The original sketch of Curled on the Bed, Pencil, is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 5″ x 8″, 2012 © Bernadette E. Kazmarski
About the artwork
What else to do on a lovely sunny afternoon but curl up in the sun on the bed? Well, some of us have to work, but kitties need their beauty sleep. They gave me a break from the computer when I decided they’d be today’s subject.
This was just as much about capturing all three, each of whom moved enough that they needed extra sketching, as it was about the bedding. I enjoyed the challenge of depicting the pattern on the postage-stamp quilt, each little square with its own pattern and color and the squares arranged in a repeating geometric pattern, as well as the pillow shams with the ruffled eyelet edging. How to render the details in pencil when much depends on color, and how much detail is just enough without drawing every little eyelet opening and every flower and line on each square? Very fun to let my hands figure it out without overthinking it, which is how I end up overdoing it.
I added a little more shading to Mimi, Jelly Bean and Mr. Sunshine since they are black, and I also liked their contrast against the quilt.
I love this particular vintage quilt because I love handmade things, and I use it as much for the background in photos and eventually paintings as just to enjoy its springtime feel. But I have to be careful with it and soon it will be gently soaked in the washer and dried outside in the shade on a warm sunny day to be put away for another spring.
Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.
Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.