"Running Through the Woods", pastel, 20" x 14" © Bernadette E. Kazmarski

Available Original Art

This page lists all paintings and sketches for which the original work is still available, but it’s by no means a complete list of all my artwork. You can find more paintings and sketches in the individual galleries included in the menu available as prints on paper and canvas.

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Marsh Road, pastel on self-prepared board, 9 x 12 © Bernadette E. Kazmarski

Marsh Road, Pastel, 8 x 11, 2017. The original is framed in a 1-1/2″ solid wood white weathered frame with no mat and digital, giclee and canvas prints are available.



ABOUT THE ARTWORK

Marsh Road, pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

Marsh Road, pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

It’s time for another painting challenge, and I’m ready. My recent trip to Savannah and to see the eclipse inspired a lot of paintings, as have my daily photos and even putting my recent Panhandle Trail exhibit together. In November I’ll have another exhibit of paintings of Carnegie. I have portraits to finish. Time to get the studio time back. I don’t think I’ll do a painting every day, but every other day, as I did in January, would be great.

This was painted from a photo I took in the Savannah Wildlife Refuge. If you are familiar with my paintings you’ll know I love road paintings, and a simple long dirt road through a wildlife refuge is totally entrancing for me along with all those textures and shades of green things all around, and it’s so FLAT. I’m from Western Pennsylvania where things need to be made flat. I took this photo because the road curved through a small stand of live oaks, and you can see the shadows of the trees under the arch along with the light at the end. The simple shapes of the grass, reeds, brush and trees in the distance under that big blue sky graced with clouds that looked too tired under the sun was one image I knew I’d paint.

I used various soft and hard pastels on a self-prepared board. You can see a vertical texture and I tried to both use that and mask it. The panel was an Ampersand pastel panel on which I’d done an illustration that was changed so many times that there was no surface tooth left. I pulled all the pastel off it, sanded it, and brushed it with two coats Golden translucent pastel ground, all brush strokes in one direction. I think it worked out okay.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Geraniums and Parsley (uncropped), watercolor, 6 x 9 © Bernadette E. Kazmarski

Geraniums and Parsley, Watercolor, 6″ x 9″, 2017. The original is framed in a white solid wood frame with double mats, white with a red liner. Digital, giclee and canvas prints are available.



ABOUT THE ARTWORK

Geraniums and Parsley (uncropped), watercolor, 6 x 9 © Bernadette E. Kazmarski

Geraniums and Parsley (uncropped), watercolor, 6 x 9 © Bernadette E. Kazmarski

I’m working on my spatters. I think they worked pretty well here.

Typically when I look out my back door I see my big vegetable garden, lots of perennial flowers and wildflowers, and my everlasting pink and red geraniums, some of which are 15 years old and saved in the basement each winter. This year, after my wild black cherry tree fell last year and smashed half of my back yard, and neighbors’ trees fell on my fences in years before that, my yard is tall with jewelweed and pokeberries. That will be good for the soil, but I miss my gardens. I always have a few pots of herbs on the deck and this year my geraniums are on the steps, and that’s all I have, but it’s what I see when I look out the back door, the bright red and pink, the bright light green parsley in the blue Chinese pot, and the trees out in the yard. I smile when I look at it, and the bright colors and complex greens also made me want to paint it.

I really am practicing my spattering too, and decided this would be a good painting to see what spattering with various brushes could to with the background. I also piled paint up in the upper left where it’s dark, and let it spill and move over the paper, then let it dry. I like it.

Here is the cropped version.

Geraniums and Parsley, watercolor, 6 x 9 © Bernadette E. Kazmarski

Geraniums and Parsley, watercolor, 6 x 9 © Bernadette E. Kazmarski

Here is how it’s framed.

Geraniums and Parsley, framed.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Curving Tracks, Charcoal, 6.25 x 9.5 © Bernadette E. Kazmarski

Curving Tracks, Charcoal, 6.25 x 9.5, 2017. The original is framed in a 1-1/2″ solid wood white frame with double black core mats and digital, giclee and canvas prints are available.



Curving Tracks, Charcoal, 6.25 x 9.5 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 5.

I took this photo a few years ago from an overpass and always wanted to sketch it in charcoal. The graceful curve of the tracks in any season, because I admire it all the time, is an inspiration to create. In the starkness of the snowy day, the minimized palette honestly black and white even in a photo, the trees rising straight up all around, marching up the steep hill toward the sky and starting down into the ravine on the other side, has been another inspiration I’ve wanted to sketch. We had a nice snow and when I drove past this spot today I decided now was the time to do it.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Tulip Garden, watercolor and brush pen, 6 x 9 © Bernadette E. Kazmarski

Tulip Garden, Watercolor and Brush Pen, 6″ x 9″, 2017. The original is not framed and digital, giclee and canvas prints are available, but this is most likely to be a greeting card.

ABOUT THE ARTWORK

Tulip Garden, watercolor and brush pen, 6 x 9 © Bernadette E. Kazmarski

Tulip Garden, watercolor and brush pen, 6 x 9 © Bernadette E. Kazmarski

I wanted to try something fun whimsical and a little looser, an image I visualized when looking at my reference photo. Tulip gardens look like happy little balloon displays and while I love tulips and have painted several watercolors, I wanted to capture just the colorful nature and the shapes of the bright, nodding rounded flowers contrasted with the heavy leaves. I used the brush pen to define some details. I can also add some hand-lettering with the same pen someday if I’d like to.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

As the Crow Flies, 10 x 14, ink on gray paper © Bernadette E. Kazmarski

As the Crow Flies, Ink, 7 x 10, 2017. The original is framed with a black frame and a single black core pale gray mat, and digital, giclee and canvas prints are available.

As the Crow Flies, 10 x 14, ink on gray paper © Bernadette E. Kazmarski

As the Crow Flies, 7 x 10, ink on gray paper © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 20.

The day was gray, misty and quiet, just the day to spot a large crow perched atop a dead tree. I was transfixed by its stillness, unmoving, against the gray sky, took a photo, and then it crouched down, lifted its wings and lifted itself heavily from the tree, moving upward and away slowly, on deep, slow flaps of its wings. I left a large expanse of gray because, while perched in the tree the a closeup worked well, once it was airborne the huge gray sky was part of the composition.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Dead End, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Dead End, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.



Dead End, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

Dead End, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 4.

I just love a row of houses in the sun. This street dead ends at the top of the bank of Chartiers Creek. The houses have been there over a century, flooded several times, seen lots of people moving through watching life with their blank window eyes. Now in brilliant winter sun they stand like old friends, the long shadows of the houses and buildings across the street reaching to touch them as the sun drops toward the horizon.

This was painted on a self-prepared board.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Summer Morning on the Deck, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Summer Morning from the Deck, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.



 Summer Morning on the Deck, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

Summer Morning on the Deck, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

This painting is one of those sweet familiar ones I’ve been wanting to paint for years: an early summer morning, hazy and bright, seen from my deck or through my kitchen window, geraniums in full flower, trees overlapping and heavy with dewy leaves, quiet and still.

It’s painted in soft pastel on another self-prepared board.

I was participating in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 2.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Studio Guardians, watercolor pencil, 7 x 10 © Bernadette E. Kazmarski

This art is “Studio Guardians”, 7 x 10, watercolor pencils with washes on multi-media paper, signed and dated 7/8/12. The original is available and prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ART

Studio Guardians, watercolor pencil, 7 x 10 © Bernadette E. Kazmarski

Studio Guardians, watercolor pencil, 7 x 10 © Bernadette E. Kazmarski

Since I’ve been spending more time in my studio in the past few years, photos and sketches of my studio cats have become a thing. This little sketch from five years ago is still one of my favorites, in part because it’s bright and colorful and also because it’s very specific for place, but it’s timeless. The old casement with the vase of paintbrushes on the windowsill has been there a long time, the bright green trees outside the window, and many cats have spent time in the sun on the windowsill so it’s timeless. Funny that I painted this so early in my daily sketches series, five years ago. It was almost prophetic.

This is what I wrote about this little painting when I painted it in 2012, five years ago: Yesterday I actually did a painting of Giuseppe and Mewsette guarding my studio, and took photos for reference, and just to have them. I didn’t get the chance last night to post the painting, though I like the photo and posted that as yesterday’s daily photo (actually seen below), intending to just show a comparison of two different media, and what I often do to sketches to simplify them and focus on the subjects.

If you look at yesterday’s photo (actually seen below) you’ll see there’s much more stuff in front of and around them. While this does look like my studio, it’s distracting, and I don’t like to include unnecessary details in my paintings. What I was seeing was what you see here, Giuseppe and Mewsette, the vase with brushes, the window with the green outdoors, and a few miscellaneous shadows. What you don’t see is what I either literally did not see, or simply ignored. I’m good at that. So are my cats.

Studio Guardians, 2012

two black cats on windowsill

Kelly took the day off as my studio cat today, at least so far, so Giuseppe and Mewsette took their places on the cool marble windowsill. Surely I am well supervised, and no evil spirits would dare pass my guardians.

One drawback was that they were a little too far away for me to touch, so all I could do was look a them, a pleasure. I also photographed them repeatedly, and painted them as well, scan coming later.

See more photos of art cats and studio cats.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Shadow of Bison ", pastel on 26.5" x 17.5" on Hahnemuhle sanded watercolor paper.

This painting is entitled “Shadow of Bison “, pastel on 26.5″ x 17.5” on Hahnemuhle sanded watercolor paper.

[ss_product id=’ad70d85a-7956-11e7-a14e-002590785994′ ]Wildlife, “Shadow of Bison”, Original Pastel[/ss_product]

ABOUT THE ARTWORK

"Shadow of Bison ", pastel on 26.5" x 17.5" on Hahnemuhle sanded watercolor paper.

“Shadow of Bison “, pastel on 26.5″ x 17.5” on Hahnemuhle sanded watercolor paper.

I have traveled too little to see any real wildlife aside from the critters who inhabit my back yard, so I began my wildlife excursions from pictorial resources such as magazines and calendars. Nonetheless, after being accustomed to seeing domesticated animals in the relative comfort of my home and neighborhood, it is almost a shock to see an animal which has never known a human and cares nothing for human companionship. Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures get along just fine (and probably better) without us, that we are really only one more species carrying out our lives on Earth. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration for me as domestic pets. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

I saw a photo in a magazine of bison grazing on the plains and remembered historical and fictional novels I’d read from the “Little House on the Prairie” series to the settlement of the Great Plains. I put together what I saw in photos and what I’d visualized while reading of a countryside I’ve never seen.

This looks like a lot of bison, but considering how many populated this country just 200 years ago, this herd is just a shadow of what it once was, and in this orange twilight even their shapes are reduced to shadows.

The original pastel painting, 26.5″ x 17.5″, was done in Rembrandt pastels on Hahnemühle sanded watercolor paper. You can see a lot of ambient textures in the paper in this painting, and even, just above in the lower right corner, you can see the actual color of the paper. This is a sturdy German-made 300# watercolor paper with deckle edges which has the sanded finish used for pastel and charcoal layered onto it, tinted various colors. This was my preferred paper for pastels in the 90s and early 2000s in part because of the colors in which it was available. I rarely begin a painting with white paper, when when I saw the photos of the bison and envisioned this painting it begged to be painted on this shade of this paper, knowing I’d be able to use that ambient texture to enhance the feel of the prairie grass.

This painting is larger than my usual and was actually difficult to paint because my easel at that time was quite small. Framing was another issue—I looked everywhere for the frame that would coordinate in style as well as color, and be able to support a painting that large with mats and glass and ended up with a custom-ordered 4″ wide solid wood rounded profile with a faux calfskin finish, an expense I never undertake except for this one painting. The mats are black core in a tone of orange that exactly match the mid-range tones of the painting. I still look at this painting and love every bit of it and am glad I followed my star to make it what it is.

FRAMED ORIGINAL

The original pastel painting is currently matted with two tones of deep orange black-core mats, and framed with a 4″ wide solid wood rounded profile with a faux calfskin finish.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Friendship Friday

"Find the Kitty in This Picture", colored chalk, pencil, charcoal, pastel pencil on mat board, 12" x 19", 1987 © Bernadette E. Kazmarski

Find the Kitty in This Painting prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

"Find the Kitty in This Picture", colored chalk, pencil, charcoal, pastel pencil on mat board, 12" x 19", 1987 © Bernadette E. Kazmarski

“Find the Kitty in This Picture”, colored chalk, pencil, charcoal, pastel pencil on mat board, 12″ x 19″, 1987 © Bernadette E. Kazmarski

I’m going way back to my beginnings with this painting/sketch. It predates all of my pastels, but is actually my first work in color, when I decided to move from pencil to try to interpret some of the lovely colors I saw in the world around me, and especially in my cats.

In fact, this sketch isn’t even in pastel at all—I used colored chalk! I remember thinking at the time that I didn’t want to invest in those expensive pastels unless I knew I could produce something with them. How I would know when I could do that without actually using them I don’t know, but I think it had something to do with my level of confidence while I worked on the sketch, much the same as it had been when I worked in pencil. I could visualize the medium, I could visualize the sketch, getting that visualization on the paper was my goal, and in order to do that I had to work the medium and at least basically understand its properties.

Moving on to a new medium? As always, my cats led the way. When I put together my first portfolio book in 1993, I used a photo album with 3.5″ x 5″ photos of my works and often the reference photo and a paragraph of text along with the name and details of the work pictured, using my very first personal computer at home to design and print the information, then glue the photos in place. Ah, sweet memories, building my future. Here is what I had to say about this painting:

Sally can’t ever be too warm. This picture was taken during the summer when temperatures were consistently in the 90s and sometimes over 100 degrees, and this is a south-facing window. When I got this picture back, I wondered why I had taken a picture of this plant, then I saw her tail, and then her face. I hadn’t started working in color yet, so rather than invest in pastels right away, I used colored chalk to see how I would do. The experiment was enough to make me want to explore some more.

I remember that summer. It was two years before I moved into this house and at least that rented house was larger with far more cross-ventilation and a large cool basement, but the heat was brutal, a month of excessive temperatures in a year of drought, very unusual here in Western Pennsylvania. But Sally still spent time in her favorite sunny spots; at the time I had no idea about heat stroke or sunburn in a white cat with pink skin, so I’m glad Sally had a little bit of sense to move herself before she was in danger of roasting herself.

Reference photo for "Find the Kitty".

Reference photo for “Find the Kitty”.

