"Charcoal Dusk", black and white charcoal on gray toned paper, 5" x 8" © Bernadette E. Kazmarski

New Works

Find what’s new on this site!

I add items nearly every day that are either completely new paintings, photos, products or writing, or items I’ve just added from my archives. No one except me would know where they are, and I don’t expect anyone to have the patience to dig around and see what’s new.

This gallery includes links to works added in the past three months, the new ones at the top of the list.

The Palace

The Ice Palace, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

The Palace

The Palace

ABOUT THE ARTWORK

This photo, with the trees leaning in and the brightness above, made it feel as if I was in a secret, protected place, albeit cold, like the Winter Palace in the movie Dr. Zhivago.

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

I based my 2017 “Sun Shadow Ice & Snow” exhibit on this series of photos. Read more about that exhibit on 2017: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Cloud Trees

Cloud Trees, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

Cloud Trees

Cloud Trees

ABOUT THE ARTWORK

When the clouds parted the sky was so incredibly blue and the clouds themselves sculptural, as in this photo where they seemed to mimic the shape of the sycamores when they were in full leaf.

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

I based my 2017 “Sun Shadow Ice & Snow” exhibit on this series of photos. Read more about that exhibit on 2017: Sun Shadow Ice & Snow, Seasons on the Panhandle Trail.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Geraniums and Parsley (uncropped), watercolor, 6 x 9 © Bernadette E. Kazmarski

Geraniums and Parsley, Watercolor, 6″ x 9″, 2017. The original is framed in a green patina metal frame with double mats and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

Geraniums and Parsley (uncropped), watercolor, 6 x 9 © Bernadette E. Kazmarski

Geraniums and Parsley (uncropped), watercolor, 6 x 9 © Bernadette E. Kazmarski

I’m working on my spatters. I think they worked pretty well here.

Typically when I look out my back door I see my big vegetable garden, lots of perennial flowers and wildflowers, and my everlasting pink and red geraniums, some of which are 15 years old and saved in the basement each winter. This year, after my wild black cherry tree fell last year and smashed half of my back yard, and neighbors’ trees fell on my fences in years before that, my yard is tall with jewelweed and pokeberries. That will be good for the soil, but I miss my gardens. I always have a few pots of herbs on the deck and this year my geraniums are on the steps, and that’s all I have, but it’s what I see when I look out the back door, the bright red and pink, the bright light green parsley in the blue Chinese pot, and the trees out in the yard. I smile when I look at it, and the bright colors and complex greens also made me want to paint it.

I really am practicing my spattering too, and decided this would be a good painting to see what spattering with various brushes could to with the background. I also piled paint up in the upper left where it’s dark, and let it spill and move over the paper, then let it dry. I like it.

Here is the cropped version.

Geraniums and Parsley, watercolor, 6 x 9 © Bernadette E. Kazmarski

Geraniums and Parsley, watercolor, 6 x 9 © Bernadette E. Kazmarski

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Marsh Road, pastel on self-prepared board, 9 x 12 © Bernadette E. Kazmarski

Marsh Road, Pastel, 8 x 11, 2017. The original is framed in a 1-1/2″ solid wood white weathered frame with no mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

Marsh Road, pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

Marsh Road, pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

It’s time for another painting challenge, and I’m ready. My recent trip to Savannah and to see the eclipse inspired a lot of paintings, as have my daily photos and even putting my recent Panhandle Trail exhibit together. In November I’ll have another exhibit of paintings of Carnegie. I have portraits to finish. Time to get the studio time back. I don’t think I’ll do a painting every day, but every other day, as I did in January, would be great.

This was painted from a photo I took in the Savannah Wildlife Refuge. If you are familiar with my paintings you’ll know I love road paintings, and a simple long dirt road through a wildlife refuge is totally entrancing for me along with all those textures and shades of green things all around, and it’s so FLAT. I’m from Western Pennsylvania where things need to be made flat. I took this photo because the road curved through a small stand of live oaks, and you can see the shadows of the trees under the arch along with the light at the end. The simple shapes of the grass, reeds, brush and trees in the distance under that big blue sky graced with clouds that looked too tired under the sun was one image I knew I’d paint.

I used various soft and hard pastels on a self-prepared board. You can see a vertical texture and I tried to both use that and mask it. The panel was an Ampersand pastel panel on which I’d done an illustration that was changed so many times that there was no surface tooth left. I pulled all the pastel off it, sanded it, and brushed it with two coats Golden translucent pastel ground, all brush strokes in one direction. I think it worked out okay.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Garden Sketch With Mimi Gift Bag

I adhere a high-quality print of my painting “Garden Sketch With Mimi” to a medium-size paper gift bag. Bag measures approximately 8″ x 10″ x 3″ deep but may vary slightly. Price includes shipping.

Garden Sketch With Mimi Gift Bag

Garden Sketch With Mimi Gift Bag

ABOUT THE ARTWORK

This was not what I’d intended but I like it anyway. It’s Mimi napping in the shadow on the cool bricks among the geraniums, near the vintage aluminum tub where I grow pole beans. Mimi was so happy to be outside she only rested in each position for less than a minute, and the sun was in and out behind the clouds. The temperature was in the 90s and we weren’t doing much but looking for a comfortable spot.

I had wanted something a little tighter in detail, but I like the details this one has. I did a light pencil sketch underneath because it’s so small I knew I’d run out of space if I didn’t give myself some guidance about Mimi, the geraniums and the barrel, but aside from that I just painted.

In part I was using the quick and easy eight-color grade-school set that’s easy to carry and use I really need to get a set with a greater color range if I’m going to paint outdoors.

But what was my purpose with this painting? Sometimes I sit down to capture the details of the moment, and some day I’d like to do just that with the reference photos from this, but with my actual sketch, and all my daily sketches, my purpose is just to capture the essence of the moment and share what moved me to render the scene. In this case it was a relaxed Mimi in the shade on a hot morning, stretched on those familiar bricks next to the cool anodized aluminum tub where I’ve always planted pole beans and surrounded by my geraniums saved from year to year. It was a scene I loved for my love of my garden, my appreciation of Mimi relaxing in a place she’d once hunted for food to feed her kittens, and the memory of the generations of cats before her who enjoyed that very spot, this little patio and the verdance of my garden.

You can find this image:

in my Feline Fine Art gallery

in other Handmade Gift Items and Gifts Made From My Designs.

From the first time I received a gift bag with feline artwork on it, I could picture my art on a gift bag. I’ve tried a few different methods and finally found one that works well: printing my art to size on a commercial-grade label and buffing it permanently onto the bag. The art can only be on the front because of the way the bag folds, but so many bag colors and styles exist and that keeps them lively.

These bags are medium-sized shopping bags, usually around 8″ x 10″ x 3″, but they vary slightly in size, color and finish, even in the same lot, and sometimes they even have colored handles. If you purchase more than one in the same design and color I will make sure they match.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Cool Mimi

“Remember to Dream” photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

About the artwork

Mimi reminds you that dreams do come true, so it’s advisable to remember to dream every day, no matter the circumstances, so the universe will know what dreams you want, and when they do come true, you’ll know what to do.

Mimi and I were outside on a cold and dark afternoon one November day. The rain began to fall, she was wet, her paws were wet and cold and she suddenly remembered the days before she came inside and was frightened she might not get back inside ever again. She ran for the basement door she had visited so often and I saw her trying to look inside but it was closed, she looked at me frightened and all she wanted was to be in the house, and she got in, as quickly as possible when I opened the door.

Mimi does not forget that she lived most of her life outdoors before she joined my household at about age four, and in that time gave birth to six litters of kittens, constantly looking for food and spending time in my garden hunting, and looking wistfully in the windows and doors at the happy kitties inside and wondering what it would be like to live in there, having little conversations with Cookie and Kelly and Namir through the basement door.

Then, one day, she was the one on the inside, and to her great surprise she remained inside. And so did her children. And she’s not having any more children. Her dream really did come true.

I took the photo above on a frosty January day, and the way she quickly peeked around the deck rail at me, just to make sure I was still there and she wasn’t outside all by herself, reassured that we were still together, I knew she was likely remembering a similar morning when she didn’t have a warm kitchen to return to. But she never stopped dreaming, and now she does have that warm kitchen, and a comfy lap too. And I never forgot that moment with Mimi.

And Mimi and I wish the same happy ending for all the kitties living out there on the streets—keep dreaming, there’s someone out there who loves you, and some day you’ll be together.

And from me, we humans have our dreams too, and while they may seem as impossible to achieve as a homeless cat finding a loving forever home for herself and her babies, just keep dreaming. It may not happen exactly as you plan, but it will happen. Please feel free to right-click and share the image!

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

I sign all prints next to my original signature.

GREETING CARDS

Greeting card is printed on 12 pt, uncoated stock.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Happy Birthday! placemat

“The Birthday Party” Laminated Placemat is 11 x 17 laminated with 5 mil laminate, available singly and in sets of two and four. Price includes shipping.

These placemats are printed on both sides of 110# matte cover stock and then laminated with 5 mil laminate. They can be used for water and food bowls as well as placemats for your table, or any surface that needs a little protection.

ABOUT THE ARTWORK

Finally, the big day is here—the birthday! The Fantastic Four were five years old! Of course, they have no concept of this and it’s totally unimportant since the world did not exist before they were here. And they certainly don’t mind the special breakfast and treats and the all-day catnip party, but the party hats were more fun to chew on and play with than to wear.

It’s backed with “Five Cats in a Line”, the same five cats at another dinner meeting from the post “Still Celebrating Black Cats”, which I’d posted in both black and white and color on Black Cat Appreciation Day in August 2012.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Sunshine in Colors Gift Bag

I adhere a high-quality print of my painting “Sunshine in Colors” to a medium-size paper gift bag. Bag measures approximately 8″ x 10″ x 3″ deep but may vary slightly. Price includes shipping.

Sunshine in Colors Gift Bag

Sunshine in Colors Gift Bag

ABOUT THE ARTWORK

Mr. Sunshine sat on the kitchen stool taking in the warm morning light from the back door and just a little of the cool reflected light from the dining room window. It all added up to an interesting mix of colors!

I used one of the new kids’ sets of oil pastels which are thinner than the usual to accommodate a child’s hand, but I got accustomed to that and was happy to see they were all of equal consistency and softness, and the colors did not disappoint. I’m still working through my van Gogh impressionism, though here I’ve used a color he would not have, the red violet; I’ve never seen it in any of his paintings.

This sketch is one of the Cats After van Gogh series.

From the first time I received a gift bag with feline artwork on it, I could picture my art on a gift bag. I’ve tried a few different methods and finally found one that works well: printing my art to size on a commercial-grade label and buffing it permanently onto the bag. The art can only be on the front because of the way the bag folds, but so many bag colors and styles exist and that keeps them lively.

These bags are medium-sized shopping bags, usually around 8″ x 10″ x 3″, but they vary slightly in size, color and finish, even in the same lot, and sometimes they even have colored handles. If you purchase more than one in the same design and color I will make sure they match.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Shadow of Bison ", pastel on 26.5" x 17.5" on Hahnemuhle sanded watercolor paper.

This painting is entitled “Shadow of Bison “, pastel on 26.5″ x 17.5” on Hahnemuhle sanded watercolor paper.

ABOUT THE ARTWORK

"Shadow of Bison ", pastel on 26.5" x 17.5" on Hahnemuhle sanded watercolor paper.

“Shadow of Bison “, pastel on 26.5″ x 17.5” on Hahnemuhle sanded watercolor paper.

I have traveled too little to see any real wildlife aside from the critters who inhabit my back yard, so I began my wildlife excursions from pictorial resources such as magazines and calendars. Nonetheless, after being accustomed to seeing domesticated animals in the relative comfort of my home and neighborhood, it is almost a shock to see an animal which has never known a human and cares nothing for human companionship. Studying a wild animal in its natural habitat is a reminder that the world does not revolve around us, that these creatures get along just fine (and probably better) without us, that we are really only one more species carrying out our lives on Earth. And while, for me, the inspiration to put an image on paper is always primarily a visual inspiration, wild animals carry the same emotional inspiration for me as domestic pets. Add to that the beauty of a natural landscape and you’ve got a perfect recipe for visual pleasure.

I saw a photo in a magazine of bison grazing on the plains and remembered historical and fictional novels I’d read from the “Little House on the Prairie” series to the settlement of the Great Plains. I put together what I saw in photos and what I’d visualized while reading of a countryside I’ve never seen.

This looks like a lot of bison, but considering how many populated this country just 200 years ago, this herd is just a shadow of what it once was, and in this orange twilight even their shapes are reduced to shadows.

The original pastel painting, 26.5″ x 17.5″, was done in Rembrandt pastels on Hahnemühle sanded watercolor paper. You can see a lot of ambient textures in the paper in this painting, and even, just above in the lower right corner, you can see the actual color of the paper. This is a sturdy German-made 300# watercolor paper with deckle edges which has the sanded finish used for pastel and charcoal layered onto it, tinted various colors. This was my preferred paper for pastels in the 90s and early 2000s in part because of the colors in which it was available. I rarely begin a painting with white paper, when when I saw the photos of the bison and envisioned this painting it begged to be painted on this shade of this paper, knowing I’d be able to use that ambient texture to enhance the feel of the prairie grass.

This painting is larger than my usual and was actually difficult to paint because my easel at that time was quite small. Framing was another issue—I looked everywhere for the frame that would coordinate in style as well as color, and be able to support a painting that large with mats and glass and ended up with a custom-ordered 4″ wide solid wood rounded profile with a faux calfskin finish, an expense I never undertake except for this one painting. The mats are black core in a tone of orange that exactly match the mid-range tones of the painting. I still look at this painting and love every bit of it and am glad I followed my star to make it what it is.

FRAMED ORIGINAL

The original pastel painting is currently matted with two tones of deep orange black-core mats, and framed with a 4″ wide solid wood rounded profile with a faux calfskin finish.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Friendship Friday

Three Sunflowers

Three Sunflowers, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

Three Sunflowers

Three Sunflowers

ABOUT THE ARTWORK

I love woodland sunflowers. No matter how many I see, or how many photos I have, I can always find another interpretation of their exuberant yellow expansiveness. These three grew at the edge of the woods along the trial, and were caught by the sun on an August afternoon like a spotlight. They make everyone smile who looks at them.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

A plain matte black frame and white mat is available. Visit “Framing” for details or ask about custom framing. Framed prints are signed on the photo and on the mat.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Frosted

Frosted, Photo, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

Frosted

Frosted

ABOUT THE ARTWORK

When I saw the snow that morning, just an inch or two carefully blanketing each branch and twig in the tree outside my window I knew what my destiny would be if the snow stopped and the sun came out. It did, and I headed for the Panhandle Trail, on foot just planning about an hour of photos in the first half mile of the trail. Mission accomplished.

