"Peaches and Peonies", pastel, 23" x 17", 2008 © Bernadette E. Kazmarski

Feline Artwork

This gallery includes all of my feline artwork in any medium, style or source, commissioned or not.

Not everything is a big finished painting. I carry a sketchbook with me even around the house and often sell the quick little characterizations I can capture in the moment, usually in pencil or ink, sometimes in pastel.

Most works are available in their original, but I also offer a variety prints on paper or canvas and notecards of quite a few.

Click on any image below to find out more about the art. Also, if you’d like a print or card of a piece of artwork that’s not available, please ask.

"Snowy Morning", watercolor, 5.5" x 8.75" © Bernadette E. Kazmarski

The original has already been sold, but, signed prints of “Snowy Morning”, watercolor,5.5″ x 8.5″ are made in archival inks on various media.



ABOUT THE ART

We had some snow this morning. The kittens have only seen snow in the air once before today, and are fascinated.

This is Bella on my bedroom windowsill first thing this morning, watching the air thick with flurries, and no doubt birds too, in the maple tree outside the bedroom window. It is also many other cats through the years as well as I’ve awakened and watched them utterly immersed in whatever was happening right outside the window. The little cat, the big window, it seems to be a theme.

When I woke up and saw Bella fascinated by the early snow squall, this is what I saw, and I also remember that without someone to rescue her she’d be out there, she might be trying to feed herself and kittens like Mimi did, she might not even have survived, instead of sitting safe inside a big window in a warm house with her current career as an artist’s model. It’s not just what I see that’s inspiring, it’s what I know too.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

The original is still available along with signed prints of “One L-o-o-o-ng Kitty”, cartoon, 9″ x 5.5″ are made in archival inks on various media.



“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

“One L-o-o-o-ng Kitty”, ink hybrid technical pen, 9″ x 5.5″ © Bernadette E. Kazmarski

ABOUT THE ART

It’s a sweet memory of the very first time two formerly feral fosters braved the first floor of the house.

Bella and Basil, respectively, are finally having some time on the first floor after thoroughly inspecting the second floor. I still won’t let them in the basement for fear I’ll never find them in the chaos down there, but they weathered their first journey to the new land well. They are each a little timid when it comes to moving into new spaces for the first time, so I’m cautious not to overwhelm them, and my downstairs can be overwhelming. I tell everyone who visits that I am in “full warehouse mode” and stacks of bins and things are everywhere.

They did need to be coaxed down by me and Bean, but after a few times of running up and down the steps they were exploring, little by little, sometimes together, most times not, then eventually playing.

This sketch was awarded a Certificate of Excellence for Cartoons in the Cat Writers’ Association annual Communications Contest in 2015.

Read more about the Cat Writers’ Association and the awards I’ve won for my writing, art, photography and design.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Evening in the Cat Book Library", 5" x 7", ink and watercolor © Bernadette E. Kazmarski

Evening in the Cat Book Library, Ink and Watercolor prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

"Evening in the Cat Book Library", 5" x 7", ink and watercolor © Bernadette E. Kazmarski

“Evening in the Cat Book Library”, 5″ x 7″, ink and watercolor © Bernadette E. Kazmarski

Bean washes his face while Giuseppe surveys the room, sitting in the cat book library.

In my office downstairs I have the triple dresser I’d mentioned in our last family portrait that holds my collection of cat books. It’s a favorite place to hang out, good view, and a cat can even see out the windows from there. It may be a little confusing in the background, but there is a mirror behind the books.

I enjoyed watching the boys pass the time in feline ways, looking at each other, looking around the room, and having little baths, since it was after dinner. As usual, when they are active, I sketched Bean first on the left as he washed his face, then Giuseppe as he looked out into the room. they were actually mirroring each other for much of this activity but that looks funnier in the photos which I’ll share one day soon—synchronized feline relaxation techniques.

It surprised me how many of the books had yellow spines, more than are here. I had forgotten with these pens that the ink is only water proof only after I let the sketch dry completely, at least 20 minutes. I started painting purple into the boys then actually blotted it off, but was even a little too soon with some of the other colors. It turned out okay though. Mostly because I was very carefully supervised.

two black cats with painting

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

They Miss You When You're Gone, colored pencil on coquille, 5 x 7, 1989 © Bernadette E. Kazmarski

This drawing is black colored pencil on coquille board, “They Miss You When You’re Gone”, 5″ x 7″, 1989 © Bernadette E. Kazmarski.



They Miss You When You're Gone, colored pencil on coquille, 5 x 7, 1989 © Bernadette E. Kazmarski

They Miss You When You’re Gone, colored pencil on coquille, 5 x 7, 1989 © Bernadette E. Kazmarski

About the artwork

Years ago the owner of the veterinary hospital I used suggested he’d like to have customized sympathy cards. The project never came to be but I kept the ink and monochrome drawings I did in working out ideas for those cards and printed my own first set of note cards in 1992.

