Are You Looking at Me?, pastel, 17" x 22", 2008 © Bernadette E. Kazmarski

My Cats

These are the cats with whom I’ve had the pleasure of sharing my life. It was through observing their feline grace and their individual natures that I found my muse as an artist and finally decided to get down on paper what I saw with my eyes and felt with my heart. While I render many other subjects now—wildlife, backyard birds, landscapes, people–it all began with these, and the hopeless affection I felt for each of them and all their moods and quirks and manners of affection toward me. This is the gift they gave to me, and I will be forever in their debt, spending a lifetime to pay it off by sharing them with others.

Many images are also available as cards, almost all are available as prints. In addition to cat art, I’m also concerned abut cat issues, and animal welfare in general. Please visit The Creative Cat for what’s up with my feline family and links to issues, products and information of interest to cats, dogs and their people, as well as wildlife.

So let me introduce you to a few members of my family…

A. Awakening, block print © Bernadette E. Kazmarski

“Awakening” is a linoleum block print, 16″ in diameter, printed in water-based ink on handmade white rice paper or rice paper with silver and gold foil speckles.

Quote reads: ” ‘Until one has loved an animal, a part of one’s soul remains unawakened.’–Anatole France. Dedicated to my prince and princess and all those since who’ve awakened their part of my soul.”

“Awakening” was inspired by my close companions Kublai and Sally who ran the household together for about 12 years and who actually slept curled like this (photo below). I enjoyed following the inspiration to combine the image of the two cats with the decorative border simply made of shapes and patterns that were both attractive and easy to cut in a block print. Please read more about the print and the inspiration of Kublai and Sally, including the photo of them I used as the basis for the print, below.

These lists and galleries explain the variations available with this print: a gallery of detail images of the print in black only, a gallery of hand-colored variations, and a gallery of matted variations and the typical frame I offer. Custom color tinting is available as well as custom mat and frame. Pricing grid is below the galleries.

Choices for your print:

Matted and framed, tinted print, $150.00
Matted and framed, black print, $125.00
Matted only, tinted print, $100.00
Matted only, black print, $75.00
Print only, tinted, $75.00
Print only, black print, $50.00

Detail images of the print

Hand-tinting variations

Hand-tinting style:

 

  • Warm and Bright
  • Cool and Pastel
  • Spring
  • Single color or other combination (use text box below to specify)

Mats and frames

Mat color and frame sample:
Black
Rich Red
Pacific Blue
Other (use text box below to specify) Note that specialty mats other than acid-free mats and other frames than what is shown may cost extra.

Choose your print style:

ABOUT THE PRINT

Quote reads: “‘Until one has loved an animal, a part of one’s soul remains unawakened.’–Anatole France. Dedicated to my prince and princess and all those since who’ve awakened their part of my soul.”

“Awakening” was inspired by my close companions Kublai and Sally who ran the household together for about 12 years and who actually slept curled like this. I enjoyed following the inspiration to combine the image of the two cats with the decorative border simply made of shapes and patterns that were both attractive and easy to cut in a block print.

I had seen the quote in a number of different places, and of all the quotes about how animals fill our souls this one, the concept of awakening, I found most moving. These two cats, especially Kublai, the black one, were a major part of my awakening not only to animals but to love in general.

Aside from the fact that they were both loving, friendly and social, they were complete opposites in the way they expressed this love and were as different in temperament as they were in color and texture as the loose reference to yin and yang illustrates.

In their own ways they nurtured about 30 foster cats of widely differing ages and social abilities, just as they nurtured me in the years they shared my life.

“Kublai” is somehow derived from the word for “prince” in Sanskrit, and “Sally” is derived from the word for “princess”—Sarah—in Hebrew.

Block printing is a technique wherein the artist carves the surface of a piece of linoleum, leaving raised areas which will become the image. Ink is rolled onto these raised areas, then a piece of paper is pressed against the block and when it’s lifted away the ink remains, leaving the image on the paper.

I also print this image on textiles, such as t-shirts, curtains, tablecloths, shawls and tote bags! Please check my apparel and housewares categories to see what’s currently available.

Because of the nature of the medium, each print is unique and ink coverage is not always perfect. Most artists consider this random activity to be part of the process of creating an individualized print, and along with the hand-painting makes a unique work of art.

Mat is an acid-free rich red, my favorite shade to coordinate with plain black and white block prints; not too bright, not too dull. I cut the circular mat myself in my studio; the narrowest portion of the mat is 1.5″. The frame is a 1″ wide plain black matte-finish wood. The final framed size is 21″ x 21”.

I apologize for the photos—with or without glass it was a little difficult to photograph!

A. Framed, double matted, tinted print (as shown), 16 x 20

Sometimes when I look at Kelly the only feature I can distinguish in all those tortie markings is her extremely round eyes.

“The Roundest Eyes” is a hand printed, hand tinted linoleum block print of a very slender  tortoiseshell cat with very round eyes, matted and framed and ready to hang. Image is 8″ x 12″, with mat and frame outside dimensions 11″ x 14″ or 16″ x 20″. “The Goddess” is the other print in this set.

Options for ordering:

A. Framed, double matted, tinted print (as shown), 16 x 20, $75.00
B. Framed, single matted (cream black core), tinted print, 11 x 14, $60.00
C. Double matted, tinted print, 16 x 20, $55.00
D. Single matted (cream black core), tinted print, 11 x 14, $50.00
E. Print only, tinted, $40.00
F. Print only, black and white, $30.00

Choose your print style:

ABOUT THE PRINT

As you know, I am unendingly inspired by my houseful of felines, especially my Tortie Girls. I initially designed these in 2001 because I wanted something I could print myself on a variety of things to offer inexpensively for sale and for donation; at the time high quality home printers and inexpensive digital printing were a few years in the future and all I had to offer was original art and expensive giclees.

Unlike many of the other prints I sell, I print these by hand from a hand-cut linoleum block, then each print is hand-painted in watercolor, and with the slight variations in the printing process and the individualized coloration each print is just as unique as torties themselves. “The Goddess”, featuring Cookie, is the other print in this set, and I have more information on her, below.

What enchanted me first about block prints years ago, and what I wanted most to see when I began creating with them, was the clarity of black ink on white rice paper. While I often use other colors of ink and types of paper, and when the image is my tortie girls, usually also tinted with oranges and yellows and green for their eyes, pink for nose as I had designed, the black on white is what I usually return to.

When I initially print these two they are that familiar black ink on white, and I watch the ink reveal all the cuts and trims I made on the surface of the block to create their image, it makes me smile as I remember designing the prints and cutting the blocks, and I remember my girls and the inspiration they gave me.

The Roundest Eyes

"The Roundest Eyes", linoleum block print, 9 x 12 © Bernadette E. Kazmarski

“The Roundest Eyes”, linoleum block print, 9 x 12 © Bernadette E. Kazmarski

In designing the set, I didn’t have a signature photo of Kelly as I did Cookie lying on the floor, but I did know how I thought of Kelly—sitting at attention, paws and tail neatly placed, a little uncertain and with very round eyes. When I pictured her, this was what I saw.

I began with a few photos of Kelly sitting in this position—in the days before digitals so I had to wait for film to be developed—sketched it out, then filled in the details by observation. It was a real trick since Kelly never sits still for too long. And I actually wanted two different orientations so Cookie was the horizontal image and Kelly the vertical one.

The design of “The Roundest Eyes” doesn’t have a long and detailed story as does “The Goddess”, but between the two, while Cookie gets more notice and stories which I’ve collected over the years, Kelly sells more t-shirts and prints…we just never let Cookie know that. Last year a young couple just getting engaged purchased one of each shirt to wear in their engagement photos too!

Customizing your tortie print

To a certain extent I can take an untinted print and hand-tint it to resemble your favorite tortie. I can’t remove any of the black that is there or paint over it, but I’ve done several to date. Here are examples of how I customized “The Goddess”.

Rosie from the UK

tortie cat in the grass
Rosie from the United Kingdom

“I found your print of “The Goddess” and think she looks like my cat, Rosie…I live in the UK and was wondering if it was possible to get a print without the frame… If they’re not coloured, would it be possible to get one coloured like Rosie if I sent you a photo? I’m assuming not but thought I’d ask! (Of course I could, and the finished print is below.)

“We got Rosie when I was 11. My dad told me we were going to mum’s boss’s house to pick something up and asked if I wanted to go with him, and as Annie, the boss, had two ginger cats my sisters and I loved to play with I went. When I got there I saw a tiny purring little bundle of fluff and claws and played with her for about an hour. Then dad came in and told me to pick her up, we were going home!

“15 years later, and we’ve moved to another city. Rosie is still going strong, mum had a terrifying moment a few years ago when she felt a lump in Rosie’s belly and [went] to the vets with the instructions to not allow her to be in pain….The vet sent her back with a packet of diet cat food. She’s a wonderful purry old thing, with a beautiful temperament—she had to have one to grow up in a house of 3 little girls and all the neighbourhood kids!

tortoiseshell cat print
Polly as The Goddess

“Whilst we got Rosie as a kitten, Polly is the tortie who holds my heart. She was much more than a cat and was my constant companion for the two years we had her. I adored her, she adored me. Then one night she escaped, and my housemate forgot about her and didn’t let her in. I returned home to find her missing and we spent 4 days looking for her, I was distraught and couldn’t cope without her, but then we got a phone call from the vets, Polly was found by a lovely lady (who was also owned by a tortie – Mitzy) who realised how sick she was and took her to the vets. She lasted 2 days before dying of anti-freeze poisoning.”

A tortie print to honor your favorite tortie

I love a good rescue story, and I am always heartened by the stories of rescues and so much love that people share about the torties who share their lives.

Java

A customer ordered this matted and framed print a few days ago. I received the notice in e-mail, then just a few minutes later I received an e-mail from that customer with a photo attached.

“Hi, Bernadette…just thought you’d like to see who I’ve purchased your piece in memory of. This is Java…the best little tortie girl I’ve had the pleasure of knowing. Can’t wait to get it.”

tortoiseshell cat
Java, a beloved tortie cat.

Java is lovely with those pale green eyes and lots of speckles all through her fur, and a very direct and focused expression. Torties are unique not only in markings but also in purrrsonality, and whether they be the ones who make it clear they are the boss or, like my Cookie and Kelly, are non-stop sweet, they are devoted and demand your devotion in return.

I’m always sad at the loss of a kitty and couldn’t be more honored than for someone to purchase a piece of my artwork as a permanent memory of a beloved cat. I was very touched for Java’s human to send Java’s photo and her note along with her order and I asked if I could share Java’s photo and her note. It warms my heart, as I remember Kelly and near the first anniversary of her passing, to know that her Kelly’s image is traveling off to another household to provide comfort and love. I promise my cats they will never be forgotten and I always hope my art ensures that.

My sympathies to Java’s human, I know that she will be one of the torties I think about when I look at prints of The Roundest Eyes.

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

The original is still available along with signed prints of “One L-o-o-o-ng Kitty”, cartoon, 9″ x 5.5″ are made in archival inks on various media.

ABOUT THE ART

It’s a sweet memory of the very first time two formerly feral fosters braved the first floor of the house.

Bella and Basil, respectively, are finally having some time on the first floor after thoroughly inspecting the second floor. I still won’t let them in the basement for fear I’ll never find them in the chaos down there, but they weathered their first journey to the new land well. They are each a little timid when it comes to moving into new spaces for the first time, so I’m cautious not to overwhelm them, and my downstairs can be overwhelming. I tell everyone who visits that I am in “full warehouse mode” and stacks of bins and things are everywhere.

They did need to be coaxed down by me and Bean, but after a few times of running up and down the steps they were exploring, little by little, sometimes together, most times not, then eventually playing.

This sketch was awarded a Certificate of Excellence for Cartoons in the Cat Writers’ Association annual Communications Contest in 2015.

Read more about the Cat Writers’ Association and the awards I’ve won for my writing, art, photography and design.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Tortie Girls" set of matted and framed block prints.

“Tortie Girls” are hand printed, hand tinted linoleum block prints of my two tortoiseshell cats, one very round and one very slender, “The Goddess” and “The Roundest Eyes” matted and framed and ready to hang. Image is 8″ x 12″, with mat and frame outside dimensions 11″ x 14″ or 16″ x 20″. You can read more about the girls and the prints below.

"Tortie Girls" set of matted and framed block prints.

“Tortie Girls” set of matted and framed block prints.

Order your set:

You can also order these prints individually:

The Goddess

The Roundest Eyes

And see the whole collection of prints, tees, trays and table linens on The Tortie Girls Linoleum Block Prints.

ABOUT THE PRINTS

As you know, I am unendingly inspired by my houseful of felines, especially my Tortie Girls. I initially designed these in 2001 because I wanted something I could print myself on a variety of things to offer inexpensively for sale and for donation; at the time high quality home printers and inexpensive digital printing were a few years in the future and all I had to offer was original art and expensive giclees.

Unlike many of the other prints I sell, I print these by hand from a hand-cut linoleum block, then each print is hand-painted in watercolor, and with the slight variations in the printing process and the individualized coloration each print is just as unique as torties themselves. “The Goddess”, featuring Cookie, is the other print in this set, and I have more information on her, below.

What enchanted me first about block prints years ago, and what I wanted most to see when I began creating with them, was the clarity of black ink on white rice paper. While I often use other colors of ink and types of paper, and when the image is my tortie girls, usually also tinted with oranges and yellows and green for their eyes, pink for nose as I had designed, the black on white is what I usually return to.

When I initially print these two they are that familiar black ink on white, and I watch the ink reveal all the cuts and trims I made on the surface of the block to create their image, it makes me smile as I remember designing the prints and cutting the blocks, and I remember my girls and the inspiration they gave me.

The Goddess

“The Goddess” came along first and I actually have photos of the process, but I knew right away she’d have to have a companion print.

I looked at Cookie on the kitchen floor, on her back with her toes curled, a defiant look on her face, and it happened—that moment of visualization. I could see a linoleum block print in black ink on white rice paper, hand-tinted with oranges and yellows for the patches in Cookie’s tortoiseshell fur and green for her eyes and pink for her nose. I would call the print “The Goddess” for the many women depicted with generous figures in sculpture and painting through the millennia.

Compare the photo and the print:

tortie cat on back
Reference photo for “The Goddess”
Cookie, “The Goddess” block print © B.E. Kazmarski

From the time I first described the idea to someone, who chuckled at the idea of the image, I knew Cookie was a winner. And through the years she has continued to bring people and stories to my display no matter where I am—everyone knows a cat who looks like Cookie!

linoleum block
Linoleum block for The Goddess, of course it’s in reverse.

Cookie inspired not only a design, but a particular style and technique and a new element to my creative life and my merchandise. With an inspiration that strong, I probably would have done it anyway, but I had other reasons as well. In the late 1990s having my sketches and paintings reproduced was still expensive and not always successful and I wanted artwork that I could reproduce easily and inexpensively myself so that I could have something more affordable than original artwork to sell in my displays.

I’d worked with small linoleum block prints for years and always enjoyed the medium, but this time I decided I wanted something larger and I might actually create a series—which led to “The Roundest Eyes” depicting my other tortie, Kelly, a few months later. Between the two, Cookie gets more notice and stories, but Kelly sells more t-shirts and prints…we just never let Cookie know that.

Capturing all Cookie’s freckles and spots and stripes was indeed a challenge, especially when I went to actually cut them out of the surface of the linoleum block.

Cookie’s face in closeup from the photo:

tortie cat on floor
Cookie’s face from the photo.

Cookie’s face in the block:

detail of linoleum block.
Closeup of Cookie’s face in linoleum block; the light areas are the smooth surface that holds the ink.

And here is Cookie’s face, printed and colored!

block print of cat
Closeup of Cookie’s face from “The Goddess”.

The Roundest Eyes

"The Roundest Eyes," matted and framed hand-tinted linoleum block print.
“The Roundest Eyes,” matted and framed hand-tinted linoleum block print.

In designing the set, I didn’t have a signature photo of Kelly as I did Cookie lying on the floor, but I did know how I thought of Kelly—sitting at attention, paws and tail neatly placed, a little uncertain and with very round eyes. When I pictured her, this was what I saw.

I began with a few photos of Kelly sitting in this position—in the days before digitals so I had to wait for film to be developed—sketched it out, then filled in the details by observation. It was a real trick since Kelly never sits still for too long. And I actually wanted two different orientations so Cookie was the horizontal image and Kelly the vertical one.

The design of “The Roundest Eyes” doesn’t have a long and detailed story as does “The Goddess”, but between the two, while Cookie gets more notice and stories which I’ve collected over the years, Kelly sells more t-shirts and prints…we just never let Cookie know that. Last year a young couple just getting engaged purchased one of each shirt to wear in their engagement photos too!

Customizing your tortie print

To a certain extent I can take an untinted print and hand-tint it to resemble your favorite tortie. I can’t remove any of the black that is there or paint over it, but I’ve done several to date.

