The original sketch of Peaches’ Nap Spot, Pencil and Watercolor is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 8″ x 10″ and is framed .
About the artwork
Peaches was a perfect model, even when she wasn’t sleeping. Her markings always fascinated me—I was accustomed to torties in Cookie and Kelly, and even the calicoes I had fostered had smaller spots and clearly striped areas. Peaches’ dilute peach and gray and large clearly outlined shapes reminded me an older two-color wall map on cream-colored paper, slightly mellowed with age, where each of the countries were filled with a different color so you could distinguish them at a distance.
Here she was sleeping in classic Peaches stretch on her favorite fleece on a chair in the kitchen, above the heater vent, and certain to get a bit of sun at some time during the day. This may have been from 2008, but if you follow my daily sketches I’m sure you can see some of the same pencil lines and watercolor washes you see in my sketches from today. It was from looking at this painting in my studio and remembering Peaches that I decided I really wanted to—and really should—start seriously doing daily sketches again, remembering how pleased I was with this, how I have these little moments to remember from each of the cats I sketched, and how the brief time I did these in 2008 really helped me improve my daily work. Thanks again, Peaches, for all the gifts you gave me.
I offer this image in my Feline Art Cards collection.
Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.
I framed the original sketch with a soft warm cream flecked top mat and charcoal gray bottom mat in a charcoal gray frame.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.
Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.