I liked this image of the two tabbies looking out just the hint of a window. Their attention is away from us; they are doing something that is typically “cat”, and others like it for the same reason I did.

This sketch is drawn on “coquille board”, an illustration board covered with a tiny raised pattern that would capture a drawing material like colored pencil, creating a sort of halftone pattern. This was used far more often when line art was required for printing in black and white, but I still like textured boards for things like this. These sketches are black and white yet techniques like this sketch on a textured surface can carry the feeling of the light and of the scene well.

Sometimes the simplicity of a single color line or tone on a beautiful paper stock tells the story more expressively than a full-color, scenic rendering. The expressions, coat patterns and close-cropped scenes of cats just being the individuals they are inspired me to create these little cameos.

This image is one in my Kitties Being Kitties set of note cards, first set of notecards I had printed from my artwork. They are still very special to me.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Mewsette Watercolors”, watercolor, 6″ x 9″ © Bernadette E. Kazmarski

Mewsette Watercolors prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



“Mewsette Watercolors”, watercolor, 6″ x 9″ © Bernadette E. Kazmarski

“Mewsette Watercolors”, watercolor, 6″ x 9″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

Who said black cats had to be painted in black? What a wonderful gift these silhouettes gave me, letting me let go of representational color and pattern and rendering them intuitively. Mewsette is a happy, warm kitty on a cold winter day, toasting herself in front of the furnace vent, and this is how I felt about it.

From 2014:

I thought I might not have a sketch at all today—I’m so scattered by the holidays mid-week for two weeks, I have no idea what day it is, and I really never know what time it is so it’s hard to focus. In my studio, I stood up to go and do something, I don’t remember what, looked down to see Mewsette’s wonderful shape relaxing by the furnace vent.

Perhaps that’s where the colors came from, because rather than grab the obvious choice of charcoal pencil, always handy, and sketchbook, I felt movement and wide strokes and a brush in my hand. Sounds like a watercolor to me, I thought, picturing two of my brushes applying a wash of paint in the shape of her paw and another bringing out the curve of her back. I stood a moment longer to let the visual develop and felt blue, purple, yellow, green? red? All the colors in the palette? I knew I wanted the blends, started with a base of yellow and worked the highlights and shadows on her fur in all the colors I saw. I did not want her against a plain white background, so I began with a few speckles and went from there. Fun!

One other thing about watercolors is that I need a container or two of water, and upstairs that usually comes from the bathroom sink. That’s a little more complicated now than usual with Bert and Ernie in there, the door closed, the baby gate. Getting in and out of there with containers of water can be tricky, and it’s also distracting to my model who, by the time I get into and out of the bathroom with sliding bi-fold doors and stepping in and talking to Bert and Ernie and the thought of treats and food they have and by the time I get back out with my water and collect my brushes and paints and watercolor pad, my model is usually up and about and no longer in the inspiring pose. I’ve been keeping a couple of containers of water in the studio, one for drinking and one for painting, so I hope to do a few more watercolors upcoming.

Some things never change, the warm kitty by the furnace vent, the need to watercolor, and the foster kitty in the bathroom!

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

GARDEN FLAG

I also have this art as a garden flag in a separate listing.

Sunbath, 21 x 14, watercolor, 1993, © Bernadette E. Kazmarski

Sunbath, Watercolor is an original framed watercolor, 21″ x 14″, painted in 1993. It’s also available as prints on paper and canvas and as a greeting card.

ABOUT THE ARTWORK

Sunbath, 21 x 14, watercolor, 1993, © Bernadette E. Kazmarski

Sunbath, 21 x 14, watercolor, 1993, © Bernadette E. Kazmarski

A study of winter sunlight, because there’s a cat in it. It’s a very simple scene: a black cat having a bath in front of a white painted kitchen cabinet with chrome handles, and a yellow and orange patterned carpet, but the play of light has fun with the colors and objects.

Brilliant light streams in the window at a long angle in the late afternoon seeming to point to the cat having a good bath in the sun. It’s Kublai, wrapped around licking his hip in one of those only-cats-can-do-that positions, really the first painting I did of him, though I’d hardly call it a portrait. The mahogany tones in his fur gleam in amongst the black, and the highlighted areas are bluish in complement while his darkest shadows are an inscrutable rich velvety black. Sun shines through one ear coloring it coral.

The sun is so bright that the most brilliant areas in the carpet patterned as Spanish tiles are simply brightness with no pattern or color at all, yet the yellow-orange carpet reflects up onto the painted white cabinets leaving trails and smudges of yellow and cantaloupe and coral and orange, just enough to brighten up the cold winter light. Best of all, and one of the details that convinced me to paint this in watercolor, the chrome handles flash the reflection of sunlight while capturing a bit of the yellow and orange and reflecting Kublai, below.