As I drove there, looking at the sun and shadow play across the frosted hills and glow down into valleys I had an idea for two photos I wanted to capture. This was one of them, the frosted hills and the dark sky, just a streak of light to give the scene dimension, but the run of water was a totally unplanned and a perfect addition.

I usually try not to plan ahead for photos because it’s possible to miss others while focusing on a goal that may not even be possible. I was lucky this particular morning and not only captured the ones I wanted, but many, many more I would never have imagined.

See another photo from that day, Dramatic Light.

See a gallery of the three dozen best photos from that day on my photo blog, Today.

See more photos in my Nature photos gallery and my Seasons Along the Panhandle Trail photos gallery.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Dead End, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Dead End, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.

Dead End, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

Dead End, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 4.

I just love a row of houses in the sun. This street dead ends at the top of the bank of Chartiers Creek. The houses have been there over a century, flooded several times, seen lots of people moving through watching life with their blank window eyes. Now in brilliant winter sun they stand like old friends, the long shadows of the houses and buildings across the street reaching to touch them as the sun drops toward the horizon.

This was painted on a self-prepared board.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Summer Morning on the Deck, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Summer Morning from the Deck, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.

 Summer Morning on the Deck, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

Summer Morning on the Deck, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

This painting is one of those sweet familiar ones I’ve been wanting to paint for years: an early summer morning, hazy and bright, seen from my deck or through my kitchen window, geraniums in full flower, trees overlapping and heavy with dewy leaves, quiet and still.

It’s painted in soft pastel on another self-prepared board.

I was participating in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 2.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Winter Sunset, After Rothko, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Winter Sunset, After Rothko, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.

Winter Sunset, After Rothko, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

Winter Sunset, After Rothko, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

It’s actually the sunset reflected on the eastern horizon, but I guess it could be the western sky as well. It’s from memory, not from life or from a photo, but it’s something I visualized when I’d looked at the horizon at sunset out my back window, a clear cold cloudless sky and deep shadow in the valley below, and imagined it like two distinct color blocks, like a Rothko composition. It’s not copying Rothko, only inspired by studying his paintings and having read writings and heard interviews by his son. This is actually a figurative landscape, though to some it may appear abstract. I intend to work my way back to abstraction at some point.

I was participating in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 1.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Stripes on Stripe

Stripes on Stripe, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

One of my favorite photos of Stanley from August 2006, it was his last summer with me, he was about 24 years old, needing a little supportive care but still enjoying his time outdoors with me and every moment of every day besides that.

Sunshine and fresh air is a perfect tonic for an old cat. We were keeping the chronic renal failure at bay with doses of subcutaneous fluids, enticing foods, and a morning visit to the back yard and a nap on the deck every day the weather permitted. Stanley forgot all about feeling a little queasy and tired as he pranced around the back yard from bush to tree to post, smelling the messages—downloading his “pee-mail” and uploading his reply, as I always called it. Back up on the deck, a little bath and quick nap in the sun, then inside to eat ravenously as if nothing was the matter.

I have decades of memories of Stanley; he came to me several years into adulthood and lived with me for 21 years, suffering from chronic urinary issues for which he had obviously been violently punished. A sweet, silly, friendly kitty underneath it all, it took years to wear down the aftereffects of Stanley’s early abuse. But he appears in many, many images, including my painting, “After Dinner Nap”, which inspired many commissioned portraits, but before that it inspired me to find a way to share my feline inspirations with the world. Thank you, Stanley.

This photo doesn’t show you much about Stanley, but for me it is a reminder of how my cats have inspired me at every moment since I’ve lived with them, training me to keep my eyes open and always be ready for that unique image, keeping my creative spirit alive and my creative intellect in top condition, in a way living two lives at once, to live the moment, and to record the moment.

I often called Stanley “Stripe” because he was a tabby, and in this photo the confluence of all those stripes was just breathtaking. Straight geometric stripes in the shadows from my deck rail coming in at an obtuse and unsettled angle, the deck boards themselves and the gaps between at a normal and comforting angle, and striped Stanley breaking all the straight lines as he curled in a perfect circle for a nap; I could never have posed this or composed this, but what a moment to remember. And if Stanley had not been there I probably would have noticed the shadows as I was working in the garden but not taken the photo, probably busy harvesting green beans or tomatoes, so I have him to thank for this moment.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

The Eyes Have It

The Eyes Have It, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

The eyes really have it! It’s the most extraordinary thing about black cats, the way their eyes just glow against their fur, no matter what color their eyes happen to be. And Bella has those round eyes in that round face, and if that wasn’t enough she was sitting with her tail curved just so. I did all I could to have her look directly up at me without standing up, and I got my wish. Though formerly feral, Bella is a very talented feline model!

I took this photo with my smartphone and originally filtered it with my phone and Instagram, but to ensure the print quality I refiltered it in Photoshop.

SQUARE CARD

I knew from the moment I took this photo that I’d offer it as a square card.

The Eyes Have It square card.

The Eyes Have It square card.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Square greeting cards are printed on 12 pt, matte stock and come with a white envelope.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Kelly in forget-me-nots

Kelly in Forget-me-nots, Feline Photo, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Kelly in forget-me-nots

Kelly in forget-me-nots

Kelly had been stepping out into the back yard with me now and then, even asking at the door to go out. She’d never shown any interest in the 15 years she’d been with me until the spring we lost Cookie, and I couldn’t help but think she associated the outdoors, and the spring forget-me-nots, with Cookie, as I did. Kelly was now the lone senior cat, and she was very lonely without an older kitty to cuddle with and protect her; she was a little intimidated by the gregarious black cats.

This is a kind of an odd angle—I had my zoom lens as I’d been photographing details of forget-me-nots and buttercups together and the cranesbill geraniums and columbines with raindrops from last night’s storms. Kelly’s a little foreshortened, but it’s a good view of her face and those brilliant green eyes; even without the reflection of lush vegetation, Kelly’s eyes are like gems, though the reflected greenness is giving them an extra touch here. It’s hard to believe she was 19 that year because she was still active, lithe and graceful, and because she was the youngest for 11 years I still thought of her as the little one.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Hearts and Cats frames

I purchase unfinished frames and add color and black cat silhouettes in acrylic paint. Your photo fits in the heart-shaped opening. Frames are 5.5 x 8.5 and are displayed using dowel pegs in the back of the frame. I add a hanging hook as well just in case you’d like to hang it on the wall.

Hearts and Cats frames

Hearts and Cats frames

ABOUT THE ARTWORK

The silhouette I used for these frames was adapted from a marker sketch of three cats called “Three Cat Shapes”, modeled by Giuseppe. I switched the tail to an angle that worked better with the layout of the frame. I also added the pawprints near the heart because it just needed a little something over there, just purrfect for a few little kitty paws.

In the future I’ll be varying the silhouette on these frames as well as the color, pattern and posture of the feline shape. I look forward to playing around with another idea of mine!

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

 

Mimi in Buttercups and Forget-me-nots

Mimi in Buttercups and Forget-me-nots, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Mimi in Buttercups and Forget-me-nots

Mimi in Buttercups and Forget-me-nots

Mimi is never so happy as when she’s out in the yard, as you can see by her “happy tail”. She’s so short that I can’t get a good photo of her face without flowers in the way, but perhaps that’s how she wants it.

I keep a breakaway bell collar on her all the time even in the house—I like the happy little sound and I can always keep track of her, and she seems to like it to since it means we’ll be going out in the yard again some time. When she hasn’t been outside often enough, she takes it off, usually when she’s in the room with me, and looks at me. Mimi knows how to make a statement.

When we go out, she wears that as well as another nylon collar to which I attach a long leash. She wasn’t too keen on this at first; after all, my yard was her hunting ground when she was raising babies outdoors and she looks at me as if I’m out of my mind—get real, human, I know this yard better than you. But she puts up with it and my silly human fears about her potentially disappearing forever. I may hold the end of the leash or stand on the end of it if my hands are occupied, or I may let it trail along behind her. In any case, we’re getting accustomed to this. Cookie, Stanley, Moses, Sally, Kublai never needed a leash, but Namir did at first, and after a while he understood and stayed with me and Cookie.

She does enjoy being a model, though.

 

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

GREETING CARDS

Greeting cards are printed on 12 pt, stock, coated outside, uncoated inside, and come with a choice of envelopes.

  • Card is blank inside but can be customized with your message for an extra charge.
  • Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

Also see other feline photos in my photo gallery of Cats.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

Giuseppe Resting, black and white charcoal pencils on gray toned paper, 5″ x 7″. The original is available and prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.

    "Giuseppe Resting", black and white charcoal on tan toned paper, 5.5" x 8.5" © Bernadette E. Kazmarski

“Giuseppe Resting”, black and white charcoal on tan toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

So Giuseppe rests all the time, why draw him now? Just because he looked so velvety black there on my desk, completely covering up something I needed to work on. You can see a few extra lines I’d erased at the bottom; he had started out with one paw curled under and his head up. I no sooner had that roughly outlined than he laid his head on his paw.

My desk lights are shining on him from behind so his face is in shadow, and I did my best to capture the subtleties of highlights and reflections on his features in several different hardnesses of regular charcoal plus white charcoal on tan toned paper, then I used the kneaded eraser to burnish the densest black areas.

And when I scanned it, putting the entire sketchbook in the scanner, I liked the way that looked too. I don’t think of just seeing the sketches as you do because I actually see them in my sketchbooks. So this is what it looks like.

 "Giuseppe Resting", in the sketchbook.

“Giuseppe Resting”, in the sketchbook.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Bella and Foster Friends Tote Bags

I created a silhouette from Bella and stenciled it in onto a canvas or twill bag and embellished with buttons sewn on by hand. Scroll down to see the full color selections.

Original Bella! Tote Bag with the black kitty silhouette

O.M.Geeeee! It’s Bella! On a bag with green button eyes just like her big round eyes! Bella, in silhouette, is stenciled at the bottom of a bag and with just big blue-green eyes that are two-hole buttons sewn on with black thread.

Based on one of my sketches of Bella from shortly after she arrived here simply called “Bella”, I pulled out the scan of the little painting and refined the design in Photoshop. Bella’s eyes are not yellow green, they are a cooler blue-green, and I found pretty close to a good color for her. Others don’t live in a house full of housepanthers, so I added the white, gray and ginger kitties who are her foster friends.

Bella! Tote bag.

Bella! Tote bag.

The original bags and the artwork and stencil, and fellow rescuer Deana modeling the first bag purchased!

White kitty with blue eyes on a natural bag

The white kitty has bright blue eyes.

Gray kitty with green eyes on a natural bag

The gray kitty has the same shade of green as Bella’s eyes.

Ginger kitty with green eyes on a natural bag

The ginger kitty has bright green eyes.

 

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Bella! Flour Sack Dishtowel

I stencil Bella’s silhouette onto a 100% cotton 17″ x 28″ or 28″ x 28″ flour sack dishtowel. You can  mix and match the two sizes when you buy in quantity.

Bella! Flour Sack Dishtowel

Bella! Flour Sack Dishtowel

ABOUT THE ARTWORK

When I created the Bella! Tote Bag I also had the idea of adding Bella to as many other products as I could, including dishtowels. I had some on hand I’d bought for just this purpose so I stenciled her graceful silhouette onto the flour sack cotton. After debating the issue I decided I liked the silhouette alone and that I would leave the buttons off—would you want buttons on your dishtowel?—and just have the silhouette grace the bottom edge.

The only really plain white dishtowels I could find were flour sack dishtowels, but that’s okay because they dry the best. I offer the towel in two different sizes, though both are the same price: 17″ x 38″ and 28″ x 28″. These towels aren’t always exact in size, but they are always the same soft, absorbent cotton. I pre-wash and dry them on the clothesline before I print.

Read more about this design in the Bella! Tote Bag.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Buster Lookin' at His Toes, watercolor, 4" x 5", 1995 © Bernadette E. Kazmarski

Buster Lookin’ at His Toes prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Buster Lookin' at His Toes

Buster Lookin’ at His Toes

SOMETIMES THE CAT you least expect will steal your heart, and you don’t really realize that until years have gone by. Buster wasn’t the brightest kitten in the litter, one of those cats who looks eternally surprised and a little uncertain, but he was sweet and loving and loyal all his life.

Here’s how Buster was rescued…

Buster was but one kitten from many litters born to a cat in a trailer park who simply was never spayed. The fact that a neighbor was setting out antifreeze for them to drink neither inspired the cat’s owner to get the cat fixed nor to keep them all indoors and safe. Buster’s mom and dad had recently lost a kitten they’d adopted to feline leukemia, and Buster’s dad, wanting to save at least one kitten from death by antifreeze and help ease the grief of the loss, chose one tiny black and white kitten to take home. At first, he was ordered to take the kitten back, the loss was too soon, but within hours, reconsidering the possible fate of the little guy, Buster’s mom told him to go back and get him.

This portrait wasn’t exactly commissioned, but was one of a pair of paintings I did as a housewarming gift for a friend. Back when I was just beginning in animal portraiture a friend and fellow cat rescuer showed me photos of her cats, Buster and Kitty, and offered me prints in case I’d ever like to create paintings from any of them. Though I have difficulty just keeping up with my own household I won’t turn down photos of any cats, especially those in her lovely Victorian-themed apartment. The sunlight, the curtain, the cats in the window, I couldn’t wait.

“Cats looking out windows” has always been a favorite theme of mine. Add the delicacy of sheer ruffled curtains and I’m totally hooked. It’s the whole scene I love, the moment, even the silly one of just seeing butts and tails on the windowsill and shadowed silhouettes through the curtain. Those memories are special, and even if we’re looking at others’ cats they still call to mind our own cats at the same moments.

I knew her cats and her apartment as she knew my cats and my home. We worked together and were also cat sitters for each other, and while my visit to her house was fairly simple with her two and then three cats, I had nine cats for her to feed and pet and entertain in my house.

She and her husband purchased a home and as I pondered what would be an appropriate housewarming gift for a friend I remembered the photos, especially those two of the kitties on the windowsills. I’d do a portrait! I remembered how she had loved the traditional features of that apartment, the oak parquet floors, big rooms and high ceilings, that wide traditional molding on the windows darkened with age. And of course she loved her cats, so the combination of the two was sure to be a winner.

I loved the sheer curtain and the traditional wooden windowsill, but rather than my usual pastel, I had been visualizing them in watercolor all along. I was pretty new to watercolor then, just about two years into it and not too many paintings yet, but I’d been studying quite a bit of other artists’ work. I could picture how I’d render the harder shadows and highlights on the wood, and knew it would carry the gauzy shadows on the curtain. The soft shadows on the walls would be a challenge, but the cats would be a joy—meeting my favorite subject in a different medium for once, like sharing a new experience with a friend.

