Wildlife Artwork

I have traveled too little to see any real wildlife aside from the critters who inhabit my suburban garden, so I work from pictorial resources such as magazines and calendars. Nonetheless, after being accustomed to seeing domesticated animals in the relative comfort of my home and neighborhood, it is almost a shock to see an animal which has never known a human and cares nothing for human companionship. Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures get along just fine (and probably better) without us, that we are really only one more species carrying out our lives on Earth. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration as domestic pets–animals are so un-selfconscious. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

My backyard is a “Registered Backyard Wildlife Habitat”, and even though small and in a regular old neighborhood near Main Street, it is host to plenty of native species of all sorts, especially songbirds, hence the quantity of bird art.

Most works are available in their original, but I also offer a variety prints on paper or canvas and notecards of quite a few.

Click on any image below to find out more about the art. Also, if you’d like a print or card of a piece of artwork that’s not available, please ask.

This painting is entitled “Safe”, 15″ x 20″ , done in soft pastel on Strathmore pastel paper.

ABOUT THE ARTWORK

Though they nibble on some of my favorite foods and flowers that grow in my back yard, I enjoy observing the two does who have visited for the past three years, sometimes with their boyfriend and sometimes with a fawn. When I came outdoors they would often leave my vegetable garden and scurry through my woodland garden to the overgrown area between all our yards. Though they were in plain sight of about six houses and all of us watched them, they apparently felt they were safe—and they were, really, because when I looked at the reference photo for this I wondered why I’d taken a photo of the brush at the end of the yard, and then I saw the ears. It was the perfect cover, hidden in plain sight.

“Safe” is painted in various pastels on Strathmore pastel paper from my photo references. This work was one of my new paintings for the 2015 Wings & Wildlife Art Show at the National Aviary in Pittsburgh.

FRAMED ORIGINAL

The original is framed with a 4″ white acid-free mat and a 1.25″ white painted arched wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Biding Time, pencil, 15 x 21, 2002 © Bernadette E. Kazmarski

This drawing is entitled Biding Time, 15″ x 21″ , done in pencil on cold press illustration board. The original is sold, but prints are available.

ABOUT THE ARTWORK

What do doves do all day? Just kind of hang out waiting for something to happen? The doves always seem to have some purpose beyond just sitting there, but sit they will for hours, moving only slightly, perhaps waiting for friends to join them.

These doves are waiting in the maple tree outside my bedroom window, a scene I often see and always enjoy.

The branches of the ancient maple tree vary in texture and even color, the larger branches and trunk carrying old gnarled scars from years of storms; this tree has been my guardian since I moved into this house. The details of the branches and twigs were so inspiring to me and I visualized a large, detailed pencil drawing, even imagining my pencil drawing the darker edges, blending the smooth areas and sketching detail in the rough areas to create the shadows.

Still, it was the doves who led me to the beauty of the scene and it was only a matter of time and lots of reference photos before I decided exactly which one I wanted to draw.

The scene I finally chose to draw was a bright overcast day when a snowfall had melted from the branches, leaving them a little wet and more colorful than usual with the little bits of moss that collect on the undersides, and the shadows are muted and soft.

I chose to create this drawing in pencil for the simple clarity of line and the delicacy of shadow. Pencil was my first medium and one I return to regularly with a comforting familiarity, losing myself in the variety of lines and textures a simple graphite pencil can achieve, and so it was with this drawing.

I added very slight watercolor washes to show the bird’s breast tarnish and the contrast of blue on the upper feathers, and the slight gather of moss on the tree branch. Loving the pencil, I still wanted to give the birds and branches dimension against the flat white background. Well I remember my hesitance with the first washes of color, holding the brush, filled with paint, away from the sketch, afraid to begin for fear either my idea of adding color wouldn’t be successful or I would simply screw up this pencil drawing I’d spent three weeks drawing. Eventually, I got over it, and it worked out just as I had visualized.

FRAMED PRINTS

The original drawing was 21″ wide x 15″ high, matted with a 4″ tan acid-free mat with 1/8″ charcoal acid-free mat, framed with a 1″ burnished gold metal frame with silver inner edge and nailhead detail, and I would be happy to frame a print in that same combination.

I also have a full-size print in an 18 x 4 matte black frame with a parchment mat, shown above.

I have also shown a sample of an 8 x 10 print matted in an 11 x 14 frame, shown above.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

See more wildlife artwork, linoleum block prints and wildlife photographs.

"Colorful", 11" x 15", soft pastel , 2015 © Bernadette E. Kazmarski

This painting is entitled “Colorful”, 11″ x 15″, done in soft pastel on self-prepared board with marble dust and gesso.

ABOUT THE ARTWORK

This work was one of my new paintings for the 2015 Wings & Wildlife Art Show at the National Aviary in Pittsburgh. “Colorful” is one of my favorite duck images on Chartiers Creek from my walks to Main Street. I took the photo several years ago of the mallard balancing on one leg with morning sun reflecting brightly off off an orange brick building on the other bank of the creek as well as the blue winter sky. Winter can be drab in moments, but it is often quite colorful with the warm browns and reds and the cool deep green of the mallard’s feathers and the reflections of all the colors of the day on the gently rippling water. Alas, though I had wanted to paint it en plein air, neither the ducks nor the lighting were cooperative so I finally decided to rough in a background and shapes on site, but finish it from the photo.