And silly me, I was doing the humility thing and didn’t want to sign the painting in the lower right as is usual, instead I signed in one of the shadowed areas, as you see below. I’ve been intending to photograph this again for several years, and before I put it back in its frame I think I’m going to give it a real signature; for now I have a watermark signature.

I painted this from a photo a took soon after I’d gotten my Pentax K-1000 and permitted myself a few rolls of color film. I found the composition of the photograph very inspiring, with the strict horizontal and vertical lines of the cupboard doors and the strong diagonal shadows all leading to the very organic shape of Kublai, a little off-center, washing his hip among the shadows on the floor. The intensity of the sunlight almost makes the scene look abstract, and I found that very challenging in watercolor. It was a photo I held onto until I had the time to do it—about ten years—because I wanted to paint it as a watercolor but had no experience at all with watercolor at the time. I had done a few small watercolors prior to this, then a large seascape, but this one left large areas of the paper untouched and had all those soft edges that I didn’t know how to work in a watercolor. After producing a few muddy watery jumbles I sat down and focused and produced this painting. No better way to learn than to just do it.

To this day when I look at this painting, I expect Kublai to pause in his bath and quickly lift his head to look at me with his celery green eyes, and I can hear his little bell on his collar jingle when I think of it.

 

SHIPPING AND CHARGES

Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ so I trim a bit off each end to fit, and also offer the half-size 12.5″ x 11″.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

 

 

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

Studio Window, Autumn, Watercolor. The original art is 5.5″ x 8.5″ watercolor on 40lb. watercolor paper, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

“Studio Window, Autumn”, 5.5″ x 8.5″, watercolor © Bernadette E. Kazmarski

I’m so excited to offer an image that is so dear to me—one of my cats on my studio windowsill. All the years I’ve been here I’ve loved my time in my studio, which was also once my foster room. I often remark how my cats enjoy spending time with me in my studio because they sense my own enjoyment of what I’m doing, and for frightened fosters not only can they sense that but I’m also in a typically non-verbal space, something they and all cats find very comfortable. Sharing my non-verbal self with animals, especially cats, has been one of my lifelong joys, and often a great comfort. My memories of cats sharing my studio with my felines, especially seeing them enjoy the view out the window, are very special. So for all those reasons I’m so happy to share this painting for the month of October.

From November 2014 when I created the sketch:

This really happened! Just this afternoon (Monday), and it’s both Mimi and Mewsette.

My studio is actually my spare bedroom, on the second floor. I call it “the treehouse” because outside the window are arching branches from my river birch coming in from the left and a tangle of branches reaching from my maple on the right, the neighbor’s dogwood as well, and behind most of it is my tall spruce. The house faces northwest, so in the mid to late afternoon the sun shines down on all those leaves, but the inside is in shadow; later the sun reaches to the windowsill and onto my drafting table.

I love to watch the change of daylight in all seasons, the pale greens of spring and dark greens of summer, the yellow, orange and red of autumn and the bare branches against the dark green of the spruce, and, of course, my cats. Today, first, Mimi joined me and sat on the windowsill to have a proper bath in preparation for an afternoon nap on my lap, and a little later Mewsette joined us and sat to watch the birds in the trees. They both sat in the same spot, but Mewsette is bigger, but Mimi turned her head the right way. So this is both of them.

I painted it later in the day, from photos and memory, applying the watercolor background first according to what I visualized—my trees are nowhere near that bright, only in my mind, but that is what I wanted, and the blue at the bottom for the cool shadow inside. The I referenced the photo for the feline figure, more or less, and the vase with brushes, more or less, since the cats and the vase with brushes are so familiar to me I barely needed the photos. I debated about the muntins in the window thinking they might be too harsh, but decided that was part of the charm of this old window, and would convey that idea to others who viewed it. My window has more bars, but they nearly crossed behind the feline face and went behind the brushes and I didn’t want that, so I moved them, keeping them a little off-center. I also used transparent layers of black instead of solid black as I have in other similar paintings—even though my first impression was of a silhouette, I could see it was not, and there was enough variation in the figures that I would leave some detail there.

And, as I like to say, that’s why we have art, so I can have it the way I want it. The doing of it ran very late because each layer of paint had to dry in between.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

FRAMED ORIGINAL

The original sketch is in on 40 lb. watercolor paper. The original is matted with a white black core mat, framed in an 11″ x 14″  matte black frame 1″ wide. Framed prints use the same frame and mat.