Rosie from the UK

tortie cat in the grass
Rosie from the United Kingdom

“I found your print of “The Goddess” and think she looks like my cat, Rosie…I live in the UK and was wondering if it was possible to get a print without the frame… If they’re not coloured, would it be possible to get one coloured like Rosie if I sent you a photo? I’m assuming not but thought I’d ask! (Of course I could, and the finished print is below.)

“We got Rosie when I was 11. My dad told me we were going to mum’s boss’s house to pick something up and asked if I wanted to go with him, and as Annie, the boss, had two ginger cats my sisters and I loved to play with I went. When I got there I saw a tiny purring little bundle of fluff and claws and played with her for about an hour. Then dad came in and told me to pick her up, we were going home!

“15 years later, and we’ve moved to another city. Rosie is still going strong, mum had a terrifying moment a few years ago when she felt a lump in Rosie’s belly and [went] to the vets with the instructions to not allow her to be in pain….The vet sent her back with a packet of diet cat food. She’s a wonderful purry old thing, with a beautiful temperament—she had to have one to grow up in a house of 3 little girls and all the neighbourhood kids!

tortoiseshell cat print
Polly as The Goddess

“Whilst we got Rosie as a kitten, Polly is the tortie who holds my heart. She was much more than a cat and was my constant companion for the two years we had her. I adored her, she adored me. Then one night she escaped, and my housemate forgot about her and didn’t let her in. I returned home to find her missing and we spent 4 days looking for her, I was distraught and couldn’t cope without her, but then we got a phone call from the vets, Polly was found by a lovely lady (who was also owned by a tortie – Mitzy) who realised how sick she was and took her to the vets. She lasted 2 days before dying of anti-freeze poisoning.”

A tortie print to honor your favorite tortie

I love a good rescue story, and I am always heartened by the stories of rescues and so much love that people share about the torties who share their lives.

Tasha

A customer ordered a print of “Dinnertime” along with an unframed hand-tinted print of “The Goddess”. I told her the story of Cookie and she told me the story of Tasha, below.

“I just purchased both of them as an anniversary present for my husband. I really like all your art work, but decided on those two because (1)We have three cats and (2)my husband’s baby is a fat (one-eyed, formerly feral) tortie . . . My husband rescued Tasha (tortie) when she was six weeks old. He was working on a job site near a dairy barn in 2003 and found her — she was really sick with a herpes infection in her right eye. We took her to the vet and she recovered immediately after getting care (although she lost the sight in that eye), and we’ve had her ever since. She has never wanted to go outside again . . . We have two other rescue males, but she’s the queen of the house (most of the time!) and has my husband wrapped around her little paw . . . All the best and thanks so much for rescuing Cookie and other kitties . . .”

photo of tortie cat
Tasha, the rescued tortie.

Now there’s a cat guy! He gets a print of a tortie and three cats eating for his anniversary present, reminiscent of the cat he rescued. I love knowing my girls have a share of immortality when their prints go off to live in other homes and celebrate other tortie cats. You can also read a list of other tortie stories I’ve collected at shows and festivals when people see “The Goddess” especially in “The Goddess Truly Inspires” and “The Artist’s Life: Still Inspiring” as well as “Featured Artwork: The Roundest Eyes”.

Kitty

“This cat on the tee looks so much like my cat “Kitty”. She was a rescue cat..she just showed up at my door, and I took her in. I loved her..she slept with me..back to back, lol. But because of my allergy I needed to give her to a good home. I miss her so much..but it was something I needed to do.”

Kitty’s mom ordered a tee to remember Kitty.

tortoiseshell cat
SadieCat relaxing among the library books.

SadieCat

SadieCat’s mom bought a hand-colored print for herself as a birthday gift.

“…I especially love the pictures of the tortie cats. When I saw the block print of “The Goddess” my heart stopped. Three years ago I rescued a starving little kitten who soon became the love of my life. I couldn’t help myself from attaching a couple of pictures of SadieCat (seen here). Someplace I have a photo where she looks exactly like your print, but I couldn’t find it.

tortoiseshell cat face
Now there’s a face!

“[Sadiecat] will only consent to being held when she’s in the mood and she’ll bite if you’re late with her dinner, but I love her and wouldn’t have her any other way. (Well, I could probably do without the biting). And thanks for…putting Sadie out there, I’m too shy. She’s shy too, but what she doesn’t know won’t hurt her.”

Visit the original post, The Goddess Truly Inspires, to read more stories and to add your own.

The Roundest Eyes

"The Roundest Eyes", linoleum block print, 9 x 12 © Bernadette E. Kazmarski

“The Roundest Eyes”, linoleum block print, 9 x 12 © Bernadette E. Kazmarski

In designing the set, I didn’t have a signature photo of Kelly as I did Cookie lying on the floor, but I did know how I thought of Kelly—sitting at attention, paws and tail neatly placed, a little uncertain and with very round eyes. When I pictured her, this was what I saw.

I began with a few photos of Kelly sitting in this position—in the days before digitals so I had to wait for film to be developed—sketched it out, then filled in the details by observation. It was a real trick since Kelly never sits still for too long. And I actually wanted two different orientations so Cookie was the horizontal image and Kelly the vertical one.

The design of “The Roundest Eyes” doesn’t have a long and detailed story as does “The Goddess”, but between the two, while Cookie gets more notice and stories which I’ve collected over the years, Kelly sells more t-shirts and prints…we just never let Cookie know that. Last year a young couple just getting engaged purchased one of each shirt to wear in their engagement photos too!

Customizing your tortie print

To a certain extent I can take an untinted print and hand-tint it to resemble your favorite tortie. I can’t remove any of the black that is there or paint over it, but I’ve done several to date. Here are examples of how I customized “The Goddess”.

Rosie from the UK

tortie cat in the grass
Rosie from the United Kingdom

“I found your print of “The Goddess” and think she looks like my cat, Rosie…I live in the UK and was wondering if it was possible to get a print without the frame… If they’re not coloured, would it be possible to get one coloured like Rosie if I sent you a photo? I’m assuming not but thought I’d ask! (Of course I could, and the finished print is below.)

“We got Rosie when I was 11. My dad told me we were going to mum’s boss’s house to pick something up and asked if I wanted to go with him, and as Annie, the boss, had two ginger cats my sisters and I loved to play with I went. When I got there I saw a tiny purring little bundle of fluff and claws and played with her for about an hour. Then dad came in and told me to pick her up, we were going home!

“15 years later, and we’ve moved to another city. Rosie is still going strong, mum had a terrifying moment a few years ago when she felt a lump in Rosie’s belly and [went] to the vets with the instructions to not allow her to be in pain….The vet sent her back with a packet of diet cat food. She’s a wonderful purry old thing, with a beautiful temperament—she had to have one to grow up in a house of 3 little girls and all the neighbourhood kids!

tortoiseshell cat print
Polly as The Goddess

“Whilst we got Rosie as a kitten, Polly is the tortie who holds my heart. She was much more than a cat and was my constant companion for the two years we had her. I adored her, she adored me. Then one night she escaped, and my housemate forgot about her and didn’t let her in. I returned home to find her missing and we spent 4 days looking for her, I was distraught and couldn’t cope without her, but then we got a phone call from the vets, Polly was found by a lovely lady (who was also owned by a tortie – Mitzy) who realised how sick she was and took her to the vets. She lasted 2 days before dying of anti-freeze poisoning.”

A tortie print to honor your favorite tortie

I love a good rescue story, and I am always heartened by the stories of rescues and so much love that people share about the torties who share their lives.

Java

A customer ordered this matted and framed print a few days ago. I received the notice in e-mail, then just a few minutes later I received an e-mail from that customer with a photo attached.

“Hi, Bernadette…just thought you’d like to see who I’ve purchased your piece in memory of. This is Java…the best little tortie girl I’ve had the pleasure of knowing. Can’t wait to get it.”

tortoiseshell cat
Java, a beloved tortie cat.

Java is lovely with those pale green eyes and lots of speckles all through her fur, and a very direct and focused expression. Torties are unique not only in markings but also in purrrsonality, and whether they be the ones who make it clear they are the boss or, like my Cookie and Kelly, are non-stop sweet, they are devoted and demand your devotion in return.

I’m always sad at the loss of a kitty and couldn’t be more honored than for someone to purchase a piece of my artwork as a permanent memory of a beloved cat. I was very touched for Java’s human to send Java’s photo and her note along with her order and I asked if I could share Java’s photo and her note. It warms my heart, as I remember Kelly and near the first anniversary of her passing, to know that her Kelly’s image is traveling off to another household to provide comfort and love. I promise my cats they will never be forgotten and I always hope my art ensures that.

My sympathies to Java’s human, I know that she will be one of the torties I think about when I look at prints of The Roundest Eyes.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Minding Their Own Business", charcoal pencil, 9.5" x 7" © Bernadette E. Kazmarski

The original sketch of Minding Their Own Business, charcoal , Charcoal, is still available, and I also have a variety of prints and note cards. The original sketch is 9.5″ x 7″, 2012 © Bernadette E. Kazmarski

About the artwork

 "Minding Their Own Business", charcoal pencil, 9.5" x 7" © Bernadette E. Kazmarski

“Minding Their Own Business”, charcoal pencil, 9.5″ x 7″ © Bernadette E. Kazmarski

Sometimes, this is all we see.

I like the times when they are going about their business without me involved. Jelly Bean is curled, sleeping, at the top of the steps where the sun had been shining, briefly awakened by Mewsette as she climbs the steps and rounds the corner into my bedroom. No faces, no interaction with me, they are just being house cats finding their afternoon nap spots.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

Giuseppe Resting, black and white charcoal pencils on gray toned paper, 5″ x 7″. The original is available and prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.

    "Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

“Giuseppe Resting”, black and white charcoal on tan toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

So Giuseppe rests all the time, why draw him now? Just because he looked so velvety black there on my desk, completely covering up something I needed to work on. You can see a few extra lines I’d erased at the bottom; he had started out with one paw curled under and his head up. I no sooner had that roughly outlined than he laid his head on his paw.

My desk lights are shining on him from behind so his face is in shadow, and I did my best to capture the subtleties of highlights and reflections on his features in several different hardnesses of regular charcoal plus white charcoal on tan toned paper, then I used the kneaded eraser to burnish the densest black areas.

And when I scanned it, putting the entire sketchbook in the scanner, I liked the way that looked too. I don’t think of just seeing the sketches as you do because I actually see them in my sketchbooks. So this is what it looks like.

 "Giuseppe Resting", in the sketchbook.

“Giuseppe Resting”, in the sketchbook.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Front and Back", white and black charcoal on toned paper, 8" x 5" © Bernadette E. Kazmarski

“Front and Back”, black and white charcoal pencils on tan toned paper, 5″ x 8″ © Bernadette E. Kazmarski. The original is available as well as prints made in archival inks on paper and canvas.

ABOUT THE ARTWORK

The framed sample above is a different sketch, but a sample of the style of mat and frame, in coordinating tones, of course.

Giuseppe and Jelly Bean were sharing the same spot of sun on the landing today, contentedly tucked side to side, facing opposite directions. Jelly Bean looks like just a pile of something. Giuseppe at least has ears. They were absolutely fast asleep.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Blending”, watercolor, 6″ x 9″ © Bernadette E. Kazmarski

These signed prints of “Blending”, watercolor, 6″ x 9″ are made in archival inks on various media. I’ve also included an image of the original as I framed it. A print framed like the original is also available.

ABOUT THE ART

Jelly Bean watches out the upstairs window, streaming with winter morning sun. The white light glares and introduces all sorts of colors where they don’t normally appear, in Jelly Bean’s black fur, on the pine tabletop, in the lace curtain. Painted on site as he watched out the window.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Are You Looking at Me?, pastel, 17" x 22", 2008 © Bernadette E. Kazmarski

This is an original pastel painting, 22″ x 17″, matted with beige suede matboard and gold rope fillet, framed with 1.75″ slope maple frame with black trim

ABOUT THE ARTWORK

Are You Looking at Me?, pastel, 17" x 22", 2008 © Bernadette E. Kazmarski

Are You Looking at Me?, pastel, 17″ x 22″, 2008 © Bernadette E. Kazmarski

This is the guy who started it all–and nearly the last one to have his portrait done! He fostered every stray kitten and cat I ever brought into my home, and shepherded me through the ups and downs of the fifteen years he was with me. More intelligent than many people I’ve met, friends of mine will remember him as the cat who opened the refrigerator door, took out a container, opened it, and helped himself to the contents. I’ve used his image in other works, but I’ve finally decided that the best depiction of his personality is of him being silly, rolling around in the sun and making sure I noticed how handsome he was.

ORIGINAL PAINTING

I am happy to sell the framed painting, or just the original painting if you’d like to choose your own mat and frame. Shipping charges are included in the prices listed above.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 25″ x 22″ and a half-size of 12.5″ x 11″ and an 8″ x 10″ that crops a portion of the image top and bottom.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ so I trim a bit off each end to fit, and also offer the half-size 12.5″ x 11″.

The giclees have 2″ of white around the outside edges, while the digital print has 1/2″ around the edges. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

"Peaches and Peonies", pastel, 23" x 17", 2008 © Bernadette E. Kazmarski

This is an original pastel painting, 23″ x 16″, matted with a deep forest green watered silk acid-free mat edged with a dull gold rounded fillet, framed in a 2″ wood frame with two tones of antique silver edged with antique gold, outside edge finished in deep cherry mahogany.

ABOUT THE ARTWORK

There it is, that moment that turns on all the lights for me…one of my cats in the sun, the conditions that have inspired most of my portraits. Cats are creatures of habit, and Peaches chose this spot to have her after-dinner bath every day for a few weeks when the sun was right; I knew it was a keeper whether a photo or a painting, so I photographed it several times over a period of several days, knowing I’d use at least one photo or all the photos as reference to create one painted image.

The painting illustrates a moment in my kitchen that I treasure because it includes Peaches, plus my painted white wood table with the vintage Battenburg lace table cover, three painted white chairs I’d picked up over the years and a hand-made white-painted cabinet that carried a story all on its own, plus a bouquet of peony flowers a friend had stopped and dropped off because she thought I’d like them. The reflections, the wrinkles in the cloth, everything is the memory of a part of my life, but so I’ve found, also familiar to others.

ABOUT PEACHES

Peaches came to my home at age 15, and despite my efforts to place her in a new home, she ended up staying with me. Most prospective adopters were concerned that Peaches was older and might not live long, but my point was that Peaches needed a home no matter what age she was. At the time this painting was done, she’d been with me three years, her petite prettiness, pleasant personality and simple friendliness providing much joy for me, and she was a big favorite of most visitors to my home. And then, she’s also the subject of not only this painting, but several other paintings and sketches as well as photographs, so in three years she provided a good bit of inspiration, not to mention wake-up duties and not-so-gentle reminders about it being dinnertime.

Peaches came to be homeless because her owner died; she was nearly euthanized because no one could figure out what to do with her, not wanting to take her to a shelter. Often, older pets come from situations like this, or where the owner has to enter the hospital or a care home, and no one can take the animal left behind. They are euthanized by the family or end up in shelters and are most often passed by, even though a “seasoned” pet usually makes the best companion.

Three years or three decades or three weeks, every adoptable animal like Peaches deserves a good and loving home. Especially now, during Adopt a Senior Pet Month, consider helping those who are most vulnerable.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

ORIGINAL PAINTING

The painting is 23″ x 16″, matted with a deep forest green watered silk acid-free mat edged with a dull gold rounded fillet, framed in a 2″ wood frame with two tones of antique silver edged with antique gold, outside edge finished in deep cherry mahogany.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

SENIOR PET ADOPTION DONATION PROGRAM

Purchase a giclée of “Peaches and Peonies” and automatically make a donation to help senior pet adoptions.

I would make a big donation to the shelter or rescue of the person’s choice who chose to purchase the original of Peaches and Peonies, but I also have a Senior Pet Adoption Donation Program regarding the purchase of a giclee of this painting. Through the purchase of a full-size giclee of “Peaches and Peonies”, $25.00 of your purchase price will be donated to the senior pet adoption program in your name or the name of your choice. And because many shelters and rescues don’t have a formal senior pet adoption program though many foster and rehome senior pets, I can be fairly liberal with who gets the donation, as long as it’s made in the name of a senior pet.

Giclée prints are printed on heavyweight acid-free archival paper with light-fast archival inks using a direct liquid printing process so fine that my prints are often indistinguishable from my originals. Each print is signed by me, the artist. I prefer this process not only because of its clarity and precision but also because I can order only one print at a time instead of ordering dozens or hundreds, and it costs the same per print no matter how many I get. For that reason I can order them from my printer as I receive orders instead of trying to keep them in stock and store them free of damage.

Full-size, 23″ x 16″, $150.00
Half-size, 13″ x 9″, $75.00

You pay for the print and give me the name of the senior pet adoption program of your choice. I process your order and send a donation to the program in your name or the name of your choosing, and either ask them to send you an acknowledgement or send you one myself. I usually make the donations through PayPal since most shelters use it now, and I can send you a acknowledgement through PayPal. Where it’s different or I need to write a check or use another payment method, I will still send you an acknowledgement.