But which photo? The photo with both cats didn’t show their faces, and while I do like unconventional poses and scenes for portraits I didn’t feel that was enough. The other was a typical posture for Buster with his legs stretched out and “looking at his toes”, and while I pondered how to fit Kitty in there from other photos I decided I’d rather not.

I’d do them both. Just two little paintings, 4″ x 5″. That solved it. Here’s the other painting. You can also purchase prints of this painting, and both images are available as greeting cards.

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, Watercolor prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty was a rather large and imperious long-haired black kitty they’d adopted from a shelter, and oh how I wanted a long-haired black kitty after meeting him! My black kitty Kublai was the love of my life, but that didn’t mean I couldn’t have a crush on another, even with Kitty’s, well, cattitude. He was okay, he never swatted me—but then I’d been well-trained by Sally, my white long-haired kitty, in the fine art of knowing when “happy happy purr purr” turned into “I’m totally done with this right now.”

This portrait wasn’t exactly commissioned, but was one of a pair of paintings I did as a housewarming gift for a friend. Back when I was just beginning in animal portraiture a friend and fellow cat rescuer showed me photos of her cats, Buster and Kitty, and offered me prints in case I’d ever like to create paintings from any of them. Though I have difficulty just keeping up with my own household I won’t turn down photos of any cats, especially those in her lovely Victorian-themed apartment. The sunlight, the curtain, the cats in the window, I couldn’t wait.

“Cats looking out windows” has always been a favorite theme of mine. Add the delicacy of sheer ruffled curtains and I’m totally hooked. It’s the whole scene I love, the moment, even the silly one of just seeing butts and tails on the windowsill and shadowed silhouettes through the curtain. Those memories are special, and even if we’re looking at others’ cats they still call to mind our own cats at the same moments.

I knew her cats and her apartment as she knew my cats and my home. We worked together and were also cat sitters for each other, and while my visit to her house was fairly simple with her two and then three cats, I had nine cats for her to feed and pet and entertain in my house.

She and her husband purchased a home and as I pondered what would be an appropriate housewarming gift for a friend I remembered the photos, especially those two of the kitties on the windowsills. I’d do a portrait! I remembered how she had loved the traditional features of that apartment, the oak parquet floors, big rooms and high ceilings, that wide traditional molding on the windows darkened with age. And of course she loved her cats, so the combination of the two was sure to be a winner.

I loved the sheer curtain and the traditional wooden windowsill, but rather than my usual pastel, I had been visualizing them in watercolor all along. I was pretty new to watercolor then, just about two years into it and not too many paintings yet, but I’d been studying quite a bit of other artists’ work. I could picture how I’d render the harder shadows and highlights on the wood, and knew it would carry the gauzy shadows on the curtain. The soft shadows on the walls would be a challenge, but the cats would be a joy—meeting my favorite subject in a different medium for once, like sharing a new experience with a friend.

They are matted and framed individually, but with the same mats and frames. Unlike most other portraits I feature, you are seeing these at about the actual size they were painted.

But which photo? The photo with both cats didn’t show their faces, and while I do like unconventional poses and scenes for portraits I didn’t feel that was enough. The other was a typical posture for Buster with his legs stretched out and “looking at his toes”, and while I pondered how to fit Kitty in there from other photos I decided I’d rather not.

I’d do them both. Just two little paintings, 4″ x 5″. That solved it. Here’s the other painting. You can also purchase prints of this painting, and both images are available as greeting cards.

Buster Lookin' at His Toes, watercolor, 4" x 5", 1995 © Bernadette E. Kazmarski

Buster Lookin’ at His Toes, watercolor, 4″ x 5″, 1995 © Bernadette E. Kazmarski

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

This art is “Beans”, 10″ wide x 6″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 6/9/13.

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

I had a day of painting en plein air, and came home and sketched my cat en plein air.

It’s interesting to see what I would come up with after a day of art. Typically the daily sketch of one of my cats is the first piece of art-on-paper I do in a day, and often the only thing, but I looked at the weather and knew it was one of my Sunday art days, no matter what I “should” have been doing. I’d started out with my contrived trip to the grocery store knowing I’d pass several areas I’d want to sketch and photograph, so when I came back I’d been warmed up with landscapes and streetscapes, then saw Bean on the top shelf of the cat tree in the quiet corner of the kitchen where the shadows are very green from the trees outdoors and the light is blue reflected from the sky.

The original inspiration was Bean’s toes, his little toe beans, oddly enough the clearest thing in the scene, matched with the subtleties of the light on his fur. I watched him settling for only a moment before getting the art bag I’d just put down and quickly roughing him in with the softer black pastel on the dark green paper and pulling the highlights with a few strokes of only three highlight colors. Then I blend with my fingers, one of the things I love best about drawing any animals in pastel but especially my cats, that as I use my fingers to blend the pastel into the paper and the colors into each other, the subject emerges, as if I’m petting them and they come to life.

And warmed up after a day of going about the business of art, photographing and painting and visualizing, this came about much more quickly and surely than it otherwise would have.

~~~

I actually did this sketch on a Sunday but waited to post it on a Money. There are no coincidences. I know the reason for the title and perhaps my even noticing Bean’s toes was the thought of another kitty and a conversation about the nickname “Bean” for her, and the name “Bean” turning up for several other cats at an auspicious time. We lost that little Bean on Monday, another little black Bean, way too early. She was so beautiful, and made me think of Mimi. For my friends who are missing their Sabrina Bean tonight, this sketch is in her memory, whether I intended it or not.

~~~

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Small jute tote bags with my leopard block print, "Yes?"

I imprinted my wildlife block print “Yes?” on both sides of a pre-made jute tote bag or small purse and detailed the edges with a spotted print. The bag is 8″ x 10″ x 3″, lined with thin clear vinyl and holds its shape well. Handles are sturdy plastic coated cord covered with jute. I only purchased and printed two of these bags to experiment, so when they sell out they are out of stock until I can find another similar bag.

Small jute tote bags with my leopard block print, "Yes?"

Small jute tote bags with my leopard block print, “Yes?”

ABOUT THE ARTWORK

G. Print only, black and white, $35.00

G. Print only, black and white

This linoleum block print captures a leopard I saw at the zoo, turning around with quite the question on her face. I so loved the spots that showed up so clearly in my photos so I decided to just print the spots. The art size is 12″W x 10″H.

Block printing is a technique wherein the artist carves the surface of a piece of linoleum, leaving raised areas which will become the image. Ink is rolled onto these raised areas, then a piece of paper is pressed against the block and when it’s lifted away the ink remains, leaving the image on the paper.

I also offer this print without color, as a print alone, and matted and framedI also offer this print without color, as a print alone, and matted and framed in my Wildlife Linoleum Blocks Print gallery, as well as on t-shirts and sweat shirts.

 

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Yes? Tote Bag

I imprinted my wildlife block print “Yes?” on a pre-made hemp tote bag. The bag is 15″ x 17″ x 3″ and unlined, great for shopping. I only purchased and printed two of these bags to experiment, so when they sell out they are out of stock until I can find another similar bag.

Yes? Tote Bag

Yes? Tote Bag

ABOUT THE ARTWORK

G. Print only, black and white, $35.00

G. Print only, black and white

This linoleum block print captures a leopard I saw at the zoo, turning around with quite the question on her face. I so loved the spots that showed up so clearly in my photos so I decided to just print the spots. The art size is 12″W x 10″H.

Block printing is a technique wherein the artist carves the surface of a piece of linoleum, leaving raised areas which will become the image. Ink is rolled onto these raised areas, then a piece of paper is pressed against the block and when it’s lifted away the ink remains, leaving the image on the paper.

I also offer this print without color, as a print alone, and matted and framed, as well as on t-shirts and sweat shirts.

 

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.


Summer Back Road, pastel on prepared board, 8 x 12 © Bernadette E. Kazmarski

Summer Back Road, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

Summer Back Road, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

Summer Back Road, pastel on prepared board, 8 x 11 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 3.

For me, almost any spot along winding, hilly back roads through fields with old trees and fence posts is a worthy spot for painting. This is one of many I liked best of the group I’ve been taking over the years for various reasons. The tree in the center is the main subject if you ask me, and I like the way it owns the road. The road itself leads straight into the scene, unlike most of my road sketches where the roads have bends. The field on the left gently reaches up and up and up out of the shadow in the left corner. That fluffy summer sky is just so pretty, just enough cloud, just enough blue. It’s a scene that always makes me feel very expansive, positive, wanting to run to the top of the hill as I did when I was a child when I saw such a place. The whole scene has a very simple color palette, and where I like to add complementary colors to most of my paintings to liven up the shadows and highlights, I wanted to maintain the scene’s simple, literal sense. A summer day is very uncomplicated.

It’s painted in soft pastel on a self-prepared board. Where I had added the pastel grounds smoothly on other boards, I stippled it on this one intending to use it for a scene that had fine details, like the leaves on the trees. I used that texture to build the textures all over the painting.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Find the Kitty in This Picture", colored chalk, pencil, charcoal, pastel pencil on mat board, 12" x 19", 1987 © Bernadette E. Kazmarski

Find the Kitty in This Painting prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

"Find the Kitty in This Picture", colored chalk, pencil, charcoal, pastel pencil on mat board, 12" x 19", 1987 © Bernadette E. Kazmarski

“Find the Kitty in This Picture”, colored chalk, pencil, charcoal, pastel pencil on mat board, 12″ x 19″, 1987 © Bernadette E. Kazmarski

I’m going way back to my beginnings with this painting/sketch. It predates all of my pastels, but is actually my first work in color, when I decided to move from pencil to try to interpret some of the lovely colors I saw in the world around me, and especially in my cats.

In fact, this sketch isn’t even in pastel at all—I used colored chalk! I remember thinking at the time that I didn’t want to invest in those expensive pastels unless I knew I could produce something with them. How I would know when I could do that without actually using them I don’t know, but I think it had something to do with my level of confidence while I worked on the sketch, much the same as it had been when I worked in pencil. I could visualize the medium, I could visualize the sketch, getting that visualization on the paper was my goal, and in order to do that I had to work the medium and at least basically understand its properties.

Moving on to a new medium? As always, my cats led the way. When I put together my first portfolio book in 1993, I used a photo album with 3.5″ x 5″ photos of my works and often the reference photo and a paragraph of text along with the name and details of the work pictured, using my very first personal computer at home to design and print the information, then glue the photos in place. Ah, sweet memories, building my future. Here is what I had to say about this painting:

Sally can’t ever be too warm. This picture was taken during the summer when temperatures were consistently in the 90s and sometimes over 100 degrees, and this is a south-facing window. When I got this picture back, I wondered why I had taken a picture of this plant, then I saw her tail, and then her face. I hadn’t started working in color yet, so rather than invest in pastels right away, I used colored chalk to see how I would do. The experiment was enough to make me want to explore some more.

I remember that summer. It was two years before I moved into this house and at least that rented house was larger with far more cross-ventilation and a large cool basement, but the heat was brutal, a month of excessive temperatures in a year of drought, very unusual here in Western Pennsylvania. But Sally still spent time in her favorite sunny spots; at the time I had no idea about heat stroke or sunburn in a white cat with pink skin, so I’m glad Sally had a little bit of sense to move herself before she was in danger of roasting herself.

Reference photo for "Find the Kitty".

Reference photo for “Find the Kitty”.

I remember looking at the photo when I got it back too. I remember my eyes kind of picking through it, pulling apart the details and planning how to put it together on paper, a process that is so much a part of my everyday life now after years of visualizing works, but was still pretty new then. And though I’d worked pretty much exclusively in pencil up to then, and this would have been a nice pencil sketch too, it was the delicate colors, the pink of Sally’s nose and ears, the wandering embroidered flowers on those curtains that I loved, the light through the curtains, and the light on the tabletop, that made me decide to try color. At first, I wanted to try watercolor but was intimidated by my total lack of knowledge and the materials I needed to purchase, plus the fact that between two jobs, cats, garden, and renovating this house I had little time to work so I wanted something that didn’t really require set up and preparation and clean up. There was no way I could paint in oils or acrylics to achieve what I saw, and I knew colored pencil wouldn’t work. I remembered pastels, looked at my big box of colored chalk. Possibly, if the subject had been my black cat Kublai instead of my white cat Sally my decision would have been different, but I decided that box of chalk would do to start with. That decision was what led me to working with pastels even today.

I had been working my weekend part-time job in the art store (in addition to my full-time job as a typesetter) since spring that year, and was learning framing as part of that job. I had a piece of gray mat board left over from some framing experiments with some of my pencil drawings, and decided that would be the perfect base for my experiment. Still feeling most confident with pencil, I outlined the scene onto the matboard in pencil, which you can see throughout the sketch. And then I started applying the chalk, figuring out how to apply the medium to the surface and let it do what it would so that it looked like what I was visualizing. But, really, this first attempt was largely like a paint-by-number with the sketch underneath and me concerned about coloring outside the lines and, at first, no blending. I look at that mess of leaves now and don’t want to get involved, but it was a huge challenge, then, and fun.

Detail of the leaves.

Detail of the leaves.

Chalk, however, is chalk, and though I had a big set of colored chalk none of them were dark enough to work the shadows. My pencils weren’t dark enough, and my charcoal was black, which wasn’t the right tone for the table and the shadows around…already I was seeing more color than I had when I’d started and thought all the shadows were black or shades of gray.

I had a 50% to 75% discount on materials at the art store, and decided to get a product that walked the line between my familiar pencils and the pastels I wanted to use without having to purchase a whole set—pastel pencils. I bought a dark brown one. Bold move.

Detail of Sally's face and the curtain and light on the table.

Detail of Sally’s face and the curtain and light on the table.

Much of it is pretty amateur, especially Sally’s face and tail, but I remember being pleased with the way some things worked out, feeling there was a point where it was actually finished but not perfect, and deciding that next time—there would be a “next time”?—I would to a few things differently, and I would also invest in a box of real pastels.

I still remember how exciting it was to see the image emerge from the gray matboard as if it was dimensional, so different from watching one of my pencil drawings develop; though they can appear dimensional as well and mine often did, the addition of color for the first time was breathtaking.

One of the elements of the scene I found very inspiring in addition to Sally and the curtain and the spots of light on the table is the one stray leaf that gracefully falls down in the lower right. I still find exciting little details like that in each painting, background elements that make the rest of the painting interesting. I didn’t know that then either.

Detail of Sally's tail and the table, and that one leaf.

Detail of Sally’s tail and the table, and that one leaf.

I didn’t sign my paintings then, not until a couple of years later, one of those odd humility things, feeling I didn’t deserve to sign my art, something I think every creative person moves through. In fact, I just signed it today, finally, when I removed it from the frame to scan.