I remember looking at the photo when I got it back too. I remember my eyes kind of picking through it, pulling apart the details and planning how to put it together on paper, a process that is so much a part of my everyday life now after years of visualizing works, but was still pretty new then. And though I’d worked pretty much exclusively in pencil up to then, and this would have been a nice pencil sketch too, it was the delicate colors, the pink of Sally’s nose and ears, the wandering embroidered flowers on those curtains that I loved, the light through the curtains, and the light on the tabletop, that made me decide to try color. At first, I wanted to try watercolor but was intimidated by my total lack of knowledge and the materials I needed to purchase, plus the fact that between two jobs, cats, garden, and renovating this house I had little time to work so I wanted something that didn’t really require set up and preparation and clean up. There was no way I could paint in oils or acrylics to achieve what I saw, and I knew colored pencil wouldn’t work. I remembered pastels, looked at my big box of colored chalk. Possibly, if the subject had been my black cat Kublai instead of my white cat Sally my decision would have been different, but I decided that box of chalk would do to start with. That decision was what led me to working with pastels even today.

I had been working my weekend part-time job in the art store (in addition to my full-time job as a typesetter) since spring that year, and was learning framing as part of that job. I had a piece of gray mat board left over from some framing experiments with some of my pencil drawings, and decided that would be the perfect base for my experiment. Still feeling most confident with pencil, I outlined the scene onto the matboard in pencil, which you can see throughout the sketch. And then I started applying the chalk, figuring out how to apply the medium to the surface and let it do what it would so that it looked like what I was visualizing. But, really, this first attempt was largely like a paint-by-number with the sketch underneath and me concerned about coloring outside the lines and, at first, no blending. I look at that mess of leaves now and don’t want to get involved, but it was a huge challenge, then, and fun.

Detail of the leaves.

Detail of the leaves.

Chalk, however, is chalk, and though I had a big set of colored chalk none of them were dark enough to work the shadows. My pencils weren’t dark enough, and my charcoal was black, which wasn’t the right tone for the table and the shadows around…already I was seeing more color than I had when I’d started and thought all the shadows were black or shades of gray.

I had a 50% to 75% discount on materials at the art store, and decided to get a product that walked the line between my familiar pencils and the pastels I wanted to use without having to purchase a whole set—pastel pencils. I bought a dark brown one. Bold move.

Detail of Sally's face and the curtain and light on the table.

Detail of Sally’s face and the curtain and light on the table.

Much of it is pretty amateur, especially Sally’s face and tail, but I remember being pleased with the way some things worked out, feeling there was a point where it was actually finished but not perfect, and deciding that next time—there would be a “next time”?—I would to a few things differently, and I would also invest in a box of real pastels.

I still remember how exciting it was to see the image emerge from the gray matboard as if it was dimensional, so different from watching one of my pencil drawings develop; though they can appear dimensional as well and mine often did, the addition of color for the first time was breathtaking.

One of the elements of the scene I found very inspiring in addition to Sally and the curtain and the spots of light on the table is the one stray leaf that gracefully falls down in the lower right. I still find exciting little details like that in each painting, background elements that make the rest of the painting interesting. I didn’t know that then either.

Detail of Sally's tail and the table, and that one leaf.

Detail of Sally’s tail and the table, and that one leaf.

I didn’t sign my paintings then, not until a couple of years later, one of those odd humility things, feeling I didn’t deserve to sign my art, something I think every creative person moves through. In fact, I just signed it today, finally, when I removed it from the frame to scan.

The frame and mat for this sketch.

The frame and mat for this sketch.

This painting has always hung in my bedroom, first in a plastic poster frame, and then in a frame I actually pulled out of someone’s trash and cleaned up that magically has a sponged finish including several of the darker colors in it. I look at the painting frequently, often visualizing the scene with today’s experience and knowing I’d do things very differently, but still with a lot of pride at what I accomplished in this early sketch. I also feel the memories of that time and place, smile at Sally and her ways, and look fondly at those curtains that I loved so much, the plant I’d pulled from the back room at the mall where I had worked and revived it, moving it from that house to here and having it until just a few years ago, those orange crocheted doilies that never ruffled right, the cheap mahogany-finish tables that had been my grandparents’ which I still use today, and think of that moment in time, the cats, how each of them came to me to form my first feline family, that house, the light, and how young I was. I also remember visualizing, suddenly seeing art everywhere, everything my cats did, the colors of flowers and how I would render them, and taking more and more photos.

This, of course, just a month or so later, led to “Waiting for Mom”, and the rest is history.

. . . . . . .

What is the difference between a “sketch” and a “painting”? Because pastel is a dry medium and not paint at all works have long been classed as drawings, and pastel works not considered “finished” or “final”, more like studies. But as pastel has become more popular and considered a medium in its own right, some works are also considered paintings. If a work covers the entire surface edge to edge in what is considered the image area, the work is considered a painting. If not, it’s considered a sketch. Of course, that can be subjective—many of the daily sketches I’ve done could be considered paintings because they fill edge to edge, but I’d still consider them sketches in part because that’s the way I think if them. But things evolve in our daily use, and art materials and works of art are among them.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Summer Back Road, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Summer Back Road, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.



ABOUT THE ARTWORK

Summer Back Road, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

Summer Back Road, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 3.

For me, almost any spot along winding, hilly back roads through fields with old trees and fence posts is a worthy spot for painting. This is one of many I liked best of the group I’ve been taking over the years for various reasons. The tree in the center is the main subject if you ask me, and I like the way it owns the road. The road itself leads straight into the scene, unlike most of my road sketches where the roads have bends. The field on the left gently reaches up and up and up out of the shadow in the left corner. That fluffy summer sky is just so pretty, just enough cloud, just enough blue. It’s a scene that always makes me feel very expansive, positive, wanting to run to the top of the hill as I did when I was a child when I saw such a place. The whole scene has a very simple color palette, and where I like to add complementary colors to most of my paintings to liven up the shadows and highlights, I wanted to maintain the scene’s simple, literal sense. A summer day is very uncomplicated.

It’s painted in soft pastel on a self-prepared board. Where I had added the pastel grounds smoothly on other boards, I stippled it on this one intending to use it for a scene that had fine details, like the leaves on the trees. I used that texture to build the textures all over the painting.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

Giuseppe Resting, black and white charcoal pencils on gray toned paper, 5″ x 7″. The original is available and prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.



 "Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

“Giuseppe Resting”, black and white charcoal on tan toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

So Giuseppe rests all the time, why draw him now? Just because he looked so velvety black there on my desk, completely covering up something I needed to work on. You can see a few extra lines I’d erased at the bottom; he had started out with one paw curled under and his head up. I no sooner had that roughly outlined than he laid his head on his paw.

My desk lights are shining on him from behind so his face is in shadow, and I did my best to capture the subtleties of highlights and reflections on his features in several different hardnesses of regular charcoal plus white charcoal on tan toned paper, then I used the kneaded eraser to burnish the densest black areas.

And when I scanned it, putting the entire sketchbook in the scanner, I liked the way that looked too. I don’t think of just seeing the sketches as you do because I actually see them in my sketchbooks. So this is what it looks like.

 "Giuseppe Resting", in the sketchbook.

“Giuseppe Resting”, in the sketchbook.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Minding Their Own Business", charcoal pencil, 9.5" x 7" © Bernadette E. Kazmarski

The original sketch of Minding Their Own Business, charcoal , Charcoal, is still available, and I also have a variety of prints and note cards. The original sketch is 9.5″ x 7″, 2012 © Bernadette E. Kazmarski



About the artwork

 "Minding Their Own Business", charcoal pencil, 9.5" x 7" © Bernadette E. Kazmarski

“Minding Their Own Business”, charcoal pencil, 9.5″ x 7″ © Bernadette E. Kazmarski

Sometimes, this is all we see.

I like the times when they are going about their business without me involved. Jelly Bean is curled, sleeping, at the top of the steps where the sun had been shining, briefly awakened by Mewsette as she climbs the steps and rounds the corner into my bedroom. No faces, no interaction with me, they are just being house cats finding their afternoon nap spots.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Running Through the Woods", pastel, 20" x 14" © Bernadette E. Kazmarski

Running Through the Woods, Pastel is 16″ x 22″ in soft pastel on 2-ply acid-free natural illustration board. The original and prints on paper and canvas are available.



ABOUT THE ARTWORK

This painting was included in 2016: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail. It’s another one I’d been wanting to paint, a day in the woods and on the trail with my great-niece Cassidy and great-nephew Kyler from 2011, from the same visit where I got the reference photos for “The Swimming Hole” and the photo “Looking Forward”. This piece is titled “Running Through the Woods”, something everyone should have the chance to do when they are growing up, just letting loose and running along a path with the tall trees all around and the expanse of green urging you on. I’m so glad I had the chance to paint it after visualizing it for all these years.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

The frame is 24″ x 30″ solid wood stained mahogany with a lightly carved finish. The mat is 4″ wide, soft yellow-green flecked with a black core.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Paths I Have Walked", pastel, 16" x 28" © Bernadette E. Kazmarski

Paths I Have Walked, Pastel is 16″ x 28″ in soft pastel on 2-ply acid-free natural illustration board. The original and prints on paper and canvas are available.



ABOUT THE ARTWORK

This painting was the featured art for 2016: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail and depicts me walking through a favorite section of the woods along the trail where the sycamores and maples grow straight up toward the sky from the flood plain and it feels like a green cathedral.

I’ve never done a self-portrait of any sort. At my first Panhandle Trail exhibit in 2014 I set the standard for exhibits to follow by walking through the woods to Robinson Run to get water for my big enamel cooking pot and walking back gathering wildflowers for my display. I don’t usually think of myself as a subject in my landscapes but liked the idea of myself walking along a familiar path dressed to meet the public in my festival clothes, carrying flowers and a bucket of water. Because I have so few photos of me and find I both like to see them and need to use them in promotions, I asked a friend to photograph me in this activity after the show. They quickly became some of my favorite photos, and I’d always wanted to do a painting or two from them. I have never been the subject of one of my paintings, but kept visualizing this painting, especially when I had come into a really beautiful vintage frame that would be perfect for my idea. I added touches of different gold finishes to the details of the frame and it all came together.

A decade ago I called my first poetry ready “Paths I Have Walked” because so much of the inspiration for my poetry, other writing art and photography came from finding paths all over the hills and valleys where I grew up and following them wherever they led, and also following some other paths out of this place, giving me experience and a perspective. I had used this title on my 2011 poetry book using Dusk in the Woods on the cover. When I cast about for a title for this painting it came to mind fairly quickly; I also have future plans to set up my writing website and I’d planned to use one of the photos from the series of me in the woods so it all ties in together. I will write more later about the symbolism of this piece in my life today, but for now I will just say it feels entirely suitable. I have the feeling we will be seeing much more of this painting, and though I feel a little self-conscious that it’s kind of a self-portrait I’m glad I’ve finally appeared in my own art. Somehow that becomes necessary after time.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

The frame is 24″ x 36″ solid wood with a detailed carved finish to which I added a gold wash and a green gold wash. The mat is 4″ wide, soft yellow-green flecked with a black core.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

"Summer Field", pastel, 10" x 12" © Bernadette E. Kazmarski

“Summer Field”, pastel, 10″ x 12″, 1998. The original and digital, giclee and canvas prints are available.



ABOUT THE ARTWORK

This is a field edged in mature maple trees in Settler’s Cabin Park, near me in Western Pennsylvania. On a summer day clouds moved overhead, casting shadows that moved with the breeze. I chose a looser style to capture all the movement I sensed in the afternoon.

The original is framed with a 2-1/2″ white top mat and 1/2″ sage green with olive core bottom mat mat in a 16″ x 18″ plain square 1″ cherry wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

“Lilacs and Laundry” is an original pastel sketch, 9″ x 12″ painted in my back yard in May 2013. It’s framed in a vintage mid-century Danish modern solid wood scoop frame with a white mat.



ABOUT THE ARTWORK

“Lilacs and Laundry”, pastel, 9″ x 12″ © Bernadette E. Kazmarski

What got me in trouble today when I should have gotten some work done inside was how cute my laundry looked with the lilac blooming about it. I have a thing for laundry in paintings, so I decided to take some time to do a little sketch. I use my limited set of pastels outdoors so I don’t lose or damage the “good ones”, so I need to touch it up with some other colors and finish off the edges.

Lilacs and Laundry frame.

Lilacs and Laundry frame.

The lilac has never bloomed this much—after about 15 years it’s finally come into its prime. The red specks in the back are the first roses on my red climber that swings over the gate, the pink flowers on the chair and on the ground are the first geraniums blooming after I’ve brought them out of their winter home in the basement. The short blue is forget-me-nots, the tall is a flowering bulb called Camassia given to me as a gift years ago, still blooming reliable each spring.

Here’s the uncropped version of the sketch so there’s actually more of the painting than shows in the framed piece.

pastel painting of laundry and flowers

“Laundry and Lilacs”, uncropped.

And look—there must have been an artist in my yard!

Pastels and paper in grass and flowers

An artist was in my yard!

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

One Pepper, pastel, 5 x 7, 2001 © Bernadette E. Kazmarski

One Pepper, 5.5″ x 8.5″, 2001 © Bernadette E. Kazmarski

Just the art.

Just the art.

ABOUT THE ARTWORK

I happened to leave one green pepper in the oval enamel bowl on the deck from the morning’s harvest. I love my collection of red-rimmed white enamel bowls of all sizes and shapes, and I actually use them to prepare and process vegetables from my garden. I’ve always been fascinated by how the light and shadow plays around on the inside, and seeing that and the light and shadow on the pepper as well I couldn’t help but grab my pastels for a quick sketch.

The art is 5″ x 7″, double-matted with a quarter-inch of tan black core and 1-1/4″ natural white black core in a cinnamon wood frame.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Fruit", original pastel, 5.5" x 3.5", 2000 © Bernadette E. Kazmarski

Original pastel, 5.5″ x 3.5″, 2000. The mats are 2.25″, white under mat and deep orange suede top mat. Frame is 8″ x 10″, a 1.5″ wide decorative hand-finished shabby chic white with gold accent for a total size of 11″ x 13″.



ABOUT THE ARTWORK

I did this quick little sketch while teaching a class in plein air sketching and working with minimal materials. It’s an orange and a red apple and a green apple with blue shadows. I’ve always liked it. and finally decided to frame it up.

The sketch is done in pastels on mat board I primed with fine grit tinted blue. The mats are 2.25″, white under mat and deep orange suede top mat.

I have fun adding finishes to salvage frames. For years this had been framed in a wide gold frame because sometimes they work well with small still lifes. But after about a decade I  was pretty tired of it so mixed a creamy white acrylic and brushed it on, then rubbed off on edges to create the shabby chic look. I like it much better!

Fruit, framed.