“Darling Clementine”, watercolor, 12″ x 9″ © B.E. Kazmarski

“Darling Clementine”, watercolor, 12″ x 9″ is available as prints on paper and canvas.

About the painting

“Darling Clementine”, watercolor, 12″ x 9″ © B.E. Kazmarski

“Darling Clementine”, watercolor, 12″ x 9″ © B.E. Kazmarski

January light is so beautiful, the sun still at a low angle streaming into windows and doors, the days often overcast and the brilliant warm yellow sunlight a respite, and this is what has Namir transfixed in the stream of sun that washes in the back door in winter—and probably a few birds bobbing about on the deck chasing stray bird seed.

photo of cat with kitchen items
Reference photo for “Darling Clementine”.

The reference photo for this is at left, one of many I took over the course of nearly three months of occasionally sunny mornings January through March 2007 when Namir would finish breakfast then go bathe,  sit and nap in the sun. Namir’s posture and cattitude as well as items in the box and the box itself changed each day as it does in the course of my housekeeping; the angle of the sun changes as I took photos earlier and later and from different angles. I love them all and knew, as I had known with Peaches and Peonies, that I’d do a painting from this as well as having this series of photos.

But it wasn’t until the morning of Darling Clementines, as I call it in my own shorthand, with its mix of color, glass and Namir’s intent expression that my fingers got all twitchy as they do when they want to paint, and I immediately visualized a watercolor, clear and detailed, those clean edges and translucent colors carrying what I saw, better than my pastels. I pictured my palette, my fine liner brushes, applying the Prussian blue around the letters “D” and “A”, the clementine itself already painted in place, and then Namir’s profile, his rounded nose with its gray spots, his satellite-dish ears completely facing forward, the details of eyes and fur and whiskers I studied all the time. When I start watching myself paint something that’s not even begun, I know I have no choice but to paint the thing or it will be constantly in my vision like a song that won’t go away—but in this case, not an annoying one.

detail of cat in painting
Detail, just Namir.

Still, I knew another image I liked even more might come up since the lovely mornings continued, and rather than confuse the issue with starting one and seeing another I wanted to paint even more, I waited. And I also added things intentionally after that, baskets, other jars, jars of beans, my gardening clogs, you name it—even other cats, including Namir’s biggest admirer, not Kelly, but Lucy.

And as a part of our daily lives then, Stanley was still with us, 25 years old, enjoying what he could of each day until January 25 when he finally decided he was ready to transition to the next existence. We all surrounded ourselves with beauty for that month and afterward and I have a truly lovely series of photos infused with memories which I will share here through the spring, but still, “Darling Clementines” won.

I did have the opportunity to paint it fairly soon after, which is really not typical in my usual schedule but probably saved my sanity once it got a start. I gave myself a very light pencil outline of the main objects, then some of the details like the lettering, applied a few light washes of color to give myself a sense of direction. I was really looking forward to the lettering on the containers, the patterns in the wood, Namir’s ears and that lovely white area with highlight and shadow. I had a good feel for how I’d paint everything but those canning jars and figured I’d work it out when I got there. After a lot of visual study of other artists, that’s generally how I learn, just get the brush to the paper.

detail of painting
Detail, bread crumbs and wood.

This type of a watercolor, for me, is very time-consuming, so I planned it smaller than many of my other extremely detailed works, only 12″ wide by 9″ high. After the initial sketch and washes I plan my work sessions for at least two hours, preferably four, and try to make them at the same time each day so that I am either working with daylight or my work lights and can keep my colors consistent. I also prefer to work on consecutive days until I’m done, but even every other day is okay; it’s difficult to stay consistent when too many days go by between sessions. Each session, I choose an area or an object to work on so that I keep the colors and style consistent, working on Namir’s face, for instance, then working my way back in successive sessions.

But how do you paint glass? You see through it, so…what do you paint? It’s one of the times when you apply the lesson of “painting what you see” instead of “painting what you know”. I know what glass looks like, what it feels like and other properties of it as an object, but I had to study the glass and “see” the effect of the jars on what was behind them in order to paint what was really there. That was easy once I grew accustomed to it, but the highlights on the glass really had me confused. With pastels I paint the area with a base color then work my highlights up to their relative brightness and apply the lightest highlights as one of the last things I paint. With watercolors, you usually leave your highlights open to show the color of the paper as the lightest area, and work down from that level to the relative colors around it. Many was the time I had to stop, study, visualize and then, finally, paint what I saw. I used this lesson again the next spring when I painted the vase in “Peaches and Peonies”.

detail of painting
Detail, canning jars and lettering.

I have often received gifts bearing cat art and kept them all, and as I moved through learning to draw and paint I studied everything that was available commercially, from calendars to coffee mugs to accent rugs for style and composition. I still have my day book featuring paintings of Lesley Anne Ivory with her lovely furballs on highly decorative and patterned backgrounds, which worked their way into portraits such as “Tibbie” with its Oriental rug and leather-bound books. When I began framing I discovered Charles Wysocki through framing limited-edition prints of “Ethel the Gourmet” and “Frederick the Literate”. And years ago I studied the art of a feline artist Wendy Christensen whose images on Christmas cards I kept through the years to study (and still have), only to find years later that she is a fellow Cat Writers’ Association member and who I’ve since had the chance to meet. What a thrill to meet one of my idols and have her compliment me!

You can read more about Namir in “Who Was That Namir, Anyway?”

Purchasing prints

This painting is included on one set of cards, “Feline Fine Art Cards”.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

“Waiting for Mom”, pastel, 16″ x 23″, 1988 © Bernadette E. Kazmarski

This is a pastel painting, “Waiting for Mom”, pastel, 16″ x 23″, 1988 © Bernadette E. Kazmarski

About the painting, and Fawn

One night in early April, 1988, still with patches of snow on the frozen earth, a very small, very pregnant cat sang a little song to me out in the alley, politely but confidently asking if she could come into my home to give birth to her kittens. Of course, I said “yes”, and ten days later I witnessed the entrance to life of four independent and individualistic progeny. The last one born stayed with me after the others were adopted; the “runt of the litter”, the little cat with the big attitude, a torbie who loved only me, my Fawn.

This was my first full-color portrait of one of my cats, and she led the way to all the other commissioned portraits of animal companions I’ve done in the past 20 years.

This is Fawn’s story in Great Rescues Day Book.

Creating the portrait, this first one just for me

And so it was, though I had no idea at the time that I was launching a new career. And looking at this painting even today, I have no idea how I did it then. I didn’t have the skill, insight, ability to visualize or any of the ephemeral abilities I have now, but I managed to see the essential details and put them on paper.

But I didn’t set out to create a portrait—that was all in the future—and, for this last time, with the knowledge that I never needed to show it to anyone, ever, if I didn’t think it was acceptable.

I painted this in 1989, just about three years after I began seriously working my way through learning to draw simply by drawing all the time, after work at night and on the weekend—and of course, I was painting my cats. It is painted in pastel, but when I began I hadn’t even purchased real pastels yet, I was still working largely in colored chalk. I purchased an inexpensive student set of pastels and continued working with the new colors, then purchased individual pastels and pastel pencils, then just got a part time job at the art store because everything was so darned expensive and I was hooked.

photo of cat under bed
The reference photo for “Waiting for Mom”

I remember looking at the photo I’d taken the year before when Fawn was a kitten and thinking “that would make a nice painting”—so funny to think of now as I look at other photos every day and think the same thing, 23 years later, but then I’d hardly even have called myself a beginner. The nerve of me! Of course, I adored Fawn being excessively cute when she ran under the bed and peeked out, waiting for me to walk by so she could pop out and grab my ankle, and my inspiration was just as much to share her and her antics as it was to produce a good painting. Really, that hasn’t changed in all these years.

But I was also intrigued by the “white” dust ruffle, seeing for perhaps the first time all the colors that make up a true white object in a painting. I really, really wanted to paint this, fairly large, and in color. I wasn’t visualizing it as realistic as it is, more impressionistic was the style I had in mind. I can see the influence of Mimi Vang Olsen, and Lowell Herrero, two artists whose feline images were very popular then, appearing on many gift items I received, and I was influenced by the flattening of some angles and simplification of pattern.

At that time I found it difficult to loosen up my style. I had worked on my skills just in basic drawing to the point where I felt I had a good bit of control over what my hands were doing and the image I produced no longer looked stiff or forced, at least most of the time. But I loved the Impressionists, and I wanted to paint like that!

detail of portrait
Detail of “Waiting for Mom”.

It wasn’t to be for this painting, and in many ways I’m glad. This painting took me months, in part because I was intent on matching the shade of yellow in the gingham bedspread and also quibbling with myself about all the details that weren’t “perfect”, such as the nicks and scratches on the bedpost, the wrinkle in the rug, and, of course, the wrinkles in the dust ruffle and bedspread. I was embarrassed at my housekeeping, but an artist friend of mine convinced me that those were the things that added interest and character to the painting. I learned so much more in the art of painting what I actually visualize rather than what I know, and adding what I feel.

After all the time spent on other details, Fawn the kitten was sketched in there in probably just a few hours! And while I do like the simplicity of her face I sometimes wish I had made Fawn’s eye as round as it actually is because it adds that essence of excitement to her look that truly makes it a cute kitten, and Fawn.

In the end, this was the painting I looked at and said to myself, “I think I can really do this,” and the painting others looked at and asked, “Can you paint my cat too?” The rest is all in my portfolio, and for this reason, Fawn’s portrait is the first portrait in my first Great Rescues Day Book, a tribute to the kitten who led me to that part of myself that could find the essence of my animal portrait subject and bring my portraits to life.

torbie cat
Fawn

About Fawn

Fawn was a real live wire as a kitten—always swinging from something and talking about it—and was very attached to me; I had known her from her first moment of life and I was always honored at being the the only living being in the world Fawn liked.

And even though, years later, we’d moved and changed the bedspread and dust ruffle, at least once a day when I went upstairs Fawn still dove under the bed and peeked out, waiting for me to walk past so that she could leap out and grab my foot. Little did I know when I chose to paint this when Fawn was about one year old that this moment would be one I would seriously want to remember.

block print of a curled tabby cat
Fawnball, my Fawn, linoleum block print © B.E. Kazmarski

And especially so, when a mere ten years later I lost her to lymphoma, though through the pain of my grief she sent me a wonderful sign that she accepted what had happened; read The Balloon.

And Fawn has inspired other works, most notably “Fawnball” and the series of block prints entitled “Tabbies“.

I will always be thankful to Fawn for giving me this gift. She is one of the family of cats in the dedication to this calendar:

Thank you, Kublai, Sally, Stanley, Allegro, Moses and Fawn,
my first feline family, for patiently showing me the way;
only gone from this mortal life, you are immortal in everything I create.

 

Purchasing prints

This painting is included on one set of cards, “Feline Fine Art Cards”.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

"Colorful Kelly", 5 x 7, watercolor pencils © Bernadette E. Kazmarski

This art is “Colorful Kelly”, 5″ x 7″, watercolor pencils with washes on 40 lb. watercolor paper, © Bernadette E. Kazmarski, signed and dated 2/27/12. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

Occasionally, I make other items with this image, like the keepsake box below. This is just a sample at the moment, but if I have one in stock you’d look in “Handmade Gift Items”.

ABOUT THE ART

This sketch totally surprised me—I’d never done a thing like it before. Inspired by Kelly awaking from a nap on my desk I’d been about to try out these watercolor pencils while she was sleeping. I discovered that what I thought was black was navy blue and decided to go ahead. I’m so glad I did. It captures Kelly in a very special way.

So pretend the blue is black, as I discovered the set does not have a black pencil, but here is tortie Kelly sleeping on my desk. I don’t mind the blue because it’s a complement of orange, the other tortie color, even though the orange here looks like a dark red. But as long as she has the round green eyes and the big rounded ears, she’s my Kelly, and it’s a bonus that she has the little hind paw with the toes spread and the front paw curled so she can bathe it.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

This art is “Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski, signed and dated 3/22/14. The original is available but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ART

Click to see a larger image.

“Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

“Long Morning Shadows”, white and black and soft, vine and compressed charcoal on toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

It was decidedly difficult to choose which one of Mimi’s wanderings in the sunlight this morning I would sketch. She wandered around making the most wonderful elongated and distorted shadows of herself in the long streams of sunlight and they were all wonderful. Of course, this has been going on for days. Interpreting this morning sundance at the back door has been years in the making and sketched in pencil, ink, pastel and more.

I chose the toned paper because of the mid-range warm tone and the ability to blend on it, though I wish it had been darker to start with; the lightness kind of threw me off at first. The base in shadow is entirely vine charcoal which dusts off but repeated layers can be built up and burnished into the paper surface. I then applied soft 6B charcoal pencil atop that and blended for extra darkness right around the edges of the shadows, and drew Mimi’s tiny shape entirely in that pencil, blending and filling two or three times to make sure she was darker than the background and solid. A few highlights distinguish Mimi from her shadow.

Looking at it full size I can see it still needs some refinement but while I’d been picturing something more smooth and clear I like it for its roughness, especially where it blends out around the edges.

I left it as it was. When I went back to it, I liked it just as I’d done it.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Spring Morning", pastel, 6" x 8" © Bernadette E. Kazmarski

Spring Morning, Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

ABOUT THE ARTWORK

Spring Morning

Such a lovely spring morning with sunlight so full of color. Mimi was feeling the weather and was everywhere—every windowsill, every spot of sun, challenging her children to wrestling matches, they running off and wrestling with the roll of paper towels. But she allowed herself a few quiet moments to just enjoy the warm sunshine now and then.

I’ve been ready for a regular old pastel painting after wandering around to other media and seeing her in the sun I could feel the pastels beneath my fingers. It wasn’t only Mimi and all the rich tones in her fur, but the colorful and varied shadows in the lace curtain, both creamy and cool, and the light from the window glaring pale blue and green and yellow with the hints of blue sky and promise of leaves. Yesterday morning was exceptional and full of inspiration.

This is done in Sennelier soft pastels on a scrap of Wallis sanded paper in Belgian mist.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

"Listening to Granados, de Falla and Rodrigo", watercolor, 6" x 9" © Bernadette E. Kazmarski

This art is “Listening to Granados, de Falla and Rodrigo”, 6″ x 9″, watercolor on 40 lb. watercolor paper, © Bernadette E. Kazmarski, signed and dated 4/8/14. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

Click this image to see a larger version.

This painting probably has the longest name of any of my pieces of artwork! But there’s a story behind it, as there always is.

About “Listening to Granados, de Falla and Rodrigo”

If you don’t know your Spanish classical guitar composers, now is your chance. I was listening to them while I painted this, but it could also be that Fromage was listening to them when I took the photo and I tried my best to capture the rich red and green of the woven pillow and filled the background with an old gold brushy pattern remeniscent of stucco on old Spanish walls.

No, this is not one of my Five. Don’t I have enough black cats, I have to go looking for others? Well, Fromage is related to us, not by blood, but by bond. She is the neo-natal kitten I fostered in 2009, bottle feeding her and helping her along until I handed her over to the capable paws of the Fantastic Four so that she would learn to be a proper black cat.

Fromage was rescued by and lives with a friend (Cranberry’s lady), and I visit regularly. I took this photo of Fromage on the striped woven pillow on an Easter visit, several photos in fact because her soft black shape looked so graceful on the colorful pillow, and ever since that moment this image has been requesting its chance to be painted. That happens with many images, like Dusk in the Woods and Peaches and Peonies—each time I thought about what I’d like to paint next, the painting itself would appear for me and patiently hover in my mind. When an image wants that badly to be painted you have to give in eventually.

In fact, this painting was such a pest it was getting in the way of other things, like visualizing daily sketches and a portrait or two. And there are plenty other images I’ve been waiting to paint when I found the time, but this one finally won its place. And I’m really glad!

So this is not really a “daily sketch”, it’s a planned painting taking a little more time and effort. Typically with daily sketches, no matter the medium, I don’t do a starting sketch underneath, I just start to paint, but here I did, wanting to be sure I captured all the details in proportion. And I wanted to work it a certain way, with flat bright colors but just enough detail through a few highlights and shadows. Fromage is not entirely black because I wanted to capture some of the warm and cool highlights and accentuate her graceful curve. The native pillow is really just a few colors but I wanted a little more shape in the larger red areas.

And the pillow was on a tan leather couch but from the beginning I pictured this yellow gold background, kind of rough and slightly gradated, like stucco perhaps. That may have been a suggestion from the pillow, but I really was listening to Spanish classical guitar as I was painting and when I got to the background, last of all, after everything else had been painted, I was fully into the color and texture of antique stucco.

Below is a matted sample from my August 2016 Feline Sampler Box.

"Listening to Granados, de Falla and Rodrigo", watercolor, 6" x 9" © Bernadette E. Kazmarski

Featured print: “Listening to Granados, de Falla and Rodrigo”, watercolor, 6″ x 9″ © Bernadette E. Kazmarski

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Tonal Nap", pastel on pastello paper, 8" x 10" © Bernadette E. Kazmarski

This art is “Tonal Nap”, 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 4/13/13.