I do all my own framing and can custom frame for you as well. Please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Buster Lookin' at His Toes, watercolor, 4" x 5", 1995 © Bernadette E. Kazmarski

Buster Lookin’ at His Toes prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Buster Lookin' at His Toes

Buster Lookin’ at His Toes, 4″ x 5″, watercolor, 1995 © Bernadette E. Kazmarski

SOMETIMES THE CAT you least expect will steal your heart, and you don’t really realize that until years have gone by. Buster wasn’t the brightest kitten in the litter, one of those cats who looks eternally surprised and a little uncertain, but he was sweet and loving and loyal all his life.

Here’s how Buster was rescued…

Buster was but one kitten from many litters born to a cat in a trailer park who simply was never spayed. The fact that a neighbor was setting out antifreeze for them to drink neither inspired the cat’s owner to get the cat fixed nor to keep them all indoors and safe. Buster’s mom and dad had recently lost a kitten they’d adopted to feline leukemia, and Buster’s dad, wanting to save at least one kitten from death by antifreeze and help ease the grief of the loss, chose one tiny black and white kitten to take home. At first, he was ordered to take the kitten back, the loss was too soon, but within hours, reconsidering the possible fate of the little guy, Buster’s mom told him to go back and get him.

This portrait wasn’t exactly commissioned, but was one of a pair of paintings I did as a housewarming gift for a friend. Back when I was just beginning in animal portraiture a friend and fellow cat rescuer showed me photos of her cats, Buster and Kitty, and offered me prints in case I’d ever like to create paintings from any of them. Though I have difficulty just keeping up with my own household I won’t turn down photos of any cats, especially those in her lovely Victorian-themed apartment. The sunlight, the curtain, the cats in the window, I couldn’t wait.

“Cats looking out windows” has always been a favorite theme of mine. Add the delicacy of sheer ruffled curtains and I’m totally hooked. It’s the whole scene I love, the moment, even the silly one of just seeing butts and tails on the windowsill and shadowed silhouettes through the curtain. Those memories are special, and even if we’re looking at others’ cats they still call to mind our own cats at the same moments.

I knew her cats and her apartment as she knew my cats and my home. We worked together and were also cat sitters for each other, and while my visit to her house was fairly simple with her two and then three cats, I had nine cats for her to feed and pet and entertain in my house.

She and her husband purchased a home and as I pondered what would be an appropriate housewarming gift for a friend I remembered the photos, especially those two of the kitties on the windowsills. I’d do a portrait! I remembered how she had loved the traditional features of that apartment, the oak parquet floors, big rooms and high ceilings, that wide traditional molding on the windows darkened with age. And of course she loved her cats, so the combination of the two was sure to be a winner.

I loved the sheer curtain and the traditional wooden windowsill, but rather than my usual pastel, I had been visualizing them in watercolor all along. I was pretty new to watercolor then, just about two years into it and not too many paintings yet, but I’d been studying quite a bit of other artists’ work. I could picture how I’d render the harder shadows and highlights on the wood, and knew it would carry the gauzy shadows on the curtain. The soft shadows on the walls would be a challenge, but the cats would be a joy—meeting my favorite subject in a different medium for once, like sharing a new experience with a friend.

But which photo? The photo with both cats didn’t show their faces, and while I do like unconventional poses and scenes for portraits I didn’t feel that was enough. The other was a typical posture for Buster with his legs stretched out and “looking at his toes”, and while I pondered how to fit Kitty in there from other photos I decided I’d rather not.

I’d do them both. Just two little paintings, 4″ x 5″. That solved it. Here’s the other painting. You can also purchase prints of this painting, and both images are available as greeting cards.

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

oil pastel of cat

This art is “Kitchen Morning”, 5″ x 7″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 12/16/13. The original is available and so are various prints.



oil pastel of cat

“Morning Kitchen”, oil pastel, 5″ x 7″, 12/16/13 © Bernadette E. Kazmarski

ABOUT THE ART

I started out with Mewsette and just kept going. All that beautiful cool light with the warm-toned Mewsette bathing in the center, it just didn’t look finished until I added the surrounding scene. This is oil pastel, but I think I moved over to my soft pastel style for parts of this. Well, that’s okay, and probably because I have been working on a few other pastel works. It’s really the color that counts.

That and the cat hairs embedded into it.

ABOUT MY WORK IN OIL PASTEL

I’ve been working out this style now following Two Cats After van Gogh. I traveled with a friend in April 2012 to see the “Van Gogh Up Close” exhibit. All the way home on the Megabus I remembered the colors and shapes and textures, and wanted to work the same energy and form I saw in his brush strokes, visualizing oil pastel to layer and blend the strokes as an experiment. Arriving home in Pittsburgh just a few hours later I saw Giuseppe and Mr. Sunshine, just quietly hanging together on the landing, Giuseppe sitting upright, Sunshine loafing, and visualized exactly what I would sketch, and posted Two Cats After van Gogh as my daily sketch that very day.

