The original of this painting was pastel, 17.25″ x 9″, on illustration board hand-finished with pastel ground. I offer full-size giclee prints as well as digital and canvas prints.
ABOUT THE ARTWORK
The coldest, frostiest mornings always seem to come in January, right after all the warmth and color of the holiday season. I painted this in January 2012, standing at my window to sketch the basics but finishing from a photo, the light so fleeting, but I look at this view each day and know the details in all seasons. This morning’s hazy frosty look with the valley in shadow but the bright sky was very inspiring. I decided to finally do this sketch that I’ve been visualizing for years.
Not just the colors of a snowy, frigid morning, but the steam rising from all the chimneys were part of the inspiration. I’m not sure why, but seeing the steam rise over the neighborhoods and town on a frosty morning has always had a sense of both melancholy and security for me. As I watched the sun rise and the day grow light, photographing as it went, it seemed everyone’s furnace turned on at the same time and I knew I had to paint this scene.
The four houses across from me I’ve sketched a number of times before, but in this case I’ve also included what is Main Street in Carnegie off to the left, the little collection of square-cornered things are the buildings there with steam rising just as well.
SHIPPING AND CHARGES
Shipping within the US is included in the cost of each print.
Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.
Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.
Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.
I do all my own framing and can custom frame a print for you. Please ask.