ABOUT THE ARTWORK

Giuseppe was napping, as usual, outside the door of my studio in a pool of sun on the landing. We’ve all grown accustomed to that piece of cardboard, they’ve been enjoying it as a scratching item and bed and big toy, and I’ve been enjoying it as an art element in my sketches and photos.

The floor and the cardboard are about the same color, and the same colors appear in Giuseppe as well. I’ve been wanting to sketch him for a couple of weeks and finally had the chance. I used my 24-pastel set with just limited colors; I wanted to keep that limited tonal range that I’d been admiring.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"A Vigilant Nap", black and white charcoal pencils on gray toned paper, 4.5" x 7" © Bernadette E. Kazmarski

“A Vigilant Nap”, black and white charcoal pencils on gray toned paper, 4.5″ x 7″ © Bernadette E. Kazmarski. The original is sold but prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.

ABOUT THE ARTWORK

This has become one of my most popular daily sketches, and it’s the one where I really feel I hit my stride with sketching in charcoal on the toned paper.

Yes, Giuseppe is napping, but it’s not a serious nap, it’s a vigilant nap. He’s on my worktable under the lights while I am at my drafting table and computer in my studio, and apparently he’s been assigned to keep an eye on me. They take turns at this, and it’s clearly a different nap from a curled-in-a-ball, or a cuddle with siblings because the attention must be on what is happening, and one must be able to awaken immediately. He lifts his head at every noise, or sometimes only opens to big golden eyes, assesses what, if anything, needs to be done, then puts his head back down on his paws. I see his ears swivel constantly, and when he open his eyes, even though he is facing away from me, I can see his whiskers shift upward and the shape of his forehead changes. I am so accustomed to this position of his—see also “Tonal Nap”, where he is just outside the door of the studio—that I sometimes look past him, but I also spend time studying him.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Leaves and Shadows", watercolor, 5" x 7" © Bernadette E. Kazmarski

Leaves and Shadows prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

Here I’m trying to catch my impression of Jelly Bean on the table by Cat TV, where the leaves from the lilac flutter and the sun comes in at an angle, a little bit of leaf patterning and shadows. The scene itself is actually much darker than this but I wanted to capture the sense of light so I used the transparency of watercolor to its best ability. Bean is napping, and facing away from the window his face is in shadow while his back disappears in highlight.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Mimi's Sunbath, 5" x 7", ink marker and watercolor pencil © B.E. Kazmarski

Mimi’s Sunbath, Ink and Watercolor. The original art was 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I really liked this as an ink sketch and almost left it with just Mimi, but when I had looked at Mimi in this very spot I envisioned an ink drawing with watercolor washes. I began the sketch on watercolor paper, and so I finished it. I like it just as much.

This has both deep shadows and bright highlights, and both direct and reflected light, a challenge for me in ink, for sure! But while Mimi did move her head to face front, look up at me and look behind herself, she sat for long enough for me to get the light and shadow on her torso sketched in with pen, then a bit of watercolor pencil scribbled on top.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Snowy Morning", watercolor, 5.5" x 8.75" © Bernadette E. Kazmarski

The original has already been sold, but, signed prints of “Snowy Morning”, watercolor,5.5″ x 8.5″ are made in archival inks on various media.

ABOUT THE ART

We had some snow this morning. The kittens have only seen snow in the air once before today, and are fascinated.

This is Bella on my bedroom windowsill first thing this morning, watching the air thick with flurries, and no doubt birds too, in the maple tree outside the bedroom window. It is also many other cats through the years as well as I’ve awakened and watched them utterly immersed in whatever was happening right outside the window. The little cat, the big window, it seems to be a theme.

When I woke up and saw Bella fascinated by the early snow squall, this is what I saw, and I also remember that without someone to rescue her she’d be out there, she might be trying to feed herself and kittens like Mimi did, she might not even have survived, instead of sitting safe inside a big window in a warm house with her current career as an artist’s model. It’s not just what I see that’s inspiring, it’s what I know too.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Fun Things Bella Does With Her Tail”, brush pen, 5″ x 10″ © Bernadette E. Kazmarski

The original is still available along with signed prints of “Fun Things Bella Does With Her Tail”, cartoon, 5 x 10″ are made in archival inks on various media.

ABOUT THE ART

Bella has a long, thick, very expressive tail that she waves and curls and twirls as she walks around the room rubbing herself up against things and stretching. It’s hard to tell exactly what is happening, so I did my best to interpret it.

I did this sketch when Bella was still unsure about being touched by humans and kept her distance, and was even still a little shy with the other cats. Amazing what a year can do.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Kennedy”, white and black charcoal on gray toned paper, 5″ x 8″ © Bernadette E. Kazmarski

“Kennedy”, black and white charcoal pencils and a little bit of pastel pencil on gray toned paper, 4.5″ x 7″ © Bernadette E. Kazmarski. The original is sold but prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.

ABOUT THE ARTWORK

Kennedy was found dehydrated and malnourished, having seizures in the street on a hot summer afternoon. He showed signs of badly healed head and body trauma and lived with me for just six weeks, but made the best of every second of that time, befriending my household and becoming a permanent member in that short time.

One eye was swollen with glaucoma. I just couldn’t pass up sketching Kennedy in this pose. He looks at me like this so often, and I have so many photos of him, that it was another image that stayed with me until I decided what medium I really wanted to use. I had wanted to use gouache and could even picture the brushstrokes around his eyes and those bristly white whiskers. Then I remembered the gray background I wanted and the gray toned paper, then the soft charcoal and the clear white lines of white charcoal and knew that was it.

I’m still not sure I like the position, so foreshortened for the angle, but what I really wanted to capture was his face, the tattered ear, the copper eyes, the cataract, the prominent nose with the wavy front and those bristly whiskers. His front legs are each a little crooked, in different ways, as is his spine, so he sits a little lopsided. So there he is, all the things I picture when I think about him.

I sketched this from his photos, of course. But that night when I moved the baby gate to the landing, this time letting him into my bedroom as well, figuring he’d gotten his bearings the first time out and had the strength and focus to be able to get himself around the boxes in my bedroom. And he was ready as soon as I moved the gate, stepping out with confidence and heading right into my bedroom. All Five of the family were there too, stationed in various places around the floor in my room and the studio like baffles for a pinball as he walked around and between them. Mimi, surprisingly, was a small but immovable object in the center of the landing and though he poked her with that right paw a few times ensuing a hiss from her, she did not move. Each of them seemed to stay along his path and watch, but without any animosity whatsoever.

So each time he walked into the studio and looked up at me, I had another look at his eyes and his face, his stiffness and the awkward bend of his paws, and his determination, as I worked from his photographs and enjoyed this six-black-cat encounter. He gave himself little breaks for quick naps here and there, and when he finally seemed to settle in his bed I moved the baby gate back to the doorway. Everyone else settled down for a nap as well.

. . . . . . .

For years I rescued on my own, catching and trapping cats, getting them vetted and spayed and neutered and socialized and finding homes for them. I remember the days of having to wait until I got home from work to start making phone calls, and getting three or four sets of reprints of photos I’d taken of cats I had for adoption and even mailing those out to prospective adopters. It’s a wonder anyone ever found a home.

I also remember making life decisions for rescues and my own cats without the consultation of anyone but my veterinarian, who I’ve trusted implicitly for 20 years, but when it comes to euthanasia you sometimes need to talk it over, and over, until you can feel it’s right.

And then there are the costs—spays and neuters and treatments, food and medicine, toys and litter. The work of rescue is both happy and sad each day, it’s also high-paced and stressful. I’m so fortunate for this group of rescuers who provide such support from a listening ear to transportation to donations. I’m glad to support them in any way I can. And because I want to support the efforts to help reduce the need for all this, I’ll also support the Homeless Cat Management Team.

I created this sketch to help cover the costs of Kennedy’s care. I auctioned it off, and encouraged people to donate at least $25.00 and I would send them a print of the sketch. Now $5.00 from each sale goes to benefit the feline assistance organizations I work with.

If it hadn’t been for an organized group of rescuers Kennedy would never have found his way to my home. He would never have been rescued, and I would never have known him and been able to share him with you. Now that he is gone and the original made its way to Australia, I’m offering prints of the sketch and your opportunity to make a donation of $5.00 with each print purchased to the cat rescue I work with, Pittsburgh CAT, or to the Homeless Cat Management Team to help spay and neuter more cats so there won’t be so many to rescue.

I’m sure Kennedy is familiar to you if you’ve been reading The Creative Cat, but if not you can read about this sketch when I first posted it, and the auction of the sketch to raise donations for his care, and read all the articles about Kennedy from when he arrived on June 16, 2014.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Flourish-darkgray-100Don’t miss any new items or opportunities!

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"The Woodland Garden", pastel, 7" x 10" © Bernadette E. Kazmarski

The Woodland Garden prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The Woodland Garden

This is what Mimi and I did on an afternoon in May 2104. The woodland garden blooms mostly at this time of the year, and is pretty much just shades and textures of green otherwise, but I’ve been enjoying looking at it and how it’s evolved. Winter storms brought down limbs and whole small trees and portions of it had been overgrown until I had the chance to clear those out and renew the groundcovers. The ferns and periwinkle are back on the right, and the cranesbill geraniums, bluets and spring bluebells are back on the left.

Outside of this area the sun is shining on the yard and vegetable garden with brighter blue and yellow of the forget-me-nots and buttercups. Birds are landing the bird bath and the feeder, and Mimi loves to wander up and down the path, though she spent a good bit of my sketching time as you see below, directing me in details as felines are masters of detail.

black cat

Mimi on my lap while I’m drawing.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Swirling Bath", pastel, 7" x 10" © Bernadette E. Kazmarski

Swirling Bath prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Well, this wasn’t at all what I’d set out to do, but then I’d set out with kind of a loose idea to begin with, “sketch Mr. Sunshine on my desk”. I started out with the toned paper and charcoal seeing Sunshine with his glossy black fur, but suddenly discarded that in favor of my pastels and a half-formed idea of blended color areas on paper with a black outline sketch on top to give them definition. He is so graceful, especially when he turned to wash his side with his tail curling around to the front. So, here it is. It’s a little darker than I’d have liked it had I planned it, but overall I like it. Below, I cropped it so that it didn’t have the white edges. Often the white edge dilutes the colors, which is why I sometimes crop the colorful ones to eliminate that influence. The colors look a little more intense this way.

pastel sketch of cat bathing

“Swirling Bath” cropped.

I donated this original sketch, framed, to the Animal Rescue League Shelter & Wildlife Center’s annual Paws & Prints Benefit in 2014.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Kelly With Grapes and Apples (cropped), ink marker and watercolor pencil © B.E. Kazmarski

Kelly With Grapes and Apple. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

When the sun moves around to filter into this window, Kelly hops over to enjoy it and have a nice bath on the cabinet. In a rare moment of repose, she sits still and lets the sun warm her back, the light reflecting back from the pine wood cabinet warming the tones of her tortoiseshell fur.

This is not an easy image to paint as a quick sketch, and certainly I would never have considered it as such if I hadn’t watched Kelly at this activity nearly every day since late March. I have enough of the colors and shapes and details memorized just from frequently looking at it and photographing it, so actually doing a quick sketch wasn’t as difficult as it might have been.

I let Kelly bathe and find a comfortable spot, sketched her torso and tail and paws, then watched her as she moved her head to a position that worked well and quickly sketched the outline of her face and ears; I had wanted more sun on her face, but that was not to be.

While I waited for Kelly’s tail and face to find a moment of stillness for at least ten seconds, I began on the objects in the background, the mid-century brass and tempered glass raised fruit dish with its olive green glow cast on the table, the apple and green grapes which I’d kept replenishing to continue photographing and hoping to get time to sketch or paint, and the simple shapes of the curtains and shadows on the tabletop.

As usual, there are areas I am not happy with and would render differently, but visualizing, then actually diving into the subject and rendering it is the only process for finding out what does and doesn’t work.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Saturday Morning", Ink hybrid technical pen, 9" x 4" © Bernadette E. Kazmarski

The original is still available along with signed prints of “Saturday Morning”, cartoon, 9″ x 4″ are made in archival inks on various media.

ABOUT THE ART

“Don’t act like you’re dead. We know dead things. We’re cats.”

Yeah, this is pretty much what I saw when I woke up this morning. I may have slept a little later than usual, but not by much. I could only see two over the edge of the covers, Giuseppe’s ears and Mr. Sunshine’s baleful eye, but I could feel that all five were there. And they were sitting very still and watching me.

But they did catch me in the act of trying to fool them. The two are so cute at trying to pull the covers off me and digging me out that I confess I lie there pretending to be asleep just to enjoy all the effort they put into getting me out of bed! First, though, I thought, “That would make an interesting piece of artwork. How should I do it?” Then, because it can sometimes take me years to get to ideas like the more realistic view I was considering, I decided a sketch would be immediate gratification, and possibly the best way to render it. I took notes with my eyes at what it all looked like, and drew it later in the day.

. . . . . . .

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Being Used as a Fort". 6" x 8", technical drawing pen © B.E. Kazmarski

The original is still available along with signed prints of “Being Used as a Fort” are made in archival inks on various media.

ABOUT THE ART

The full title is “I realized upon awakening that I was being used as a fort”.

So this is a daily sketch of something that happened, but it was not done in real time as I visualized it, truly, upon awakening, when I really was being used as a fort. I’m not sure exactly which were who, but I know it was the boys and Bean was the one peering over my hip. Likely the one delivering the swat was Giuseppe, he’s like that.

I’ve always wanted to do these little cartoons that occur to me now and then, well, probably more often than now and then. There are a few ideas that are several years old, and I think I’ll start working them up. (And so I did!)

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Feline Punctuation", ink drawing pen, 6.5" x 7" © B.E. Kazmarski

The original is still available along with signed prints of “Feline Punctuation, Cartoon” are made in archival inks on various media.

ABOUT THE ART

Another one of those visualizations as I awoke today. I could feel cats tucked up against me all around, two on one side, two on the other, and one at my feet. They tend to trade places so I wasn’t sure who was where, but of course they are all black, and as I laid there, face in my pillow, trying to determine which was who, I could picture them black against the white bedspread, and then as quotation marks on either side of me, and a period by my feet.

So here it is, not sure if it works visually, but this is pretty much what I visualized.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Purring Points", ink drawing pen, 6.5" x 3.5" © Bernadette E. Kazmarski

The original is still available along with signed prints of “Purring Points, Cartoon” are made in archival inks on various media.

ABOUT THE ART

It’s a wonder I get out of bed with treatment like this.

Every healing discipline has its healing points on the body. My cats certainly know mine.

I sleep on my stomach, and when I awoke I could feel them all lined up on me from top to bottom. Because I had shifted slightly when I awoke they each began purring, but no one moved to get up, only curled tighter for the moment. I visualized this, much as I had my other “awake” cartoons as I was lying there, falling back to sleep from all that purring.

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning” and “Feline Punctuation”.

. . . . . . .

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Saturday Morning Cartoons, set of four.

This set includes four cartoons inspired by awakening with cats.

Shipping is included in all prices listed.

ABOUT THE ART

Each of these is available individually. Click the title to find the post about the individual cartoon.

PURRING POINTS

It’s a wonder I get out of bed with treatment like this.

Every healing discipline has its healing points on the body. My cats certainly know mine.

I sleep on my stomach, and when I awoke I could feel them all lined up on me from top to bottom. Because I had shifted slightly when I awoke they each began purring, but no one moved to get up, only curled tighter for the moment. I visualized this, much as I had my other “awake” cartoons as I was lying there, falling back to sleep from all that purring.

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

SATURDAY MORNING

“Don’t act like you’re dead. We know dead things. We’re cats.”

Yeah, this is pretty much what I saw when I woke up this morning. I may have slept a little later than usual, but not by much. I could only see two over the edge of the covers, Giuseppe’s ears and Mr. Sunshine’s baleful eye, but I could feel that all five were there. And they were sitting very still and watching me.

But they did catch me in the act of trying to fool them. The two are so cute at trying to pull the covers off me and digging me out that I confess I lie there pretending to be asleep just to enjoy all the effort they put into getting me out of bed! First, though, I thought, “That would make an interesting piece of artwork. How should I do it?” Then, because it can sometimes take me years to get to ideas like the more realistic view I was considering, I decided a sketch would be immediate gratification, and possibly the best way to render it. I took notes with my eyes at what it all looked like, and drew it later in the day.

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

BEING USED AS A FORT

The full title is “I realized upon awakening that I was being used as a fort”.

So this is a daily sketch of something that happened, but it was not done in real time as I visualized it, truly, upon awakening, when I really was being used as a fort. I’m not sure exactly which were who, but I know it was the boys and Bean was the one peering over my hip. Likely the one delivering the swat was Giuseppe, he’s like that.

I’ve always wanted to do these little cartoons that occur to me now and then, well, probably more often than now and then. There are a few ideas that are several years old, and I think I’ll start working them up. (And so I did!)