Fruit, framed.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

Winter Still Life, pastel, 8 x 10, 2014 © Bernadette E. Kazmarski

Winter Still Life, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK



That deeply angled winter sunlight reaches farther into the windows than summer sunlight, into the corner with the fruit bowl. I’ve been looking at the late afternoon sun hitting this vintage ceramic bowl where I keep my apples and enjoying the shapes of the apples, the reflections on the bowl with its uneven design in indigo with gold leaf brushed into the pattern here and there, the crocheted cloth and the mix of direct and reflected light on the apples, the bowl, the wall, the painting above.

The light changes too fast so I can’t sketch it on site, but of course I’ve also photographed it, and worked from a series of photographs over a period of minutes as if I was working in the moment. I’ve found that when I work from only one photograph I feel a little stiff with the subject and a series of images feels more natural.

Granny Smiths are just about my favorite apple and are the most likely to be in the bowl and the reflection of their color on the walls around gives the scene an overall green cast. In the original painting, the crocheted cloth is a little more yellow than you see here.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

“Bird’s Nest”, pencil, 6″ x 6″, 2002 © Bernadette E. Kazmarski

This art is My Nest Eggs, Pencil, 6″ x 5″ on multi-media drawing paper.



ABOUT THE ARTWORK

“Bird’s Nest”, pencil, 6″ x 6″, 2002 © Bernadette E. Kazmarski

“Bird’s Nest”, pencil, 6″ x 6″, 2002 © Bernadette E. Kazmarski

Yes, there’s a story behind this…

Several years ago I was a member of a small business organization and was included in an article about small business owners setting up a retirement plan for themselves. The theme, of course, was “nest egg”, and the editors wanted some illustrative photos of us showing the nest egg theme, like holding bird’s nests or eggs or images along that theme.

The nests and eggs the photographer brought were clever and colorful, but being an artist and studying birds for years, they didn’t do too much for me. I had suggested I would be photographed out in my backyard wildlife habitat and for the article I’d say something about studying and sketching birds and their nests, and originally I wanted to use one of the nests I had on hand with a few reconstructed eggs. That was too realistic, perhaps, so I went to the next idea—I make my living as an artist, so I’m literally “drawing my own nest egg”. Perhaps use that as a metaphor?

So I had the sketch started and sat on the bench under my trees working on my sketch and that was the photo of me they used. I wish I could find the issue of the magazine that had my photo! It’s here somewhere, but things from a decade ago are in various places around my little house.

Hence the sketch of the nest with eggs, which I still like just as a sketch too. But there’s another interesting element to this story too.

I have  maintained a website called The Creative Cat since 2009 to share my pet portraits, my stories and poetry, my photographs and write about topics of interest and concern to people who love cats and also pets and all animals. I write about backyard wildlife habitats as part of that, and aside from the feline art I regularly share I also share the birds and other creatures as well.

In January 2010 I shared artwork “From the Lost Sketchbook” series, where I’d found a sketchbook from 2002 or thereabouts that I’d kept at my desk. This was a general purpose sketchbook and I used it for many things in addition to extemporaneous sketches such as illustrations and ideas, and it included sketches of my cats and a few other subjects. I was so happy to see it again so I scanned all the sketches that were pertinent to The Creative Cat and posted them. For all the cats and dogs I featured in my artwork on The Creative Cat, this sketch had the most views of any piece of artwork on The Creative Cat for several years. I have no idea why, but I’m glad readers enjoy it.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

GREETING CARD

Cards are 5 x 7 printed on 14 pt. C1S, blank inside and available with a matching envelope.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Peaches' Nap Spot, pencil with watercolor, 11″ x 7.5″, 2008 © B.E. Kazmarski

The original sketch of Peaches’ Nap Spot, Pencil and Watercolor is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 8″ x 10″ and is framed.



About the artwork

 Peaches' Nap Spot, pencil with watercolor, 11″ x 7.5″, 2008 © B.E. Kazmarski

Peaches’ Nap Spot, pencil with watercolor, 11″ x 7.5″, 2008 © B.E. Kazmarski

Peaches was a perfect model, even when she wasn’t sleeping. Her markings always fascinated me—I was accustomed to torties in Cookie and Kelly, and even the calicoes I had fostered had smaller spots and clearly striped areas. Peaches’ dilute peach and gray and large clearly outlined shapes reminded me an older two-color wall map on cream-colored paper, slightly mellowed with age, where each of the countries were filled with a different color so you could distinguish them at a distance.

Here she was sleeping in classic Peaches stretch on her favorite fleece on a chair in the kitchen, above the heater vent, and certain to get a bit of sun at some time during the day. This may have been from 2008, but if you follow my daily sketches I’m sure you can see some of the same pencil lines and watercolor washes you see in my sketches from today. It was from looking at this painting in my studio and remembering Peaches that I decided I really wanted to—and really should—start seriously doing daily sketches again, remembering how pleased I was with this, how I have these little moments to remember from each of the cats I sketched, and how the brief time I did these in 2008 really helped me improve my daily work. Thanks again, Peaches, for all the gifts you gave me.

I offer this image in my Feline Art Cards collection.

Peaches' Nap Spot Fine Art Card

Peaches’ Nap Spot Fine Art Card

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

I framed the original sketch with a soft warm cream flecked top mat and charcoal gray bottom mat in a charcoal gray frame.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

Studio Window, Autumn, Watercolor. The original art is 5.5″ x 8.5″ watercolor on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

I’m so excited to offer an image that is so dear to me—one of my cats on my studio windowsill. All the years I’ve been here I’ve loved my time in my studio, which was also once my foster room. I often remark how my cats enjoy spending time with me in my studio because they sense my own enjoyment of what I’m doing, and for frightened fosters not only can they sense that but I’m also in a typically non-verbal space, something they and all cats find very comfortable. Sharing my non-verbal self with animals, especially cats, has been one of my lifelong joys, and often a great comfort. My memories of cats sharing my studio with my felines, especially seeing them enjoy the view out the window, are very special. So for all those reasons I’m so happy to share this painting for the month of October.

From November 2014 when I created the sketch:

This really happened! Just this afternoon (Monday), and it’s both Mimi and Mewsette.

My studio is actually my spare bedroom, on the second floor. I call it “the treehouse” because outside the window are arching branches from my river birch coming in from the left and a tangle of branches reaching from my maple on the right, the neighbor’s dogwood as well, and behind most of it is my tall spruce. The house faces northwest, so in the mid to late afternoon the sun shines down on all those leaves, but the inside is in shadow; later the sun reaches to the windowsill and onto my drafting table.

I love to watch the change of daylight in all seasons, the pale greens of spring and dark greens of summer, the yellow, orange and red of autumn and the bare branches against the dark green of the spruce, and, of course, my cats. Today, first, Mimi joined me and sat on the windowsill to have a proper bath in preparation for an afternoon nap on my lap, and a little later Mewsette joined us and sat to watch the birds in the trees. They both sat in the same spot, but Mewsette is bigger, but Mimi turned her head the right way. So this is both of them.

I painted it later in the day, from photos and memory, applying the watercolor background first according to what I visualized—my trees are nowhere near that bright, only in my mind, but that is what I wanted, and the blue at the bottom for the cool shadow inside. The I referenced the photo for the feline figure, more or less, and the vase with brushes, more or less, since the cats and the vase with brushes are so familiar to me I barely needed the photos. I debated about the muntins in the window thinking they might be too harsh, but decided that was part of the charm of this old window, and would convey that idea to others who viewed it. My window has more bars, but they nearly crossed behind the feline face and went behind the brushes and I didn’t want that, so I moved them, keeping them a little off-center. I also used transparent layers of black instead of solid black as I have in other similar paintings—even though my first impression was of a silhouette, I could see it was not, and there was enough variation in the figures that I would leave some detail there.

And, as I like to say, that’s why we have art, so I can have it the way I want it. The doing of it ran very late because each layer of paint had to dry in between.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper. The original is matted with a white black core mat, framed in an 11″ x 14″  matte black frame 1″ wide. Framed prints use the same frame and mat.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Catamount Brushmore”, black and white charcoal on toned paper, 5.5″ x 8″ © Bernadette E. Kazmarski

Catamount Brushmore prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas, and the original art is still available as well.



ABOUT THE ARTWORK

ABOUT THE ARTWORK

I mean no disrespect to these four presidents, but when I looked down from my computer screen at the four, this is what I saw. Well, what I saw is above, but really, this was what I immediately visualized—look at the photo below I used for reference!

“Catamount Brushmore” reference photo.

“Catamount Brushmore” reference photo.

Not quite the same, but certainly suggestive. I just moved Bean up a bit. I quickly blocked out the shapes and snapped a reference photo, sketched in white and black charcoal as long as I could until they’d moved too much, then finished from the photo. In case you didn’t “get it”, I added the blue sky in pastel pencil, like that was going to help. And I looked at a photo of the actual Mt. Rushmore and added the pine trees at the bottom for authenticity. From the left it’s Bean, Mr. Sunshine, Mewsette and Giuseppe.

Really, what would I do without such unusual inspirations! What they were doing was invading my desk and preparing to occupy, my daily torture of cuteness and interruption. Better get all my papers and stuff off my desk because everything will be buried under the pile. See below for how it turned out. Looks like the mountain collapsed. Look at that Bean belly–he’s laying on top of a small box. No wonder I can never clean my desk.

How it all turned out.

How it all turned out.

So now I actually get to get back to work so I can finish what didn’t get done while pursuing my big inspiration.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas carries the gray-toned paper background around the sides.

FRAMED PRINTS

I am reframing the original and will post as soon as it’s done. I do all my own framing and can custom frame a print for you as well. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Looking Out the Front Door", Watercolor, 6" x 9" © Bernadette E. Kazmarski

Out the Front Door, Watercolor. The original art is 6″ x 9″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

Giuseppe, Mimi and Mewsette spend some time watching out the front door. There are birds fluttering and chipmunks racing back and forth across the porch, Fatso the squirrel runs up and down the tree now and then, butterflies and bees fly around, the leaves flutter in the breeze, now and then a car goes by, or people walk up or down the hill, sometimes with a dog. They watch it all with quiet interest. Until the chipmunk goes by.

This took me nearly all day, but only because I wanted to wait for the big splats of watercolor to dry. I’m glad I took a reference photo. The three were long gone by the time I got around to painting them in.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Mewsette's Tail", pastel on white multi-media paper, 6.5" x 9.5" © Bernadette E. Kazmarski

Mewsette’s Tail prints are signed digital prints of my pastel daily sketch “Mewsette’s Tail” made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

"Mewsette's Tail", pastel on white multi-media paper, 6.5" x 9.5" © Bernadette E. Kazmarski

“Mewsette’s Tail”, pastel on white multi-media paper, 6.5″ x 9.5″ © Bernadette E. Kazmarski

Mewsette slaps her tail back and forth so enticingly, Bean simply cannot resist.

Giuseppe, Bean and Mewsette were hanging out on the cabinet in the center of the kitchen so they looked like only silhouettes against the morning sunlight through the back door. I really liked their activity and the big silhouettes plus the long shadows on the varnished cabinet were interesting varieties of textures. I just wasn’t sure about the colors since they were slipping around, I just wanted to capture the warm colors in the background and the cool colors in the highlights. I think I got that!

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Kelly Has a Drink, 6" x 8", colored pencil © Bernadette E. Kazmarski

These signed prints of “Kelly Has a Drink”, colored pencil, are made in archival inks on various media. I’ve also included an image of the original as I framed it. A print framed like the original is also available.



Shipping is included in all prices listed.

ABOUT THE ART

I always have prints and framed prints. I often have wood-mounted art and keepsake boxes, and also have large and small placemats and other kitcheny items. This art accommodates easily to a square format like the 8″ x 8″ wood-mounted print. I also use this image on round and square maiche boxes like the ones pictured. For all other gift items not listed here, check on “Handmade Gift Gallery“.

Kelly Has a Drink

What legs! Kelly really does have long legs, especially when she does her drinking dance, solidly planting all four paws, then prancing her hind paws and waving her tail while she drinks. There’s something so precious about Kelly drinking; I think it has to do with her timid nature, yet she totally enjoys her water so I enjoy her enjoyment.

This was done in steps as we spent time in the studio upstairs, similarly to one I did of Cookie the previous December. This bowl is on my work table because Kelly has always preferred to drink from a bowl on a surface above the floor. In the heat, she marches back and forth to it through the day, and always stands in the same spot in the same position. Kelly is a creature of habit, so I can anticipate her actions and keep my sketchbook handy, drawing the outline one time, adding her black markings another, then her orange.

. . . . . . .

This is the last sketch I did of Kelly while she was still with me, ironic that I would catch one of the poses I really wanted to be sure to catch before it was too late. It’s one of those poses I’d watched Kelly take for years, her little drinking stance, leaning way down from those long legs and lapping noisily at the water; for such a fastidious and rather timid kitty, she made noises drinking and bathing that I could hear two rooms away, and they always made me laugh.

But there is always something like this that we remember about our animal companions, something that makes no sense to anyone else. You know, the odd bathing position, the awkward sleeping habit, the strange toy, all these things are what show us they really are individuals and are often the things we remember the longest about them.

I had the sense on this day in 2012 that something serious was happening with Kelly, but I didn’t realize how serious. She died August 11, but on this evening, August 8, when she hopped up onto my work table to have her drink in exactly the position I remembered her, it was a sketch I had decided I wanted to get. Sometimes we pass up a photo thinking we’ll have another chance, and I’ve passed up sketches thinking the same. On that evening I decided I wasn’t going to trust this to chance and I’d get this sketch right then, even if I didn’t finish it right then.

Looking at her legs, the arch of her back, the curve of her tail, the position of her ears, her chin, and the black and orange of her markings, the backs of her legs looking as if she’d sat in paint, the wide areas across her back of black fur then orange, her one pale orange toe, all so familiar even now, and at that time and still I could apply them without even looking at her.

I knew when I finished it that this sketch captured more than a sweet and familiar visual memory I wanted to make sure I’d captured. It captured a lot of Kelly too, and I can still feel her presence when I look at the sketch. This was the last time I saw her drink at that bowl, or saw her drink in anything near the position I’d always wanted to remember. I’m so glad I took the time.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1.5″ white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ violet bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Exhibit at the Feline Museum", 10" x 7", ink technical pen © Bernadette E. Kazmarski

The original is still available along with signed prints of “Exhibit at the Feline Museum, Cartoon” are made in archival inks on various media.



"Exhibit at the Feline Museum", 10" x 7", ink technical pen © Bernadette E. Kazmarski

“Exhibit at the Feline Museum”, 10″ x 7″, ink technical pen © Bernadette E. Kazmarski

ABOUT THE ART

Anyone who has visited my house knows exactly what I mean.

Stacks of boxes and bins, and a cat sleeping on the top of each one. I walked in and while there are only three stacks and more than one cat on the top of each one, this is what I visualized.

But then, we always put our cats on pedestals, don’t we?