After seeing so many van Gogh paintings up close in the exhibit my goals in working “after van Gogh”, or in the style of van Gogh, are to be aware of the colors he used, and why, and to use the textures to build the image, so that every color and stroke, and the shape, direction and energy of the strokes, would be important to the painting. Like poetry, nothing is extra, nothing is wasted.

Mimi is the subject of another oil pastel, In Window Light, and also participates in yet another oil pastel with Mewsette, Kitty Spoons.

You can see other oil pastels in Two Cats After van Gogh and you can also see other feline artwork in the following galleries:

ABOUT MY DAILY SKETCHES

I endeavored to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

framed print of cat art

“Purr” prints are screen printed on acid free heavy multi-media paper with foil embellishment, available framed or unframed. Frame is matte black 8 x 10 and may vary in style, mat is black core white.



framed print of cat art

Framed “Purr” print, 8 x 10.

ABOUT THE ARTWORK

I don’t know what it is I like about visual word puzzles, but I doodled them when I was younger. A couple of years ago I got a bug about the word “purr” and was determined to fit it into a cat shape.  And so I did, though it took all of two years to do it.

I screen print the black image onto heavyweight multi-media paper, then add a foil heart that I designed and cut out on my Silhouette media cutter. It’s framed with a white black core mat and a matte-black frame.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

 

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, Watercolor prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty and Buster, watercolor, 4 x 5 © Bernadette E. Kazmarski

Kitty was a rather large and imperious long-haired black kitty they’d adopted from a shelter, and oh how I wanted a long-haired black kitty after meeting him! My black kitty Kublai was the love of my life, but that didn’t mean I couldn’t have a crush on another, even with Kitty’s, well, cattitude. He was okay, he never swatted me—but then I’d been well-trained by Sally, my white long-haired kitty, in the fine art of knowing when “happy happy purr purr” turned into “I’m totally done with this right now.”

This portrait wasn’t exactly commissioned, but was one of a pair of paintings I did as a housewarming gift for a friend. Back when I was just beginning in animal portraiture a friend and fellow cat rescuer showed me photos of her cats, Buster and Kitty, and offered me prints in case I’d ever like to create paintings from any of them. Though I have difficulty just keeping up with my own household I won’t turn down photos of any cats, especially those in her lovely Victorian-themed apartment. The sunlight, the curtain, the cats in the window, I couldn’t wait.

“Cats looking out windows” has always been a favorite theme of mine. Add the delicacy of sheer ruffled curtains and I’m totally hooked. It’s the whole scene I love, the moment, even the silly one of just seeing butts and tails on the windowsill and shadowed silhouettes through the curtain. Those memories are special, and even if we’re looking at others’ cats they still call to mind our own cats at the same moments.

I knew her cats and her apartment as she knew my cats and my home. We worked together and were also cat sitters for each other, and while my visit to her house was fairly simple with her two and then three cats, I had nine cats for her to feed and pet and entertain in my house.

She and her husband purchased a home and as I pondered what would be an appropriate housewarming gift for a friend I remembered the photos, especially those two of the kitties on the windowsills. I’d do a portrait! I remembered how she had loved the traditional features of that apartment, the oak parquet floors, big rooms and high ceilings, that wide traditional molding on the windows darkened with age. And of course she loved her cats, so the combination of the two was sure to be a winner.

I loved the sheer curtain and the traditional wooden windowsill, but rather than my usual pastel, I had been visualizing them in watercolor all along. I was pretty new to watercolor then, just about two years into it and not too many paintings yet, but I’d been studying quite a bit of other artists’ work. I could picture how I’d render the harder shadows and highlights on the wood, and knew it would carry the gauzy shadows on the curtain. The soft shadows on the walls would be a challenge, but the cats would be a joy—meeting my favorite subject in a different medium for once, like sharing a new experience with a friend.

They are matted and framed individually, but with the same mats and frames. Unlike most other portraits I feature, you are seeing these at about the actual size they were painted.

But which photo? The photo with both cats didn’t show their faces, and while I do like unconventional poses and scenes for portraits I didn’t feel that was enough. The other was a typical posture for Buster with his legs stretched out and “looking at his toes”, and while I pondered how to fit Kitty in there from other photos I decided I’d rather not.

I’d do them both. Just two little paintings, 4″ x 5″. That solved it. Here’s the other painting. You can also purchase prints of this painting, and both images are available as greeting cards.

Buster Lookin' at His Toes, watercolor, 4" x 5", 1995 © Bernadette E. Kazmarski

Buster Lookin’ at His Toes, watercolor, 4″ x 5″, 1995 © Bernadette E. Kazmarski

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Namir at the Window, acrylic, 13" x 17" © Bernadette E. Kazmarski

“Namir at the Window, Acrylic” is 13″ x 17″ on canvas panel. Prints are made on artist canvas, hot press giclee paper or Epson Velvet Fine Art Paper.