FELINE PUNCTUATION

Another one of those visualizations as I awoke today. I could feel cats tucked up against me all around, two on one side, two on the other, and one at my feet. They tend to trade places so I wasn’t sure who was where, but of course they are all black, and as I laid there, face in my pillow, trying to determine which was who, I could picture them black against the white bedspread, and then as quotation marks on either side of me, and a period by my feet.

So here it is, not sure if it works visually, but this is pretty much what I visualized.

ORDERING INFORMATION

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches. Often I use them as illustrations for graphics projects I’m designing.

GREETING CARDS AND NOTE CARDS

Set includes four cards. All cards are printed on 100# white matte-finish card stock and include matching white envelopes. Discounts are available for multiple sets. Please see individual entries to purchase individual cards or sets of individual designs.

 

In Window Light, 5" x 7", oil pastel © B.E. Kazmarski

This art is “In Window Light”, 5″ x 7″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 5/26/12.

ABOUT THE ART

Oil pastel again, for the strength of colors and the texture; it’s hot and feels like summer. Here Mimi naps in the light from the window, slipping in under the mini blind. In the strength of the sun, all colors appear in her fur and on the old marble windowsill and the hot yellow sun outside the window.

I’ve been working out this style now following Two Cats After van Gogh. In fact, in my garden flags, this image backs Two Cats After van Gogh, and I just finished a few keepsake boxes bearing the image. Sweet Mimi, so inspiring!

So inspiring, it won the President’s Award along with Two Cats After van Gogh in the Cat Writers Association 2013 Communications Contest. Read about that here.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Blue Purple Cats", ink and watercolor, 5" x 7" © Bernadette E. Kazmarski

This art is “Blue Purple Cats”, ink and watercolor, 5″ x 7″ on watercolor paper, © Bernadette E. Kazmarski, signed and dated 5/23/13. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ART

I might come up with a better name for this if I took some time, but the blue highlights and purple shadows were what inspired me about Giuseppe and Mewsette atop the wardrobe by the window, though after the sun had moved away and the light was only reflected, mostly off the sky, and very cool. They were bathing, lazily, sometimes licking themselves and sometimes each other. Giuseppe’s paw above Mewsette’s head looks a little confusing, but it was kind of confusing to me!

I did the watercolor sketch first, just the lightest blue as a wash that laid out the two shapes together. When that was still damp but had no puddles, I added a light wash of purple in the darker areas. I let that dry completely, then added a heavier layer of richer, less dilute purple in the deepest shadows. Then I added the ink outlines, this time using one of my felt-tip drawing pens.

Of course, they had moved after the first quick blue wash but not so much that I couldn’t see my original visual in their postures, and I had my reference photo. Poor Mewsette’s lovely long, thick tail literally got short shrift when I couldn’t fit the whole thing in the sketch—it’s nearly touching the bottom edge of the paper.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Stanley With Geraniums", ink and watercolor, 9" x 12" © Bernadette E. Kazmarski

Stanley With Geraniums prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

This painting is one I’ve wanted to do for years—since the very moment it depicts, in fact, on July 30, 2006, in fact, when Stanley and I enjoyed a Sunday morning on the deck.

As I’ve been digging through old photos while moving them to my studio and organizing, both prints and digitals, I’m finding special moments I’d forgotten, moments of inspiration, beauty and especially a growing closeness with my older generation of cats even as they stepped ever closer to their last days with us. While it seemed like any other morning, looking at the rest of the photos from this day, I can see this was a quietly memorable morning. This was Stanley’s last summer with us, he’d been with me for 21 years and at my best guess was 25 years old, and he and I spent every possible moment together, especially out on the deck. While he slept most of the time and was fragile and often confused, each time our eyes met we built a deepening bond I’ll always carry with me; we had lost Moses and Cream in the spring, Lucy had just joined us in June, and though there were seven (or more) other cats in the house, Stanley and I carved out time for just the two of us nearly every day.

 Detail of "Stanley With Geraniums".

Detail of “Stanley With Geraniums”.

And on this morning when I looked at Stanley sleeping on the table I knew I’d want to remember this moment and to paint it, and visualized the painting in this style. But believe it or not, for as often as you see this particular style of ink sketch with watercolor washes, I was not at all skilled with it at that time and had only tentatively experimented in a few sketches. The desire to see this painting on paper was one of the driving forces for me to work this out, find the right drawing pen with the right ink, the right brushes and set of watercolors. And finally, seven years later, here it is.

The details are comforting to look at: the round picnic table where I’ve spent so much time with and without cats; the faded linen dishtowel calendar with the cardinals, one of many with birds, all of which are beyond threadbare and completely faded now; the mug I loved for my Sunday morning coffee; the binoculars my mother had used to watch birds and I “inherited” for birdwatching, given to her by someone who’d served in Viet Nam; the geraniums, collected over years from friends and family, overwintered and renewed each year—they are ancestors of the ones you see in my photos today.

Here is the reference photo, and as I remember Stanley this month—we had a little escape in July that year which I’ll be writing about—I’ll be sharing other photos as well.

photo of cat on table with flowers

Reference photo for “Stanley With Geraniums”

You can see I took a number of liberties with lightening the entire scene and reorganizing some of the flowers, but this particular digital camera was not terribly accurate for color or lighting, and being able to change some of the details is part of the fun and challenge of creating an original piece of artwork. I actually liked the flag in this photo and had originally intended to include it because I’d brought it home from the Carnegie Memorial Day parade I’d taken my mother to in May and that was a memory too, but I didn’t want to “date” this painting for a holiday or event, or set it for a country since many of my readers and collectors are from other countries. That detail was not so important to me as the others I included.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Garden Sketch With Mimi", 5" x 7", watercolor, 2013 © Bernadette E. Kazmarski

Garden Sketch With Mimi prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

This was not what I’d intended to paint that day but I like it anyway. It’s Mimi napping in the shadow on the cool bricks among the geraniums, near the vintage aluminum tub where I grow pole beans. Mimi was so happy to be outside she only rested in each position for less than a minute, and the sun was in and out behind the clouds. The temperature was in the 90s and we weren’t doing much but looking for a comfortable spot.

I had wanted something a little tighter in detail, but I like the details this one has. I did a light pencil sketch underneath because it’s so small I knew I’d run out of space if I didn’t give myself some guidance about Mimi, the geraniums and the barrel, but aside from that I just painted.

In part I was using the quick and easy eight-color grade-school watercolor set that’s easy to carry and use. I really need to get a set with a greater color range if I’m going to paint outdoors.

But what was my purpose with this painting? Sometimes I sit down to capture the details of the moment, and some day I’d like to do just that with the reference photos from this, but with my actual sketch, and all my daily sketches, my purpose is just to capture the essence of the moment and share what moved me to render the scene. In this case it was a relaxed Mimi in the shade on a hot morning, stretched on those familiar bricks next to the cool anodized aluminum tub where I’ve always planted pole beans and surrounded by my geraniums saved from year to year. It was a scene I loved for my love of my garden, my appreciation of Mimi relaxing in a place she’d once hunted for food to feed her kittens, and the memory of the generations of cats before her who enjoyed that very spot, this little patio and the verdance of my garden.

I also have this art as a garden flag in a separate listing.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

GARDEN FLAG

I also have this art as a garden flag in a separate listing.

"In Afternoon Sun", ink brush pen and watercolor, 10 x 11 © Bernadette E. Kazmarski

These signed prints of “In Afternoon Sun”, watercolor, are made in archival inks on various media.

Note that the natural size of the art is 10 x 11, portions of the art are cropped for each different size print.

ABOUT THE ART

Mimi enjoys her daily sunbath while Mewsette watches the birds from my studio window on the second floor.

One more experiment with this brush pen, partly just because it was there. I love it when the cats are partly lit by sunshine, and dramatically. Here it pours in the window from nearly directly above, just enough to highlight them where they are near the window but leaving the rest in silhouette.

I didn’t want to leave out their mahogany highlights, so I’ve added those. Because the second floor window looks right out into a maple tree from this angle, I wanted to catch the dappled and speckled effect with watercolors. Not sure how well I like the speckles, perhaps I’ll try a bigger brush next time to get bigger blotches.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 2″ flat white matte-finish wood, and a white black core 2″ top mat with 1/4″ green black core bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"A Dozen Shades of Gray", gray pastels, 4" x 8" © Bernadette E. Kazmarski

A Dozen Shades of Gray Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

It’s still surprising to me that this has always been one of the most popular of all my daily sketches, and as of the second anniversary of creating and posting my daily sketches it was the most popular. I’ve shipped it all over the country, into Canada, the UK, Poland, Hong Kong, Japan, and probably a few others I’ve forgotten. It’s a thrill to know little Bean is so easily understood in so many different countries—art and cats transcend spoken language.

I love, love, Jelly Bean’s shape. He’s not fat, he’s not even too round, but somehow when he sits in certain positions I just want to pick him up he looks so pleasingly rounded.

In this case he was simply sitting on the table in front of the window looking out. Very little direct sun was shining on him, but it was shining around him, so he was almost in silhouette and just a few swatches of direct light, but a lot of reflected light, described his shape.

I have a set of 12 gray pastels and decided to work with them for this after yesterday’s sketch when the white charcoal just would not sketch boldly enough. I also thought I’d jump on the “Shades of Gray” bandwagon. Everyone is using that phrase now.

My scanner over-scanned this, and I scanned it several times to see if I could change how it came up. All those little white specs are not actually there in my sketch, but they are thin areas in the pastel. When the scanner light shines on something that’s not quite opaque, it will shine right through it depending on its opacity, and so it did here. I find the little dots irritating because I worked hard to work them out of the sketch. But it think the relevant details are still visible.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Sleeping Beauty, pencil, 1987, 18" x 16" © Bernadette E. Kazmarski

This is a pencil drawing , “Sleeping Beauty”, pencil, 18″ x 16″, 1987 © Bernadette E. Kazmarski

About the drawing, and Sally

You can also browse “Feline Pencil Sketches” for this card as well as other pencil sketches of my cats.

Sally was an Angora-mix cat who was deaf. I’d taken her in from a friend who had a hard time handling a spirited and unpredictable deaf cat, and she did eventually calm down somewhat but was always a bit of a wild child. Click here for the full story.

This drawing is very special to me for several reasons, and not only because the subject is Sally. It was a turning point in my career as an artist; it was the first time I looked at a scene, took in all the necessary details, visualized the finished work, and actually created what I had visualized. This is what has to happen for anything I render, whether it’s a commissioned portrait from photographs or a drawing “en plein air”. Before this drawing, although I had created some works that had merit, it was all child’s play.

And of course the fact that Sally was the subject was one of the things that made it a success, which is one of the reasons I always say that my cats are the reason I am an artist today. Before that drawing, my visualization and interest had been almost entirely technical, concerned more with medium and technique. But her peaceful, relaxed posture, especially knowing what she was like when she was awake and fully engaged, made me weak with love. And as I worked I actually began to choose details that made the scene meaningful and conveyed what I felt, instead of trying to draw everything and convey only what I saw. From that experience I realized that what made good art for me was the inspiration of love, not intellect, so now, be it a cat, a flower or a sunset, I ride that swell of love as I create, and there is no art for me without it.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

Mother and Daughter, Sun and Shadow, watercolor pencil, 5" x 7" © Bernadette E. Kazmarski

Mother and Daughter, Sun and Shadow, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

“Mother and Daughter, Sun and Shadow” is one of my daily sketches from last June when I was still experimenting with my watercolor pencils, mixing my love of simple sketches with the ability to blend colors, though not with my fingers as I am accustomed with my other familiar dry media of pastel, pencil, charcoal and the like. I sketched the basis of this, Mewsette and Mimi curled together on that pink flowered rug in a patch of sun on the upstairs landing, then ran a wet watercolor brush over it, just water, and let the colors blend as they would, magically turning my sketch into something I had not visualized.

These two were curled up together on the rug on the landing, in very diffuse sunlight, not the bright morning light we often have, but it reflected off the white walls and created some interesting color combinations in their fur as well as reflected areas. Nice composition they made, and I wasn’t quite sure what I wanted to do with it at first, but I’m glad I chose watercolor for its opacity.

One of my all-time favorites! I don’t remember making the logical decisions to blend those colors, outline in green and soften it all with a wet watercolor brush, and I love it when that happens.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

NOTE CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

"Lazy Saturday Afternoon", watercolor

These signed prints of “Lazy Saturday Afternoon”, watercolor, 9″ x 12″ are made in archival inks on various media. I’ve also included an image of the original as I framed it. A print framed like the original is also available.

Shipping is included in all prices listed.

ABOUT THE ART

It’s Giuseppe in the front in teal, Mewsette draped off the edge in green, and Jelly Bean in purple. Rather than use the colors I associate with each of them, these colors came about because of the reflections on each of them from the window light, the mirror behind them and the walls. I hadn’t intended to do them in different colors though! This time I actually wanted them to be purple, maybe, with tints of other colors, but here we are again.

No watercolor pencils this time, no pencil lines, just the colors and a brush and three cats having a really good afternoon nap on top of the wardrobe—so good they stayed still long enough for me to paint the basics before they moved. This is a first for me (not them, they nap all the time)—I have never been able to watercolor without an underlying pencil sketch. I’ve never put the brush to paper and felt I had enough control to just paint in watercolors. I have to credit all the daily experience of my daily sketches with giving me this confidence and control. My goal was this loose quality, though, just enough to indicate their shapes and positions, no more.

I have also set up an all-in-one scanner/printer etc. in my studio with much better scan and print quality than the cheap thing I have downstairs. A friend “donated” it to me when they went wireless, and all the better for me! Aside from a little shadowing and distortion from the slightly rippled watercolor paper it’s spot-on for color. The scanner bed is a little small, but I’ll be happy to quit complaining about how bad my scanner is and apologizing for inaccurate color!

I spent more time than I’d planned in playing around with the new printer and haven’t downloaded today’s photos…I’ll have to make up for it tomorrow. That and Giuseppe rolling around all over my work table, and of course I couldn’t move him, so not as much got done as I’d have liked. But I got a nice painting.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1.5″ white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ blue bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Cat Mountains", pastel on pastello paper, 12" x 9" © Bernadette E. Kazmarski (adjusted version)

The Cat Mountains original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Three cats asleep, just like mountains in the dark.

This was purely a visual inspiration, looking at Mimi and Bean and Mewsette all curled into one another, all the ears and backs and peaks and valleys looked like a mountain range to me, so I decided to do a more finished drawing with that idea.

In order to make it convincing to anyone else but me, I had to put the moment into context. Where were these mountains? I thought. And what time of day was it? I decided because they were dark and the highlights were one of the very most inspiring things about them that it had to be night. I added stars to the night sky after I’d let it sit for a while; I didn’t want to, it seemed cliché, but in the end it drew attention away from the cat figures long enough that they did, at first, look like mountains in the darkness.

Where are they? Because they were actually sleeping on my nice flat and level work table, I decided they might be mountains near the desert.

What I was trying to capture was the sense that they rose up organically from the surface, much as mountains in the desert seem to do, and convey both the strength of mountains and the quiet peace of a mountain scene at night under a starry sky. It’s not just an interesting visualization, it’s also descriptive of what I intuitively sense from cats themselves, and especially this particular group of five when they get together in cat piles, that quiet tranquility, yet the strength of their structure evident even as they rest.

I’ve never seen mountains in the desert under a dark and starry sky. That part is pretty much made up from some photos probably in National Geographic and some creative visualization.

They are worked in pastel on black pastello paper, though unlike other sketches I didn’t leave the black open, instead I drew in the darkest areas with black pastel and didn’t leave anything uncovered. I’d mentioned earlier that I typically ignore their color, using their silhouettes as a starting point for new designs, but this time their solid blackness is an important part of this idea, imparting the idea of solid strength. Their mahogany mid-highlights and their blue top highlights were part of the inspiration as well, seeming to describe the slopes and peaks of a mountain in starlight. I’m not sure I would have seen this visualization that led to this if they’d been striped or spotted.

And while typically my daily sketches are quick and undetailed studies and a pretty literal interpretation of what I see, this is an example of some of the ideas I have on a regular basis, and which I’ll pursue in between other things.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Namir at the Window, acrylic, 13" x 17" © Bernadette E. Kazmarski

“Namir at the Window, Acrylic” is 13″ x 17″ on canvas panel. Prints are made on artist canvas, hot press giclee paper or Epson Velvet Fine Art Paper.

ABOUT THE ARTWORK

This is my one and only (so far) acrylic painting featuring a cat. Here’s the story.

Normally, I’m pretty linear with working on something, focusing on one clear idea at a time. When I’m learning something new I hit points where I’m not skilled enough to do something and need to either work it out there or outside of that piece, or just stop and let the lessons I’ve learned sink in and get back to it when I’m ready to move on. I began this painting in January 2008 from photos I took of Namir in 2005, I think, soon after I’d gotten a big box of acrylic paints and brushes and canvas panels from a neighbor whose aunt had been an artist. I don’t care for the finish on acrylic paints, much preferring oils but not the smells and chemicals, so I’ve just avoided the entire thing. I decided that the gift of free art materials meant the universe wanted me to paint in acrylics, and I wanted to work with a more dimensional medium—I wanted the brushwork, the impasto of layers and colors, the texture of the canvas showing through the paint.I remembered this photo and got started.