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning”, Purring Points and “Feline Punctuation”.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Namir at the Window, acrylic, 13" x 17" © Bernadette E. Kazmarski

“Namir at the Window, Acrylic” is 13″ x 17″ on canvas panel. Prints are made on artist canvas, hot press giclee paper or Epson Velvet Fine Art Paper.



Namir at the Window, acrylic, 13" x 17" © Bernadette E. Kazmarski

Feline art card: Namir at the Window, acrylic, 13″ x 17″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

This is my one and only (so far) acrylic painting featuring a cat. Here’s the story.

Normally, I’m pretty linear with working on something, focusing on one clear idea at a time. When I’m learning something new I hit points where I’m not skilled enough to do something and need to either work it out there or outside of that piece, or just stop and let the lessons I’ve learned sink in and get back to it when I’m ready to move on. I began this painting in January 2008 from photos I took of Namir in 2005, I think, soon after I’d gotten a big box of acrylic paints and brushes and canvas panels from a neighbor whose aunt had been an artist. I don’t care for the finish on acrylic paints, much preferring oils but not the smells and chemicals, so I’ve just avoided the entire thing. I decided that the gift of free art materials meant the universe wanted me to paint in acrylics, and I wanted to work with a more dimensional medium—I wanted the brushwork, the impasto of layers and colors, the texture of the canvas showing through the paint.I remembered this photo and got started.

I hit a learning wall at one point and put it aside to work on commissions. I pulled it out again in April of 2009 when Namir, at 15 with hypertrophic cardiomyopathy, was having increasing trouble with congestive heart failure, kidney failure and related health issues, and I know we didn’t have much time left. I wanted to work on the painting when he was still with me. He died in July 2009, and again I left it where it had been at that time, and this is what you see today.

I love to remember Namir in any way I can, and the area where I keep this windowbox is too shady for the colorful geraniums and petunias and marigolds I’d always grown in it. The pleasant memory of him at the window with the flowers is a treasure to spend time with, a time that has passed, but one I’d probably return to if I could.

The canvas panel, and the painting, is actually larger than this, but I cropped it down to the area of it I like and feel is the essence of the painting. I want it to show what I remember most and what I feel is most important, and I don’t need to show the whole scene to do that as I first thought. It’s a canvas stretched on cardboard, not stretchers, so all I need to do when I’m done is cut out the part I want to use and frame that. I’ve done that with others I painted in the same era. For now, I just won’t work on that anymore. That’s kind of freeing!

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Cat Mountains", pastel on pastello paper, 12" x 9" © Bernadette E. Kazmarski (adjusted version)

The Cat Mountains original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

About the Artwork

Three cats asleep, just like mountains in the dark.

This was purely a visual inspiration, looking at Mimi and Bean and Mewsette all curled into one another, all the ears and backs and peaks and valleys looked like a mountain range to me, so I decided to do a more finished drawing with that idea.

In order to make it convincing to anyone else but me, I had to put the moment into context. Where were these mountains? I thought. And what time of day was it? I decided because they were dark and the highlights were one of the very most inspiring things about them that it had to be night. I added stars to the night sky after I’d let it sit for a while; I didn’t want to, it seemed cliché, but in the end it drew attention away from the cat figures long enough that they did, at first, look like mountains in the darkness.

Where are they? Because they were actually sleeping on my nice flat and level work table, I decided they might be mountains near the desert.

What I was trying to capture was the sense that they rose up organically from the surface, much as mountains in the desert seem to do, and convey both the strength of mountains and the quiet peace of a mountain scene at night under a starry sky. It’s not just an interesting visualization, it’s also descriptive of what I intuitively sense from cats themselves, and especially this particular group of five when they get together in cat piles, that quiet tranquility, yet the strength of their structure evident even as they rest.

I’ve never seen mountains in the desert under a dark and starry sky. That part is pretty much made up from some photos probably in National Geographic and some creative visualization.

They are worked in pastel on black pastello paper, though unlike other sketches I didn’t leave the black open, instead I drew in the darkest areas with black pastel and didn’t leave anything uncovered. I’d mentioned earlier that I typically ignore their color, using their silhouettes as a starting point for new designs, but this time their solid blackness is an important part of this idea, imparting the idea of solid strength. Their mahogany mid-highlights and their blue top highlights were part of the inspiration as well, seeming to describe the slopes and peaks of a mountain in starlight. I’m not sure I would have seen this visualization that led to this if they’d been striped or spotted.

And while typically my daily sketches are quick and undetailed studies and a pretty literal interpretation of what I see, this is an example of some of the ideas I have on a regular basis, and which I’ll pursue in between other things.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Mother and Daughter, Sun and Shadow, watercolor pencil, 5" x 7" © Bernadette E. Kazmarski

Mother and Daughter, Sun and Shadow, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

ABOUT THE ARTWORK

“Mother and Daughter, Sun and Shadow” is one of my daily sketches from last June when I was still experimenting with my watercolor pencils, mixing my love of simple sketches with the ability to blend colors, though not with my fingers as I am accustomed with my other familiar dry media of pastel, pencil, charcoal and the like. I sketched the basis of this, Mewsette and Mimi curled together on that pink flowered rug in a patch of sun on the upstairs landing, then ran a wet watercolor brush over it, just water, and let the colors blend as they would, magically turning my sketch into something I had not visualized.

These two were curled up together on the rug on the landing, in very diffuse sunlight, not the bright morning light we often have, but it reflected off the white walls and created some interesting color combinations in their fur as well as reflected areas. Nice composition they made, and I wasn’t quite sure what I wanted to do with it at first, but I’m glad I chose watercolor for its opacity.

One of my all-time favorites! I don’t remember making the logical decisions to blend those colors, outline in green and soften it all with a wet watercolor brush, and I love it when that happens.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

NOTE CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"In Afternoon Sun", ink brush pen and watercolor, 10 x 11 © Bernadette E. Kazmarski

These signed prints of “In Afternoon Sun”, watercolor, are made in archival inks on various media.



Note that the natural size of the art is 10 x 11, portions of the art are cropped for each different size print.

ABOUT THE ART

Mimi enjoys her daily sunbath while Mewsette watches the birds from my studio window on the second floor.

One more experiment with this brush pen, partly just because it was there. I love it when the cats are partly lit by sunshine, and dramatically. Here it pours in the window from nearly directly above, just enough to highlight them where they are near the window but leaving the rest in silhouette.

I didn’t want to leave out their mahogany highlights, so I’ve added those. Because the second floor window looks right out into a maple tree from this angle, I wanted to catch the dappled and speckled effect with watercolors. Not sure how well I like the speckles, perhaps I’ll try a bigger brush next time to get bigger blotches.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 2″ flat white matte-finish wood, and a white black core 2″ top mat with 1/4″ green black core bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Feline Punctuation", ink drawing pen, 6.5" x 7" © B.E. Kazmarski

The original is still available along with signed prints of “Feline Punctuation, Cartoon” are made in archival inks on various media.



ABOUT THE ART

Another one of those visualizations as I awoke today. I could feel cats tucked up against me all around, two on one side, two on the other, and one at my feet. They tend to trade places so I wasn’t sure who was where, but of course they are all black, and as I laid there, face in my pillow, trying to determine which was who, I could picture them black against the white bedspread, and then as quotation marks on either side of me, and a period by my feet.

So here it is, not sure if it works visually, but this is pretty much what I visualized.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Saturday Morning", Ink hybrid technical pen, 9" x 4" © Bernadette E. Kazmarski

The original is still available along with signed prints of “Saturday Morning”, cartoon, 9″ x 4″ are made in archival inks on various media.



ABOUT THE ART

“Don’t act like you’re dead. We know dead things. We’re cats.”

Yeah, this is pretty much what I saw when I woke up this morning. I may have slept a little later than usual, but not by much. I could only see two over the edge of the covers, Giuseppe’s ears and Mr. Sunshine’s baleful eye, but I could feel that all five were there. And they were sitting very still and watching me.

But they did catch me in the act of trying to fool them. The two are so cute at trying to pull the covers off me and digging me out that I confess I lie there pretending to be asleep just to enjoy all the effort they put into getting me out of bed! First, though, I thought, “That would make an interesting piece of artwork. How should I do it?” Then, because it can sometimes take me years to get to ideas like the more realistic view I was considering, I decided a sketch would be immediate gratification, and possibly the best way to render it. I took notes with my eyes at what it all looked like, and drew it later in the day.

. . . . . . .

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

The original is still available along with signed prints of “One L-o-o-o-ng Kitty”, cartoon, 9″ x 5.5″ are made in archival inks on various media.



“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

ABOUT THE ART

It’s a sweet memory of the very first time two formerly feral fosters braved the first floor of the house.

Bella and Basil, respectively, are finally having some time on the first floor after thoroughly inspecting the second floor. I still won’t let them in the basement for fear I’ll never find them in the chaos down there, but they weathered their first journey to the new land well. They are each a little timid when it comes to moving into new spaces for the first time, so I’m cautious not to overwhelm them, and my downstairs can be overwhelming. I tell everyone who visits that I am in “full warehouse mode” and stacks of bins and things are everywhere.

They did need to be coaxed down by me and Bean, but after a few times of running up and down the steps they were exploring, little by little, sometimes together, most times not, then eventually playing.

This sketch was awarded a Certificate of Excellence for Cartoons in the Cat Writers’ Association annual Communications Contest in 2015.

Read more about the Cat Writers’ Association and the awards I’ve won for my writing, art, photography and design.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Dusk", blue soft pastel on black pastel/charcoal paper, 6" x 11" © Bernadette E. Kazmarski

This art is “Dusk”, 6″ wide x 11″ high on acid-free Canson black pastel paper and one color of soft pastel © Bernadette E. Kazmarski, signed and dated 3/8/15.



ABOUT THE ARTWORK

It’s really some of my smaller, quick sketches that are deceptively simple where I feel I both captured the moment and my technique was right on spot, and this is one. Working quickly from life with light blue on black there is no room for “error”—marks can often be integrated into a composition, but can’t be removed or covered up in a sketch like this. I’ve got to trust the communication between my hand and my eyes to put down on paper what I’m seeing…that doesn’t actually exist.

But I captured not only the three sections of the old metal casement filled with blue light along with the light on the walls around, but also Mimi’s familiar little shape by not actually drawing her, but leaving her space open as negative space while filling in the windows, only to apply a few fingertips of pastel where soft highlights touched her fur to give her dimension.  The highlight on the cabinet top that faded into the darkness, too, and her shadow were quick guesses and blending out with the tip of my pinky finger.

If I stand there and think too much about the creation of a drawing like this, I chicken out. I have to jump right in.

(March 8, 2015) We spent so much time in the last few days enjoying the sun at this upstairs window that it’s only fitting we enjoy a sketch at this window to end the weekend—but not a bright sunny day. Just now as I carried the laundry upstairs Mimi ran ahead and jumped up onto the wardrobe, and crouched to watch the back yard gather darkness in a pose very characteristic of her. I dropped my laundry and grabbed the charcoal/pastel pad and a blue pastel that approximated the color of light and quickly sketched. She got up and came over to see what I was doing, but obliged me in returning to her spot in the approximate posture she’d been in. Now that’s a professional.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

ORIGINAL PAINTING

This sketch is 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-1/4″ acid-free purple top and bottom mats, framed in a 1-1/2″ dusk blue barnwood 8″ x 10″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

FRAMED PRINTS

The framed digital and giclee prints I’m offering are 5″ x 7″ prints in an 8″ x 10″ frame identical to the framed version you see in the thumbnails at the top.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

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Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Warm Winter Sun”, oil pastel, 2000, 10″ x 8 © Bernadette E. Kazmarski

This is an oil pastel painting, “Warm Winter Sun”, oil pastel, 2000, 10″ x 7″, matted and framed.



About the painting, and Namir

Some of my cats have inspired several paintings, others in the planning stages, others, no paintings yet, sometimes it’s all up to how much time I have to work. But some of my cats have inspired more paintings than others, and Namir was one of them. Something about his demeanor and deportment, his confident self-possession, made every move seem like a performance and every rest seem like a carefully arranged pose. Although he was gray tabby and white, his profile and features showed he had much of an Oriental influence in his lineage, and these lithe and graceful cats tend to be very self-aware. I’ve also featured “Darling Clementine”, a similar theme to “Warm Winter Sun”, and I also have a number of pencil sketches of him and dozens of photos here.

Below is a detail of the most interesting area, Namir and the rocker with the brilliant winter sunlight reflected from the tile floor. I love reflected light, it’s a different color from direct light and helps to give a subject a shape, and can also pull just enough detail of an object from a light or dark area that you sense its presence but know it’s not part of the main image. The rocker is defined this way. But Namir is also reflecting light back onto the tile, both in the sunlight area and in the shadows around him from his areas of white fur on chest and shoulders which form all the little pools of light around him.

Detail of Namir and rocker with direct and reflected light.

This painting is in oil pastel, and painted in 2000. I was curious about oil pastel through the years and though my first experiments looked like crayon drawings. I persisted and finally came to find some control in applying it to the paper and blending colors, and using textured paper. Where, with my regular pastels, I layer colors atop one another and blend them as necessary, drawing hard details on top, layering in oil pastel often involved scraping away some or all of a color I’d applied and adding another on top, and blending seemed to best be done by simply running another color repeatedly over top of another, then scraping away an area where a detail needs to appear.

Detail of just Namir.

Namir is in that blissful feline “don’t bother me while I’m in my sun puddle” state, which is exactly what I wanted to capture. In order to describe him, I show his reaction, the crouched resting pose, everything tucked in, face resting, ears lowered a bit; he is not asleep, and will not sleep in this position, but is actively enjoying his sun puddle in the way that cats do, just being in that moment with warm sun streaming over him. It’s something we should all practice.

Detail of books in bookshelf.

But Namir wasn’t the only inspiration in this painting—in fact, what convinced me to paint it that particular morning was my colorful gardening books on the bottom shelf of the book case and their reflection on the floor as well. It’s full of brown earth tones which alone might be interesting but not exciting. Those bright flower colors are exciting, but still allow the subject attention, and together they make a nice composition.

Detail of shadow and reflections on tile floor .

I not only love reflected light, I love reflections whether they be on water or on a glossy surface, and these reflections look simple but are just as complicated as the ones around Namir.

This painting was technically a “daily sketch”, but I only got a start on it in that moment. It was a Sunday morning and I was full of rest and confidence, and felt I could jump into using oil pastels for a quick sketch, a bold move considering I really didn’t know much yet. I didn’t get too far into it, but took a photo—and that being the days of prints I had to wait for it to come back to finish the painting. But if the inspiration is there it stays with you, and I only needed to reference the photo for color in order to finish.

oil pastel painting of cat
“Warm Winter Sun” with rough edges.

