let go and rejoined the day because it was too dark to photograph any longer.

I am grateful to this gift of creative vision that releases me from everyday cares for just a short time, exercises those aesthetic senses and relaxes the overused worry lines, and gives me these wonderful gifts of images to share, just for noticing the inspiration was there.

There is always something new to learn about the things we think we know well. Never forget that when the light seems dim there is much to be seen with the heart, and when adversity has taken away the quick and obvious beauty, the strongest parts remain, dignified in their naked and twisted strength.

 

What Is the Goal?

“What Is the Goal?” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

What Is the Goal?

What Is the Goal?

Possibly just as much a question of my activities as my aesthetic intentions with my photographs of this one lone tree, at the top of a path at the top of a hill, clouds scudding across the sky on a dark winter afternoon, dark enough to dim the colors in the winter field. Something we should ask ourselves on a regular basis.

One conclusion was that I should get lost on country roads more often. I saw this from a distance, a ribbon of winding road before me and many hills and curves between me and the tree, and drove until I found it.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Winter Lilies from "The Light in the Darkness" series.

“Winter Lilies” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Winter Lilies from "The Light in the Darkness" series.

Winter Lilies from “The Light in the Darkness” series.

These delicately fluted flowers are actually the opened seed pods from evening primrose, a native wildflower, but rarely do we appreciate the dry faded portions of wildflowers strong enough to survive and make a statement long after the brilliant flowers and verdant leaves are gone.

These flowers grow on the sloping bank along Chartiers Creek. I was actually under the bridge with four lanes of traffic overhead, using my telephoto lens to capture them growing from the rip rap, or the covering of large stones and pieces of broken concrete that hold the creek bank in place during high water events, and could not get closer than five feet away.

The days can be very dark at this time of the year, as is often the case in these last days of autumn when night comes early. But fog and heavy overcast had left the days nearly monochromatic, or in the gray and sepia duotone I find so familiar in conditions like these. I took a walk to the post office and bank in the late afternoon, within an hour of sunset, but even with the light fog, overcast and depending day, I knew I’d find the beauty in the day, emerging from the mist, washed in delicate highlights, familiar things looking completely foreign, taken out of their own context.

This photo is one in the gallery I call The Light in the Darkness.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

About The Light in the Darkness

I have had far worse days. Overwhelmed by the demands of commercial work as my customers and I prepared for the holidays along with merchandise orders and custom portraits and my own preparations for ending the year and beginning the next as a small business, I left the house at 4:00 p.m. destined for the post office and bank just before they closed.

Though I had walked this half mile route from my home to Main Street for years, I had lately been driving, using the need to save time or the awkwardness of a pile of packages as an excuse for wasting gas and a chance at exercise and fresh air. The day was hardly inspiring—five days prior to the winter solstice the days were frighteningly short, sunset less than an hour away, and in a series of heavy dark days typical of this area in late autumn and early winter, dense pasty clouds hanging low overhead and so dark it had felt like dusk at noon, and now some of the street lights on Main Street were already alight. I nearly always take photos on these walks, and while I laid the strap of my camera bag over my shoulder I was glad that, for once, I would probably not find anything to photograph and take time from my day in conditions like these.

Traffic was heavy so I took my route under the bridge, next to the creek where traffic noises faded and birds sang, a trickling sound as water flowed smoothly past over the rocks in the shallow waterway. And in the dim and fading light a world so familiar at first appeared dark and nearly colorless until my eyes adjusted to the light and found such wonders among the wildflowers along the way, standing upright though dried and every shade of brown and tan and umber I found fantastical birds, abstract sculptures, amazing complex patters among the dried flower heads, exposed and broken seed pods, leaves clinging curled to stems.

I could not stop for the post office and bank both closed at 4:30, so I walked as fast as I could with my camera bag on one shoulder and a large canvas bag of packages on the other so that I could amble back through this wonderland on my way back to my neighborhood. The light was so dim then, as the time approached sunset within minutes, that I had to set the ISO of my camera on 800 to get anything but vague images floating in sepia darkness, even with all my settings to admit as much light as possible.

These plants had sprung up from seeds tossed here on the wind and water, carried by birds and people walking past, sprouted in spring, housed birds and insects in summer, borne their flowers in summer and fall. I had walked among them many times with my camera and sketchpad, I knew where each stood, when they bloomed, their botanical names and history, I looked for them each year and anticipated the best times to compose the images I visualized, but this was a gift in its unfamiliarity.

Now, after several frosts, autumn storms and snow, the weak parts had been stripped away and the strongest parts of them were burnished by adversity and stood dignified in the dimness, with just enough sheen to highlight their most interesting shapes, textures and combined patterns.

The background now, rather than the usual details of other plants and flowers, was darkness, the more perfect to silhouette each delicate construction as if in a gallery featuring the finest art.