The frame and mat for this sketch.

The frame and mat for this sketch.

This painting has always hung in my bedroom, first in a plastic poster frame, and then in a frame I actually pulled out of someone’s trash and cleaned up that magically has a sponged finish including several of the darker colors in it. I look at the painting frequently, often visualizing the scene with today’s experience and knowing I’d do things very differently, but still with a lot of pride at what I accomplished in this early sketch. I also feel the memories of that time and place, smile at Sally and her ways, and look fondly at those curtains that I loved so much, the plant I’d pulled from the back room at the mall where I had worked and revived it, moving it from that house to here and having it until just a few years ago, those orange crocheted doilies that never ruffled right, the cheap mahogany-finish tables that had been my grandparents’ which I still use today, and think of that moment in time, the cats, how each of them came to me to form my first feline family, that house, the light, and how young I was. I also remember visualizing, suddenly seeing art everywhere, everything my cats did, the colors of flowers and how I would render them, and taking more and more photos.

This, of course, just a month or so later, led to “Waiting for Mom”, and the rest is history.

. . . . . . .

What is the difference between a “sketch” and a “painting”? Because pastel is a dry medium and not paint at all works have long been classed as drawings, and pastel works not considered “finished” or “final”, more like studies. But as pastel has become more popular and considered a medium in its own right, some works are also considered paintings. If a work covers the entire surface edge to edge in what is considered the image area, the work is considered a painting. If not, it’s considered a sketch. Of course, that can be subjective—many of the daily sketches I’ve done could be considered paintings because they fill edge to edge, but I’d still consider them sketches in part because that’s the way I think if them. But things evolve in our daily use, and art materials and works of art are among them.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Peaceful Morning feline votive.

This glass votive is etched, embellished and painted by hand and patterned after one of my daily cat sketches, “Peaceful Nap”. It’s made from a repurposed jalapeño jar 3” round and 4″ tall and comes with an LED tea light. Price includes shipping.

Peaceful Nap feline votive.

Peaceful Nap feline votive.

On this jar I etched the entire outside of the jar to better diffuse the light from the candle, spattered the inside of the jar for the color patterned background, then painted the cat figure on the outside.

I used alcohol ink on the inside and I’ve found it can be easily wiped but not scrubbed, and I’m not sure how it would react to an actual flame. For this reason I am selling these with an LED tea light so you won’t need to worry about scrubbing off wax or blackening from the candle.

ABOUT THE ARTWORK

“Peaceful Nap”, pastel, 5″ x 7″ © Bernadette E. Kazmarski

“Peaceful Nap”, pastel, 5″ x 7″ © Bernadette E. Kazmarski

I had this sketch idea in mind for some time, but this drawing was encouraged by art exhibits I saw at several galleries. What I had in mind was just a faintly colored backdrop with a fair amount of neutral, and a small black cat in the lower right corner doing something catlike. In my visualization, the cat was bathing. Here, she is curled to sleep but alert. It is actually Mimi on my lap.

Some of the alcohol inks would not mute down to pastel so I couldn’t quite use all the colors and ended up with just blue and green.

You can read more about the art and my daily sketches on The Creative Cat.

ABOUT MY HANDMADE REPURPOSED CONDIMENT, PICKLE AND PRESERVE JAR VOTIVES

I see things others might recycle or throw away as creative possibilities. I save jars and use a fair number around the house for storage and for projects in my studio and recycle the rest. For years I’ve considered ways to make votives with my artwork just like the ones I’ve received as gifts and began saving the more interesting small jars I had for a someday project, including jars from relish and mustard, jelly and preserves, olives, jalapeños and other pickled items, salsa and other sauces, and more. Each one has its own unique quality and inspiration for me.

When summer came along and I set up my deck with all my varied votives I knew I’d found the project for those jars. I knew I wanted to both etch the glass and paint a design on it somehow, and found alcohol inks, which adhere to glass. On some jars I etched the entire outside of the jar to better diffuse the light from the candle, painted the inside of the jar with the color patterned background, then painted a figure or design on the outside. On others I etched the inside and painted my design on the outside, and on some I’ve done a combination of both.

OTHER VOTIVES

Find other votives featuring cats, butterflies, flowers, nature and wildlife in my Handmade Gifts Gallery or search “votives”.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

The Daily Chase Feline Votive

This glass votive is etched, embellished and painted by hand and patterned after one of my daily cat sketches, “The Daily Chase”. It’s made from a repurposed stuffed olive jar 2” round and 6″ tall and comes with an LED tea light. Price includes shipping.

The Daily Chase Feline Votive

The Daily Chase Feline Votive

On this jar I etched the entire outside of the jar to better diffuse the light from the candle, brushed the inside of the jar for the striped background, then painted the cat figures on the outside.

I used alcohol ink on the inside and I’ve found it can be easily wiped but not scrubbed, and I’m not sure how it would react to an actual flame. For this reason I am selling these with an LED tea light so you won’t need to worry about scrubbing off wax or blackening from the candle.

ABOUT THE ARTWORK

“The Daily Chase”, pastel on textured paper, 5″ x 6″ © Bernadette E. Kazmarski

“The Daily Chase”, pastel on textured paper, 5″ x 6″ © Bernadette E. Kazmarski

This is Basil and Bella in their daily chase around the house when they were still kittens. Working in my studio I heard the thundering of little black paws coming up the steps, saw two blurs run across the landing into the bathroom and thump around in the tub, then run across the landing to the bedroom and bounce on the bed, Bella in the lead at one point, Basil at the next. Not sure where the colors came from but that they are happy and I like them.

You can read more about the art and my daily sketches on The Creative Cat.

ABOUT MY HANDMADE REPURPOSED CONDIMENT, PICKLE AND PRESERVE JAR VOTIVES

I see things others might recycle or throw away as creative possibilities. I save jars and use a fair number around the house for storage and for projects in my studio and recycle the rest. For years I’ve considered ways to make votives with my artwork just like the ones I’ve received as gifts and began saving the more interesting small jars I had for a someday project, including jars from relish and mustard, jelly and preserves, olives, jalapeños and other pickled items, salsa and other sauces, and more. Each one has its own unique quality and inspiration for me.

When summer came along and I set up my deck with all my varied votives I knew I’d found the project for those jars. I knew I wanted to both etch the glass and paint a design on it somehow, and found alcohol inks, which adhere to glass. On some jars I etched the entire outside of the jar to better diffuse the light from the candle, painted the inside of the jar with the color patterned background, then painted a figure or design on the outside. On others I etched the inside and painted my design on the outside, and on some I’ve done a combination of both.

OTHER VOTIVES

Find other votives featuring cats, butterflies, flowers, nature and wildlife in my Handmade Gifts Gallery or search “votives”.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Sunfall Feline Votive

This glass votive is etched, embellished and painted by hand and patterned after one of my daily cat sketches, “Sunfall”. It’s made from a repurposed marmalade jar 2.5” square and 4″ tall and comes with an LED tea light. Price includes shipping.

Sunfall Feline Votive

Sunfall Feline Votive

On this jar I etched the entire outside of the jar to better diffuse the light from the candle, brushed and spattered the inside of the jar for the background, then painted the cat figures on the outside.

I used alcohol ink on the inside and I’ve found it can be easily wiped but not scrubbed, and I’m not sure how it would react to an actual flame. For this reason I am selling these with an LED tea light so you won’t need to worry about scrubbing off wax or blackening from the candle.

ABOUT THE ARTWORK

“Sunfall”, pastel on yellow textured paper, 5″ x 7″ © Bernadette E. Kazmarski

“Sunfall”, pastel on yellow textured paper, 5″ x 7″ © Bernadette E. Kazmarski

When I created this little sketch I called it “Sunfall”, yet when I first posted it I called it “Quiet Morning”. I like both titles, but I think I’m going to go with “Sunfall” from now on! Looks like it might be a nice card too!

The weather has cooled a bit and Mr. Sunshine and Jelly Bean sat quietly on the landing in the late morning as the sun came in the window and fell on them, as you see. The landing is so small and the ceilings are high, the window is a tall narrow casement and the sun comes in at an angle to cast on the round antique mirror making the light very interesting. Because of the trees outside and the objects inside the light on the landing takes on an interesting yellow-green cast with tints from the pine wardrobe, transitioning to bluish shadows near the floor. Of course, the felines are in silhouette in light like that.

You can read more about the art and my daily sketches on The Creative Cat.

ABOUT MY HANDMADE REPURPOSED CONDIMENT, PICKLE AND PRESERVE JAR VOTIVES

I see things others might recycle or throw away as creative possibilities. I save jars and use a fair number around the house for storage and for projects in my studio and recycle the rest. For years I’ve considered ways to make votives with my artwork just like the ones I’ve received as gifts and began saving the more interesting small jars I had for a someday project, including jars from relish and mustard, jelly and preserves, olives, jalapeños and other pickled items, salsa and other sauces, and more. Each one has its own unique quality and inspiration for me.

When summer came along and I set up my deck with all my varied votives I knew I’d found the project for those jars. I knew I wanted to both etch the glass and paint a design on it somehow, and found alcohol inks, which adhere to glass. On some jars I etched the entire outside of the jar to better diffuse the light from the candle, painted the inside of the jar with the color patterned background, then painted a figure or design on the outside. On others I etched the inside and painted my design on the outside, and on some I’ve done a combination of both.

OTHER VOTIVES

Find other votives featuring cats, butterflies, flowers, nature and wildlife in my Handmade Gifts Gallery or search “votives”.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Coral Sunset, 8 x 12, pastel © Bernadette E. Kazmarski

Coral Sunset, Pastel, 8″ x 12″, 2017. The original is framed in a 1-1/2″ solid wood white molded frame with no mat and digital, giclee and canvas prints are available.

ABOUT THE ARTWORK

Coral Sunset, 8 x 12, pastel © Bernadette E. Kazmarski

Coral Sunset, 8 x 12, pastel © Bernadette E. Kazmarski

Last February I caught a surprise winter sunset and shared photos in “I Chased A Sunset”.

…and it disappeared over the edge
and took a piece of my soul with it.

Really, on the way home from a quick errand to a shopping center I encountered a stunning winter sunset just beginning to color and decided to take a detour through a local park to see it in progress. All I had was my smartphone which doesn’t handle colors and contrasts at all well, but decided I couldn’t pass up the opportunity. The sunset had me racing over acres of the park which is on a ridge over a valley, just the perfect setting to watch the sun drop below the far horizon with both trees as a foreground, and then nothing but sky.

I love the images as photos in all their native color and intricacy, but I’ve also wanted to paint a few. I didn’t want to create a masterpiece right now this minute and decided on a simple theme. I used my basic box of pastel pieces, the one I take out in the field for quick sketches so if they all get dumped in a creek it’s kind of okay, in part because I wanted that authentic feel of using a limited palette. Also last year I purchased a number of pastel grounds when I couldn’t purchase my regular pastel paper and painted them on 8″ x 11″ Richeson hardboard panels, which had been the wrong size for a project but perfect for this. The ground for this panel was Golden Fine Pumice in a clear gel, and it seems two coats of the stuff is a good base for the mix of pastels I have in this box—from the softest melt-in-your-fingers to hard Nupastels.

This simple composition, land, sky, bare tree, was made challenging by all the color not only in the sky but in the shadowed ground, and the tiny lights of the world preparing for night.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

The Castle, pastel, 10 x 12, 2000 © Bernadette E. Kazmarski

The Castle, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The Castle, pastel, 10 x 12, 2000 © Bernadette E. Kazmarski

The Castle, pastel, 10 x 12, 2000 © Bernadette E. Kazmarski

It’s actually the steeple of the former Carnegie Presbyterian Church on Washington Avenue, seen from the West Lawn at Andrew Carnegie Free Library & Music Hall. At any other time of the year, or even in another year, I would have missed it because the trees would have been significantly different. I loved reading the variations on the Arthurian legends and all the anachronistic fantasy stories related to and inspired by the legends, so I was probably predisposed to see this view with this interpretation.

I also offer this as a 4 x 6 note card as part of the My Home Town collection. You can order this card here.

See more artwork from the exhibit My Home Town.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

How Many Sunsets, pastel, Pastel, 10 x 12, 2003 © Bernadette E. Kazmarski

How Many Sunsets, Pastel, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

How Many Sunsets, pastel, Pastel, 10 x 12, 2003 © Bernadette E. Kazmarski

How Many Sunsets, pastel, Pastel, 10 x 12, 2003 © Bernadette E. Kazmarski

How many sunsets have shone on this site in Carnegie, the angled sun shining nearly horizontally on the cliff about the creek. Currently, it’s Ross Colonial Cemetery, named so for the Ross family of settlers around the time of the Revolutionary War, but the site has been a lookout for millennia as one can stand on the cliff’s edge and see most of the valley containing Carnegie and the creek as it enters and leaves town. My mother told me her brothers and thers found Native American artifacts in this area.

I also offer this as a note card as part of the My Home Town collection. You can order this card here.

How Many Sunsets note card

How Many Sunsets note card

See more artwork from the exhibit My Home Town.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Studio Guardians, watercolor pencil, 7 x 10 © Bernadette E. Kazmarski

This art is “Studio Guardians”, 7 x 10, watercolor pencils with washes on multi-media paper, signed and dated 7/8/12. The original is available and prints are made in archival inks on Epson Cold Press Watercolor Paper, Hot Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ART

Studio Guardians, watercolor pencil, 7 x 10 © Bernadette E. Kazmarski

Studio Guardians, watercolor pencil, 7 x 10 © Bernadette E. Kazmarski

Since I’ve been spending more time in my studio in the past few years, photos and sketches of my studio cats have become a thing. This little sketch from five years ago is still one of my favorites, in part because it’s bright and colorful and also because it’s very specific for place, but it’s timeless. The old casement with the vase of paintbrushes on the windowsill has been there a long time, the bright green trees outside the window, and many cats have spent time in the sun on the windowsill so it’s timeless. Funny that I painted this so early in my daily sketches series, five years ago. It was almost prophetic.

This is what I wrote about this little painting when I painted it in 2012, five years ago: Yesterday I actually did a painting of Giuseppe and Mewsette guarding my studio, and took photos for reference, and just to have them. I didn’t get the chance last night to post the painting, though I like the photo and posted that as yesterday’s daily photo (actually seen below), intending to just show a comparison of two different media, and what I often do to sketches to simplify them and focus on the subjects.

If you look at yesterday’s photo (actually seen below) you’ll see there’s much more stuff in front of and around them. While this does look like my studio, it’s distracting, and I don’t like to include unnecessary details in my paintings. What I was seeing was what you see here, Giuseppe and Mewsette, the vase with brushes, the window with the green outdoors, and a few miscellaneous shadows. What you don’t see is what I either literally did not see, or simply ignored. I’m good at that. So are my cats.