But one thing that marks this painting as being a part of my personal portfolio is the one thing that’s inspired me from the beginning with my cats—it’s a cat in the sun. The wonderful contrast of bright sun and shadow is inspiring no matter the subject or medium all through my art and photography, and as I’d said with my first set of color note cards printed from four of my cat paintings up to that point, “Bright sunshine on anything will inspire me, especially when it’s illuminating one of my cats.”

Oil pastels and chalk pastels

I frequently work in chalk pastel, especially for commissioned portraits, because of its versatility in application and range of colors from delicate to vibrant to deep. Chalk pastels are made from pure pigment in a binder ranging from fine clay to gum arabic or cellulose to form a shape to be held in hand to draw and are, as the term “chalk” would describe, a dry medium.

Oil pastels may have a similar name but that’s about the end of the similarity. A relatively new medium at less than 100 years old, the pigment is combined with a non-drying oil and wax which makes it more like a soft crayon, and that was exactly what it felt like when I first began to work with it years ago, a crayon! I put it aside, disliking the feel of it and my lack of control, but when I worked in an art supply store and frame shop, I framed an oil pastel drawing that absolutely fascinated me with how it had been applied with abandon, layered, and even had areas carved out of it nearly down to the paper to create visual and physical texture.

Where chalk pastel is blended like a powder, oil pastel is much more difficult to blend but may be done by drawing one color atop the other, using a burnishing tool or paper stomp or even using a solvent medium like linseed oil or turpentine, so I put all the techniques to use as I continued to use oil pastel.

This painting won the award for Best Pastel in the South Hills Art League’s 2000 Annual Juried Show, and I got the chance to talk about what inspired me to paint it. In brief, it was just a beautiful moment.

Purchasing prints

This painting is included on one set of cards, “Feline Fine Art Cards”.  I’ve also applied it to a few gift items, such as coasters and keepsake boxes so check my “Handmade Gifts” page.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

“Sunday Morning”, pastel and charcoal on Canson paper, 19″ x 26″, 1989 © Bernadette E. Kazmarski

This is a pastel painting, “Sunday Morning”, pastel and charcoal on Canson paper, 19″ x 26″, 1989 © Bernadette E. Kazmarski



About the painting

A Formerly Feral Kitty Finds Her Place: Sunday Morning

Moses made it back upstairs after breakfast before I had a chance to make the bed, and I didn’t have the heart to move her. So I got a sheet of drawing paper and my pastels and did a quick sketch of the scene, finishing it later from a photograph.

It was a pleasure to work in a looser style and just to catch the mood and all that wonderful winter light filling the ruffled batiste curtains through the east and south facing windows, sweet Moses being bold out in the open on the bed. I painted this on a Sunday morning very like today, early January, overcast with cool, diffuse snow light filling the upstairs rooms.

Look at the date: 1989, very early on in my career. I knew of one kind of pastel drawing paper and had cheap pastels and colored chalk, not sure whether I should make the investment in “real” pastels, and I had my cats. I guess that was all I needed. Now, years later, it’s a marvel to look at what I did with so little experience—if I did this as a daily sketch today I’d be glowing with pride and thrilled to share it.

But in this painting I also have this memory of a house I moved from long ago, and a happy scene with gentle little Moses that conveys more than the photograph ever could. Though no one but me would recognize her, I know this signifies a new confidence Moses had grown to feel that year, two years after she’d come to me, and that would grow slowly, slowly over the next 17 years.

pastel and charcoal portrait of cat on bed
Sunday Morning, detail of portrait

Though I have the photos from that day and others they don’t bring back the depth of memory my painting does. At that time in my life, Sunday was the only possible day of the week I would have had the time to feed cats and have coffee and make the bed later in the morning, and do a sketch without worrying about being somewhere, and that’s why it’s titled “Sunday Morning”, for all it conveys to me. When I look at the painting I remember that moment I went upstairs and walked toward the bedroom to make the bed, of seeing Moses tucked into the covers, feeling very safe and warm, and that thrill of happiness for me that she felt so secure. I remember looking at her and thinking about her, but because a human looking at her for any length of time still frightened her I let my eyes wander around the room, looking at the light and the colors, and then the magic happened and I saw this sketch.

I crept quietly away so that I wouldn’t disturb her and cause her to move in any way before I could photograph her with my old fully manual Pentax film camera. I kept my camera and most of my art materials in the other bedroom right next door, got the camera and tiptoed back for a photo or two, and though that was often enough to make Moses suspicious her raised eyebrows and slightly opened eyes seemed amused instead.

I had already worked myself to deeply realistic skill with “Waiting for Mom”, and was then relaxing a little and experimenting with a looser style. As I had worked my way through media from pencil to ink to acrylic, oil and pastel, I had often adopted this “outline” style, and for the longest time no sketch or painting looked finished to me without it. When I began to sketch, then paint, my cats, I actively worked to break away from it and finally did.

But to that point, all my work had been done from photos, any attempts to draw from a live subject were pretty disappointing. Yet the inspiration was so strong, and my art materials just a few feet away, it was Sunday morning and I had the whole day…

Again I tiptoed away and quietly gathered materials. If I could just get the charcoal outlines on the paper I’d be happy. Also hoping I wouldn’t attract the attention of the other cats so I could focus on just this scene and Moses I didn’t even set up an easel but leaned back against the banister outside the bedroom door, held my drawing board against my hip and quickly got the lines lightly down on the paper. Though they weren’t neat and proportional or really representative of the scene, I continued. I had gotten the basic pastel colors on the paper and corrected a few of the lines before Kublai found me, walking along the banister toward me and wanting to step on my drawing but climbing onto my shoulders instead. The other cats had followed and likely Sally jumped on the bed for her daily nap and disturbed Moses, Stanley and Allegro milled around and Fawn had to have a play session, also likely on the bed.

The moment was over, and my memory might not be entirely accurate, but somehow for me the act of creating a painting, which I didn’t realize at that early point in my career, tunes all my senses to their peak ability and I remember more than I usually would. Whether I actually saw stocky tabby and white Stanley and leggy, rangy orange and white Allegro walking around my feet on the pumpkin-colored carpet as I’ve always visualized I’m not sure, and whether I’m remembering Fawn in one of her endless play sessions on the braided rug and Sally through years of hopping up onto the bed in the afternoon to wash her long white fur and have a long, deep nap in her deafness I can’t tell, but those are also the memories that come to me when I look at this painting. Not just that moment, but many moments, my feline family, my home, a Sunday morning.

And when I got the photos back some time later to finish the painting, I was shocked to see them. They were nothing like what I’d sketched in the draft of the painting, and nothing like my memories. For myself, I captured something much deeper and more real. But, as I always say, that’s why we have art, so we can keep what is real to us in a tangible form.

About the art

I used the texture of the Canson paper to blend my colors into and onto, letting the texture build the midrange tones where two colors mix together, yet leaving the edges soft in the sketch and giving them a soft definition with black vine charcoal. I’ve done this in some of my daily sketches as well, and also used colors other than black to define the edges.

Moses watches over my easel in the corner of my studio, and I continue to draw inspiration from her, the moment and the style, with all the work I do.

Purchasing prints

This painting is included on one set of cards, “Feline Fine Art Cards”.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

 

Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

Unnamed Tributary, Pastel, 9″ x 12″, 2012. The original is framed in a 1″ solid walnut frame with rounded corners, double matted in light blue and white. Digital, giclee and canvas prints are also available.



Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

From January 12, 2012, the day I painted this en plein air:

On a quiet sunny winter afternoon this little unnamed tributary surely had a lot to say, babbling along over rocks and shelves of slate and limestone on its way to Scrubgrass Creek a distance away. I see a few things I’d still like to do with it but I’m pretty pleased. The light changes quickly at this time of year, and I had to work quickly.

Off in the woods today, I stood in the snow and painted a little pastel sketch as well as took photos of the snowy hollow at Kane’s Woods in Scott Township, PA. I’ve been waiting for a significant snowfall, enough to give good even cover to most of the leaf litter. Much of this conservation area faces north and doesn’t catch significant sunlight, especially in the winter when the sun’s angle is low, but this little hollow and the hill next to it face south. Once the sun gets into the hollow it just fills it up, especially when snow can reflect it in all directions.

The Kane Woods Conservation Area is a place I’ve known since I was a child, before it was conserved and trails were established, but my lifetime of visiting and that of others is what inspired Scott Conservancy to consider the site worth working for.

person standing in snow sketching

There’s me, feeling a little silly.

Along with the benefits of preserving water quality and air quality, protecting steep slopes from erosion and landslides and managing stormwater naturally, greenspace at the same time provides natural recreation areas that require little maintenance compared to a playground or formal park with accommodations. And for me, it provides a subject for my creative efforts, my paintings, photos, poems, and just a place to rest my eyes and ears from the onslaught of digital and social information and just listen to the breeze and the birds and watch the sunlight play across the snow.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Curled on the Bed, 5 x 8, pencil © Bernadette E. Kazmarski

The original sketch of Curled on the Bed, Pencil, is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 5″ x 8″, 2012 © Bernadette E. Kazmarski

About the artwork

 

What else to do on a lovely sunny afternoon but curl up in the sun on the bed? Well, some of us have to work, but kitties need their beauty sleep. They gave me a break from the computer when I decided they’d be today’s subject.

This was just as much about capturing all three, each of whom moved enough that they needed extra sketching, as it was about the bedding. I enjoyed the challenge of depicting the pattern on the postage-stamp quilt, each little square with its own pattern and color and the squares arranged in a repeating geometric pattern, as well as the pillow shams with the ruffled eyelet edging. How to render the details in pencil when much depends on color, and how much detail is just enough without drawing every little eyelet opening and every flower and line on each square? Very fun to let my hands figure it out without overthinking it, which is how I end up overdoing it.

I added a little more shading to Mimi, Jelly Bean and Mr. Sunshine since they are black, and I also liked their contrast against the quilt.

I love this particular vintage quilt because I love handmade things, and I use it as much for the background in photos and eventually paintings as just to enjoy its springtime feel. But I have to be careful with it and soon it will be gently soaked in the washer and dried outside in the shade on a warm sunny day to be put away for another spring.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

Facades, North Side Pittsburgh, 10.5 x 15, pastel © Bernadette E. Kazmarski

This row of ancient buildings has been looking over the city of Pittsburgh for well over 100 years, and each owner through time has had their way with each facade. On a bright sunny summer day they stood unapologetic for crumbling insul-brick siding, replacement windows that didn’t fit the original opening, and grass growing where a sidewalk had been. On a perfect summer day, everything is perfect. I appreciated the choice of colors and the distinction each building still held, how solid still after a century, wondering what stories they could tell of the span of human from the beginning of the industrial era to today.

Facades, North Side Pittsburgh, 10.5 x 15, pastel © Bernadette E. Kazmarski

Facades, North Side Pittsburgh, 10.5 x 15, pastel © Bernadette E. Kazmarski

PURCHASE THE ORIGINAL OR A PRINT

Facades, North Side Pittsburgh, Pastel, 10.5 x 15, 2018. The original is not framed yet but will be. Digital, giclee and canvas prints as well as greeting cards are available.



This is my painting from Day 22. See other paintings in this and other painting challenges on the page Creative Challenges.

See more paintings in Leslie Saeta’s 30 Paintings in 30 Days Painting Challenge, February 2018.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Sunbath, 21 x 14, watercolor, 1993, © Bernadette E. Kazmarski

Sunbath, Watercolor is an original framed watercolor, 21″ x 14″, painted in 1993. It’s also available as prints on paper and canvas and as a greeting card.

ABOUT THE ARTWORK

Sunbath, 21 x 14, watercolor, 1993, © Bernadette E. Kazmarski

Sunbath, 21 x 14, watercolor, 1993, © Bernadette E. Kazmarski

A study of winter sunlight, because there’s a cat in it. It’s a very simple scene: a black cat having a bath in front of a white painted kitchen cabinet with chrome handles, and a yellow and orange patterned carpet, but the play of light has fun with the colors and objects.

Brilliant light streams in the window at a long angle in the late afternoon seeming to point to the cat having a good bath in the sun. It’s Kublai, wrapped around licking his hip in one of those only-cats-can-do-that positions, really the first painting I did of him, though I’d hardly call it a portrait. The mahogany tones in his fur gleam in amongst the black, and the highlighted areas are bluish in complement while his darkest shadows are an inscrutable rich velvety black. Sun shines through one ear coloring it coral.

The sun is so bright that the most brilliant areas in the carpet patterned as Spanish tiles are simply brightness with no pattern or color at all, yet the yellow-orange carpet reflects up onto the painted white cabinets leaving trails and smudges of yellow and cantaloupe and coral and orange, just enough to brighten up the cold winter light. Best of all, and one of the details that convinced me to paint this in watercolor, the chrome handles flash the reflection of sunlight while capturing a bit of the yellow and orange and reflecting Kublai, below.

And silly me, I was doing the humility thing and didn’t want to sign the painting in the lower right as is usual, instead I signed in one of the shadowed areas, as you see below. I’ve been intending to photograph this again for several years, and before I put it back in its frame I think I’m going to give it a real signature; for now I have a watermark signature.

I painted this from a photo a took soon after I’d gotten my Pentax K-1000 and permitted myself a few rolls of color film. I found the composition of the photograph very inspiring, with the strict horizontal and vertical lines of the cupboard doors and the strong diagonal shadows all leading to the very organic shape of Kublai, a little off-center, washing his hip among the shadows on the floor. The intensity of the sunlight almost makes the scene look abstract, and I found that very challenging in watercolor. It was a photo I held onto until I had the time to do it—about ten years—because I wanted to paint it as a watercolor but had no experience at all with watercolor at the time. I had done a few small watercolors prior to this, then a large seascape, but this one left large areas of the paper untouched and had all those soft edges that I didn’t know how to work in a watercolor. After producing a few muddy watery jumbles I sat down and focused and produced this painting. No better way to learn than to just do it.

To this day when I look at this painting, I expect Kublai to pause in his bath and quickly lift his head to look at me with his celery green eyes, and I can hear his little bell on his collar jingle when I think of it.

 

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ so I trim a bit off each end to fit, and also offer the half-size 12.5″ x 11″.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

 

 

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

A Tangle of Cats at the Door, 5 x 8, pencil © Bernadette E. Kazmarski

The original sketch of A Tangle of Cats at the Door, Pencil, is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 5″ x 8″, 2012 © Bernadette E. Kazmarski

About the artwork

A Tangle of Cats at the Door, 5 x 8, pencil © Bernadette E. Kazmarski

A Tangle of Cats at the Door, 5 x 8, pencil © Bernadette E. Kazmarski

Not that they’d all keep still while I sketched them, instead I wanted to catch their energy, not sure how many or how detailed I’d get I let the sketch build itself and drew them one by one as they moved around at the basement door, looking out at the garden in the morning while I did some work in the basement.