FRAMED ORIGINAL

The original is framed with a 2.5″ white acid-free mat and a 1″ vintage repurposed gold frame with very decorative corners. Nothing but gold pulled the richness of the colors in the water.

"Colorful" frame.

“Colorful” frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

The price below would include a 16″ x 20″ gold frame with decorative corners, but it would likely not be identical to the original, unless I happen to find a similar one at another thrift shop. I do all my own framing and can custom frame a print for you. Please ask.

"Taking Flight", pastel, 18.25" x 12.25", 2000 © Bernadette E. Kazmarski

This is an original pastel painting of two whooping cranes taking off in a marsh on a summer afternoon, 18.25″ wide x 12.25″ high using Rembrandt pastels on Canson pastel paper.

ABOUT THE ARTWORK

Many years ago I saw two captive whooping cranes, likely at the Pittsburgh Zoo. I marveled at their size–they were nearly as tall as me! But it was when one of them spread its wings that I was truly enchanted by the pure white body, neat brown wing tips and tiny touches of yellow highlight here and there, and the grace of that huge bird.

And I read about them and discovered their plight, having no idea they were so imperiled. Visiting what had once been their habitat on Assateague Island, Virginia, I imagined what they might have looked like in the whispering marshes.

What would their afternoon have been like? Using my photos of those marshes and many images of whooping cranes, I painted this in pastel, trying to capture the details that had stayed with me at seeing them, but also the feeling of movement in the marshes I had visited, the waving sedges, lapping water and constant breeze from the ocean.

And those summer colors, blue sky reflected on the water, reflected on the cranes.


SHIPPING

Shipping within the US is included in all the prices listed above.

ORIGINAL PAINTING

The painting is 18.5″ wide x 13″ high, matted with a 4″ warm cream acid-free mat with 1/4″ burnished gold wood fillet edging and 1-1/4″ burnished gold frame. The backing is acid-free foam core and the glass is premium clear glass.

Detail of frame

Detail of frame

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I, as the artist, could tell where detail and color were not as sharp as the original. Digital prints are available up to full size of 18.25″ wide x 12.25″, which is printed on 13″ x 19″ paper and so has very little white border. Other sizes have at least a 1″ white border, 2″ if possible. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. While I usually I set up canvases so the image runs from edge to edge, then the sides are black or white or a color that coordinates with the painting, these canvases actually wrap around using the area of the painting outside of the trim size.

SHIPPING

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.

"Jammin Jay Blues", pastel, 6 x 6 © Bernadette E. Kazmarski

This art is “Jammin’ Jay Blues”,pastel, 6″ x 6″ on self-prepared pastel paper.

ABOUT THE ARTWORK
When a bunch of blue jays get together, you know it. This one particular section of a tree in my backyard is a favorite place for jam sessions. The original was part of my exhibit “Winter White”. I also offer this art as a card in my “Backyard Birds” series

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

GREETING CARD

Cards are 5 x 7 printed on 14 pt. C1S, blank inside and available with a matching envelope.

Snowbird, pastel, 6" x 6" © Bernadette E. Kazmarski

This art is Snowbird, pastel, 6″ x 6″, on self-prepared pastel paper.

ABOUT THE ARTWORK

There’s a bird, and there’s snow, and this also happens to be a “snowbird”, or a dark-eyed junco, clinging to a forsythia branch in my backyard. The original was part of my exhibit “Winter White”. I also offer this art as a card in my “Backyard Birds” series

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINTS

I have one framed 9″ x 12″ digital print of this art, no mat, and a blue painted barnwood wood frame.

GREETING CARD

Cards are 5 x 7 printed on 14 pt. C1S, blank inside and available with a matching envelope.

Birds in Snow, pastel, 7" x 10" © Bernadette E. Kazmarski

This art is Birds in Snow, pastel, 7″ x 10″, on self-prepared pastel paper.

ABOUT THE ARTWORK

These birds were actually pecking around in the snow under a bird feeder, but their random order and little shadows were intriguing. This was done en plein air—but not outside so I wouldn’t cause the birds to fly off.

I also cropped a 6″ x 6″ area with just the birds to coordinate with other square art I’d been producing at the time. and offer prints that size. You’ll find them here in my Wildlife gallery.

The original  larger painting was part of my exhibit “Winter White”. I also offer this art as a card in my “Backyard Birds” series

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINTS

I have one framed 9″ x 12″ digital print of this art, no mat, and a blue painted barnwood wood frame.

GREETING CARD

Cards are 5 x 7 printed on 14 pt. C1S, blank inside and available with a matching envelope.

Accent, pastel, 6" x 13" © Bernadette E. Kazmarski

This art is Accent, pastel, 6″ x 13″, on self-prepared pastel paper.

ABOUT THE ARTWORK

Cardinals brighten my back yard all year round, and are especially brilliant on a snowy day. My back yard is a registered Backyard Wildlife Habitat and I have let brush and brambles fill in at the corners; this cardinal is in a tangle of wild grapevines with a fresh fall of snow. This was done en plein air—but not outside so I wouldn’t cause the birds to fly off, but from my back door.

The original  larger painting was part of my exhibit “Winter White”. I also offer this art as a card in my “Backyard Birds” series.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINTS

I have one framed 9″ x 12″ digital print of this art, no mat, and a blue painted barnwood wood frame.

GREETING CARD

Cards are 5 x 7 printed on 14 pt. C1S, blank inside and available with a matching envelope.