Studio Guardians, 2012

two black cats on windowsill

Kelly took the day off as my studio cat today, at least so far, so Giuseppe and Mewsette took their places on the cool marble windowsill. Surely I am well supervised, and no evil spirits would dare pass my guardians.

One drawback was that they were a little too far away for me to touch, so all I could do was look a them, a pleasure. I also photographed them repeatedly, and painted them as well, scan coming later.

See more photos of art cats and studio cats.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is white on the sides.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Sunset, Moonset, pastel on self-prepared board, 8 x 12 © Bernadette E. Kazmarski

Sunset, Moonset, Pastel, 8″ x 11″, 2017. The original is framed in a 1″ solid wood antique gold frame with no mat and digital, giclee and canvas prints as well as greeting cards are available.

ABOUT THE ARTWORK

 Sunset, Moonset, pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

Sunset, Moonset, pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

Sometimes the moon follows the sun over the edge, especially as it did this summer evening after storms cleared. The lower sky was layered with clouds in all colors, wispy, puffy blended as if I’d put my finger up there and moved the pigments around. the half moon had risen earlier in the day and was just behind the sun, setting only about an hour later, but brilliant way up in the sky, above most clouds, in that deeper blue canopy.

I used various soft and hard pastels on a self-prepared board; on this board I used Colourfix Fine Blue Pastel Ground. I did sand it between coats and afterward, but I still ended up with pock marks in the surface which you can see right above where the clouds stop, but no matter. The one detail that’s a little more important is that my scanner isn’t quite capturing my paintings as usual, and this is actually missing a lot of coral shades, and also lots of little blending and layering among the clouds. I will see how a photo works tomorrow in daylight.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Mimi in the Laundry Shade, watercolor, 6 x 6 © Bernadette E. Kazmarski

Mimi in the Laundry Shade, Watercolor, 6″ x 6″, 2017. The original is framed in a white wood frame with double mats and digital, giclee and canvas prints as well as greeting cards are available.

ABOUT THE ARTWORK

 Mimi in the Laundry Shade, watercolor, 6 x 6 © Bernadette E. Kazmarski

Mimi in the Laundry Shade, watercolor, 6 x 6 © Bernadette E. Kazmarski

This was painted from a photo I took in August 2015. I’ve always wanted to do a simple little painting of it: my colorful dresses and skirts moving gently in the breeze, the bricks in the patio outside my basement door, the bright sun and shadows, Mimi relaxing on the concrete step in the shade of the laundry. Just a nice memory of a simple summer morning.

I painted this in watercolors on my 6 x 9 pad of 140 lb. watercolor paper. I enjoy painting on that little watercolor pad, the perfect weight, texture and size, and I’m so glad I found it. just working with it makes me more confident.

I’m not sure what’s up with my scanner, though. It’s usually right on the mark when I scan any of my artwork, but lately I’ve had to do so many adjustments, and even photograph my art to get the colors right. I may end up getting a new scanner and rescanning them, but likely anyone else would have to study the painting to see what might be “off” about it.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Curving Tracks, Charcoal, 6.25 x 9.5 © Bernadette E. Kazmarski

Curving Tracks, Charcoal, 6.25 x 9.5, 2017. The original is framed in a 1-1/2″ solid wood white frame with double black core mats and digital, giclee and canvas prints are available.

Curving Tracks, Charcoal, 6.25 x 9.5 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 5.

I took this photo a few years ago from an overpass and always wanted to sketch it in charcoal. The graceful curve of the tracks in any season, because I admire it all the time, is an inspiration to create. In the starkness of the snowy day, the minimized palette honestly black and white even in a photo, the trees rising straight up all around, marching up the steep hill toward the sky and starting down into the ravine on the other side, has been another inspiration I’ve wanted to sketch. We had a nice snow and when I drove past this spot today I decided now was the time to do it.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Reflecting on Each Other, pastel on tan Canson mi-tientes, 5 x 7 © Bernadette E. Kazmarski

Reflecting on Each Other, Pastel, 5″ x 7″, 2017. The original is framed in a 1″ solid wood blue weathered frame with a single white mat and digital, giclee and canvas prints are available.

 Reflecting on Each Other, pastel on tan Canson mi-tientes, 5 x 7 © Bernadette E. Kazmarski

Reflecting on Each Other, pastel on tan Canson mi-tientes, 5 x 7 © Bernadette E. Kazmarski

At this angle I could see a little splash of orange on the Granny Smith and a few specks of green on the Clementine. The light on each of them, the shadows and shapes and the shades of green and orange were almost too many to identify. I took the photo several years ago of my fruit bowl. How fun when you can use your fruit as a painting subject, and then eat it. That’s really a very good deal.

I liked the uncropped version too. Sometimes I like the rough edges on a sketch.

 Reflecting on Each Other (uncropped), pastel on tan Canson mi-tientes, 8 x 10 © Bernadette E. Kazmarski

Reflecting on Each Other (uncropped), pastel on tan Canson mi-tientes, 8 x 10 © Bernadette E. Kazmarski

I was participating in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 8.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Observant Gull pastel on gray fleck mi-tientes, 5 x 7 © Bernadette E. Kazmarski

Observant Gull, Pastel, 5″ x 7″, 2017. The original is framed in a 1″ solid wood blue weathered frame with a single pale blue black core mat and digital, giclee and canvas prints are available.

Observant Gull pastel on gray fleck mi-tientes, 5 x 7 © Bernadette E. Kazmarski

Observant Gull pastel on gray fleck mi-tientes, 5 x 7 © Bernadette E. Kazmarski

What can you say about gulls that is unique, since this is pretty much what they do all day? I’ve done a few other gull paintings and intend to do a few more, but unless I start numbering them I have to find something about this gull, “[Adjective] Gull”, that will make this painting different from the others. At least to me.

Last year at this time I was in Savannah, Georgia, delivering two rescued and well-socialized kittens to my niece and great niece and nephews. My niece and I spent an afternoon enjoying the beach, me for the first time in about 30 years, and doubly wonderful in January having left a moderate snowfall and very cold temperatures behind in Pennsylvania.

I took more photos of gulls and waves than anyone should have taken though I tried to be more restrained. Still, I’m glad I did, as I have this particular gull standing in exactly the same spot but with head turned in different directions, from different angles, and with different levels of reflection on the water. So, now, when I have finally found the time to do a few sketches and paintings from last year’s photos, I can sort through my gull photos and find exactly the right one, the tide washing back down the beach at an angle, the gull’s reflection broken up in a clear and interesting pattern, the blue of the reflected sky gradating from light to dark.

I liked the uncropped version too. Sometimes I like the rough edges on a sketch.

Observant Gull uncropped version © Bernadette E. Kazmarski

Observant Gull uncropped version © Bernadette E. Kazmarski

I was participating in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 11.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Sparkling Gems, pastel on Strathmore charcoal. pastel paper, 12 x 16 © Bernadette E. Kazmarski

Sparkling Gems, Pastel, 12 x 16, 2017. The original is sold but digital, giclee and canvas prints are available.

Sparkling Gems, pastel on Strathmore charcoal. pastel paper, 12 x 16 © Bernadette E. Kazmarski

Sparkling Gems, pastel on Strathmore charcoal. pastel paper, 12 x 16 © Bernadette E. Kazmarski

I have no idea why I chose to tackle this one today, except that after working on the water in yesterday’s little painting of a gull, the visualization I’ve had to do this painting for the past five years just took over my visual thoughts.

The reference photo was taken on a bright January day with lots of snow cover, and the mallards floating on Chartiers Creek where it flows under Main Street on my walk to the bank and post office. The water is shallow there, and with the noonday sun shining right down on it with no shade from trees, the water is filled with light as well as the sky reflecting down onto the surface and light reflecting in various shapes and colors onto every little ripple. It was beautiful to look at, but darned complicated to piece together the interaction of light in the water and on the water and reflections on the surface. I was determined to keep it loose because I didn’t want to contain the movement of the water with unmoving edges.

I named it “Sparkling Gems” because the water is so sparkling and clear like aquamarine, emerald, jade, peridot, tourmaline, malachite, turquoise, while the mallards are like the deeper gems, ruby, garnet, sapphire, lapis, adventurine, agate, and all so beautiful after a few days of cold and snow.

I was participating in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 12.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Promises to Keep", soft pastel on self-prepared board, 8 x 12 © Bernadette E. Kazmarski

Promises to Keep, Pastel, 8″ x 11″, 2017. The original is framed in a 1-1/2″ solid wood white weathered frame with no mat and digital, giclee and canvas prints are available.

"Promises to Keep", soft pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

“Promises to Keep”, soft pastel on self-prepared board, 8 x 11 © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 16.

This panting is named for the famous poem by Robert Frost, Stopping By Woods on a Snowy Evening, which was my first thought when I walked around a bend in the trail to see this alley in the woods filled with deep snow. I’d been hiking around Kane’s Woods with a friend after a heavy snow to get as many snow photos as I could, knowing I probably wouldn’t stop to paint. Late in the afternoon in early January the light was fading but those wonderful dusky shades were filling the white and gray of the snowy surrounding.

How do you capture the bare trees with snow without drawing each twig and fluff of snow?

When I prepared a dozen 8 x 12 hardboard panels with pastel grounds I made each different, and some with texture that I would use as part of the art. To this board I applied white acrylic ground with marble dusk mixed in and rolled it with a small flocked roller. The ground mixture on the hard surface puckered and formed a textured surface.

The texture was just deep enough for me to work pastel down into the texture, then scrape other pastels over the surface of the texture to achieve the shaded appearance in the snow itself, and I also used it to scrape the darker warm gray pastel of the tree trunks over the surface in the wooded area to get the effect of the many tiny twigs piled with snow. I also used it to get the effect of the snow on the vertical trunks where it settled on the bark.

This land was a portion of land involved in the Whiskey Rebellion in Scott Township, west of Pittsburgh, in Western Pennsylvania. It’s also a trail I walked on as a child, long before it was a “trail” on conservation lands. I’m glad to be a member of the Scott Conservancy and be a part of conserving this land.

I took this photo in 2009. It’s about time I painted it.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Touched By Evening, pastel on black Art Spectrum sanded, 8.5 x 12 õ Bernadette E. Kazmarski

Touched By Evening, Pastel, 8.5″ x 12″, 2017. The original is sold but digital, giclee and canvas prints are available.

Touched By Evening, pastel on black Art Spectrum sanded, 8.5 x 12 õ Bernadette E. Kazmarski

Touched By Evening, pastel on black Art Spectrum sanded, 8.5 x 12 õ Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 17.

It’s sweet to study the buildings in an old small town where they rarely rise above four stories tall. I like to look at rooftops and caught this view while walking down a hill until I was at just rooftop level at just the right time of day, late afternoon, as the sun was nearing the horizon and the light became golden and touched just the tops of the buildings with shadows cast by other buildings. This is seen from the backs of the buildings, and all red brick, almost a monochromatic color scheme.

I managed to capture the sun glinting off the blue dome and crosses of the Russian Orthodox church but couldn’t line up the gilded dome and crosses of the Ukrainian Orthodox church right next door. No matter where you look in this town you see crosses against the sky because there is a church on practically every corner, but none as fine as the Orthodox churches standing almost side by side.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

As the Crow Flies, 10 x 14, ink on gray paper © Bernadette E. Kazmarski

As the Crow Flies, Ink, 7 x 10, 2017. The original is framed with a black frame and a single black core pale gray mat, and digital, giclee and canvas prints are available.

As the Crow Flies, 10 x 14, ink on gray paper © Bernadette E. Kazmarski

As the Crow Flies, 7 x 10, ink on gray paper © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This was my painting for day 20.

The day was gray, misty and quiet, just the day to spot a large crow perched atop a dead tree. I was transfixed by its stillness, unmoving, against the gray sky, took a photo, and then it crouched down, lifted its wings and lifted itself heavily from the tree, moving upward and away slowly, on deep, slow flaps of its wings. I left a large expanse of gray because, while perched in the tree the a closeup worked well, once it was airborne the huge gray sky was part of the composition.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Rainy Violet Sunset, pastel on black Canson paper, 9" x 12" © Bernadette E. Kazmarski

Rainy Violet Sunset, Pastel, 9 x 12, 2017. The original is framed with a black frame and a single black core pale violet mat, and digital, giclee and canvas prints are available.

Rainy Violet Sunset, pastel on black Canson paper, 9" x 12" © Bernadette E. Kazmarski

Rainy Violet Sunset, pastel on black Canson paper, 9″ x 12″ © Bernadette E. Kazmarski

I participated in Leslie Saeta’s annual “30 in 30” painting challenge in January 2017. This is my painting for day 22.

I’m still tinkering with the title for this one because it’s also one of my Main Street paintings and I want to get “Main Street” in here somewhere. I have no idea when I took the photo but I know I’ve been holding on to this one for a while. I love rainy dark streets with reflections on the wet pavement, and streetlights shining up the faces of buildings. This one, however, was all about that violet sky, the clouds breaking apart after the sun had set, leaving a red glow on the clouds.

Read my wrap-up of all my paintings from this painting challenge.

See all the art from this and other painting challenges on Creative Challenges.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Appreciating Black Cats

Appreciating Black Cats, Feline Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

Appreciating Black Cats

Appreciating Black Cats

Hamlet and his sister Ophelia were rather feral kittens, did not socialize to fosters, and were placed in a barn to live as feral cats. That didn’t suit them either, so they came to me. It took a while for them to find their socialized selves, and I am more than happy to have gotten to know them and help them to realize humans were nice things, and to be able to have them as my muses and models for a couple of years. Hamlet was meant to inhabit the magic yellow basket. I featured this photo on Black Cat Appreciation Day in 2016.

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio. This is a sample, below.

Framed Photo.

Framed Photo.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.

I sign all prints next to my original signature.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Poppies, acrylic, 8 x 11 © Bernadette E. Kazmarski

Poppies, Acrylic, 8 x 11, 2017. It’s painted on a masonite panel. The original is framed in a 1″ matte black wood frame. Digital, giclee and canvas prints as well as greeting cards are available.

ABOUT THE ARTWORK

Poppies, acrylic, 8 x 11 © Bernadette E. Kazmarski

Poppies, acrylic, 8 x 11 © Bernadette E. Kazmarski

Just some bright orange poppies in the sun on a summer afternoon. I took photos of a neighbor’s garden and intentionally angled one of them to have the poppies grouped against a dark background with no leaves or buds and as few stems as possible, and no black centers, just a big mass of orange, and kind of abstract.

I used acrylic for this for a change from my usual pastel, which was the medium I’d planned when I took the photos, “if” I ever took the time to paint it. I haven’t used acrylic for a while and want to get some practice in, and that’s another thing these painting challenges help with—experimentation.