Fun, all five in a row, I believe it’s Mewsette, Giuseppe, Bean, Mimi and Mr. Sunshine.

I’ve been surprised at the popularity of this sketch. I can only guess that my sketchy pencil lines really did capture their energy while they watched at the door. It’s one of the most often-viewed sketches of all time and gets at least one view per day, often as many as ten.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Magic Carpet", ink and watercolor, 6" x 9" © Bernadette E. Kazmarski

This art is “The Magic Carpet”, 6″ x 9″, ink and watercolor on 40 lb. watercolor paper, © Bernadette E. Kazmarski, signed and dated 2/10/14. The original is available and prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.



Click this image to see a larger version.

"Magic Carpet", ink and watercolor, 6" x 9" © Bernadette E. Kazmarski

“Magic Carpet”, ink and watercolor, 6″ x 9″ © Bernadette E. Kazmarski

About the artwork

Giuseppe gives Mr. Sunshine a brotherly bath in a warm and cozy bathroom.

I loved the way they looked on that red rug and visualized a simple line sketch with the brush pen, but with color added. Although the bathroom is white and mint green I still pictured a warm yellow gold background around the red carpet, and keeping with the warm earth tones, the boys in brown. I wanted pretty nearly flat colors, just a little bit of intentional shading and variation, influenced, I think, by some art I’d been recently browsing, traditional, ancient art using natural colors, and modern homage to this style. This is pretty much what I visualized.

Mr. Sunshine says, “You used that yellow because it matches my eyes.” Okay, Sunshine, maybe I did choose that sunshiny yellow because it’s darned close to the color of your eyes.

I like this style, the black outlines, the yellow background, lots of red, so much I’ve used it a couple of other times since this sketch, as in “The Zen of Basket, After Toulouse-Lautrec”, and even Listening to Granados, de Falla and Rodrigo“.

You can see other feline artwork in these galleries:

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via USPS. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“The TNR Story”, 8″ x 14″, Sharpie markers © Bernadette E. Kazmarski

The original is still available along with signed prints of “The TNR Story” made in archival inks on 100# smooth cover stock. A donation of $5.00 is made to the Homeless Cat Management Team with each poster sold.

ABOUT THE ART

“The TNR Story”

63 spayed and neutered cats in two paragraphs of cat shapes

“and no one ever had any more kittens, and they all lived happily ever after.”

THE END

This art was inspired by working in post op at the May 25, 2014 Homeless Cat Management Team TNR clinic. I’ll make a $5.00 donation to HCMT for each poster sold. Quantity discounts are available if you want a stack for a clinic or event.

I study cats all the time but it’s not too often I get to handle that many cats in one day, especially when they are still pretty much under anesthetic, aside from a few ambitious ones. Cat after cat, large and small, male and female, solid, striped spotted, I cleaned ears and checked toes and combed fur for fleas and other parasites and finished off their ear tips, applied flea treatment and in passing studied their fur and their markings.

In that state they all look pretty much the same as far as where they came from and where they will be returned, whether it’s to a human and a loving home or to a human and a parking lot where they’ll be fed and watched over by a colony caretaker, regardless of whether their paperwork says they are stray or feral or owned by a caring human, at that moment, as I always say, they are all just cats.

All the fur colors and patterns and textures, the way they felt as I handled them, each of them soft and warm and relaxed, and then later as they awoke in recovery and began to get up and bathe a little and find a comfortable spot and position in their carrier or trap, stayed with me and I envisioned this artwork as I drove home, all those cat shapes together in simple marker sketches, simple colors, clearly visual, telling the story of TNR.

I began to plan it out that evening, but especially since it’s far from my usual daily sketch I knew it would take extra time. The idea stayed with me and each day after I worked out a few more details of medium, style, the actual shapes of all the kitties and how I’d represent their spots.

I decided I’d do it for “Just One Day” day, June 11, when shelters are encouraged to stop any voluntary euthanasia for just one day and instead photograph and actively promote the animals in their care for adoption, making the United States a no-kill nation for just that one day. Spaying and neutering companion animals regardless of whether or not they are actually a pet is a big part of reducing the amount of killing that happens in shelters, both by reducing populations being born and populations living on the streets by removing kittens and rescuing friendly cats for adoption, and by keeping these cats, considered unadoptable, out of shelters altogether.

We served 63 cats at the May 25 clinic, so there are 63 little cats in the art. I don’t know if the balance of coat colors and patterns and fur types and sizes represent what was actually there, but I let the choices rise from my subconscious so it’s no doubt in part from memory and in part from my design sense of a visually interesting layout of colors and shapes. I tried to capture each cat in a very simple representation so they were seen as a group, the way I remembered them all.

I also intentionally kept the colors limited. In part that’s the way I visualized it and I honor those visualizations. Each cat is outlined in black and the coat patterns and colors, built from a light orange and a dark orange and a gray to shade the black. As I continued to visualize I decided it could also easily be reproduced by screen printing so I planned it out with clear edges that could be easily color separated.

I had planned how I would draw the grid of cat shapes and laid out a physical grid in pencil on a piece of semi-transparent layout bond way back on clinic day, leaving space top and bottom for the text, then spent the intervening time thinking about cat shapes and how I’d represent the stripes and spots and such, letting the layout of colors and patterns work itself out in my mind. I watched my cats in sleep and at rest to derive the positions of the cats and drew a little cat shape in pencil inside each of the blocks where a cat would appear. I then laid another sheet of the layout bond over top and began coloring them in starting with the lighter orange and determining which would stay solid light orange and which would have stripes and which would have spots—and which would become dilute calico and dilute tortoiseshell—then moving to the light blue to represent the gray and dilute kitties, adding black stripes to some and building tuxedo cats and cow spotted cats and tortoiseshell cats and even a few Siamese-patterned cats, outlining them after finishing each coat pattern.

I actually used my set of colored Sharpie markers for this because it gave me the line quality I wanted, but I didn’t have a gray marker the right shade in any of my marker sets. I used a light blue intending to desaturate it in Photoshop after I’d scanned the art so that the blue appeared gray, which I did but I decided I really liked it better with the original light blue. Gray cats do have a bluish cast, and it simply looks more colorful and eye-catching with the blue, plus blue and orange are color complements and I think that visual is at work here as well.

Certificate of Excellence

CWA Certificate of Excellence badge.
CWA Certificate of Excellence badge.

I’m pleased to say that it won a Certificate of Excellence for Illustration in the 2014 Cat Writers’ Association annual communications contest!

I’d love to screen print this art just for the sake of screen printing, but for now I am offering this print as an archival digital print and as a poster on a lighter weight non-archival card stock. I was glad to share this inspiration for Just One Day” and now for Feral Cat Day we can still work to reduce the numbers of animals killed in shelters every day.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Tonal Nap", pastel on pastello paper, 8" x 10" © Bernadette E. Kazmarski

This art is “Tonal Nap”, 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 4/13/13.



ABOUT THE ARTWORK

Giuseppe was napping, as usual, outside the door of my studio in a pool of sun on the landing. We’ve all grown accustomed to that piece of cardboard, they’ve been enjoying it as a scratching item and bed and big toy, and I’ve been enjoying it as an art element in my sketches and photos.

The floor and the cardboard are about the same color, and the same colors appear in Giuseppe as well. I’ve been wanting to sketch him for a couple of weeks and finally had the chance. I used my 24-pastel set with just limited colors; I wanted to keep that limited tonal range that I’d been admiring.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Allegro Moderato, pastel, 14 x 20 © Bernadette E. Kazmarski

This is an original pastel painting, 14 x 20, matted and framed.



ABOUT THE ARTWORK

Allegro Moderato, pastel, 14 x 20 © Bernadette E. Kazmarski

Allegro Moderato, pastel, 14 x 20 © Bernadette E. Kazmarski

Some paintings wait decades to be painted, and when they have their chance they press on until they are fully realized. This was one of those paintings, one that monopolized four days of my life. I am not complaining in the least.

My orange boy Allegro came to me in 1986 and left in 1996. I probably took the reference photos of Allegro napping on my piano bench in winter 1988 and intended to paint it right away, as I had painted Fawn in “Waiting for Mom” and Moses in “Sunday Morning” in 1988 from recent photos. Once I’d started painting cats, I wanted to paint cats all the time, and thought I should always have a sketch or painting in the works to keep myself learning and progressing in my skills. In fact, I know I’d planned some sort of painting of each of the cats in my life at that time, and from that concept I’ve built my own personal collection of portraits of my cats, mostly large, usually detailed and scenic, capturing a moment, including “Are You Looking At Me?”, “Peaches and Peonies” and “Sleeping Beauty”, and smaller paintings like “After Dinner Nap”, “Darling Clementine” and “A Warm Bath”.

But in 1989 I learned I had to move from my rented house and after looking for other rentals I decided my best deal was to buy a house instead, and so I moved here, which occupied my time for almost a year. Everything was packed up, including my photos which were not unpacked until years later. I began painting again, but using newer photos. And I sold my piano because this house was so small, an act I regretted even before the piano was sold.

But I never forgot this image. About a decade ago when I pulled out all my older photos and organized recent and older I found the reference photos and vowed I would paint Allegro, napping on the piano bench when I’d gotten up from playing to do something, intending to come back since my music was still out. You know how cats are. I loved him for what he’d done, and for the inspiration of that moment, and ran to get my camera. The lighting, the deep shadows that I so love to fill with colors, I loved to play the piano, and sharing that with the cat who had a musical name was so perfect I knew I had to paint it.

Allegro Moderato, detail.

Allegro Moderato, detail.

I named him Allegro because, as a kitten, he was. As an adult he moderated a bit, so he became Allegro Moderato. Also, while he was tall, rangy and muscular, he could be amused for hours by a speck on the wall or a short line I drew on a piece of paper in marker, and he really couldn’t figure out the first cat track toys available, so other parts of him moved a little more slowly as well. He had no idea of his size, and no concept of personal space for me or other cats, and was often soundly chastened by cats much smaller than he was. But there was never a nicer cat than Allegro.

I created a composite from the photos, and determined that I would paint this painting. Allegro is an October cat because he is orange and I lost him in October, and because of the feline imagery of the yellow fog which T.S. Eliot, a favorite poet and author of Old Possum’s Book of Practical Cats, which was also adapted into the musical Cats, had written into his poem The Love Song of J. Alfred Prufrock:

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

But one October after another has come and gone, and I’ve painted other paintings, but not Allegro. Each year I decide I’m going to paint this painting, October comes, and I run out of time and decide not to rush it. “I have a whole year to do it for next October.”

I did that this year too. Last year I ended up painting a small painting of Allegro for the September painting challenge and decided that would suffice for last year. This year my September was too complicated for the painting challenge, but I decided I would spend the month on this painting. I did not. I wanted to use it for my monthly featured artwork and desktop calendar, but told myself I’d have to choose something else, and I could do it for next year.

But this year something indicated to me that I wasn’t going to pass it by once again. The last days of September came and I decided, yes, I not only should do this painting, I needed to. I create so many other images and portraits but I really needed to do a painting for me, just for me to enjoy the act of creating, and enjoy having the memory, revisiting and building the image of a precious moment with one of my cats, done by my hand. I couldn’t choose another piece of artwork. I would do this painting.

So that was last weekend, September 29. I might not get it done because these paintings typically take me weeks of small work periods among other things, but this one wasn’t going to happen that way. I was apparently going to put everything aside and work on this painting. I’ve never done that. I looked forward to it.

But the biggest hurdle, taking more time than the painting itself, was deciding on which image to paint. I had always remembered the vertical image, but at some point in the past I had created a horizontal image, a little more intimate with Allegro and the piano. Which one did I like better? Allegro and the piano and the light? Or the whole scene that had inspired me in the first place?

For the next three days, I kept looking at one and then the other, deciding on one and then the other, and letting it take the time it needed. I know better than to start on a painting when there is the least little bit of indecisiveness in me, because if I’m not fully committed I will remain indecisive and regret it. At one point I had the horizontal image ready to go, then changed my mind again. In the end, the image that kept coming to mind whenever I thought of painting this painting was the one you see here.

And actually painting it was very different too. My typical style of painting is to work out the entire thing at once, to possibly sketch out the scene, then start filling in with areas of color and value, or just to start blocking it in, no matter the medium. I then work my way over it in layers of detail so I keep it consistent all across the image. And I rarely work more than four hours on a painting—that seems to be about as much as my back, eyes, hands and shoulders can take, and also my creative intellect and color sense. I have to go off and recharge.

Allegro was so determined not to be left out once again that I sketched out the scene, then started at the top of the painting and worked my way down to the bottom in full detail one sweep, and yesterday put eight hours into it, then today I put four hours.

I began to add the figures on the sheet music after determining that I would add legible text, and thought how years ago I had thought I’d compose a little piece of music to accompany the painting. Maybe someday I will.

Allegro, detail of music.

Allegro, detail of music.

Just as I began adding the text to the music book this afternoon a storm came up and before I could close my windows it sprayed the painting with little dots of water leaving dark spots in the dry pastel, which needed to dry completely before I could go on. After an hour and the storm just about over, I brushed out the little dark dots and repaired any areas that needed to be repaired, and finally, it was done. Even last night, I couldn’t wait to share it. I’m not sure this scan of the artwork is the best, so I’m going to try it again tomorrow, or have it professionally done.

ORIGINAL PAINTING

I am happy to sell the framed painting, or just the original painting if you’d like to choose your own mat and frame. Shipping charges are included in the prices listed above.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 25″ x 22″ and a half-size of 12.5″ x 11″ and an 8″ x 10″ that crops a portion of the image top and bottom.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ so I trim a bit off each end to fit, and also offer the half-size 12.5″ x 11″.

The giclees have 2″ of white around the outside edges, while the digital print has 1/2″ around the edges. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

Find similar art

Browse Feline Artwork.

Browse My Cats.

Browse Daily Sketches.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Mewsette in Sun”, pastel on Fabriano Tiziano paper, 7″ x 9″ © Bernadette E. Kazmarski

This art is “Mewsette in Sun”, 7″ x 9″ on acid-free Fabriano Tiziano paper and soft pastels © Bernadette E. Kazmarski, signed and dated 3/8/15.



ABOUT THE ARTWORK

“Mewsette in Sun”, pastel on Fabriano Tiziano paper, 7″ x 9″ © Bernadette E. Kazmarski

“Mewsette in Sun”, pastel on Fabriano Tiziano paper, 7″ x 9″ © Bernadette E. Kazmarski

Mewsette lets the warm sun wash her back while she sits and simply looks lovely.