Namir at the Window, acrylic, 13" x 17" © Bernadette E. Kazmarski

Feline art card: Namir at the Window, acrylic, 13″ x 17″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

This is my one and only (so far) acrylic painting featuring a cat. Here’s the story.

Normally, I’m pretty linear with working on something, focusing on one clear idea at a time. When I’m learning something new I hit points where I’m not skilled enough to do something and need to either work it out there or outside of that piece, or just stop and let the lessons I’ve learned sink in and get back to it when I’m ready to move on. I began this painting in January 2008 from photos I took of Namir in 2005, I think, soon after I’d gotten a big box of acrylic paints and brushes and canvas panels from a neighbor whose aunt had been an artist. I don’t care for the finish on acrylic paints, much preferring oils but not the smells and chemicals, so I’ve just avoided the entire thing. I decided that the gift of free art materials meant the universe wanted me to paint in acrylics, and I wanted to work with a more dimensional medium—I wanted the brushwork, the impasto of layers and colors, the texture of the canvas showing through the paint.I remembered this photo and got started.

I hit a learning wall at one point and put it aside to work on commissions. I pulled it out again in April of 2009 when Namir, at 15 with hypertrophic cardiomyopathy, was having increasing trouble with congestive heart failure, kidney failure and related health issues, and I know we didn’t have much time left. I wanted to work on the painting when he was still with me. He died in July 2009, and again I left it where it had been at that time, and this is what you see today.

I love to remember Namir in any way I can, and the area where I keep this windowbox is too shady for the colorful geraniums and petunias and marigolds I’d always grown in it. The pleasant memory of him at the window with the flowers is a treasure to spend time with, a time that has passed, but one I’d probably return to if I could.

The canvas panel, and the painting, is actually larger than this, but I cropped it down to the area of it I like and feel is the essence of the painting. I want it to show what I remember most and what I feel is most important, and I don’t need to show the whole scene to do that as I first thought. It’s a canvas stretched on cardboard, not stretchers, so all I need to do when I’m done is cut out the part I want to use and frame that. I’ve done that with others I painted in the same era. For now, I just won’t work on that anymore. That’s kind of freeing!

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Saturday Morning", Ink hybrid technical pen, 9" x 4" © Bernadette E. Kazmarski

The original is still available along with signed prints of “Saturday Morning”, cartoon, 9″ x 4″ are made in archival inks on various media.



ABOUT THE ART

“Don’t act like you’re dead. We know dead things. We’re cats.”

Yeah, this is pretty much what I saw when I woke up this morning. I may have slept a little later than usual, but not by much. I could only see two over the edge of the covers, Giuseppe’s ears and Mr. Sunshine’s baleful eye, but I could feel that all five were there. And they were sitting very still and watching me.

But they did catch me in the act of trying to fool them. The two are so cute at trying to pull the covers off me and digging me out that I confess I lie there pretending to be asleep just to enjoy all the effort they put into getting me out of bed! First, though, I thought, “That would make an interesting piece of artwork. How should I do it?” Then, because it can sometimes take me years to get to ideas like the more realistic view I was considering, I decided a sketch would be immediate gratification, and possibly the best way to render it. I took notes with my eyes at what it all looked like, and drew it later in the day.

. . . . . . .

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Exhibit at the Feline Museum", 10" x 7", ink technical pen © Bernadette E. Kazmarski

The original is still available along with signed prints of “Exhibit at the Feline Museum, Cartoon” are made in archival inks on various media.



"Exhibit at the Feline Museum", 10" x 7", ink technical pen © Bernadette E. Kazmarski

“Exhibit at the Feline Museum”, 10″ x 7″, ink technical pen © Bernadette E. Kazmarski

ABOUT THE ART

Anyone who has visited my house knows exactly what I mean.

Stacks of boxes and bins, and a cat sleeping on the top of each one. I walked in and while there are only three stacks and more than one cat on the top of each one, this is what I visualized.

But then, we always put our cats on pedestals, don’t we?

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning”, Purring Points and “Feline Punctuation”.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Watercolor Cats Note Cards Set

Watercolor Cats Note Cards includes four small watercolors in a similar style. Cards are 4.25″ x 5.5″ printed on natural toned textured paper with a matching envelope.

  • Available in a set of four, one of each design, or a dozen, three of each design or choose a custom dozen.
  • Cards are blank inside.
  • These cards do not assort with any other cards.
  • Price includes shipping via First Class, Parcel.
  • Cards are available individually under their individual listings.

Shipping is included in all prices listed.



About the artwork

Watercolor Cats Note Cards Set

Watercolor Cats Note Cards Set

I gathered four similar small watercolor paintings into a set. While I have many other watercolors, these paintings are a subject on an open background, more abstract and experimental. The image is without geometric boundaries and can be sized in any way it fits on a card or other background. They come from my collection of Daily Sketches, a three-year period during which I painted my cats nearly every day in a huge variety of media, just a quick sketch, no masterpieces, finding the inspiration and capturing the moment.