It’s painted on a masonite panel and the entire background is vertical strokes of phthalocyanine green, just the perfect bluish rather than yellowish green to complement the shades of orange and really make them flash.

This was my painting from Day 15. See other paintings in this and other painting challenges on the page Creative Challenges.

See more paintings in Leslie Saeta’s 30 Paintings in 30 Days Painting Challenge, September 2017.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Late Winter Sunbath, pastel, 6.5 x 9.5 © Bernadette E. Kazmarski

Late Winter Sunbath, Pastel, 6.5 x 9.5, 2017. The original is not framed yet. Digital, giclee and canvas prints as well as greeting cards are available.

ABOUT THE ARTWORK

Late Winter Sunbath, pastel, 6.5 x 9.5 © Bernadette E. Kazmarski

Late Winter Sunbath, pastel, 6.5 x 9.5 © Bernadette E. Kazmarski

I’d always wanted to paint this photo of my orange boy, Allegro. I took the photo in 1993 or 1994, and it’s been on my mind all this time.

I wanted not so much to paint a portrait of Allegro as I wanted to capture that moment that was so much Allegro in his quiet, understated self, having wandered around and found a warm spot in the sun, decided to drop everything and enjoy the sun while it lasted. He sat down between the window and the plant on a cold late winter afternoon and had a nap. I worked it loosely with lots of extra colors to capture the feeling of streaming sunlight. I initially cropped it much tighter, focusing on him, but then I lost the light, the reflections on the window, the sun on the plant, and all the things in addition to Allegro that I loved about the scene.

This was my painting from Day 16. See other paintings in this and other painting challenges on the page Creative Challenges.

See more paintings in Leslie Saeta’s 30 Paintings in 30 Days Painting Challenge, September 2017.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Tulip Garden, watercolor and brush pen, 6 x 9 © Bernadette E. Kazmarski

Tulip Garden, Watercolor and Brush Pen, 6″ x 9″, 2017. The original is not framed and digital, giclee and canvas prints are available, but this is most likely to be a greeting card.

ABOUT THE ARTWORK

Tulip Garden, watercolor and brush pen, 6 x 9 © Bernadette E. Kazmarski

Tulip Garden, watercolor and brush pen, 6 x 9 © Bernadette E. Kazmarski

I wanted to try something fun whimsical and a little looser, an image I visualized when looking at my reference photo. Tulip gardens look like happy little balloon displays and while I love tulips and have painted several watercolors, I wanted to capture just the colorful nature and the shapes of the bright, nodding rounded flowers contrasted with the heavy leaves. I used the brush pen to define some details. I can also add some hand-lettering with the same pen someday if I’d like to.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Main Street, September Morning, pastel, 8 x 11 © Bernadette E. Kazmarski

Main Street, September Morning, Pastel, 8″ x 11″, 2017. The original is framed in a 1″ solid wood antique gold frame with no mat and digital, giclee and canvas prints as well as greeting cards are available.

ABOUT THE ARTWORK

Main Street, September Morning, pastel, 8 x 11 © Bernadette E. Kazmarski

Main Street, September Morning, pastel, 8 x 11 © Bernadette E. Kazmarski

I love quiet little street scenes, and living in a small town they aren’t difficult to find. I took the reference photo for this early on a Saturday morning in early September 2015. The day was already hot, still holding the heat of August, and a bit of a mist had risen when the sun came up; the light was warm and languid. There were people around aside from me—some of the shadows on the sidewalk are from cars—so it was just a momentary empty sidewalk. I remember paying more attention to the two flags slowly waving back and forth on the slight morning breeze so who would notice the people?

I used all Sennelier pastels on this self-prepared board because the surface is so heavily textured but it didn’t hold the pastel very well, and it turned out this had only gesso and no grit or pastel ground. I’d chosen to use this board because of its texture and knowing it could add its own level of detail in many areas of the painting. I was a little disappointed in how it performed, but I always end up liking how it turned out. I stippled the surface with a sponge, I think, and it has an interesting grainy texture. We all have to challenge ourselves sometimes.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

. . . . . . .

© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Front and Back", white and black charcoal on toned paper, 8" x 5" © Bernadette E. Kazmarski

“Front and Back”, black and white charcoal pencils on tan toned paper, 5″ x 8″ © Bernadette E. Kazmarski. The original is available as well as prints made in archival inks on paper and canvas.

ABOUT THE ARTWORK

The framed sample above is a different sketch, but a sample of the style of mat and frame, in coordinating tones, of course.

Giuseppe and Jelly Bean were sharing the same spot of sun on the landing today, contentedly tucked side to side, facing opposite directions. Jelly Bean looks like just a pile of something. Giuseppe at least has ears. They were absolutely fast asleep.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

One Pepper, pastel, 5 x 7, 2001 © Bernadette E. Kazmarski

Hat With Wildflowers, pastel, 5.5″ x 8.5″, 2013 © Bernadette E. Kazmarski

Just the art.

Just the art.

ABOUT THE ARTWORK

I happened to leave one green pepper in the oval enamel bowl on the deck from the morning’s harvest. I love my collection of red-rimmed white enamel bowls of all sizes and shapes, and I actually use them to prepare and process vegetables from my garden. I’ve always been fascinated by how the light and shadow plays around on the inside, and seeing that and the light and shadow on the pepper as well I couldn’t help but grab my pastels for a quick sketch.

The art is 5″ x 7″, double-matted with a quarter-inch of tan black core and 1-1/4″ natural white black core in a cinnamon wood frame.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

Sunset Cruise, pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

Sunset Cruise, Pastel, 9 x 12, 2017. The original is framed in a 1-1/2″ solid wood silver frame with double black core mats. Digital, giclee and canvas prints as well as greeting cards are available.

ABOUT THE ARTWORK

Sunset Cruise, pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

Sunset Cruise, pastel on black pastel paper, 9 x 12 © Bernadette E. Kazmarski

I took the reference photo for this in 2005. It’s been waiting 12 years to be painted. It was indeed a sunset cruise…down Chartiers Creek on a perfect July evening. Not only the delicate light on the nearly still water and the clear sky gradating up to deep blue, but the curve of the hills on either side. Of all the photos I took for this one scene, this off-center horizon has stayed with me all these years.

This was my painting from Day 13. See other paintings in this and other painting challenges on the page Creative Challenges.

See more paintings in Leslie Saeta’s 30 Paintings in 30 Days Painting Challenge, September 2017.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

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© 2017 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Cat Mountains", pastel on pastello paper, 12" x 9" © Bernadette E. Kazmarski (adjusted version)

The Cat Mountains original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

Three cats asleep, just like mountains in the dark.

This was purely a visual inspiration, looking at Mimi and Bean and Mewsette all curled into one another, all the ears and backs and peaks and valleys looked like a mountain range to me, so I decided to do a more finished drawing with that idea.

In order to make it convincing to anyone else but me, I had to put the moment into context. Where were these mountains? I thought. And what time of day was it? I decided because they were dark and the highlights were one of the very most inspiring things about them that it had to be night. I added stars to the night sky after I’d let it sit for a while; I didn’t want to, it seemed cliché, but in the end it drew attention away from the cat figures long enough that they did, at first, look like mountains in the darkness.

Where are they? Because they were actually sleeping on my nice flat and level work table, I decided they might be mountains near the desert.

What I was trying to capture was the sense that they rose up organically from the surface, much as mountains in the desert seem to do, and convey both the strength of mountains and the quiet peace of a mountain scene at night under a starry sky. It’s not just an interesting visualization, it’s also descriptive of what I intuitively sense from cats themselves, and especially this particular group of five when they get together in cat piles, that quiet tranquility, yet the strength of their structure evident even as they rest.

I’ve never seen mountains in the desert under a dark and starry sky. That part is pretty much made up from some photos probably in National Geographic and some creative visualization.

They are worked in pastel on black pastello paper, though unlike other sketches I didn’t leave the black open, instead I drew in the darkest areas with black pastel and didn’t leave anything uncovered. I’d mentioned earlier that I typically ignore their color, using their silhouettes as a starting point for new designs, but this time their solid blackness is an important part of this idea, imparting the idea of solid strength. Their mahogany mid-highlights and their blue top highlights were part of the inspiration as well, seeming to describe the slopes and peaks of a mountain in starlight. I’m not sure I would have seen this visualization that led to this if they’d been striped or spotted.

And while typically my daily sketches are quick and undetailed studies and a pretty literal interpretation of what I see, this is an example of some of the ideas I have on a regular basis, and which I’ll pursue in between other things.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

“Cathedral of Trees” photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

Below is a current framed print of this photo. It’s the first one in the list of options above.

ABOUT THE ARTWORK

This photo is “Cathedral of Trees”, a spot on the floodplain where trees have to reach high out of the valley to capture the sunlight and so grow tall and straight. The trail among the trees and bends through an area where the trees arch over the soft leaf-littered path like an entry way to a magical place and has the feeling of a high-ceilinged cathedral where the light comes in from clerestory windows.

It’s right off the Panhandle Trail in Collier Township, PA, and part of my “Sun Shadow Ice and Snow: Seasons Along the Panhandle Trail” exhibit. It’s so exciting to share some of my favorite places with people who might never otherwise see them.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This photo is 10″ wide x 20″ tall, and is framed in a wide solid walnut frame with a green parchment mat. Mat and backing are acid free, glass is premium clear. All framing is done by me. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

Mimi Hunting: Watching, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas and available framed and unframed.

About the artwork

On a quiet afternoon the garden was full of excitement.

For several years before moving in with me, Mimi “belonged” to a neighbor who would not spay her and she had six litters of kittens*. She hunted for food for her kittens, and my yard was her territory. Now that she’s a pampered princess she still likes to indulge now and then, just to keep in shape, though she is on a leash when she is outdoors with me.

I let the corners of my yard grow over with grasses and native plants as part of my Backyard Wildlife Habitat, and the creatures who inhabit the wild areas help to control insect pests in my yard.

*Litter number 6 came here with Mimi and they all live with me, you see them in the black cat art and photos all over this site.

There are four images in this set:

Intent

Listening

Waiting

Watching

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED PRINTS

Print are framed with a white acid-free mat and a 1.25″ matte black solid wood frame. I do the framing in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. On these prints the image wraps around the edges.

I sign all prints next to my original signature.

“Catamount Brushmore”, black and white charcoal on toned paper, 5.5″ x 8″ © Bernadette E. Kazmarski

Catamount Brushmore prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas, and the original art is still available as well.

ABOUT THE ARTWORK

ABOUT THE ARTWORK

I mean no disrespect to these four presidents, but when I looked down from my computer screen at the four, this is what I saw. Well, what I saw is above, but really, this was what I immediately visualized—look at the photo below I used for reference!

“Catamount Brushmore” reference photo.

“Catamount Brushmore” reference photo.

Not quite the same, but certainly suggestive. I just moved Bean up a bit. I quickly blocked out the shapes and snapped a reference photo, sketched in white and black charcoal as long as I could until they’d moved too much, then finished from the photo. In case you didn’t “get it”, I added the blue sky in pastel pencil, like that was going to help. And I looked at a photo of the actual Mt. Rushmore and added the pine trees at the bottom for authenticity. From the left it’s Bean, Mr. Sunshine, Mewsette and Giuseppe.

Really, what would I do without such unusual inspirations! What they were doing was invading my desk and preparing to occupy, my daily torture of cuteness and interruption. Better get all my papers and stuff off my desk because everything will be buried under the pile. See below for how it turned out. Looks like the mountain collapsed. Look at that Bean belly–he’s laying on top of a small box. No wonder I can never clean my desk.

How it all turned out.

How it all turned out.

So now I actually get to get back to work so I can finish what didn’t get done while pursuing my big inspiration.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas carries the gray-toned paper background around the sides.

FRAMED PRINTS

I am reframing the original and will post as soon as it’s done. I do all my own framing and can custom frame a print for you as well. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
open your heart to unexpected moments of beauty

Unexpected Beauty, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“open your heart to unexpected moments of beauty”

That’s my own observation. Heading to the basement in the morning and planning on some laundry to be hung outside, which I enjoy, I knew it was raining and though disappointed I looked out the door to see this.

A Rainy Morning

A Rainy Morning

I was so moved by the color, the random shapes of the hangers fading off into the distance, sparkling drops, blurred drops, gentle bokeh highlights of raindrops glistening on the plants in my garden. So simple, yet satisfyingly complicated in all the details to study. I added the text later, describing how I felt. The laundry could be done another day.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, and this image wraps around the sides.

Shadows and Light, black and white photo.

Shadows and Light, Photo prints are made in archival inks on Epson Matte Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

The colors of imminent autumn in a black and white photo is poignant, the warm angled light made cold, the rich variation in greens and yellows flattened.

As the season begins to color up from the greens of summer to all the colors of autumn, a black and white photo of the anodized aluminum tub in my garden with a late planting of salad greens in waning summer sunlight seems to hold a mystery, shadows, shapes, angles and lines, the wanted and unwanted, expected and unexpected, a new view on a common thing.

This photo is on traditional black and white film, taken with my Pentax K-1000 to capture the huge variety of textures and patterns without the distraction of color. I scanned the print, and someday may scan the negative. I have left a white border around it, reminiscent of the black and white photo.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

The photo is double matted with black core white acid-free mat and a solid wood matte black 25″ x 23″ frame and I’ve used a more square layout, but the image can also be more rectangular, and other styles are often available; check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are white.

Autumn Wildflower Harvest, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

It was one of those moments that completely overtakes me–the extraordinary in the ordinary. I had gathered these wildflowers on the way home from work during one of those too-brief, clear September evenings, warm, but with a creeping chill in the shadows. Goldenrod and fall asters are just about my favorites, so I brought some home and placed them in the vase on the table on my deck. You can read more about the time of this painting in The Artist’s Life: The Splendor of Autumn on The Creative Cat.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Green Apples, oil pastel, 12 x 12, 1998 © Bernadette E. Kazmarski

Green Apples, Oil Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I was new to oil pastel–before the “Green Apples” they felt like crayons and I never thought I’d get used to them, being so accustomed to chalk pastels. But it was the very differences that kept drawing me back–the brilliance of the colors, the quickness of a sketch, the ability to create “impasto”, or an actual thickness of the medium on the paper seen most often in oil paintings. My Granny Smiths were politely piled in their bowl, unaware that they were providing a great inspiration for me to do my first still life, and to do it in oil pastel as an experiment. I chose one of my favorite colorful 1940s cotton tablecloths featuring lemons and raspberries to drape over the little round table.