I hit a learning wall at one point and put it aside to work on commissions. I pulled it out again in April of 2009 when Namir, at 15 with hypertrophic cardiomyopathy, was having increasing trouble with congestive heart failure, kidney failure and related health issues, and I know we didn’t have much time left. I wanted to work on the painting when he was still with me. He died in July 2009, and again I left it where it had been at that time, and this is what you see today.

I love to remember Namir in any way I can, and the area where I keep this windowbox is too shady for the colorful geraniums and petunias and marigolds I’d always grown in it. The pleasant memory of him at the window with the flowers is a treasure to spend time with, a time that has passed, but one I’d probably return to if I could.

The canvas panel, and the painting, is actually larger than this, but I cropped it down to the area of it I like and feel is the essence of the painting. I want it to show what I remember most and what I feel is most important, and I don’t need to show the whole scene to do that as I first thought. It’s a canvas stretched on cardboard, not stretchers, so all I need to do when I’m done is cut out the part I want to use and frame that. I’ve done that with others I painted in the same era. For now, I just won’t work on that anymore. That’s kind of freeing!

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

 

"Here in the Shadows", pastel on pastello paper, 7.5" x 11" © Bernadette E. Kazmarski

Here in the Shadows original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

June is sunny, July is usually a little too sunny—and hot. But a shady corner next to an open window is a respite from midsummer heat, and sable house panthers tend to melt into the shadows. Seeing my daily photographs you can probably tell I love this mirror and using the reflections in it. In this sketch I had the chance to paint the reflection, so much fun to render mostly with the pastel remaining on my fingers after sketching the Bean.

Here’s what I had to say from 2013:

A very good place to be on a hot day. Jelly Bean is in the shadows behind the curtain, dozing on top of the wardrobe by the open window. He was really the only part I was interested in, his deep blackness with the few intense highlights defining a few features. It’s how I see him when he sleeps there. Pastel carries this off so well, even the texture of the paper.

And then there’s that red velvet highlight across his mid-section. Sometimes I’m less specific in my sketches and I don’t always remember which black cat was the model, but in this case only Mimi has red velvet highlights like this—that’s where Bean got them. But she is much smaller and while she sits there to look out the window all the time, she rarely stretches out for a nap. That’s a Bean thing, and he was at it a little earlier today.

In 2014 when I posted this image again, I said this:

Over the year I’ve grown to like this simple pastel more and more. The simple shapes in the shadowed warm amber tones of a hot summer afternoon with the blinds pulled halfway, the way the natural texture of the paper became the pattern of the lace curtain, Jelly Bean’s fur, dense black in the shadows but with its natural red velvet cake tones in the mid-range, the highlight on his face and whiskers, and the reflection in the mirror, softened, blurred, natural. It’s one of those I look at later and think, “I don’t remember doing that, as I walked right past my logical mind choosing colors and planning how I’d put the pastel on the paper to my intuitive mind that just went ahead and did what it pleased.

All that comes with practice, and again it’s one of the reasons I am glad for my daily sketches, even if I don’t do them each day; right now I’m working on other art that you’ll see at some point.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Conversation With a Daisy", pencil on cream cotton paper, 9" x 12", 2004 © B.E. Kazmarski

The original sketch of Conversation With a Daisy, Pencil, is sold but a variety of prints and a note card are available. The original sketch was 9″ x 12″, 2005 © Bernadette E. Kazmarski

About the artwork, and Namir

You can also browse “Feline Pencil Sketches” for a note card with this sketch as well as other pencil sketches of my cats.

I call pencil “my first and favorite medium”. My mother was a newspaper crossword puzzle fan and I’ve been sketching in pencil since I picked up one of her readily-sharpened No. 2 pencils with the yellow paint and the pink eraser and began to make lines on one of her lined 3″ x 5″ index cards. I actually remember doing this and watching myself make the lines; I have no idea how old I was but I believe I was in kindergarten or first grade. Fast forward a few years and I sat on our dining room table looking out the window at the gnarled crabapple tree in the snow, No. 2 pencil in hand and a piece of blank paper, trying capture the bare tree against the snow, learning the many things a pencil could do.

And from that beginning I often say that “I can speak in pencil”, that what goes in my eyes and comes out the tip of the pencil has very little logical translation much as you would speak fluently in more than one language. I see the scene, and I see the pencil drawing. That’s also one of the reasons you’ll see so many of my daily sketches in pencil, and I have a huge body of works in pencil featuring my cats, commissioned portraits, wildlife, landscapes, waterscapes and flowers.

So when I saw Namir stretching his entire slender self up toward a downward-facing daisy I looked at his crisp gray fur with its muted stripes, his graceful curving figure, the simplicity of the daisies and immediately decided I had to do a pencil sketch entitled “Conversation With a Daisy”.

I had carried in an armload of my Shasta daisies that had been knocked over in a summer storm and put them in the crystal vase on the kitchen cabinet, always a risk in a house of cats who ate nearly all green things but who considered freshly-cut flowers a special treat. One of them had indeed been bent and was facing downward. Seeing Namir I snapped several photographs, but he would not stretch himself out again and sniff that daisy! “I already did that, I don’t have to do it again, cats only sniff things once and then they know all about them,” he said. So much for me, but I know how to get my models into the positions I need, and this one was easy: hold any object above his head in about the position the daisy had been—snap! Sketch.

When I look at scenes like my kitchen it’s when I really mean it when I say, “That’s why we have art.” I can use only what I need of the original scene, and still you see my point of inspiration, plus no one really needs to see my cluttered little kitchen. But it’s not only about being able to leave things out; these choices are part your aesthetic decision about what’s truly important to your statement. In this case, it was Namir’s exploration of the daisy, and briefly I considered leaving out the bunch of daisies and the vase too, but I liked the interaction between his shape and the vase.

Working in pencil I can also express details either with strength, like Namir’s fur, using both texture and opacity for you to understand what I see, or with subtlety, like the barely outlined curve of his cheek and the whisps of his whiskers curving upward toward the daisy in curiosity, just enough quick lines to see the fur on the curve of his chest.

One of the things I enjoy about pencil is the expressiveness of the lines you can make, and this simple drawing makes use of not only a soft pencil lead similar to that old No. 2 but also harder leads that make lighter but cleaner lines, and I’ve also used the point of an extremely sharp pencil, a slightly dulled pencil and the full side of the pencil to create detail and texture, and even combinations of all of these in one simple line as you can see rounding his left whisker pad, above.

I do love flowers, and I don’t give myself enough of a chance to draw and paint them—partly because I’m usually outside tending to them instead. But in this case, along with comparing the two shapes of Namir and the vase, it was another reason to include the vase of daisies in the drawing. As with Namir, I didn’t draw every daisy in the vase or even every petal, in fact they are a little rough and sketchy up close, but overall you get the sense of daisies when you look at them. I looked for the details that stood out most to me, and that was the stems with their tiny leaves, and the positions of the flowers and their petals.

And I also don’t take enough time to sketch just everyday objects, though I study and photograph them all the time. How to work with the complexity of a bunch of daisy stems refracted through the facets of flowers and leaves cut into the crystal vase? Again, look for shadows and light, and recognizable shapes.

I sketched this in 2004 and framed it then. Namir’s idiopathic cystitis began causing issues as his heart murmur increased, and while we never knew if they were related, he began to suffer occasional bladder infections and needed to be hospitalized and catheterized, not from the usual crystals in his urine, but because of swelling, somewhere along the line. My veterinarian and others who treated him guessed that he’d picked up a herpes virus when he’d been an outdoor unneutered kitty at the beginning of his life and it settled somewhere in his urinary tract.

In order to help pay his bill for all the testing and treatment I “raffled” this sketch and a friend won it.

His condition continued on. Because of his heart murmur and developing hypertrophic cardiomyopathy we had to be extra careful of any treatments and of the possible retention of fluid since he was already showing some fluid build up around his heart. In August 2005 he suffered his first round of congestive heart failure and this persistent bladder issue was a huge concern, but after he’d been on a diuretic for a while he would still have infections and urinary issues, but never came near blocking again. Not sure if trading one thing for the other was worth it, but with all that Namir managed to live to be 15 years old with his sense of humor fully intact. No one who met him ever had any idea that his health was so precarious, and for all the really painful treatments he endured, all the veterinarians and technicians at the specialist and emergency hospital welcomed him for a “visit” and I often read in his medical reports how he loved “face scunches” and kisses, and how he sat on someone’s desk and laid all over the papers.

Read more about Namir in Not a Bad Deal on a Pre-owned Cat.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

Kelly on the Windowsill

Kelly on the Windowsill. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Kelly enjoys the sun on her back on the bathroom windowsill, and also likely the reflected heat from the deck roof, just below. It’s not all that warm outside, but just warm enough to have the windows open in mid-afternoon. The pussy willow is right outside the window and the dappled leaves were charming, and the blue sky beyond.

Another combination of media that I enjoy, ink and watercolor. In this case I did the ink sketch first, then scribbled into it with watercolor pencil. The watercolor pencil is a two-part technique, first the drawing, then the watering. In this case I knew I’d want to leave some of my sketching lines and in other cases I wanted to obliterate them.

In other cases, such as the sky and the wall beneath her, I wanted both and I was very pleased with what happened when I just brushed a water-filled brush over my lines. I could achieve a multitude of techniques this way, with just random washes in the sky where I used the brush on its side, but patterned washes in the shadow on the wall where I used the tip of the brush (that’s a white sable no. 4 round, students, you know who you are) in straight parallel lines running through the angled watercolor pencil lines in green and blue.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the te

chnique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Top of the World. The original art is 5″ x 7″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Mimi again enjoys the warmth of the sun on her one side, this time on top of the wardobe at the top of the stairs, her new favorite spot.

This is another one of those complicated sketches that I did quickly, then filled in later, though Mimi spent quite a bit of time up there..

This has both deep shadows and bright highlights, and both direct and reflected light, a challenge for me in ink, for sure! But while Mimi did move her head to face front, look up at me and look behind herself, she sat for long enough for me to get the light and shadow on her torso sketched in with pen, then a bit of watercolor pencil scribbled on top.

See also:

Mimi’s Sunbath

Kelly With Grapes and Apple

Kelly on the Windowsill

Top of the World

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the te

chnique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Exhibit at the Feline Museum", 10" x 7", ink technical pen © Bernadette E. Kazmarski

The original is still available along with signed prints of “Purring Points, Cartoon” are made in archival inks on various media.

ABOUT THE ART

Anyone who has visited my house knows exactly what I mean.

Stacks of boxes and bins, and a cat sleeping on the top of each one. I walked in and while there are only three stacks and more than one cat on the top of each one, this is what I visualized.

But then, we always put our cats on pedestals, don’t we?

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning”, Purring Points and “Feline Punctuation”.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"World Cat", ink and watercolor, 9" x 12" © BernadetteE. Kazmarski

These signed prints of “World Cat”, ink and watercolor, are made in archival inks on various media. I’ve also included an image of the original as I framed it. A print framed like the original is also available.

Shipping is included in all prices listed.

ABOUT THE ART

I always have prints and framed prints. I have included the wood-mounted art and the keepsake boxes because I make those all the time, and even have placemats and other gift items.

This art accommodates easily to a square format like the 8″ x 8″ wood-mounted print. I usually make two at a time and I can’t keep them in stock. I also use this image on round and square maiche boxes like the ones pictured. If I have them in stock they would be listed under “Handmade Feline Gifts“.

Giuseppe stole my chair

I sketched this on September 2, 2012, and on that day that I couldn’t sit down in my studio because a certain black cat had taken over my chair, so I was doing other things I could do standing because heaven forbid I move the cat. I remember I spun the chair and the light hit him just right and in the highlights and shadows in his fur I pictured the globe, blue and green, little bits of peach here and there, floating in the dusty cosmos of the Milky way, envisioning an ink sketch with watercolor in those colors.

And so I grabbed my watercolor pad and my favorite Pentel Hybrid Technica drawing pen and sketched his graceful cat curve and shoulders and big ears and minimal details. Then, because he often followed me when I left the room, I tiptoed so I wouldn’t wake him to get a jar of water and my watercolors and brushes and painted the interesting light falling on him from the window and from my work lights using the watercolors from my limited traveling palette, blue, green, purple, orange and yellow.

It was all over in about 15 minutes. I named the sketch “World Cat” not because Giuseppe represents the world of cats or cats of the world (though he might like to think so), but because I set it aside for the finishing glance and it really did look like an image of the earth from space, that lovely blue and green globe, that I’d seen in that first glance.

Or perhaps it worked out this way because I think the world of my cats.

About World Cat Day

World Cat Day was founded by the International Fund for Animal Welfare (IFAW) in 2002 because cats are special and they deserve it. The date itself isn’t significant, but it’s about time someone set aside a day to recognize a kitties. We who live with cats know every day is Cat Day, but we’ll gladly take one to recognize our felines, and so will they.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1.5″ white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ violet bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Kelly Has a Drink, 6" x 8", colored pencil © Bernadette E. Kazmarski

These signed prints of “Kelly Has a Drink”, colored pencil, are made in archival inks on various media. I’ve also included an image of the original as I framed it. A print framed like the original is also available.

Shipping is included in all prices listed.

ABOUT THE ART

I always have prints and framed prints. I often have wood-mounted art and keepsake boxes, and also have large and small placemats and other kitcheny items. This art accommodates easily to a square format like the 8″ x 8″ wood-mounted print. I also use this image on round and square maiche boxes like the ones pictured. For all other gift items not listed here, check on “Handmade Feline Gifts“.

Kelly Has a Drink

What legs! Kelly really does have long legs, especially when she does her drinking dance, solidly planting all four paws, then prancing her hind paws and waving her tail while she drinks. There’s something so precious about Kelly drinking; I think it has to do with her timid nature, yet she totally enjoys her water so I enjoy her enjoyment.

This was done in steps as we spent time in the studio upstairs, similarly to one I did of Cookie the previous December. This bowl is on my work table because Kelly has always preferred to drink from a bowl on a surface above the floor. In the heat, she marches back and forth to it through the day, and always stands in the same spot in the same position. Kelly is a creature of habit, so I can anticipate her actions and keep my sketchbook handy, drawing the outline one time, adding her black markings another, then her orange.

. . . . . . .

This is the last sketch I did of Kelly while she was still with me, ironic that I would catch one of the poses I really wanted to be sure to catch before it was too late. It’s one of those poses I’d watched Kelly take for years, her little drinking stance, leaning way down from those long legs and lapping noisily at the water; for such a fastidious and rather timid kitty, she made noises drinking and bathing that I could hear two rooms away, and they always made me laugh.

But there is always something like this that we remember about our animal companions, something that makes no sense to anyone else. You know, the odd bathing position, the awkward sleeping habit, the strange toy, all these things are what show us they really are individuals and are often the things we remember the longest about them.

I had the sense on this day in 2012 that something serious was happening with Kelly, but I didn’t realize how serious. She died August 11, but on this evening, August 8, when she hopped up onto my work table to have her drink in exactly the position I remembered her, it was a sketch I had decided I wanted to get. Sometimes we pass up a photo thinking we’ll have another chance, and I’ve passed up sketches thinking the same. On that evening I decided I wasn’t going to trust this to chance and I’d get this sketch right then, even if I didn’t finish it right then.

Looking at her legs, the arch of her back, the curve of her tail, the position of her ears, her chin, and the black and orange of her markings, the backs of her legs looking as if she’d sat in paint, the wide areas across her back of black fur then orange, her one pale orange toe, all so familiar even now, and at that time and still I could apply them without even looking at her.

I knew when I finished it that this sketch captured more than a sweet and familiar visual memory I wanted to make sure I’d captured. It captured a lot of Kelly too, and I can still feel her presence when I look at the sketch. This was the last time I saw her drink at that bowl, or saw her drink in anything near the position I’d always wanted to remember. I’m so glad I took the time.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1.5″ white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ violet bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Mewsette's Tail", pastel on white multi-media paper, 6.5" x 9.5" © Bernadette E. Kazmarski

Mewsette’s Tail prints are signed digital prints of my pastel daily sketch “Mewsette’s Tail” made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

Mewsette slaps her tail back and forth so enticingly, Bean simply cannot resist.

Giuseppe, Bean and Mewsette were hanging out on the cabinet in the center of the kitchen so they looked like only silhouettes against the morning sunlight through the back door. I really liked their activity and the big silhouettes plus the long shadows on the varnished cabinet were interesting varieties of textures. I just wasn’t sure about the colors since they were slipping around, I just wanted to capture the warm colors in the background and the cool colors in the highlights. I think I got that!

