Set of Tortie Girls wood-mounted prints.

Tortie Girls Wood-mounted Prints

The 9″ x 12″ block, originally intended for painting, is a 1/8″ birch wood panel “cradled” with a 1″ tall canvas stretcher added to the back for strength and stability and, incidentally, ease of hanging, and this size can even stand up on a tabletop. I’ve painted the sides black and mounted a print edge to edge on the top surface, then covered it with acrylic finish. I offer “The Goddess” and “The Roundest Eyes” individually as well as in a set.

[ss_product id=’8dd42e0a-b35b-11e6-b4d7-002590787d08′ ]Handmade Feline, “Tortie Girls Wood-mounted Artwork”[/ss_product]

The prints are hand-colored and signed block prints of “The Goddess” and “The Roundest Eyes” adhered to the surface. I first print the block print in acrylic ink on rice paper, allow it to dry, and hand color each one individually with watercolors. Then I sand and paint the block with acrylic paint, black on the sides and white on top. I adhere the finished, colored print onto the block and let it dry, then put a coat of matte-finish acrylic on the top and sides.

I usually print about a half-dozen of each block print in acrylic ink on rice paper, allow them to dry, and hand color each one individually with watercolors as I need them, and store them in an acid-free sketchbook for framing or whatever else I may use them. I sign and number each print when the embellishment is complete.

The blocks are handmade and may vary slightly in size and shape or have slight imperfections. You may see some paper wrinkling in these prints; the rice paper tends to pucker up when the ink dries with printing, then again when I watercolor them. I actually iron them to stretch them, but they are never entirely flat. I had originally wanted the prints to look as if they were printed on the trays themselves though that is impossible with the block printing technique, but I think the paper wrinkles adds an interesting element of texture to the trays.


Tortie Girls

I am unendingly inspired by my houseful of felines, especially those two tortoiseshell calicos, Cookie and Kelly. The framable prints, T-shirts and textiles are printed by hand by the artist from hand-cut linoleum block, then each individually is hand-tinted in bright tortie colors.

"The Goddess" wood-mounted print.

“The Goddess” wood-mounted print.

“The Goddess”

Well, everyone knows a fat cat who knows she’s beautiful, and Cookie would tell you that a woman with a round shape was once most desirable and an object of worship. That’s why I call her “The Goddess”.

"The Roundest Eyes" wood-mounted print.

“The Roundest Eyes” wood-mounted print.

“The Roundest Eyes”
Sometimes when I look at Kelly the only feature I can distinguish in all those tortie markings is her extremely round eyes.

Not everyone has the room for, or the use for, art on their wall, and I designed these block printed works to be versatile. I do offer them as prints on paper, but I’ve also printed them on sweatshirts, curtains, placemats, tote bags and so on—whatever will hold still long enough for the ink to dry. The black portion is printed in ink, then I go back into the prints and hand tint the shirts by painting ink into the design so that the color stays more durable through washing.

I sign and number each shirt, just as I would a print on paper.

Block printing is a technique wherein the artist carves the surface of a piece of linoleum, leaving raised areas which will become the image. Ink is rolled onto these raised areas, then a piece of paper is pressed against the block and when it’s lifted away the ink remains, leaving the image on the paper.

Because of the nature of the medium, each print is unique and ink coverage varies by the surface. Most artists consider this random activity to be part of the process of creating an individualized print, and along with the hand-painting makes a unique work of art.