Milkweed pods became flocks of fantastical birds, or individual exotic species clinging to stems. Tightly curled dried flowers or clusters of puffy seeds set loose, sere and twisted leaves and flowers of another time. Even the holiday decorations in a shop front, capturing the blue from the late afternoon light with highlights from the store within echoed the shapes and patterns of the natural forms outdoors, as the raindrops that would soon fall.

I arrived home with dirty shoes from walking in mud, and dirty knees from kneeling in wet grass, bits of leaves and stems and seeds flocked with frills to carry them on the wind on my skirt and jacket, in my hair, on my bags, souvenirs of a timeless magic, both in letting go of the time of day, and letting go of time altogether for that period. I only let go and rejoined the day because it was too dark to photograph any longer.

I am grateful to this gift of creative vision that releases me from everyday cares for just a short time, exercises those aesthetic senses and relaxes the overused worry lines, and gives me these wonderful gifts of images to share, just for noticing the inspiration was there.

There is always something new to learn about the things we think we know well. Never forget that when the light seems dim there is much to be seen with the heart, and when adversity has taken away the quick and obvious beauty, the strongest parts remain, dignified in their naked and twisted strength.

"Oh", photo.

“Oh” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

"Oh", photo.

“Oh”, photo.

That was my reaction.

The days can be very dark at this time of the year, as is often the case in these last days of autumn when night comes early. But fog and heavy overcast had left the days nearly monochromatic, or in the gray and sepia duotone I find so familiar in conditions like these. I took a walk to the post office and bank in the late afternoon, within an hour of sunset, but even with the light fog, overcast and depending day, I knew I’d find the beauty in the day, emerging from the mist, washed in delicate highlights, familiar things looking completely foreign, taken out of their own context.

This is a cluster of milkweed pods. They look like something that came from outer space in the best of times, but especially against the muted background their slightly rough and ridged surface, elongated shape and smooth opening where the seeds are still escaping they truly look like alien constructions. Put a bunch of them together at the end of a long and curving stem and we know the aliens have landed, and possibly one of their birds has come to light on a stem, or a group have clustered together to survey this strange new world.

These grow on the sloping bank along Chartiers Creek. I was actually under the bridge with four lanes of traffic overhead, using my telephoto lens to capture them growing from the rip rap, or the covering of large stones and pieces of broken concrete that hold the creek bank in place during high water events, and could not get closer than five feet away. I walked in a semi-circle to get the best angle of this alien object and this was my favorite.

This photo is one in the gallery I call The Light in the Darkness.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

About The Light in the Darkness

I have had far worse days. Overwhelmed by the demands of commercial work as my customers and I prepared for the holidays along with merchandise orders and custom portraits and my own preparations for ending the year and beginning the next as a small business, I left the house at 4:00 p.m. destined for the post office and bank just before they closed.

Though I had walked this half mile route from my home to Main Street for years, I had lately been driving, using the need to save time or the awkwardness of a pile of packages as an excuse for wasting gas and a chance at exercise and fresh air. The day was hardly inspiring—five days prior to the winter solstice the days were frighteningly short, sunset less than an hour away, and in a series of heavy dark days typical of this area in late autumn and early winter, dense pasty clouds hanging low overhead and so dark it had felt like dusk at noon, and now some of the street lights on Main Street were already alight. I nearly always take photos on these walks, and while I laid the strap of my camera bag over my shoulder I was glad that, for once, I would probably not find anything to photograph and take time from my day in conditions like these.

Traffic was heavy so I took my route under the bridge, next to the creek where traffic noises faded and birds sang, a trickling sound as water flowed smoothly past over the rocks in the shallow waterway. And in the dim and fading light a world so familiar at first appeared dark and nearly colorless until my eyes adjusted to the light and found such wonders among the wildflowers along the way, standing upright though dried and every shade of brown and tan and umber I found fantastical birds, abstract sculptures, amazing complex patters among the dried flower heads, exposed and broken seed pods, leaves clinging curled to stems.

I could not stop for the post office and bank both closed at 4:30, so I walked as fast as I could with my camera bag on one shoulder and a large canvas bag of packages on the other so that I could amble back through this wonderland on my way back to my neighborhood. The light was so dim then, as the time approached sunset within minutes, that I had to set the ISO of my camera on 800 to get anything but vague images floating in sepia darkness, even with all my settings to admit as much light as possible.

These plants had sprung up from seeds tossed here on the wind and water, carried by birds and people walking past, sprouted in spring, housed birds and insects in summer, borne their flowers in summer and fall. I had walked among them many times with my camera and sketchpad, I knew where each stood, when they bloomed, their botanical names and history, I looked for them each year and anticipated the best times to compose the images I visualized, but this was a gift in its unfamiliarity.