I was in the mood for a more detailed pastel today, and decided to also use the Tiziano paper for its texture and working it out on a mid-range background instead of a white background in my sketchbook. I’ve also taken a break from pastels for a while and wanted to revisit the comfortable nature of an old friend.

I’ve been watching them in the morning sun in the kitchen, looking for shapes and colors and compositions. In these images you see as much reflected light as direct light, and while direct light is pretty reliable in tone and color, and direct sunlight generally has hard edges, reflected light takes on the color of whatever it’s reflecting from and can be very difficult to match, not because the colors are hard to determine but because you want to paint the color you think you see. In this case the direct sunlight is reflecting from both a rich pine cabinet from the left and the white floor from below Mewsette.

I was probably ready for this today because I’ve been studying her and the rest of them and seeing all these beautiful bright and subtle tones, planning my techniques and colors. I sketched her outline in black, a challenge for the angle but that was what I wanted, and made sure it was correct. She sat in the same spot but kept turning her head and moving her tail; I had to keep getting her turn her head to approximately the same angle. Then I blocked in color areas, then I blended, and reblended, and reblended again. Eventually she came out to this long after the sun had gone—it disappeared behind cloud cover quite quickly this morning—and added her whiskers from the reference photo I’d taken.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

The framed digital and giclee prints I’m offering are 5″ x 7″ prints in an 8″ x 10″ frame identical to the framed version you see in the thumbnails at the top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Suncatcher, , pastel on Canson Mi Tientes, 16" x 22", 1989 © Bernadette E. Kazmarski

Suncatcher is a 16″ x 22″ pastel on navy Canson Mi Tientes pastel paper. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

Suncatcher, , pastel on Canson Mi Tientes, 16" x 22", 1989 © Bernadette E. Kazmarski

Suncatcher, , pastel on Canson Mi Tientes, 16″ x 22″, 1989 © Bernadette E. Kazmarski



About the artwork

This sketch was among my four first pastels. I remember studying the highlights on Allegro’s fur, and the light outside the window and on the wall, with the deep shadows. He was on the basement windowsill, and I’ve always love the dramatic lighting of scenes like that. I decided to use dark paper and just sketch the highlights rather than paint the entire thing in pastel. Here’s what I had to say about it at the time.

“Cats always find the sunshine, and a sunny basement window at ground level provides hours of entertainment; Allegro sat there pretty regularly on bug and bunny watch. The contrast of the brilliant orange outline and his whiskers and muzzle silhouetted in reverse against the intense shadow of his body, the sun shining through his ear, the graceful curve of his tail and the isolation of the scene within the shadow of the wall made me follow him down there with a camera until I finally caught him.”

. . . . . . .

What is the difference between a “sketch” and a “painting”? Because pastel is a dry medium and not paint at all works have long been classed as drawings, and pastel works not considered “finished” or “final”, more like studies. But as pastel has become more popular and considered a medium in its own right, some works are also considered paintings. If a work covers the entire surface edge to edge in what is considered the image area, the work is considered a painting. If not, it’s considered a sketch. Of course, that can be subjective—many of the daily sketches I’ve done could be considered paintings because they fill edge to edge, but I’d still consider them sketches in part because that’s the way I think if them. But things evolve in our daily use, and art materials and works of art are among them.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

pastel painting of stormy sunset

How Small Beneath the Sky, Pastel, 16 x 20, 2020. The original is available along with digital, giclee and canvas prints as well as greeting cards are also available.



ABOUT THE ARTWORK

pastel painting of stormy sunset

How Small Beneath the Sky, 16 x 20, pastel © Bernadette E. Kazmarski

I don’t know what it was about this image as a photograph that stayed with me from the time I took it. It’s that sense of my tiny self, smaller than one of those dots in the valley below, under the huge sky above, the sense of infinity as night draws down, and eternity as a warm autumn day changes over to cold winds and an incoming storm.

I finally painted it. I had always envisioned this and other sky paintings as moderately large, and 16 x 20 was a good size for this one. I used a piece of smooth deep charcoal matboard coated with my favorite transparent pastel ground, Golden Acrylic Ground for Pastels. I painted it freehand, no tracing or measuring, as if I was standing out there watching the scene en plein air. It’s as close to the real thing I as can get in my studio. And, of course, I would not be painting this en plein air under those conditions, so it works for me.

I love amazing skies and that was my first draw to the idea for the photo, but the tiny lights below became an integral part of this image and gave it its title.

I took the photo in 2011 and shared it on my photo blog with a narrative, but the image stayed with me. In 2016 I looked it up again and wrote a poem and named my painting after that poem. Now as a painting it’s hit the major categories of my creative efforts.

Here is the narrative:

Rain had fallen intermittently all day, but the day had been steadily dark and cold even without falling rain. But as often happens on long rainy days, the clouds broke at about sunset to give a view of faded blue sky trimmed along the edges with heavy clouds, offering reflected light but no direct sunlight. Suddenly the autumn leaves shone again even in the cooler light. I carefully watched the light, deciding that when my errand was done, or as soon as I could, whichever came first, I’d head for my favorite ridge to photograph what there was of the sunset, hoping for lots of red from the humidity in the air and sunrays from the layers of clouds breaking up, but I’d take what I could get.

No such dramatics were in the plan for this evening, but I felt the valley settle into night as I watched the clouds march steadily from the north, hearing only the wind as it swept from far beyond the horizon across my face, tugging at my hair and skirt on the hilltop where I stood, one tiny dot of a figure in this complicated and beautiful landscape, chilling my fingers with the first real cold of winter in its direct and determined path. In the center is Carnegie, somewhere in there is my house, and all of the familiar streets and scenes of my days reduced to a few amorphous blots of color, light and shadow.

In just minutes the north wind had carried the cloud cover over the valley once again like a blanket, leaving the valley in deep shadow but for the dots of light collected in the velvet darkness, small shreds of red showing through at the horizon; the sun has not given over yet, there is still some fire in its day.

And here is the poem from 2016:

How Small Beneath the Sky

Tiny toy buildings,
fluttering ribbons of roads,
arcs of light that illuminate our night are but pinpoints in the velvet earth below;
How small beneath the sky.

Poem © Bernadette E. Kazmarski

This is my painting from Day 7. See other paintings in this and other painting challenges on the page Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

“Waiting for Mom”, pastel, 16″ x 23″, 1988 © Bernadette E. Kazmarski

This is a pastel painting, “Waiting for Mom”, pastel, 16″ x 23″, 1988 © Bernadette E. Kazmarski



About the painting, and Fawn

One night in early April, 1988, still with patches of snow on the frozen earth, a very small, very pregnant cat sang a little song to me out in the alley, politely but confidently asking if she could come into my home to give birth to her kittens. Of course, I said “yes”, and ten days later I witnessed the entrance to life of four independent and individualistic progeny. The last one born stayed with me after the others were adopted; the “runt of the litter”, the little cat with the big attitude, a torbie who loved only me, my Fawn.

This was my first full-color portrait of one of my cats, and she led the way to all the other commissioned portraits of animal companions I’ve done in the past 20 years.

This is Fawn’s story in Great Rescues Day Book.

Creating the portrait, this first one just for me

And so it was, though I had no idea at the time that I was launching a new career. And looking at this painting even today, I have no idea how I did it then. I didn’t have the skill, insight, ability to visualize or any of the ephemeral abilities I have now, but I managed to see the essential details and put them on paper.

But I didn’t set out to create a portrait—that was all in the future—and, for this last time, with the knowledge that I never needed to show it to anyone, ever, if I didn’t think it was acceptable.

I painted this in 1989, just about three years after I began seriously working my way through learning to draw simply by drawing all the time, after work at night and on the weekend—and of course, I was painting my cats. It is painted in pastel, but when I began I hadn’t even purchased real pastels yet, I was still working largely in colored chalk. I purchased an inexpensive student set of pastels and continued working with the new colors, then purchased individual pastels and pastel pencils, then just got a part time job at the art store because everything was so darned expensive and I was hooked.

photo of cat under bed
The reference photo for “Waiting for Mom”

I remember looking at the photo I’d taken the year before when Fawn was a kitten and thinking “that would make a nice painting”—so funny to think of now as I look at other photos every day and think the same thing, 23 years later, but then I’d hardly even have called myself a beginner. The nerve of me! Of course, I adored Fawn being excessively cute when she ran under the bed and peeked out, waiting for me to walk by so she could pop out and grab my ankle, and my inspiration was just as much to share her and her antics as it was to produce a good painting. Really, that hasn’t changed in all these years.

But I was also intrigued by the “white” dust ruffle, seeing for perhaps the first time all the colors that make up a true white object in a painting. I really, really wanted to paint this, fairly large, and in color. I wasn’t visualizing it as realistic as it is, more impressionistic was the style I had in mind. I can see the influence of Mimi Vang Olsen, and Lowell Herrero, two artists whose feline images were very popular then, appearing on many gift items I received, and I was influenced by the flattening of some angles and simplification of pattern.

At that time I found it difficult to loosen up my style. I had worked on my skills just in basic drawing to the point where I felt I had a good bit of control over what my hands were doing and the image I produced no longer looked stiff or forced, at least most of the time. But I loved the Impressionists, and I wanted to paint like that!

detail of portrait
Detail of “Waiting for Mom”.

It wasn’t to be for this painting, and in many ways I’m glad. This painting took me months, in part because I was intent on matching the shade of yellow in the gingham bedspread and also quibbling with myself about all the details that weren’t “perfect”, such as the nicks and scratches on the bedpost, the wrinkle in the rug, and, of course, the wrinkles in the dust ruffle and bedspread. I was embarrassed at my housekeeping, but an artist friend of mine convinced me that those were the things that added interest and character to the painting. I learned so much more in the art of painting what I actually visualize rather than what I know, and adding what I feel.

After all the time spent on other details, Fawn the kitten was sketched in there in probably just a few hours! And while I do like the simplicity of her face I sometimes wish I had made Fawn’s eye as round as it actually is because it adds that essence of excitement to her look that truly makes it a cute kitten, and Fawn.

In the end, this was the painting I looked at and said to myself, “I think I can really do this,” and the painting others looked at and asked, “Can you paint my cat too?” The rest is all in my portfolio, and for this reason, Fawn’s portrait is the first portrait in my first Great Rescues Day Book, a tribute to the kitten who led me to that part of myself that could find the essence of my animal portrait subject and bring my portraits to life.

torbie cat
Fawn

About Fawn

Fawn was a real live wire as a kitten—always swinging from something and talking about it—and was very attached to me; I had known her from her first moment of life and I was always honored at being the the only living being in the world Fawn liked.

And even though, years later, we’d moved and changed the bedspread and dust ruffle, at least once a day when I went upstairs Fawn still dove under the bed and peeked out, waiting for me to walk past so that she could leap out and grab my foot. Little did I know when I chose to paint this when Fawn was about one year old that this moment would be one I would seriously want to remember.

block print of a curled tabby cat
Fawnball, my Fawn, linoleum block print © B.E. Kazmarski

And especially so, when a mere ten years later I lost her to lymphoma, though through the pain of my grief she sent me a wonderful sign that she accepted what had happened; read The Balloon.

And Fawn has inspired other works, most notably “Fawnball” and the series of block prints entitled “Tabbies“.

I will always be thankful to Fawn for giving me this gift. She is one of the family of cats in the dedication to this calendar:

Thank you, Kublai, Sally, Stanley, Allegro, Moses and Fawn,
my first feline family, for patiently showing me the way;
only gone from this mortal life, you are immortal in everything I create.

 

Purchasing prints

This painting is included on one set of cards, “Feline Fine Art Cards”.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

“Snowfall”, pastel, 11″ x 7″ © Bernadette E. Kazmarski
“Snowfall”, pastel, 11″ x 7″ © Bernadette E. Kazmarski

“Snowfall”, pastel, 11″ x 7″ © Bernadette E. Kazmarski



ABOUT THE ARTWORK

It isn’t always eternal summer on the trail, though memories might make us think so. Winter is my favorite season to paint. I love the subtleties of color and shape with snow in the air and on the ground, and on the trail I am often all alone with the quiet of a winter day, or a gentle snowfall.

In this case, I was glad for the time alone and quiet, and my art materials. This is from several years ago, one of the sketches I’d actually done in the front seat of my car during a late winter ice and snow storm, with a personal connection. I’d moved my mother to a personal care home in a neighborhood adjacent to the trail and often combined visits to the trail and visits to my mother. She didn’t care at all for trails, but she thought it was pretty cool when I would pull up in front of the home on my bicycle in shorts and a tank top to visit and cool off and eat my lunch on a summer afternoon when all the other daughters were in jogging suits driving minivans. Though my mother suffered from a number of heart and lung conditions she was overall well but weak, though she often suffered from mild dementia; visits could be troubling.

So it was this winter day when I had driven there. The roads were cleared but the trail was not, still, I wanted a dose of nature after my visit and knew of a spot close where I could pull up next to the trail. Not a mark was in the deeply fallen snow, and I decided I would not be the one to leave mine, it was just too perfect. The snow was falling too heavily to work outside my car, so I angled my car just right and sat in my font seat and began a sketch, then decided I should leave before the roads grew worse.

I’d always intended to finish this off, adding some bare trees fading into the distance in the heavy snowfall, but I think there was a reason I stopped at this point, and I think it captures this snowy afternoon and my conversations with my mother as it is.

“Snowfall” was part of my August 2014 exhibit “Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail”. I’ve been visiting the Panhandle Trail for nearly 15 years with my bike and on foot, for exercise and inspiration, more inspiration than exercise, packing in with backpacks of camera equipment and art supplies. I’ve taken thousands of photos along the trail and off in the woods, but I’ve also done a number of sketches while there in pencil, charcoal, pastel and watercolor, and arriving home in my studio to do more from photos.

AWARD

“Snowfall” won in the second highest award category, “Award of Excellence”, in the South Hills Art League annual juried show.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Leafing Out, 6" x 8", pastel © Bernadette E. Kazmarski

Leafing Out, pastel, is 6 x 8 painted on self-prepared board, framed in a modeled antique silver frame with a deep green mat.

ABOUT THE ARTWORK

Leafing Out, 6" x 8", pastel © Bernadette E. Kazmarski

Leafing Out, 6″ x 8″, pastel © Bernadette E. Kazmarski

It’s just that moment when the umber and gray branches of winter have sprouted a haze of green that runs away and fills the trees in hazy spring sunshine. Robinson Run along the Panhandle Trail runs fast but smooth with depth in this area and carries a clear reflection of the sky and hill, riffling over a strainer of branches upstream. In midwinter it was frozen, in midsummer I walk through there to the swimming hole around the bend.

