This is a daily sketch from many years ago, at another time when I did daily sketches. Stanley settled on the pillow on the Recamier for his after-breakfast nap and I simply grabbed my pencil and sketchbook and swung around in my desk chair and got it down on paper. I’m so glad, because more than any photo with all its distracting details, this sketch brings Stanley and that moment right back for me as I remember studying him and deciding what was essential about the scene and about what I loved of Stanley.
I always loved Stanley’s “racing stripes” on his face and the back of his head. This pillow was meant for me to use during yoga, but apparently I was wrong about its purpose.
This is from 2002, from another time when I did daily sketches of my cats and of my yard and my town and anything else. Life moves you around and sometimes you need to let some things go for a while, but not forever. I missed the sketches and what I learned in each one, one of the reasons my daily sketches are so important to me today.
Purchase the original or a print
The original sketch of Stripes, Pencil, is still available, and a variety of prints and a note cards are also available. The original sketch was 8 x 5, 2002 © Bernadette E. Kazmarski
[ss_product id=’0b980fd6-f957-11e7-b180-9721052194ef’ ]Feline Artwork, Stripes[/ss_product]
You can also browse “Feline Pencil Sketches” for a note card with this sketch as well as other pencil sketches of my cats.
See more images of Stanley.
Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.
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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.