Now, after several frosts, autumn storms and snow, the weak parts had been stripped away and the strongest parts of them were burnished by adversity and stood dignified in the dimness, with just enough sheen to highlight their most interesting shapes, textures and combined patterns.

The background now, rather than the usual details of other plants and flowers, was darkness, the more perfect to silhouette each delicate construction as if in a gallery featuring the finest art.

Milkweed pods became flocks of fantastical birds, or individual exotic species clinging to stems. Tightly curled dried flowers or clusters of puffy seeds set loose, sere and twisted leaves and flowers of another time. Even the holiday decorations in a shop front, capturing the blue from the late afternoon light with highlights from the store within echoed the shapes and patterns of the natural forms outdoors, as the raindrops that would soon fall.

I arrived home with dirty shoes from walking in mud, and dirty knees from kneeling in wet grass, bits of leaves and stems and seeds flocked with frills to carry them on the wind on my skirt and jacket, in my hair, on my bags, souvenirs of a timeless magic, both in letting go of the time of day, and letting go of time altogether for that period. I only let go and rejoined the day because it was too dark to photograph any longer.

I am grateful to this gift of creative vision that releases me from everyday cares for just a short time, exercises those aesthetic senses and relaxes the overused worry lines, and gives me these wonderful gifts of images to share, just for noticing the inspiration was there.

There is always something new to learn about the things we think we know well. Never forget that when the light seems dim there is much to be seen with the heart, and when adversity has taken away the quick and obvious beauty, the strongest parts remain, dignified in their naked and twisted strength.

Rock Face

“Rock Face” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Rock Face

Rock Face

I looked up and saw the profile of a face in the rock.

January on the Panhandle Trail, you never know what you’ll see. I really wanted to trim the trees back, but that would not be right. Still, it’s one of my favorite trail photos.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

See more photos from the Panhandle Trail and photos in the category Nature.

A Shared Past

“ A Shared Past” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

A Shared Past

A Shared Past

Two ancient apple trees guard the entrance to a farm that no longer exists. What memories do those trees hold in all the years they’ve been welcoming visitors? And the land itself?

See another photo I captured the same day, just across the road from this one, “What is the Goal?

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Sunset Behind the Barn

Sunset Behind the Barn, Photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Sunset Behind the Barn

Sunset Behind the Barn

ABOUT THE ARTWORK

Even though I grew up in the suburbs, I was surrounded by farms, many in full production as dairy or truck farms growing acres of vegetables still in the 1960s. The nucleus of a long-time family farm was right across the street from our 1950s-era ranch house, the rambling house still standing with the milk house refitted as a rental but the chicken cook housing a few old vehicles and some chickens. The barn came down before I was old enough to have a chance to explore it, but most of these suburban neighborhoods with the curving streets and cars in driveways also had a farmhouse and an old barn somewhere in the mix.

I love those old barns, that tend to stand longer than the houses do, being built for brute strength to handle the weight of livestock, equipment and materials. At some point I find them alone and isolated, no farmhouse near, abandoned to the overgrown driveway and fields, but still they hold their ground.

I captured this sunset just driving along the road in another suburban development, just at the moment the sun was falling toward the horizon throwing everything into silhouette, a statement of sorts on the disappearing industry and lifestyle that was once the standard of the day.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

A plain matte black frame and white mat is available. Visit “Framing” for details or ask about custom framing. Framed prints are signed on the photo and on the mat.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

You're My Best Frond, digital photo.

“You’re My Best Frond” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

You're My Best Frond, digital photo.

You’re My Best Frond, digital photo.

ABOUT THE ARTWORK

“You’re My Best Frond” features two tiny fiddlehead ferns just emerged from the leaf litter along the trail, caught at just the right angle. They’re rooted in the spot so they’re kind of stuck with each other. It’s a good thing they’re “such good fronds”! It still makes me laugh whenever I look at it. This image is also available as a greeting card as part of my “Inspired by Flowers” set.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Dramatic Light

Dramatic Light, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Dramatic Light

Dramatic Light

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

As I drove there, looking at the sun and shadow play across the frosted hills and glow down into valleys I had an idea for two photos I wanted to capture. This was one of them, not necessarily the place, but the light illuminating the trees in front of the dramatically dark background and sky, the trail wandering off around a curve into an adventure.

I usually try not to plan ahead for photos because it’s possible to miss others while focusing on a goal that may not even be possible. I was lucky this particular morning and not only captured the ones I wanted, but many, many more I would never have imagined.

See another photo from that day, Frosted.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

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Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

A Faraway Place

A Faraway Place, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

A Faraway Place

A Faraway Place

ABOUT THE ARTWORK

While walking the trail that morning so many familiar views were disguised by the ice and snow and mystical light, like this view of the trail that looks as if it could be in mountains somewhere far away.

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

I based my 2017 “Sun Shadow Ice & Snow” exhibit on this series of photos. Read more about that exhibit on 2017: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.