Pittsburgh’s Pennsylvania Station is an 8″ x 10″ ink and watercolor sketch. Prints are framed in in a 14″ x 16″ matte-finish black frame with a 3″ white mat, ready for hanging.
[ss_product id=’d53f1122-f69d-11e5-b74f-0cc47a075d76′ ]Pittsburgh, Painting, “Pennsylvania Station”[/ss_product]
ABOUT THE ARTWORK
I truly love older illustration styles, and this I initially saw on ceramic plates and tiles imported from Italy. It’s an ink sketch colorized with watercolor.
This was another image for “100 West Busway”, the remodeled and renewed Pennsylvania Station where trains had actually rolled into the roundhouse in front and turned around. A bustling place from the time trains ran through Pittsburgh, it fell into disrepair but its Victorian grandeur would not be hidden and it was turned into luxury condos upstairs and restaurants and services downstairs; the Amtrak station is in the bottom level, next to where the tracks run now.
I created this work for an exhibit I had in 2006 entitled “100 West Busway”, featuring 125 thumbnail photos of Pittsburgh taken through the bus window on the round-trip journey from Carnegie and back on the 100 West Busway route, running from the south hills into downtown Pittsburgh, through the east end and Oakland and all the colleges and research centers, back into downtown and back to the suburbs.
From the 125 thumbnails I created a dozen works, each in a different medium, all framed with black wood frames and white mats. This is one of those pieces, and is actually one of the originals from the show.
SHIPPING AND CHARGES
Shipping within the US is included in the cost of each print.
Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.
Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.
Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.
I do all my own framing and can custom frame a print for you. Please ask.