This is a pastel painting, “After Dinner Nap”, pastel on Hahnemuhle sanded watercolor paper, 1997 © Bernadette E. Kazmarski
About the painting, and Stanley
“The face that launched a thousand portraits,” my Stanley, the feline mascot of my business, appearing on my business card and brochure cover. As I set up the pages for this site I sat back and thought about possibly using another piece of artwork as my signature for the site.
I decided that my whole relationship with Stanley and this painting is too significant a part of my career to change it.
This portrait changed my world, as an artist and in my career. The day I finished this portrait in 1997, I knew I had reached a higher level of skill as an artist and a deeper level of visualization combined with that skill that goes way beyond reproducing what I see, very far into what I feel. Stanley was a difficult soul having been abused before he was dumped outdoors, but his real personality was sweet, fun, silly and relaxed, and for all his issues I loved him completely. In this scene, the after dinner nap he enjoyed just about every day, I found that part of him, and that part of me, and got it onto the paper. It’s been magic since then, not just with my portraits and other animal artwork, but with all my artwork. I may have arrived at that point as an artist eventually, but it was my deep feeling for Stanley that delivered me to the door, which I had only to open.
Many cats have inspired me since this portrait in 1997, which is why feline art is featured here. Painting my cats, in turn, led to painting the landscape around me, the local areas which I’ve loved since I was a small child, and still lifes and then painting wildlife.
Stanley was with me for 21 years, and considering that he was an adult when he arrived on my porch of his own accord, that meant he was nearing the quarter-century mark when he died in 2007, inspiring until the end as I was photographing and sketching him until his final month. Please read more stories about Stanley, and see other art and photos featuring him on The Creative Cat where I’ve been writing about my cats for years.
This painting is included on one set of cards, “My Cat in the Sun”.
Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.
Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.