I stood on a footbridge and quickly sketched this en plein air with my simple box of broken pastels that travels with me on walks.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Hat With Wildflowers, pastel, 5.5" x 8.5", 2013 © Bernadette E. Kazmarski

Hat With Wildflowers, pastel, 5.5″ x 8.5″, 2013 © Bernadette E. Kazmarski

ABOUT THE ARTWORK

Kind of sweet and sentimental and actually the last sketch I did on my roundabout trip to the grocery store with pastels and camera. When I came home and parked my bike to unpack it, I untied the bunch of wildflowers I’d gathered and my sketching hat from the back of my bike and set them on my porch swing, then removed the bungies holding my bags of groceries underneath where they had been. I put everything in the house and came back out to get my hat and put the flowers in the vases on my porch and yard, and immediately felt another sketch coming on.

This is the straw hat I wear when I sketch. I can’t stand in the sun for too long without protecting my eyes, and especially not when I’m literally studying the sunny landscape for the time it takes to do a sketch, but I can’t wear my sunglasses because they change the colors. So I wear a straw hat, which puts my eyes and my entire face in shade so I can focus without squinting and see my colors without any modification. This particular hat is a pretty tight weave so it provides a deep shade, and the brim is the perfect width, not so far that it falls into my peripheral vision, but far enough, and stiff enough, to simply provide a cover. It fits me well, too, especially fitting a lot of my thick longish curly hair up underneath, though I do add a pin to be sure it stays in place. To paint From Hammond Street I was standing on a bridge above the creek, enjoying the breeze, and a few times, without the pin, the hat would have sailed off and down to float in the creek.

The wildflowers are some of my favorite colors at this time of the year for their brilliance. The longish stems of tiny yellow flowers on the right are yellow sweet clover, and its scent is intoxicating, that legendary scent of clover that grow in bunches just about anywhere. The yellow green bunches behind them are wild parsnip, an easily adaptable plant that can grow from two to six feet tall and kind of looks like a really big parsley plant with panicles of tiny yellow-green flowers; think of a large yellow Queen Anne’s Lace, though that comes later. The pink flowers are crown vetch, related to wild sweet peas that’s planted on hillsides and roadsides to hold soil in place and control the growth of other plants. The burgundy is a grass with lovely graceful burgundy seed heads that I just can’t identify!

The sketch is done in pastels on sanded pastel paper. The mats are 2.5″, deep blue under mat and medium blue top mat. Frame is 10″ x 13″, walnut with blue washes I added to coordinate with the blues in the painting and the mats.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

"Leaves and Shadows", watercolor, 5" x 7" © Bernadette E. Kazmarski

Leaves and Shadows prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

ABOUT THE ARTWORK

Here I’m trying to catch my impression of Jelly Bean on the table by Cat TV, where the leaves from the lilac flutter and the sun comes in at an angle, a little bit of leaf patterning and shadows. The scene itself is actually much darker than this but I wanted to capture the sense of light so I used the transparency of watercolor to its best ability. Bean is napping, and facing away from the window his face is in shadow while his back disappears in highlight.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Fun Things Bella Does With Her Tail”, brush pen, 5″ x 10″ © Bernadette E. Kazmarski

The original is still available along with signed prints of “Fun Things Bella Does With Her Tail”, cartoon, 5 x 10″ are made in archival inks on various media.

ABOUT THE ART

Bella has a long, thick, very expressive tail that she waves and curls and twirls as she walks around the room rubbing herself up against things and stretching. It’s hard to tell exactly what is happening, so I did my best to interpret it.

I did this sketch when Bella was still unsure about being touched by humans and kept her distance, and was even still a little shy with the other cats. Amazing what a year can do.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"The Woodland Garden", pastel, 7" x 10" © Bernadette E. Kazmarski

The Woodland Garden prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

The Woodland Garden

This is what Mimi and I did on an afternoon in May 2104. The woodland garden blooms mostly at this time of the year, and is pretty much just shades and textures of green otherwise, but I’ve been enjoying looking at it and how it’s evolved. Winter storms brought down limbs and whole small trees and portions of it had been overgrown until I had the chance to clear those out and renew the groundcovers. The ferns and periwinkle are back on the right, and the cranesbill geraniums, bluets and spring bluebells are back on the left.

Outside of this area the sun is shining on the yard and vegetable garden with brighter blue and yellow of the forget-me-nots and buttercups. Birds are landing the bird bath and the feeder, and Mimi loves to wander up and down the path, though she spent a good bit of my sketching time as you see below, directing me in details as felines are masters of detail.

black cat

Mimi on my lap while I’m drawing.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Being Used as a Fort". 6" x 8", technical drawing pen © B.E. Kazmarski

The original is still available along with signed prints of “Being Used as a Fort” are made in archival inks on various media.



ABOUT THE ART

The full title is “I realized upon awakening that I was being used as a fort”.

So this is a daily sketch of something that happened, but it was not done in real time as I visualized it, truly, upon awakening, when I really was being used as a fort. I’m not sure exactly which were who, but I know it was the boys and Bean was the one peering over my hip. Likely the one delivering the swat was Giuseppe, he’s like that.

I’ve always wanted to do these little cartoons that occur to me now and then, well, probably more often than now and then. There are a few ideas that are several years old, and I think I’ll start working them up. (And so I did!)

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Blue Purple Cats", ink and watercolor, 5" x 7" © Bernadette E. Kazmarski

This art is “Blue Purple Cats”, ink and watercolor, 5″ x 7″ on watercolor paper, © Bernadette E. Kazmarski, signed and dated 5/23/13. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ART

I might come up with a better name for this if I took some time, but the blue highlights and purple shadows were what inspired me about Giuseppe and Mewsette atop the wardrobe by the window, though after the sun had moved away and the light was only reflected, mostly off the sky, and very cool. They were bathing, lazily, sometimes licking themselves and sometimes each other. Giuseppe’s paw above Mewsette’s head looks a little confusing, but it was kind of confusing to me!

I did the watercolor sketch first, just the lightest blue as a wash that laid out the two shapes together. When that was still damp but had no puddles, I added a light wash of purple in the darker areas. I let that dry completely, then added a heavier layer of richer, less dilute purple in the deepest shadows. Then I added the ink outlines, this time using one of my felt-tip drawing pens.

Of course, they had moved after the first quick blue wash but not so much that I couldn’t see my original visual in their postures, and I had my reference photo. Poor Mewsette’s lovely long, thick tail literally got short shrift when I couldn’t fit the whole thing in the sketch—it’s nearly touching the bottom edge of the paper.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Stanley With Geraniums", ink and watercolor, 9" x 12" © Bernadette E. Kazmarski

Stanley With Geraniums prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.


ABOUT THE ARTWORK

ABOUT THE ARTWORK

This painting is one I’ve wanted to do for years—since the very moment it depicts, in fact, on July 30, 2006, in fact, when Stanley and I enjoyed a Sunday morning on the deck.

As I’ve been digging through old photos while moving them to my studio and organizing, both prints and digitals, I’m finding special moments I’d forgotten, moments of inspiration, beauty and especially a growing closeness with my older generation of cats even as they stepped ever closer to their last days with us. While it seemed like any other morning, looking at the rest of the photos from this day, I can see this was a quietly memorable morning. This was Stanley’s last summer with us, he’d been with me for 21 years and at my best guess was 25 years old, and he and I spent every possible moment together, especially out on the deck. While he slept most of the time and was fragile and often confused, each time our eyes met we built a deepening bond I’ll always carry with me; we had lost Moses and Cream in the spring, Lucy had just joined us in June, and though there were seven (or more) other cats in the house, Stanley and I carved out time for just the two of us nearly every day.

 Detail of "Stanley With Geraniums".

Detail of “Stanley With Geraniums”.

And on this morning when I looked at Stanley sleeping on the table I knew I’d want to remember this moment and to paint it, and visualized the painting in this style. But believe it or not, for as often as you see this particular style of ink sketch with watercolor washes, I was not at all skilled with it at that time and had only tentatively experimented in a few sketches. The desire to see this painting on paper was one of the driving forces for me to work this out, find the right drawing pen with the right ink, the right brushes and set of watercolors. And finally, seven years later, here it is.

The details are comforting to look at: the round picnic table where I’ve spent so much time with and without cats; the faded linen dishtowel calendar with the cardinals, one of many with birds, all of which are beyond threadbare and completely faded now; the mug I loved for my Sunday morning coffee; the binoculars my mother had used to watch birds and I “inherited” for birdwatching, given to her by someone who’d served in Viet Nam; the geraniums, collected over years from friends and family, overwintered and renewed each year—they are ancestors of the ones you see in my photos today.

Here is the reference photo, and as I remember Stanley this month—we had a little escape in July that year which I’ll be writing about—I’ll be sharing other photos as well.

photo of cat on table with flowers

Reference photo for “Stanley With Geraniums”

You can see I took a number of liberties with lightening the entire scene and reorganizing some of the flowers, but this particular digital camera was not terribly accurate for color or lighting, and being able to change some of the details is part of the fun and challenge of creating an original piece of artwork. I actually liked the flag in this photo and had originally intended to include it because I’d brought it home from the Carnegie Memorial Day parade I’d taken my mother to in May and that was a memory too, but I didn’t want to “date” this painting for a holiday or event, or set it for a country since many of my readers and collectors are from other countries. That detail was not so important to me as the others I included.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

November Colors, Pastel, 5 x 7, 2000. The original is framed in a 1-1/2″ solid wood maple frame, 8 x 10, with a natural white mat. The framed original is available as well as digital, giclee and canvas prints.



November Colors, 5 x 7, pastel, 2000 © Bernadette E. Kazmarski

This is Chartiers Creek, a view from a bridge in late November, not quite winter but feeling so, yet the honeysuckle berries are bright in the sun and all the rushes, grasses and brambles bear a soft warmth, and lots of color.

I painted it en plein air, stainding on the bridge on that bright afternoon, in soft pastel on an Ampersand pastel board.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Spring Morning Leaves", pastel, 9" x 12" © Bernadette E. Kazmarski

“Spring Morning Leaves”, pastel, 9″ x 12″, 2014. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.



About the Artwork

It looks like I’m in the deep woods, but it’s just the line of trees between our back yards; it all depends on the angle you look at it.

When I looked out my kitchen window this morning, above is what I saw. I couldn’t paint it because the light was changing fast at that early hour, so I photographed it and worked on it a little later. I wanted to keep it leafy with a lot of movement, so I used all my pastels on their sides.

This is painted on Colourfix sanded pastel paper with a variety of brands of pastels.

The original is framed n a 9″ x 12″ white molded wood frame with a white linen liner.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Stained Glass Cats, pastel, 6 x 9 © Bernadette E. Kazmarski

Stained Glass Cats, prints are signed digital prints of my pastel daily sketch “Stained Glass Cats” made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

Stained Glass Cats, pastel, 6 x 9 © Bernadette E. Kazmarski

Stained Glass Cats, pastel, 6 x 9 © Bernadette E. Kazmarski

Here’s an idea that’s been occurring to me lately as I watch the cats in the sun by the dining room window in early May. I love the way the glass in a stained glass panel is shaded light toward the center of its shape, darker outside by the shadow from the lead between the shapes, and even the rippled quality of the color in many pieces of glass. I’d considered oil pastel for this but they weren’t handy when Jelly Bean, Mewsette and Giuseppe gathered in the late afternoon sun in the dining room window. The geranium leaves were aglow, shadows were deep and colorful, and each cat is its unique color. I followed the simplified shapes and colors I saw through squinted eyes.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Napping With Colors in Mind”, Ink drawing pen and marker, 5.5″ x 7″ © Bernadette E. Kazmarski

Napping With Colors in Mind, Ink and Marker. The original art is 5.5″ x 7″ on multimedia paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



About the Artwork

Giuseppe must surely be absorbing some of the colors of the pens in my pen cup. I certainly thought the colors were inspiring next to Giuseppe’s black fur! Because he was sleeping I had the time to get more detail on his face than usual.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original is matted with a white black core top mat and a red black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Autumn Wildflower Harvest, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

It was one of those moments that completely overtakes me–the extraordinary in the ordinary. I had gathered these wildflowers on the way home from work during one of those too-brief, clear September evenings, warm, but with a creeping chill in the shadows. Goldenrod and fall asters are just about my favorites, so I brought some home and placed them in the vase on the table on my deck. You can read more about the time of this painting in The Artist’s Life: The Splendor of Autumn on The Creative Cat.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2020 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Cat With Fruit", oil pastel, 5" x 7" © Bernadette E. Kazmarski

This art is “Cat With Fruit”, 5″ x 7″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 1/10/14.



ABOUT THE ART

The white-cold winter is outside the window, but Jelly Bean is comfortable and safe inside where even the shadows are warm and with summery tints in his fur. In this house we don’t forget that many cats are not so lucky to be on the inside, warm and safe, looking out at an icy day, and along with the simple inspiration I know that was on my mind when I painted it.

This is what is known as a “paintbomb”, kind of like a “photobomb”. Mimi did this to me last week but I did not paint her. When Jelly Bean decided to join the still life I was sketching, I decided to stop the other painting and sketch Bean. I was using oil pastels, so oil pastels it was. The paper was a little small for all the detail that’s in it, but that makes me keep it pretty simple, and all the tiny details I’d been visualizing just didn’t work. Too bad for me. Lots of color in an overcast winter day, and lots of color in a black cat, and that’s what counts.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

I framed the original with a simple white mat and a wide matte white wood frame.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Dinnertime!”, pencil, 8″ x 5″ © Bernadette E. Kazmarski

The original sketch of Dinnertime, Pencil, is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 5″ x 8″, 2011 © Bernadette E. Kazmarski



About the artwork

Here is one of my favorite sketches, the third daily sketch of over a thousand, from way at the beginning of my series of sketches beginning on December 4, 2011, and one of the few to include Cookie. It’s Kelly, Mimi and Cookie enjoying dinner on the evening of December 7, 2011.

Nearly all my daily sketches are “in the moment”, not made from photos and usually not from memory. They catch the real events from our days here, and for that reason, just as photos bring back memories as you flip through them, of that moment and of that time, each of my sketches also brings back memories, but with far more detail. Possibly because they touch many more parts of me.

As I said at the time:

No time for a sketch this morning, the usual time for sketches as warm-ups, but I knew I’d be gone all day, hoping I could get one later.

I knew I wanted to get this one, but also knew I’d have a limited time since they get their bowls before the young animals do and the three girls don’t waste any time once they get to it. I had my sketchbook and pencil on the sink and as soon as I set down the bowls for the kids I got right to the sketch.

Sketches like this one have so many levels of meaning for me, and just as surely as photographs they take me back to a particular time.

I had actually intended to sketch the three of them eating at some point that December; Cookie had been very ill at the end of N