The original was purchased, and the woman who purchased it decided that she would like two paintings for the spot, identical in size, matting and framing and perhaps style. We discussed several subjects, but as the summer waned and she mentioned golds and earth tones, I knew it had to be squashes. One of my favorite vegetables to grow and to eat, they were just about ready to harvest, and their colors were perfect to create a piece to complement the Green Apples. She had incorporated a Jacquard pattern into some of the fabrics in her dining room, so I incorporated it into the background of the painting.

I often sell prints and canvases of Green Apples and Squashes as a set.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Squashes, 12 x 12,oil pastel, 1998 © Bernadette E. Kazmarski

Squashes, Oil Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I had painted “Green Apples” earlier that year, and the woman who purchased it decided that she would like two paintings for the spot, identical in size, matting and framing and perhaps style. We discussed several subjects, but as the summer waned and she mentioned golds and earth tones, I knew it had to be squashes. One of my favorite vegetables to grow and to eat, they were just about ready to harvest, and their colors were perfect to create a piece to complement the Green Apples. She had incorporated a Jacquard pattern into some of the fabrics in her dining room, so I incorporated it into the background of the painting.

I was new to oil pastel–before “Green Apples” they felt like crayons and I never thought I’d get used to them, being so accustomed to chalk pastels. But it was the very differences that kept drawing me back–the brilliance of the colors, the quickness of a sketch, the ability to create “impasto”, or an actual thickness of the medium on the paper seen most often in oil paintings. My Granny Smiths were politely piled in their bowl, unaware that they were providing a great inspiration for me to do my first still life, and to do it in oil pastel as an experiment. I chose one of my favorite colorful 1940s cotton tablecloths featuring lemons and raspberries to drape over the little round table.

I often sell prints and canvases of Green Apples and Squashes as a set.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Winter Still Life, pastel, 8 x 10, 2014 © Bernadette E. Kazmarski

Winter Still Life, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

That deeply angled winter sunlight reaches farther into the windows than summer sunlight, into the corner with the fruit bowl. I’ve been looking at the late afternoon sun hitting this vintage ceramic bowl where I keep my apples and enjoying the shapes of the apples, the reflections on the bowl with its uneven design in indigo with gold leaf brushed into the pattern here and there, the crocheted cloth and the mix of direct and reflected light on the apples, the bowl, the wall, the painting above.

The light changes too fast so I can’t sketch it on site, but of curse I’ve also photographed it, and worked from a series of photographs over a period of minutes as if I was working in the moment. I’ve found that when I work from only one photograph I feel a little stiff with the subject and a series of images feels more natural.

Granny Smiths are just about my favorite apple and are the most likely to be in the bowl and the reflection of their color on the walls around gives the scene an overall green cast. In the original painting, the crocheted cloth is a little more yellow than you see here.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Main Street at Twilight, Photo, 2013

Main Street at Twilight, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Click this image to see an enlarged version.

I have no idea how my little hand-held digital metered the colors like this, but I heartily approve! Honestly, this is not touched up in any way, even though the sky looks as if I either added from another photo, I adjusted the color in that area or I just painted in another sky. The whole thing looks like a movie set.

The time of day was twilight, after the sun dropped below the horizon but still reflected on the sky and the thin overcast of clouds. I know I pointed my focus spot on the darkest area in the scene, way down at the other end of Main Street, the building that is actually on a hill in the next community, and that would have influenced the internal metering especially since the scene looks very bright although it’s only the street lights that provide illumination. I can assure you they are not that bright.

And likely the yellow lights also pushed the complementary blue of the sky a little brighter than it actually was. However it happened, I approve.

This was taken with my little Lumix point and shoot where I have very little control, but the other settings that would have influenced this outcome are two I’ve always set on these little cameras. First, I turn the stabilizer mode, which will help to eliminate blurriness in low-light conditions, to “off” because in these small cameras it simply changes the ASA setting to a higher number. This results in a photo that looks great in your view screen, but when you open it up on your computer it’s completely grainy. I use a tripod, or, as in this case, I find something to set the camera on or press it against and set the shutter for a 2-second timed delay so that everything is as still as it’s going to get when the shutter finally opens.

Second, I set the EV, or exposure value, setting two or three steps below the middle. Most cameras shoot light so that as much light as possible gets into the lens, but you also lose detail in the highlights and I find it doesn’t meter well for images with a lot of contrast, which is usually what attracts me.

So, I guess that’s how this one turned out like this.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Check the thumbnails above to see what’s available now or ask about custom framing. Framed prints are signed on the photo and on the mat.

Other custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I’ve had this photo made into a canvas up to 30″ x 40″ and it looks great. Above are detail photos of a 24″ x 30″ canvas.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides on this canvas are black.

 

Closeup.

This 5″ x 6″ wood panel chalkboard has “Stanley With Apple” on one side and solid dark green on the back, covered with chalkboard texture; it comes with a piece of chalk to start with.

I am so excited about this little project, partly because it actually worked out as I’d planned on the first try! I have always seen the little sketch, “Stanley With Apple”, as a “back to school”  thing because the combination of the apple and the way I’d worked the background always looked like a chalkboard, and used it for my “back to school” garden flag “Impressionist Cats”. I’ve always wanted to make little chalkboards too, and when I saw chalkboard paint I had to try it with the next idea I had.

So here we are at back-to-school time and I found the perfect little wood panel, fitted the art onto it, painted it with the chalkboard finish (the back is painted forest green in case you want a non-cat area to write notes), and gave it a try with a piece of chalk just to see if the painted surface worked…and it did! After the recent disappointments with the rubber stamps and other projects this just made the month for me. I drilled holes and added the twine hanger and the chalk on a piece of twine. You can hang it on the wall or on a hook on a refrigerator or other surface. Wipe off your notes with a dry or slightly damp soft cloth or sponge.

 

ABOUT THE ARTWORK

Read more about “Stanley With Apple” and my daily sketches on The Creative Cat.

Pittsburgh On the Water, Photo

Pittsburgh On the Water, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

I took this photo from a canoe on the Ohio River in 2007. Chartiers Creek, which runs right through Carnegie and which I canoed frequently at that time, spills out into the Ohio River at McKees Rocks. We finished paddling to the end of the creek and proceeded out onto the river. The sun was shining behind the buildings of downtown Pittsburgh so it isn’t as colorful as it could be, but still it’s the same Pittsburgh skyline, the fountain, the bridges, I’d recognize anywhere.

For more photos of Pittsburgh visit my Views of Pittsburgh gallery of images.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

Pittsburgh, Troy Hill, Photo

Pittsburgh, Troy Hill, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Great view! On a bluff above the Allegheny River just across from downtown Pittsburgh, these colorful old houses looks like a little street somewhere in Europe, which is pretty much what it was patterned after.

But I couldn’t decide which was better—the row of houses, or the view of the whole scene, sky, houses, hillside, river and all. Plus, it’s more dimensional to frame.

For more photos of Pittsburgh visit my Views of Pittsburgh gallery of images.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

 

“Bella Birdwatching”, black and white charcoal on gray toned paper, 5.5″ x 8.5″ © Bernadette E. Kazmarski

The original has already been sold, but, signed prints of “Bella Birdwatching”, Charcoal on Toned Paper, 5.5″ x 8.5″ are made in archival inks on various media.

ABOUT THE ART

So Bella is an avid birdwatcher. She spends long hours by the big north window watching the birds at the feeder. I spend long hours studying her profile while she does so. I decided to finally sketch her and thought of the toned paper with white and black charcoal, and I also added a bit of pale yellow green in her eye.

Of course, I didn’t sketch this while she watched birds. She never really keeps still, but I did get a good outline while watching and added all the details from photos open on my computer screen, holding my sketchbook as if I was sketching from life. I always want to be able to keep that extemporaneous feel to my sketches, and so even if I complete one later from photos I’ll try to mimic the conditions of sketching from life as much as possible. But I wanted to be certain to capture that short little face, delicate chin, the swept-back ears and whiskers, the highlights as the reflected north light washed her face and the window was reflected on her eye, and her paws, at rest, but ready at any moment to leap up and fly at the window screen.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas wraps around the sides

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Red, photo

“Red” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Red, photo

Red, photo

Sometimes the scene is just visually stunning, especially with a little flash of angled late afternoon sun on that bright red Virginia Creeper. Love the peeling paint, the weathered wood, gentle dappled and reflected autumn light, cloudy windows and rusty chipping door hinge. Yet the creeper and the old garage have their own ways of fading into a new season: the plant flashes its brilliance before it fades after its one season of life, while the building fades though it gathers and carries memories from year to year.

Even though the autumn landscape is one big beautiful scene, this is my favorite iconic autumn photo for its contrasts and its focus on one small portion of the season. And that shade of red.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

Studio Window, Autumn, Watercolor. The original art is 5.5″ x 8.5″ ink and watercolor pencil on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

I’m so excited to offer an image that is so dear to me—one of my cats on my studio windowsill. All the years I’ve been here I’ve loved my time in my studio, which was also once my foster room. I often remark how my cats enjoy spending time with me in my studio because they sense my own enjoyment of what I’m doing, and for frightened fosters not only can they sense that but I’m also in a typically non-verbal space, something they and all cats find very comfortable. Sharing my non-verbal self with animals, especially cats, has been one of my lifelong joys, and often a great comfort. My memories of cats sharing my studio with my felines, especially seeing them enjoy the view out the window, are very special. So for all those reasons I’m so happy to share this painting for the month of October.

From November 2014 when I created the sketch:

This really happened! Just this afternoon (Monday), and it’s both Mimi and Mewsette.

My studio is actually my spare bedroom, on the second floor. I call it “the treehouse” because outside the window are arching branches from my river birch coming in from the left and a tangle of branches reaching from my maple on the right, the neighbor’s dogwood as well, and behind most of it is my tall spruce. The house faces northwest, so in the mid to late afternoon the sun shines down on all those leaves, but the inside is in shadow; later the sun reaches to the windowsill and onto my drafting table.

I love to watch the change of daylight in all seasons, the pale greens of spring and dark greens of summer, the yellow, orange and red of autumn and the bare branches against the dark green of the spruce, and, of course, my cats. Today, first, Mimi joined me and sat on the windowsill to have a proper bath in preparation for an afternoon nap on my lap, and a little later Mewsette joined us and sat to watch the birds in the trees. They both sat in the same spot, but Mewsette is bigger, but Mimi turned her head the right way. So this is both of them.

I painted it later in the day, from photos and memory, applying the watercolor background first according to what I visualized—my trees are nowhere near that bright, only in my mind, but that is what I wanted, and the blue at the bottom for the cool shadow inside. The I referenced the photo for the feline figure, more or less, and the vase with brushes, more or less, since the cats and the vase with brushes are so familiar to me I barely needed the photos. I debated about the muntins in the window thinking they might be too harsh, but decided that was part of the charm of this old window, and would convey that idea to others who viewed it. My window has more bars, but they nearly crossed behind the feline face and went behind the brushes and I didn’t want that, so I moved them, keeping them a little off-center. I also used transparent layers of black instead of solid black as I have in other similar paintings—even though my first impression was of a silhouette, I could see it was not, and there was enough variation in the figures that I would leave some detail there.

And, as I like to say, that’s why we have art, so I can have it the way I want it. The doing of it ran very late because each layer of paint had to dry in between.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper tinted with watercolor pencil and toned with washes of clear water. The original is matted with a cream black core top mat and a red black core bottom mat, framed in an 11″ x 14″  white wood frame 1.5″ wide.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Autumn Rainbow

Autumn Rainbow, Photo prints are made in archival inks on Epson Silky Photo Paper and signed by me.

ABOUT THE ARTWORK

This is the colorful sugar maple that stands by Chartiers Creek on my way to Main Street. It’s like an old friend. I chose this angle because it had every color of leaf in it and filled the whole frame with just bits of that brilliant complementary blue autumn sky. Because the leaves are almost gradated in a semi-circle it made me think of a rainbow.

I had a few places to photograph autumn scenes for a couple of customers and I just couldn’t stop, not until the clouds covered the sky and the rain came. What a gorgeous autumn day to be running around in the woods and on Main Street and several other places trying to get the best autumn photos before the rain and cold! This is the colorful sugar maple that stands by Chartiers Creek on my way to Main Street. It’s like an old friend.

You can see more photos from this day in this post.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

A plain matte black frame and white mat is available. Visit “Framing” for details or ask about custom framing. Framed prints are signed on the photo and on the mat.

PHOTO PRINTS

Prints are made on acid-free gloss photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black around the sides.

"Dreams of Three", watercolor, 9" x 6" © Bernadette E. Kazmarski

“Dreams of Three” prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Giuseppe, Mewsette and Mr. Sunshine were all very dreaming very deeply on my desk, curled and tucked neatly together. I saw swirls, and began to visualize how I would interpret those swirls. No heavy lines, I wanted the darkness of their faces, where the swirls began, fading in swirls and marbles and fading lines to the lightness of their shapes. Somehow, speckles would be a part of it. I took a photo, below, and pondered my assignment.

Reference photo for "Dreams of Three".

Reference photo for “Dreams of Three”.

I almost went with sepia and black, but that was too heavy for the dreaming feeling I was visualizing, which I’d done before in “Leaves and Shadows” and decided to work in the same palette. I began with three freehand swirls with solid faces and ending in just an arc in light blue, then worked medium green in for shape and texture to form the tails of the swirls, then purple to define their faces.

In the end they are all dreaming together, as they do.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
"Back to Front" pendant, 1" x 1.5" oval on multi-strand cord.

This small pendant is made of air-dry clay with a print of my sketch “Back to Front” impressed in the clay and finished with a gloss varnish. It comes in four different shapes with a little variation in size from 1″ to 1.5″, and comes with three choices of cord. Pendant style and cord style are interchangeable.

NOTE: I have a limited number of each shape, sometimes as few as two. If one sells out I try to note that here but can’t always get to it before someone comes along. If the product does not show up in your shopping cart, that means I am temporarily out. Each one is handmade and takes several days for the clay and then the finish to dry, so please be patient.

Your pendant may vary from the samples shown below. Scroll down for more detail on shapes and styles, below.

Selection of pendant styles.

Selection of pendant styles.

Selection of cords for pendants.

All four pendants". 1" x 1" round on flocked cord; 1" x 1" square on wire cord; 1.5" x 1.5" irregular on wire cord; 1" x 1.5" oval on multi-strand cord.

All four pendants”. 1″ x 1″ round on flocked cord; 1″ x 1″ square on wire cord; 1.5″ x 1.5″ random on wire cord; 1″ x 1.5″ oval on multi-strand cord.

ABOUT THE PENDANTS

This pendant is another experiment I’ve been considering for a while. They are made from air-dry clay because I love the smooth porcelain appearance. The clay is made from ground stone and cellulose, which is basically paper pulp, and it is wonderful to work with.