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

“Napping With Colors in Mind”, Ink drawing pen and marker, 5.5″ x 7″ © Bernadette E. Kazmarski

Napping With Colors in Mind, Ink and Marker. The original art is 5.5″ x 7″ on multimedia paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the Artwork

Giuseppe must surely be absorbing some of the colors of the pens in my pen cup. I certainly thought the colors were inspiring next to Giuseppe’s black fur! Because he was sleeping I had the time to get more detail on his face than usual.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original is matted with a white black core top mat and a red black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Three Warm Cats on a Cool Ground", pastel, 7" x 10" © Bernadette E. Kazmarski

Three Warm Cats on a Cool Ground original pastel is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Where do these visual inspirations come from? Giuseppe, Mr. Sunshine and Mewsette were enjoying the view as I rode my exercise bicycle, having plenty of time to watch them and the light and visualize this composition. I wanted lots of mixed colors, but muted, indefinite edges, but the sketch in black on top of all the pastel. The light comes in the door and fills the space among them, then fades to shadows behind. I had sketchbook and basic pastels to block in the shapes and areas, then finished it later from a photo. Mostly, I had a really strong visual that stayed with me as I played fingerpaints with my pastels on the paper.

As I watched them and began visualizing, I also envisioned the style of another artist. See if you can guess who I mean before you click here to see this painting and especially this painting.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Gentle Highlights", pastel on black paper, 9" x 7" © Bernadette E. Kazmarski

Gentle Highlights original pastel  is sold but prints are available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

My fine felines happily spent supervisory time with me in my studio, mostly napping, but I’m sure they could have awakened at any time to give me whatever direction I might need. I took plenty of photos of sweet, sweet naps of one and two, as well as an important meeting among the four, but there was just something delicately inspiring about Mewsette and Bean, backlit by my work lights, with gentle highlights on their faces and whiskers. Mostly soft and grayish and just a touch of their mahogany but lots of delicate whiskers, I could picture a soft sketch on black paper using just the pastel I had layered on my fingers from the portrait I was working on and gentle touches of white charcoal or pastel pencil. I could also feel my fingers applying the pastel to the paper and see the marks I’d leave that described their noses cheeks, ears using the shapes of my fingertips…heck, if I was that distracted by this sketch and visualizing that fully, I might as well do it! So I did.

I’ve done a few of these before—why waste the pastel, and the inspiration?

In truth, this was almost another scratchboard, except for catching that softness, and all that pastel on my fingers…

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas wraps around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Looking Out the Front Door", Watercolor, 6" x 9" © Bernadette E. Kazmarski

Out the Front Door, Watercolor. The original art is 6″ x 9″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Giuseppe, Mimi and Mewsette spend some time watching out the front door. There are birds fluttering and chipmunks racing back and forth across the porch, Fatso the squirrel runs up and down the tree now and then, butterflies and bees fly around, the leaves flutter in the breeze, now and then a car goes by, or people walk up or down the hill, sometimes with a dog. They watch it all with quiet interest. Until the chipmunk goes by.

This took me nearly all day, but only because I wanted to wait for the big splats of watercolor to dry. I’m glad I took a reference photo. The three were long gone by the time I got around to painting them in.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a white top mat and a green black core bottom mat, framed in an 8″ x 10″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
“Catamount Brushmore”, black and white charcoal on toned paper, 5.5″ x 8″ © Bernadette E. Kazmarski

Catamount Brushmore prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas, and the original art is still available as well.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

I mean no disrespect to these four presidents, but when I looked down from my computer screen at the four, this is what I saw. Well, what I saw is above, but really, this was what I immediately visualized—look at the photo below I used for reference!

“Catamount Brushmore” reference photo.

“Catamount Brushmore” reference photo.

Not quite the same, but certainly suggestive. I just moved Bean up a bit. I quickly blocked out the shapes and snapped a reference photo, sketched in white and black charcoal as long as I could until they’d moved too much, then finished from the photo. In case you didn’t “get it”, I added the blue sky in pastel pencil, like that was going to help. And I looked at a photo of the actual Mt. Rushmore and added the pine trees at the bottom for authenticity. From the left it’s Bean, Mr. Sunshine, Mewsette and Giuseppe.

Really, what would I do without such unusual inspirations! What they were doing was invading my desk and preparing to occupy, my daily torture of cuteness and interruption. Better get all my papers and stuff off my desk because everything will be buried under the pile. See below for how it turned out. Looks like the mountain collapsed. Look at that Bean belly–he’s laying on top of a small box. No wonder I can never clean my desk.

How it all turned out.

How it all turned out.

So now I actually get to get back to work so I can finish what didn’t get done while pursuing my big inspiration.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas carries the gray-toned paper background around the sides.

FRAMED PRINTS

I am reframing the original and will post as soon as it’s done. I do all my own framing and can custom frame a print for you as well. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
"Autumn Afternoon Bed", 5.5" x 7.5", pastel © Bernadette E. Kazmarski

Autumn Afternoon Bed, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Autumn Afternoon Bed

The maple outside the window that casts green tones on my bed all summer now casts shades of yellow as the leaves begin to turn on a sunny autumn afternoon; the bedspread is actually solid white. Some other cats had their way with the covers, leaving a rumpled mess that added character to the simple scene.

I think this little sketch is one of the undiscovered gems of my collection of Daily Sketches and generally my cat art. Mewsette’s contemplative shape, such a common feline posture for a quiet rest, the slightly tousled covers and the play of light and shadow make it almost abstract, and yet we are right there with the subject, watching our cat have a nap on the bed on a cool-ish autumn afternoon when the leaves are green and yellow and the sun is bright.

This is done in Sennelier soft pastels on a scrap of Wallis sanded paper in Belgian mist. It’s a Daily Sketch and I don’t usually go for a scene this complicated on a weekday afternoon, but I just couldn’t let it go. It’s the same bed and reminds me of “Afternoon Nap”, and I’m oh, so glad I took the time to capture that one.

The art is 5.5” x 7.5”. I matted it with a simple black core pale yellow-green mat to fit into an 8” x 10” frame for my September 2016 Feline Sampler Box.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
“Bella Birdwatching”, black and white charcoal on gray toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

The original has already been sold, but, signed prints of “Bella Birdwatching”, Charcoal on Toned Paper, 5.5″ x 8.5″ are made in archival inks on various media.

ABOUT THE ART

So Bella is an avid birdwatcher. She spends long hours by the big north window watching the birds at the feeder. I spend long hours studying her profile while she does so. I decided to finally sketch her and thought of the toned paper with white and black charcoal, and I also added a bit of pale yellow green in her eye.

Of course, I didn’t sketch this while she watched birds. She never really keeps still, but I did get a good outline while watching and added all the details from photos open on my computer screen, holding my sketchbook as if I was sketching from life. I always want to be able to keep that extemporaneous feel to my sketches, and so even if I complete one later from photos I’ll try to mimic the conditions of sketching from life as much as possible. But I wanted to be certain to capture that short little face, delicate chin, the swept-back ears and whiskers, the highlights as the reflected north light washed her face and the window was reflected on her eye, and her paws, at rest, but ready at any moment to leap up and fly at the window screen.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas wraps around the sides

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

Studio Window, Autumn, Watercolor. The original art is 5.5″ x 8.5″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

I’m so excited to offer an image that is so dear to me—one of my cats on my studio windowsill. All the years I’ve been here I’ve loved my time in my studio, which was also once my foster room. I often remark how my cats enjoy spending time with me in my studio because they sense my own enjoyment of what I’m doing, and for frightened fosters not only can they sense that but I’m also in a typically non-verbal space, something they and all cats find very comfortable. Sharing my non-verbal self with animals, especially cats, has been one of my lifelong joys, and often a great comfort. My memories of cats sharing my studio with my felines, especially seeing them enjoy the view out the window, are very special. So for all those reasons I’m so happy to share this painting for the month of October.

From November 2014 when I created the sketch:

This really happened! Just this afternoon (Monday), and it’s both Mimi and Mewsette.

My studio is actually my spare bedroom, on the second floor. I call it “the treehouse” because outside the window are arching branches from my river birch coming in from the left and a tangle of branches reaching from my maple on the right, the neighbor’s dogwood as well, and behind most of it is my tall spruce. The house faces northwest, so in the mid to late afternoon the sun shines down on all those leaves, but the inside is in shadow; later the sun reaches to the windowsill and onto my drafting table.

I love to watch the change of daylight in all seasons, the pale greens of spring and dark greens of summer, the yellow, orange and red of autumn and the bare branches against the dark green of the spruce, and, of course, my cats. Today, first, Mimi joined me and sat on the windowsill to have a proper bath in preparation for an afternoon nap on my lap, and a little later Mewsette joined us and sat to watch the birds in the trees. They both sat in the same spot, but Mewsette is bigger, but Mimi turned her head the right way. So this is both of them.

I painted it later in the day, from photos and memory, applying the watercolor background first according to what I visualized—my trees are nowhere near that bright, only in my mind, but that is what I wanted, and the blue at the bottom for the cool shadow inside. The I referenced the photo for the feline figure, more or less, and the vase with brushes, more or less, since the cats and the vase with brushes are so familiar to me I barely needed the photos. I debated about the muntins in the window thinking they might be too harsh, but decided that was part of the charm of this old window, and would convey that idea to others who viewed it. My window has more bars, but they nearly crossed behind the feline face and went behind the brushes and I didn’t want that, so I moved them, keeping them a little off-center. I also used transparent layers of black instead of solid black as I have in other similar paintings—even though my first impression was of a silhouette, I could see it was not, and there was enough variation in the figures that I would leave some detail there.

And, as I like to say, that’s why we have art, so I can have it the way I want it. The doing of it ran very late because each layer of paint had to dry in between.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a cream black core top mat and a red black core bottom mat, framed in an 11″ x 14″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Rolling Around", black pastel pencil and white charcoal pencil on blue Canson paper, 10.5" x 7.5" © Bernadette E. Kazmarski

This art is “Rolling Around”, white and black charcoal on blue pastel paper, 10.5″ x 7.5″ © Bernadette E. Kazmarski, signed and dated 10/12/13. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas, and I can easily frame one for you as I framed the original you see here.

ABOUT THE ART

Giuseppe was having a really good roll around on the floor, for no apparent reason except that it made him happy. I think we should all do that each day!

This was another fun attempt to follow a moving target with my eyes while drawing with my hand and not looking at the paper. I really like using a mid-range tone and color with my black and white charcoal pencils

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Cat With Fruit", oil pastel, 5" x 7" © Bernadette E. Kazmarski

This art is “Cat With Fruit”, 5″ x 7″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 1/10/14.

ABOUT THE ART

The white-cold winter is outside the window, but Jelly Bean is comfortable and safe inside where even the shadows are warm and with summery tints in his fur. In this house we don’t forget that many cats are not so lucky to be on the inside, warm and safe, looking out at an icy day, and along with the simple inspiration I know that was on my mind when I painted it.

This is what is known as a “paintbomb”, kind of like a “photobomb”. Mimi did this to me last week but I did not paint her. When Jelly Bean decided to join the still life I was sketching, I decided to stop the other painting and sketch Bean. I was using oil pastels, so oil pastels it was. The paper was a little small for all the detail that’s in it, but that makes me keep it pretty simple, and all the tiny details I’d been visualizing just didn’t work. Too bad for me. Lots of color in an overcast winter day, and lots of color in a black cat, and that’s what counts.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

I framed the original with a simple white mat and a wide matte white wood frame.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Dreams of Three", watercolor, 9" x 6" © Bernadette E. Kazmarski

“Dreams of Three” prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Giuseppe, Mewsette and Mr. Sunshine were all very dreaming very deeply on my desk, curled and tucked neatly together. I saw swirls, and began to visualize how I would interpret those swirls. No heavy lines, I wanted the darkness of their faces, where the swirls began, fading in swirls and marbles and fading lines to the lightness of their shapes. Somehow, speckles would be a part of it. I took a photo, below, and pondered my assignment.

Reference photo for "Dreams of Three".

Reference photo for “Dreams of Three”.

I almost went with sepia and black, but that was too heavy for the dreaming feeling I was visualizing, which I’d done before in “Leaves and Shadows” and decided to work in the same palette. I began with three freehand swirls with solid faces and ending in just an arc in light blue, then worked medium green in for shape and texture to form the tails of the swirls, then purple to define their faces.

In the end they are all dreaming together, as they do.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
“Dinnertime!”, pencil, 8″ x 5″ © Bernadette E. Kazmarski

The original sketch of Dinnertime, Pencil, is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 5″ x 8″, 2011 © Bernadette E. Kazmarski

About the artwork

Here is one of my favorite sketches, the third daily sketch of over a thousand, from way at the beginning of my series of sketches beginning on December 4, 2011, and one of the few to include Cookie. It’s Kelly, Mimi and Cookie enjoying dinner on the evening of December 7, 2011.

Nearly all my daily sketches are “in the moment”, not made from photos and usually not from memory. They catch the real events from our days here, and for that reason, just as photos bring back memories as you flip through them, of that moment and of that time, each of my sketches also brings back memories, but with far more detail. Possibly because they touch many more parts of me.

As I said at the time:

No time for a sketch this morning, the usual time for sketches as warm-ups, but I knew I’d be gone all day, hoping I could get one later.

I knew I wanted to get this one, but also knew I’d have a limited time since they get their bowls before the young animals do and the three girls don’t waste any time once they get to it. I had my sketchbook and pencil on the sink and as soon as I set down the bowls for the kids I got right to the sketch.

Sketches like this one have so many levels of meaning for me, and just as surely as photographs they take me back to a particular time.

I had actually intended to sketch the three of them eating at some point that December; Cookie had been very ill at the end of November and though she recovered, we knew her time was short. I love to feed my cats, I love to watch them eat, all their little quirks and habits, and they are so, so happy when they eat that it’s always a good memory. I loved watching these three girls eat together, my two torties at 19 and 20, so accustomed to the habits of our family meals, and rescued multiple mom Mimi, who had slipped herself in between to eat with them each day though she was only seven years old. I knew Mimi wanted to share every possible moment with her two fur sisters who had accepted her as family without question when she’d come in from the streets with her kittens, and to take that experience for her later inherited duties as feline household manager.

So I was prepared with an idea and a lot of memories already, but no guarantee the muse would visit me that day, only the hope. Though I photograph my cats plenty of times while they are eating, the sketch is more intimate because I study them in the moments before the sketch, waiting for the inspiration if it should come, letting my eyes move over them until I find the perfect composition that captures that moment. Later, when I look at a sketch, I always remember that moment of inspiration, the instant it all came together when instead of looking at my cats I suddenly visualize the final sketch, decide on medium and paper, and get my materials together as quickly as possible.

Then, because I’m going to actually draw this on a piece of paper, carefully recording with my eyes their posture, the positions of their ears, how they hold their whiskers, the way the light falls on their fur, and million other details of their physical and emotional state so that, with a quick and minimal sketch, I can capture the essence of the scene, letting the image flow from my eyes to my hands and onto the paper in the way that my art happens. That’s a lot of information, and the process of observation and creation embeds the memory more deeply into my soul the way it does all of my artwork, every painting and sketch.

I framed this sketch and it hangs in my kitchen, where I look up at it each day at some point while I’m feeding my current household. And I am grateful for the embedded memories—the way Kelly always stood while she ate all the years she was with me, shuffling her long legs every few seconds to resettle her position and curling the end of her tail, softly folding her ears back just a little as she ate, and the way Cookie crouched and held her tail curving out to the side but often seemed to eat at an angle to her dish; I think she may have been keeping a protective eye on the others. Mimi, the protegé, the representative of the next generation, was there with them, in the middle, becoming a part of the leadership, learning to carry on the management of the household, as she has.

And today, it’s a memory of Cookie and Kelly together in a very happy moment for all of us that could have been from any meal in the years prior. We lost Cookie on February 3, 2012, just two months later.

I look at this now and think, “In the moment I sketched this, Cookie and Kelly were right there, in the fur,” and it all comes back to me. My sketches bring back more tangible memories and I remember exactly the light on their fur, how their soft ears moved around as they ate, how Kelly shuffled and resettled her paws all through the meal, how Mimi, though positioned right in the middle, seemed as if she felt a little like an intruder, crouched and and ate quickly in small bites, but I discovered this is how she always eats, how Cookie was always at the corner of the group where she could watch everyone while she ate, and see how I recorded it all.

Aside from all the practice for me as an artist, and all the things I’ve done and created with my sketches, this is one other gift I cherish from this process, using one of my personal gifts, making the memories tangible for me. For others these are artwork and images that are enjoyed, though if you’ve known my cats you may have a memory attached to certain sketches as well. But I look through my daily sketches on paper, around my house on my walls, here and on other sites, and I see all those wonderful moments and memories as well as artwork. And oddly, without the felines depicted there, I might not be recording anything at all this way. Perhaps this is part of my thanks to them for the inspiration they have always given me.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

"Afternoon Nap", pastel on hand-finished paper, 7.5" x 7.5", 2004 © Bernadette E. Kazmarski

Afternoon Nap original pastel is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

A Portrait of an Old Cat: Afternoon Nap

~~~

An old cat, a gentleman,
he has found a quiet spot, upstairs in the afternoon,
and has so perfectly placed himself a little off-center
on the expanse of white bedspread,
illuminated by stark winter light through the window.
(Stanley finds all the best places.)