Below are the images and design names. If you’d like a custom dozen, just list the designs and quantity you’d like to add up to a dozen cards.

Each of these note cards is available individually in its own post under Feline-themed Sets and Note Cards

Create a gift set

Also, you can make up a gift set: each of these paintings is available as a print on paper or canvas, print only or matted and framed, and in many cases I have used these images on gift items in my Handmade Gift Gallery such as tiles, keepsake dishes, refrigerator magnets, and more. If you’d like to explore more, use the search box at the bottom of the page and search the title of the image.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

pastel sketch of black cat

This art is “Highlighted Silhouette, Pastel”, 7″ x 10″ on acid-free Fabriano Tiziano paper and soft pastels © Bernadette E. Kazmarski, signed and dated 7/27/12.



ABOUT THE ARTWORK

pastel sketch of black cat

Highlighted Silhouette, 7 x 10, pastel on Pastello paper © Bernadette E. Kazmarski

I admit, I finished this a while after Mr. Sunshine had shifted his position and had a nice bath, but when he settled on the stool next to my drafting table under the work light, it was as if someone had turned my lights on. Usually my sketches are quick and simple since they are just intended to be daily exercises. His exquisite silhouette, the deep shadows, the cool blue-green highlights from the daylight-balanced fluorescents contrasting with the warm pine tones of the stool were just too much, I had to do my best to capture all the color and detail I saw. I worked purple and red and green into his black so that it looked more lively and actually more shaped as well.

I was drawing with both hands at one point, and when I went into the bathroom to wash my hands when I was done it looked as if I’d possibly used my face to blend some of the colors as well; I guess I had some stray hairs brushing across my cheeks and nose and my…décolletage, well, it’s hot, I’m wearing a tank top. But it looked as if I’d been in an accident or a fight and was somewhat bruised. Good thing I washed up before I left the house.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

\DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Feline Punctuation", ink drawing pen, 6.5" x 7" © B.E. Kazmarski

The original is still available along with signed prints of “Feline Punctuation, Cartoon” are made in archival inks on various media.



ABOUT THE ART

Another one of those visualizations as I awoke today. I could feel cats tucked up against me all around, two on one side, two on the other, and one at my feet. They tend to trade places so I wasn’t sure who was where, but of course they are all black, and as I laid there, face in my pillow, trying to determine which was who, I could picture them black against the white bedspread, and then as quotation marks on either side of me, and a period by my feet.

So here it is, not sure if it works visually, but this is pretty much what I visualized.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Purring Points", ink drawing pen, 6.5" x 3.5" © Bernadette E. Kazmarski

The original is still available along with signed prints of “Purring Points, Cartoon” are made in archival inks on various media.



ABOUT THE ART

It’s a wonder I get out of bed with treatment like this.

Every healing discipline has its healing points on the body. My cats certainly know mine.

I sleep on my stomach, and when I awoke I could feel them all lined up on me from top to bottom. Because I had shifted slightly when I awoke they each began purring, but no one moved to get up, only curled tighter for the moment. I visualized this, much as I had my other “awake” cartoons as I was lying there, falling back to sleep from all that purring.

Something about weekend mornings inspire these visualizations. See the other two similar cartoons, “Being Used as a Fort”, “Saturday Morning” and “Feline Punctuation”.

. . . . . . .

CWA-BADGE_BlackCertExcellence

Winner of a 2014 Certificate of Excellence by the Cat Writers’ Association.

Click here to read more about this contest and the awards.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

“Mewsette in Sun”, pastel on Fabriano Tiziano paper, 7″ x 9″ © Bernadette E. Kazmarski

This art is “Mewsette in Sun”, 7″ x 9″ on acid-free Fabriano Tiziano paper and soft pastels © Bernadette E. Kazmarski, signed and dated 3/8/15.



ABOUT THE ARTWORK

“Mewsette in Sun”, pastel on Fabriano Tiziano paper, 7″ x 9″ © Bernadette E. Kazmarski

“Mewsette in Sun”, pastel on Fabriano Tiziano paper, 7″ x 9″ © Bernadette E. Kazmarski

Mewsette lets the warm sun wash her back while she sits and simply looks lovely.

I was in the mood for a more detailed pastel today, and decided to also use the Tiziano paper for its texture and working it out on a mid-range background instead of a white background in my sketchbook. I’ve also taken a break from pastels for a while and wanted to revisit the comfortable nature of an old friend.

I’ve been watching them in the morning sun in the kitchen, looking for shapes and colors and compositions. In these images you see as much reflected light as direct light, and while direct light is pretty reliable in tone and color, and direct sunlight generally has hard edges, reflected light takes on the color of whatever it’s reflecting from and can be very difficult to match, not because the colors are hard to determine but because you want to paint the color you think you see. In this case the direct sunlight is reflecting from both a rich pine cabinet from the left and the white floor from below Mewsette.