The image is my brush pen sketch “Back to Front” and is another project I’ve been considering for a while. I had a rubber stamp made of the image which I will no doubt use as a rubber stamp on paper and things, but I also wanted to be able to ink it up and press it into the wet clay. It worked just as I’d thought, so I see more like this coming in the near future as well as other variations: without ink, different colors of clay, or painted.

I’d intended to make only one shape and size and sell it with just a jump ring and piece of ribbon, but once I get into a project I have to explore all the possibilities. I made four shapes, and then I decided to see how it looked on some of the wires/strands/cords available in stores, and when I did I decided to include that as part of the gift–because once I’d seen it I couldn’t *not* include it!

Most pendants are about 3/6″ thick except the square which is about 1/8″ thick just to see how thin the clay could be worked. They are coated front and back with gloss varnish.

ABOUT THE ARTWORK

 "Back to Front", ink brush pen, 4" x 6" © Bernadette E. Kazmarski

“Back to Front”, ink brush pen, 4″ x 6″ © Bernadette E. Kazmarski

“Back to Front” is just how I visualized this “line drawing”—from the point of Bella’s tail that meets her back, out and back and around and over to her shoulder, then over to her face, from back to front. The little feline, I was so concerned I’d muss it up. You can see more sketches on The Creative Cat.

ROUND

Round pendant is 1″ x 1″, about 3/6″ thick, with 10mm black-finished aluminum jump ring. Your pendant may vary slightly from the sample shown here.

You may choose any of the three cord variations, below.

SQUARE

Square pendant is 1″ x 1″, about 1/8″ thick, with 10mm black-finished aluminum jump ring. Your pendant may vary slightly from the sample shown here.

You may choose any of the three cord variations, below.

OVAL

Oval pendant is 1″ x 1.6″, about 3/6″ thick, with 10mm black-finished aluminum jump ring. Your pendant may vary slightly from the sample shown here.

You may choose any of the three cord variations, below.

RANDOM

Random pendants are unique in shape and size. I take all my leftover clay, cut it up into smaller pieces and roll them out, then stamp on them. They are about 1.5″ x 1.5″ and about 3/6″ thick, with 10mm black-finished aluminum jump ring. Your pendant may vary slightly from the sample shown here.

You may choose any of the three cord variations, below.

Cord Styles

Flocked round cord has a lobster claw clasp and extra length of chain.

Multi-strand cord has two narrow flocked strands and one 1/4″ black voile ribbon held together at the ends. It also clasps with a lobster claw clasp and extra length of chain.

Wire cord is a circle of sturdy black wire held together by a barrel clasp.

 

"Afternoon Nap", pastel on hand-finished paper, 7.5" x 7.5", 2004 © Bernadette E. Kazmarski

Afternoon Nap original pastel is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

About the Artwork

A Portrait of an Old Cat: Afternoon Nap

~~~

An old cat, a gentleman,
he has found a quiet spot, upstairs in the afternoon,
and has so perfectly placed himself a little off-center
on the expanse of white bedspread,
illuminated by stark winter light through the window.
(Stanley finds all the best places.)

~~~

You know those moments where you walk upon a scene of your cats doing something that you always want to remember, whether it’s a regular habit or a one-time thing? This scene was one of Stanley’s regular habits during his last few years; every afternoon he’d head upstairs with intent and I’d find him curled in the same spot on the bed.

Portrait or sketch?

All of my art begins with a moment, be the subject my cats or nature or even a more abstract visual theme. It’s where I go from that moment of inspiration that differs from one work to the next. Sometimes I’ll decide on a more formal portrait, more detailed, more planned, to capture a moment. I’ll take photos and write a few notes and keep it in my files for the day when I have time to follow up, and often this is determined by how often and how clearly my original image appears in my conscious mind—sometimes a painting really wants to be done and I find myself visualizing it all the time, other times it leaves and comes back at a moment that is meaningful. But sometimes I’ll do a quick sketch and leave it at that. The image is simple, it works best small, I only want to capture the mood, and there isn’t enough essential detail to warrant a larger, more detailed piece.

With “Afternoon Nap” I decided I wanted that moment. I’d already taken a few photos of him just to preserve the moment and was considering this sort of a scene as a more formal portrait. At his age he slept pretty soundly but I still tiptoed out of the room and ran down the stairs for my stuff. I grabbed my small box of pastels and a piece of my “experimental” drawing paper, choosing a heavy drawing paper to which I’d applied marble dust mixed with gesso and just a little bit of fine fine grit pastel medium, applying it with a brush to have just a bit of texture. I got to work, standing at the foot of the bed to quickly capture the essence of the scene I visualized in that instant: all the shades of shadow and highlight in the white bedspread, the fold under the pillows and the curve of the mahogany headboard just giving enough detail to know it was a bed, and the pastel winter light full of sun and just a bit of green reflected from the ivy on the tree outside the window. Instead of drawing with the ends of the pastels I dragged them over the surface in layers to get the depth of color and shadows, Stanley himself just in simple tonal colors, the only solid detail in his white paw.

Just like "After Dinner Nap", how much to include?

Just like “After Dinner Nap”, how much to include?

On this day I went upstairs for something and saw Stanley on the bed. As usual I had my little digital camera with me, the old original 2MP that captured surprisingly good photos. I took the photo below, but in standing there and studying the image I decided I wanted the light, the delicate colors, just a hint of the objects and the sketch began to materialize. I hurried to get my art stuff for the sketch I was visualizing.

At his age he slept pretty soundly but I still tiptoed out of the room and ran down the stairs for my stuff. I grabbed my small box of pastels and a piece of my “experimental” drawing paper, choosing a heavy drawing paper to which I’d applied marble dust mixed with gesso and just a little bit of fine fine grit pastel medium, applying it with a brush to have just a bit of texture. I got to work, standing at the foot of the bed to quickly capture the essence of the scene I visualized in that instant: all the shades of shadow and highlight in the white bedspread, the fold under the pillows and the curve of the mahogany headboard just giving enough detail to know it was a bed, and the pastel winter light full of sun and just a bit of green reflected from the ivy on the tree outside the window. Instead of drawing with the ends of the pastels I dragged them over the surface in layers to get the depth of color and shadows, Stanley himself just in simple tonal colors, the only solid detail in his white paw.

Stanley on the bed from February 21, 2003, the day I did the sketch.

Stanley on the bed from February 21, 2003, the day I did the sketch.

It was all over in about ten minutes, and though I’d taken the reference photo I never made any changes from that initial inspired session. In its frame, I have allowed the edges to show, mounting it on deep burgundy mat board. I still have this painting, treasure it for its memory of Stanley as he watches over my office, and use it as inspiration for other similar sketches.

You’re probably familiar with “After Dinner Nap”, another memorable and inspirational moment. This image could have gone either way, painting or sketch, but in this case I was intent on capturing all the subtle details in his face, and all that wonderful direct and reflected light.

I decided to try something new when I framed this piece, and instead of covering the edges with a mat I cut the mat to fit around it and mounted it on a piece of mat board. I like it still today.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Exotic from "The Light in the Darkness" series.

“Exotic” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Exotic from "The Light in the Darkness" series.

Exotic from “The Light in the Darkness” series.

“Exotic” is one in a series of photos I took late on a very dark day, and only in that darkness could I capture the delicate beauty of these dry remains of wildflowers I’d photographed through the rest of the year. I will be adding the other photos to my photo gallery here, and collected in a special gallery so you can enjoy the delicacy of gentle highlights, muted earth tones and exotic shapes that met me on my way. Below I have a gallery of all the photos in the collection, and the essay I wrote when I returned and selected the photos to share.

Purchase a print of “Exotic”

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

About The Light in the Darkness

I have had far worse days. Overwhelmed by the demands of commercial work as my customers and I prepared for the holidays along with merchandise orders and custom portraits and my own preparations for ending the year and beginning the next as a small business, I left the house at 4:00 p.m. destined for the post office and bank just before they closed.

Though I had walked this half mile route from my home to Main Street for years, I had lately been driving, using the need to save time or the awkwardness of a pile of packages as an excuse for wasting gas and a chance at exercise and fresh air. The day was hardly inspiring—five days prior to the winter solstice the days were frighteningly short, sunset less than an hour away, and in a series of heavy dark days typical of this area in late autumn and early winter, dense pasty clouds hanging low overhead and so dark it had felt like dusk at noon, and now some of the street lights on Main Street were already alight. I nearly always take photos on these walks, and while I laid the strap of my camera bag over my shoulder I was glad that, for once, I would probably not find anything to photograph and take time from my day in conditions like these.

Traffic was heavy so I took my route under the bridge, next to the creek where traffic noises faded and birds sang, a trickling sound as water flowed smoothly past over the rocks in the shallow waterway. And in the dim and fading light a world so familiar at first appeared dark and nearly colorless until my eyes adjusted to the light and found such wonders among the wildflowers along the way, standing upright though dried and every shade of brown and tan and umber I found fantastical birds, abstract sculptures, amazing complex patters among the dried flower heads, exposed and broken seed pods, leaves clinging curled to stems.

I could not stop for the post office and bank both closed at 4:30, so I walked as fast as I could with my camera bag on one shoulder and a large canvas bag of packages on the other so that I could amble back through this wonderland on my way back to my neighborhood. The light was so dim then, as the time approached sunset within minutes, that I had to set the ISO of my camera on 800 to get anything but vague images floating in sepia darkness, even with all my settings to admit as much light as possible.

These plants had sprung up from seeds tossed here on the wind and water, carried by birds and people walking past, sprouted in spring, housed birds and insects in summer, borne their flowers in summer and fall. I had walked among them many times with my camera and sketchpad, I knew where each stood, when they bloomed, their botanical names and history, I looked for them each year and anticipated the best times to compose the images I visualized, but this was a gift in its unfamiliarity.

Now, after several frosts, autumn storms and snow, the weak parts had been stripped away and the strongest parts of them were burnished by adversity and stood dignified in the dimness, with just enough sheen to highlight their most interesting shapes, textures and combined patterns.

The background now, rather than the usual details of other plants and flowers, was darkness, the more perfect to silhouette each delicate construction as if in a gallery featuring the finest art.

Milkweed pods became flocks of fantastical birds, or individual exotic species clinging to stems. Tightly curled dried flowers or clusters of puffy seeds set loose, sere and twisted leaves and flowers of another time. Even the holiday decorations in a shop front, capturing the blue from the late afternoon light with highlights from the store within echoed the shapes and patterns of the natural forms outdoors, as the raindrops that would soon fall.

I arrived home with dirty shoes from walking in mud, and dirty knees from kneeling in wet grass, bits of leaves and stems and seeds flocked with frills to carry them on the wind on my skirt and jacket, in my hair, on my bags, souvenirs of a timeless magic, both in letting go of the time of day, and letting go of time altogether for that period. I only let go and rejoined the day because it was too dark to photograph any longer.

I am grateful to this gift of creative vision that releases me from everyday cares for just a short time, exercises those aesthetic senses and relaxes the overused worry lines, and gives me these wonderful gifts of images to share, just for noticing the inspiration was there.

There is always something new to learn about the things we think we know well. Never forget that when the light seems dim there is much to be seen with the heart, and when adversity has taken away the quick and obvious beauty, the strongest parts remain, dignified in their naked and twisted strength.

 

What Is the Goal?

“What Is the Goal?” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

What Is the Goal?

What Is the Goal?

Possibly just as much a question of my activities as my aesthetic intentions with my photographs of this one lone tree, at the top of a path at the top of a hill, clouds scudding across the sky on a dark winter afternoon, dark enough to dim the colors in the winter field. Something we should ask ourselves on a regular basis.

One conclusion was that I should get lost on country roads more often. I saw this from a distance, a ribbon of winding road before me and many hills and curves between me and the tree, and drove until I found it.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Winter Lilies from "The Light in the Darkness" series.

“Winter Lilies” prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Winter Lilies from "The Light in the Darkness" series.

Winter Lilies from “The Light in the Darkness” series.

These delicately fluted flowers are actually the opened seed pods from evening primrose, a native wildflower, but rarely do we appreciate the dry faded portions of wildflowers strong enough to survive and make a statement long after the brilliant flowers and verdant leaves are gone.

These flowers grow on the sloping bank along Chartiers Creek. I was actually under the bridge with four lanes of traffic overhead, using my telephoto lens to capture them growing from the rip rap, or the covering of large stones and pieces of broken concrete that hold the creek bank in place during high water events, and could not get closer than five feet away.

The days can be very dark at this time of the year, as is often the case in these last days of autumn when night comes early. But fog and heavy overcast had left the days nearly monochromatic, or in the gray and sepia duotone I find so familiar in conditions like these. I took a walk to the post office and bank in the late afternoon, within an hour of sunset, but even with the light fog, overcast and depending day, I knew I’d find the beauty in the day, emerging from the mist, washed in delicate highlights, familiar things looking completely foreign, taken out of their own context.

This photo is one in the gallery I call The Light in the Darkness.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope.

FRAMED PRINTS

Framed prints are signed on the photo and on the mat. Custom framing options are also available for a special quote. Please ask if you’d like another option.

PHOTO PRINTS

Prints are made on acid-free matte photo paper using archival digital inks. I usually leave an inch or two of white around the print for easier frame fitting. All prints are countersigned by me.

Larger sizes are available than what I have listed, so please ask if you want a special size.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

About The Light in the Darkness

I have had far worse days. Overwhelmed by the demands of commercial work as my customers and I prepared for the holidays along with merchandise orders and custom portraits and my own preparations for ending the year and beginning the next as a small business, I left the house at 4:00 p.m. destined for the post office and bank just before they closed.

Though I had walked this half mile route from my home to Main Street for years, I had lately been driving, using the need to save time or the awkwardness of a pile of packages as an excuse for wasting gas and a chance at exercise and fresh air. The day was hardly inspiring—five days prior to the winter solstice the days were frighteningly short, sunset less than an hour away, and in a series of heavy dark days typical of this area in late autumn and early winter, dense pasty clouds hanging low overhead and so dark it had felt like dusk at noon, and now some of the street lights on Main Street were already alight. I nearly always take photos on these walks, and while I laid the strap of my camera bag over my shoulder I was glad that, for once, I would probably not find anything to photograph and take time from my day in conditions like these.

Traffic was heavy so I took my route under the bridge, next to the creek where traffic noises faded and birds sang, a trickling sound as water flowed smoothly past over the rocks in the shallow waterway. And in the dim and fading light a world so familiar at first appeared dark and nearly colorless until my eyes adjusted to the light and found such wonders among the wildflowers along the way, standing upright though dried and every shade of brown and tan and umber I found fantastical birds, abstract sculptures, amazing complex patters among the dried flower heads, exposed and broken seed pods, leaves clinging curled to stems.