~~~

You know those moments where you walk upon a scene of your cats doing something that you always want to remember, whether it’s a regular habit or a one-time thing? This scene was one of Stanley’s regular habits during his last few years; every afternoon he’d head upstairs with intent and I’d find him curled in the same spot on the bed.

Portrait or sketch?

All of my art begins with a moment, be the subject my cats or nature or even a more abstract visual theme. It’s where I go from that moment of inspiration that differs from one work to the next. Sometimes I’ll decide on a more formal portrait, more detailed, more planned, to capture a moment. I’ll take photos and write a few notes and keep it in my files for the day when I have time to follow up, and often this is determined by how often and how clearly my original image appears in my conscious mind—sometimes a painting really wants to be done and I find myself visualizing it all the time, other times it leaves and comes back at a moment that is meaningful. But sometimes I’ll do a quick sketch and leave it at that. The image is simple, it works best small, I only want to capture the mood, and there isn’t enough essential detail to warrant a larger, more detailed piece.

With “Afternoon Nap” I decided I wanted that moment. I’d already taken a few photos of him just to preserve the moment and was considering this sort of a scene as a more formal portrait. At his age he slept pretty soundly but I still tiptoed out of the room and ran down the stairs for my stuff. I grabbed my small box of pastels and a piece of my “experimental” drawing paper, choosing a heavy drawing paper to which I’d applied marble dust mixed with gesso and just a little bit of fine fine grit pastel medium, applying it with a brush to have just a bit of texture. I got to work, standing at the foot of the bed to quickly capture the essence of the scene I visualized in that instant: all the shades of shadow and highlight in the white bedspread, the fold under the pillows and the curve of the mahogany headboard just giving enough detail to know it was a bed, and the pastel winter light full of sun and just a bit of green reflected from the ivy on the tree outside the window. Instead of drawing with the ends of the pastels I dragged them over the surface in layers to get the depth of color and shadows, Stanley himself just in simple tonal colors, the only solid detail in his white paw.

Just like "After Dinner Nap", how much to include?

Just like “After Dinner Nap”, how much to include?

On this day I went upstairs for something and saw Stanley on the bed. As usual I had my little digital camera with me, the old original 2MP that captured surprisingly good photos. I took the photo below, but in standing there and studying the image I decided I wanted the light, the delicate colors, just a hint of the objects and the sketch began to materialize. I hurried to get my art stuff for the sketch I was visualizing.

At his age he slept pretty soundly but I still tiptoed out of the room and ran down the stairs for my stuff. I grabbed my small box of pastels and a piece of my “experimental” drawing paper, choosing a heavy drawing paper to which I’d applied marble dust mixed with gesso and just a little bit of fine fine grit pastel medium, applying it with a brush to have just a bit of texture. I got to work, standing at the foot of the bed to quickly capture the essence of the scene I visualized in that instant: all the shades of shadow and highlight in the white bedspread, the fold under the pillows and the curve of the mahogany headboard just giving enough detail to know it was a bed, and the pastel winter light full of sun and just a bit of green reflected from the ivy on the tree outside the window. Instead of drawing with the ends of the pastels I dragged them over the surface in layers to get the depth of color and shadows, Stanley himself just in simple tonal colors, the only solid detail in his white paw.

Stanley on the bed from February 21, 2003, the day I did the sketch.

Stanley on the bed from February 21, 2003, the day I did the sketch.

It was all over in about ten minutes, and though I’d taken the reference photo I never made any changes from that initial inspired session. In its frame, I have allowed the edges to show, mounting it on deep burgundy mat board. I still have this painting, treasure it for its memory of Stanley as he watches over my office, and use it as inspiration for other similar sketches.

You’re probably familiar with “After Dinner Nap”, another memorable and inspirational moment. This image could have gone either way, painting or sketch, but in this case I was intent on capturing all the subtle details in his face, and all that wonderful direct and reflected light.

I decided to try something new when I framed this piece, and instead of covering the edges with a mat I cut the mat to fit around it and mounted it on a piece of mat board. I like it still today.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Mewsette on the Afghan", markers , 6" x 7" © Bernadette E. Kazmarski (cropped)

Mewsette on the Afghan original marker sketch is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

 

ABOUT THE ARTWORK

About the Artwork

Mewsette nearly blends in with the afghan.

I’ll admit, this took a little longer than the usual 15 minutes maximum. I’ve been holding off the sketches with this afghan just because I knew they’d be time-consuming for part of the charm is the detail of all the colors. Today I could not pass up pretty Mewsette quietly napping on the afghan, especially when she opened her big yellow eyes. I drew the basic sketch in black, then later filled in the colors with every marker I have in the house.

The reference photo for "Mewsette on the Afghan".

The reference photo for “Mewsette on the Afghan”.

I love that old afghan. My mother crocheted it years ago from a 1944 pattern book out of scraps of wool yarn. Each granny square is made of four rows, each a different color, with one last row of black; when the squares are sewn together there are two rows of black between each color set which gives it this stained-glass effect. This afghan is more muted than this sketch shows; after decades of wear the colors are still bright but areas of it faded when it was caught in flood waters in a storage unit, but I cleaned it up and remember the bright colors that captured my eye as a child.

A sample section of the afghan.

A sample section of the afghan.

I have this image available on other gift items and as a print. Search “Mewsette on the Afghan” to pull together all items featuring this art.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Clash of Titans", vine charcoal, compressed charcoal, white charcoal, black and white conté on sanguine Canson Mi-tientes pastel paper, 11" x 8" © Bernadette E.Kazmarski

This art is “Clash of Titans”, vine charcoal, compressed charcoal, white charcoal, black and white conté on sanguine Canson Mi-tientes pastel paper, 11″ x 8″ © Bernadette E. Kazmarski, signed and dated 1/7/14. The original is sold but prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas, and I can easily frame one for you as I framed the original you see here.

About the Artwork

It started out when Giuseppe said his brother was a dirty mess and needed to be cleaned up and wavered between a bath and a rock ’em sock ’em boxing tournament, then flat out, literally flat out, wrestling, on the cabinet in the middle of the kitchen. I had such fun watching them wrestle and did a quick light sketch in vine charcoal then later enhanced it with more vine charcoal to blend their movements.

I outlined it in compressed charcoal and then conté when that wasn’t dark enough, and used both white charcoal and then white conté for the highlights I remembered seeing as they threatened each other and acted fierce with they ears pinned back. I needed a mid-range tone of paper to make both the black and white show up, but my pad of this paper has limited darker colors and I wasn’t fond of most of them for this. Then I decided this sanguine tone worked well with the tones in their fur.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.è

"Black Cats Dreaming in Color", soft and hard pastel on Canons Mi-tientes, 11" x 9" © Bernadette E. Kazmarski

Black Cats Dreaming in Color original pastel is sold but prints are available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Don’t ask me where this came from because I couldn’t tell you. I simply followed the visual ideal I had, not even a clear idea, and kept adding colors to this until it felt right.

The boys were all tucked onto Emeraude’s bed, which you might remember is covered with a blanket with pawprints in different colors; here is a recent photo and a sketch. I like it because it’s colorful and happy and provides a nice backdrop when I look at Emeraude. She seems to like it too, since when I change it around and that blanket ends up there she steps right onto it and purrs. It has happy connotations for me and, I presume, for her. Apparently it does for the boys as well since they curl up on it whenever Emeraude chooses to sleep elsewhere.

And so they were, and I did find they way they were tucked together interesting, highlights in their fur, shapes, abstract, but it was the colors too and pictured a soft sketch in black and gray pastel with blue and earthy highlights in soft pastel, but I didn’t want to stop there this time. I also wanted a toned background instead of plain white and went with a warm-toned flecked gray, the better to enhance the lighter colors. I saw the running outlines of color to distinguish them on top of the sketch, kind of like a sketch I’d done summer 2012 using harder sticks of Nupastel. That was fun, just following intuition and grabbing one pastel after another to draw and stop and picking up yet another. But that wasn’t enough, it wasn’t done yet.

So I continued on with a few extra outlines around the outside and knew I was following in the right direction. Then I went farther and farther and made confetti and finally it was done.

So there we are. It looks as if they are in a nest. Really, they are.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas wraps around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Winter Afternoon", pastel pencil on black pastel paper, 9.5" x 6.5" © Bernadette E. Kazmarski

Winter Afternoon, Pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

 "Winter Afternoon", pastel pencil on black pastel paper, 9.5" x 6.5" © Bernadette E. Kazmarski

“Winter Afternoon”, pastel pencil on black pastel paper, 9.5″ x 6.5″ © Bernadette E. Kazmarski

About the Artwork

Look closely and you’ll see four cats in this sketch. Basil, Bella, Bean and Mewsette spent the entire long, quiet winter afternoon on the wool afghan. The light caught each of their coats in different tones and textures: Basil at the top left is very mocha, and in the top right Bella is only shades of blue, while Bean and Mewsette, tucked up against each other and facing opposite directions, are combinations of both colors.

I walked past several times and looked in on them, photographed them, and decided to finally sketch what I visualized. I did have to finish some of the placement of the afghan square colors from a photo because I only had so many fingers to hold pastel pencils. But I’m so happy to catch a scene I see every day. I’ve never left the afghan on the bed all day, but this winter, this family of cats collects there nearly every afternoon, and I will always remember that.

Hint: to find the cats, look for curved lines and ears.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Winter Cats watercolor is 10″ x 6″ on smooth watercolor paper, available as a print on canvas or paper.

    "Winter Cats", watercolor, 10" x 6" © B.E. Kazmarski

“Winter Cats”, watercolor, 10″ x 6″ © B.E. Kazmarski

ABOUT THE ART

Cats are usually simply happy wherever they are because if they aren’t, they leave and find a place where they can be simply happy.

Looking at Mr. Sunshine’s graceful curve and watching the fluid motion of his bath I decided only watercolor would do. He and Jelly Bean were so cozy on the table by the window I knew they’d be there for a while and I could at least get a start, which I did, blocking them in as best I could. Even though Mr. Sunshine finished his bath and totally changed position I still finished the painting in one session. Bean was happily sleeping, sketching him is usually pretty easy.

 

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches. Often I use them as illustrations for graphics projects I’m designing.

The original artwork for "Colorful Kitties".
The original artwork for "Colorful Kitties".

The original artwork for “Colorful Kitties”.

“Colorful Kitties” is a tissue paper cutout collage laid on paper, 6.5” W x 9” H, dated 2/12/15. The cat figures are cut freehand from colored tissue paper used for wrapping starting with the big blue kitty and each successive kitty appeared to me in color and posture and position in relation to the others. I arranged them on a page in my sketch book, while Mewsette and Mr. Sunshine supervised. You can read more about the process below.

Prints

Notecards

This card is 5.5″ x 4.25″ and printed on 100# acid-free uncoated cover stock, blank inside. They come with 70 lb. opaque acid-free envelopes that are inkjet/laser compatible in your choice of envelope color. See “ordering” below for more information.

This note card was designed from one of my daily sketches and just lends itself to a variety of themes—friendship, thank you, thinking of you, even an invitation to an event.

Envelopes

Each card comes with your choice of a 70 lb. text weight acid-free envelope which is inkjet/laser compatible. Please choose a color or colors from the drop-down list which corresponds with the photo of the envelopes available. You can further customize this by adding a note to your order explaining your choice, such as “Please send five white envelopes and one red envelope” with an order of a half-dozen cards.

Packaging

One and two cards are packed in a glassine bag, a half-dozen or more are packed in a clear-top vinyl greeting card box.

Shipping

Shipping cost is included in the purchase price for USA and Canada.

One and two cards are shipped in a 6″ x 9″ envelope via first-class mail.

Six or more cards are shipped in a small flat-rate box via USPS Priority Mail.

Both methods will get just about anywhere n the US within three days. If you need your cards sooner than that, please ask and we can make arrangements for guaranteed two-day or overnight shipping.

The cat figures are cut from colored tissue paper used for wrapping, which was the best material I had on hand for the semi-transparent substance. I cut the figures freehand as if I was drawing the outlines with a pencil or pen, doing my best to visualize each one as I worked. I began with an idea of several colors, but initially all the cats were to be standing in the same position and the same size but randomly placed. I realized that would be difficult to cut in freehand and remembered some of the brush pen sketches I’d done of the Four in action, each in a different color and overlapping like “Everyone’s On My Desk” and “Four Cats Bathing” and knew that was simply more interesting.

So I cut out each one starting with the big blue kitty and let each successive kitty appear to me in color and posture and position in relation to the others. I arranged them on a page in my sketch book, while Mewsette and Mr. Sunshine supervised.

black cats on drafting table with artwork

Mewsette and Mr. Sunshine have a discussion about my work.

While it was apparent I didn’t have the level of transparency I wanted, I still liked what I saw. And though the tissue paper was difficult to cut without ripping, even with a fresh new Xacto blade, I let them be a little rough. Mr. Sunshine inspects my work when it’s near done.

black cat on drafting table with artwork

Mr. Sunshine considers my progress but has an obvious message.

while I was considering that it was not yet done, and what to do next, Mr. Sunshine had a message for me. And while he knows humans can be slow in understanding the meaning of feline body language, he made his point fairly obvious by wearing his thoughts outside himself, literally.

black cat on drafting table with artwork

This needs yellow!

Ah, yes, I need a yellow kitty, like Mr. Sunshine himself.

black cat on drafting table with artwork

“I declare this piece of artwork finished.”

Mr. Sunshine approves. What would I do without my feline supervision and guidance?

After I finished arranging the colorful kitties and the work met with Mr. Sunshine’s approval, I decided against gluing the shapes down. The tissue paper would become a disaster, and a glue stick might as well. So I took a few photos before looking for some sheet protectors, carefully slipping the whole thing inside and scanning it. That is where it is now, and I’ll look for other possible materials for this, colored plastic film perhaps.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Find other similar stuff

Browse other Daily Sketches and Feline Note Cards as well as Feline Artwork and Feline Greeting Cards.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Studio Morning Shift", pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

Morning Studio Shift, Pastel is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

"Studio Morning Shift", pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

“Studio Morning Shift”, pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This is my painting for day 15, and it’s the first cat sketch I’ve done. I painted a number of portraits over the holidays so I moved to landscapes and other subjects first. I actually had a different image planned for today but Mimi, Mewsette and Mr. Sunshine were totally enchanting getting organized in the best cuddle pile on my drafting table by the window, the light was wonderful, and, well, here you are.

I wasn’t sure which crop I liked better on this sketch. Above I have the crop that preserves all the edges even though the windows aren’t right, the panes are each the same size. Below is the crop that includes the image area I’d wanted, but I like the black edges. Whatever, I guess I don’t really have to make a decision.

"Studio Morning Shift", pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

“Studio Morning Shift”, pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

But then, I like this crop too, just the “important” area of the art.

"Studio Morning Shift", detail © Bernadette E. Kazmarski

“Studio Morning Shift”, detail © Bernadette E. Kazmarski

Purchase the original or a print

Daily Cat Sketches

You may not know that I created a daily cat sketch from life inspired by my very feline family, from December 2011 to August 2014, when I slowed down and then stopped when I started running out of space to store them safely. the practice made me create art each day, even something small, and I experimented with different media and paper, and turned many of the images into gift items and also sell the originals and donate them to benefit animal shelters and rescues. Read more about my Daily Cat Sketches and browse the gallery.

For a list of my other paintings in the 30 in 30 challenge visit this page.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Mimi is Ready for Spring", pastel on pastello paper, 8 x 10 © Bernadette E. Kazmarski

This art is “We’re Going Outside, Right? , 8″ wide x 10″ high pastel on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 3/20/17.

"We're Going Outside, Right?", pastel on pastello paper, 8 x 10 © Bernadette E. Kazmarski

“We’re Going Outside, Right?”, pastel on pastello paper, 8 x 10 © Bernadette E. Kazmarski

ABOUT THE ARTWORK

It’s the first day of spring and a gorgeous morning. Mimi waits by the door, keeping an eye on me over her shoulder so I don’t wander from the kitchen and forget the importance of getting outside before the busy part of the day begins. It’s a position and an expression I see on her face most days, even cold or inclement ones, and I also saw Cookie and Namir and Kublai in the same position with the same expression at the same back door, waiting to go out on the same deck into very similar sunny mornings. Though Monday morning, a full week ahead, and all sorts of work calls me…I love and cherish the time I’ve spent with each of these cats out there and the memories we’ve created, even if the time we spend is mere minutes. I photographed Mimi’s face to share, decided the scene would make a nice painting, and then we go outside.

After I came back inside I still carried that vision of the painting was still with me so as my warm up in my studio today I did the pastel painting above. I turned her head a little bit more so she was looking at me instead of off to the side; phone photos can be confounding that way if you’re focusing it from your hand instead of in front of your face. Phones aren’t always accurate for color and the sunshine was quite yellow that early.

It’s been a while since I’ve done a daily sketch, and it felt really good.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1