I was probably ready for this today because I’ve been studying her and the rest of them and seeing all these beautiful bright and subtle tones, planning my techniques and colors. I sketched her outline in black, a challenge for the angle but that was what I wanted, and made sure it was correct. She sat in the same spot but kept turning her head and moving her tail; I had to keep getting her turn her head to approximately the same angle. Then I blocked in color areas, then I blended, and reblended, and reblended again. Eventually she came out to this long after the sun had gone—it disappeared behind cloud cover quite quickly this morning—and added her whiskers from the reference photo I’d taken.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

The framed digital and giclee prints I’m offering are 5″ x 7″ prints in an 8″ x 10″ frame identical to the framed version you see in the thumbnails at the top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Autumn Afternoon Bed", 5.5" x 7.5", pastel © Bernadette E. Kazmarski

Autumn Afternoon Bed, Pastel prints are made in archival inks on Epson Matte Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

Autumn Afternoon Bed

The maple outside the window that casts green tones on my bed all summer now casts shades of yellow as the leaves begin to turn on a sunny autumn afternoon; the bedspread is actually solid white. Some other cats had their way with the covers, leaving a rumpled mess that added character to the simple scene.

I think this little sketch is one of the undiscovered gems of my collection of Daily Sketches and generally my cat art. Mewsette’s contemplative shape, such a common feline posture for a quiet rest, the slightly tousled covers and the play of light and shadow make it almost abstract, and yet we are right there with the subject, watching our cat have a nap on the bed on a cool-ish autumn afternoon when the leaves are green and yellow and the sun is bright.

This is done in Sennelier soft pastels on a scrap of Wallis sanded paper in Belgian mist. It’s a Daily Sketch and I don’t usually go for a scene this complicated on a weekday afternoon, but I just couldn’t let it go. It’s the same bed and reminds me of “Afternoon Nap”, and I’m oh, so glad I took the time to capture that one.

The art is 5.5” x 7.5”. I matted it with a simple black core pale yellow-green mat to fit into an 8” x 10” frame for my September 2016 Feline Sampler Box.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Sleeping Beauty, pencil, 1987, 18" x 15" © B.E. Kazmarski

This is a pencil drawing , “Sleeping Beauty”, pencil, 18″ x 16″, 1987 © Bernadette E. Kazmarski



About the drawing, and Sally

Sleeping Beauty, pencil, 1987, 18" x 15" © B.E. Kazmarski

Sleeping Beauty, pencil, 1987, 18″ x 15″ © B.E. Kazmarski

You can also browse “Feline Pencil Sketches” for this card as well as other pencil sketches of my cats.

Sally was an Angora-mix cat who was deaf. I’d taken her in from a friend who had a hard time handling a spirited and unpredictable deaf cat, and she did eventually calm down somewhat but was always a bit of a wild child. Click here for the full story.

This drawing is very special to me for several reasons, and not only because the subject is Sally. It was a turning point in my career as an artist; it was the first time I looked at a scene, took in all the necessary details, visualized the finished work, and actually created what I had visualized. This is what has to happen for anything I render, whether it’s a commissioned portrait from photographs or a drawing “en plein air”. Before this drawing, although I had created some works that had merit, it was all child’s play.

And of course the fact that Sally was the subject was one of the things that made it a success, which is one of the reasons I always say that my cats are the reason I am an artist today. Before that drawing, my visualization and interest had been almost entirely technical, concerned more with medium and technique. But her peaceful, relaxed posture, especially knowing what she was like when she was awake and fully engaged, made me weak with love. And as I worked I actually began to choose details that made the scene meaningful and conveyed what I felt, instead of trying to draw everything and convey only what I saw. From that experience I realized that what made good art for me was the inspiration of love, not intellect, so now, be it a cat, a flower or a sunset, I ride that swell of love as I create, and there is no art for me without it.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

“The TNR Story”, 8″ x 14″, Sharpie markers © Bernadette E. Kazmarski

The original is still available along with signed prints of “The TNR Story” made in archival inks on 100# smooth cover stock. A donation of $5.00 is made to the Homeless Cat Management Team with each poster sold.

ABOUT THE ART

“The TNR Story”

63 spayed and neutered cats in two paragraphs of cat shapes

“and no one ever had any more kittens, and they all lived happily ever after.”

THE END

This art was inspired by working in post op at the May 25, 2014 Homeless Cat Management Team TNR clinic. I’ll make a $5.00 donation to HCMT for each poster sold. Quantity discounts are available if you want a stack for a clinic or event.

I study cats all the time but it’s not too often I get to handle that many cats in one day, especially when they are still pretty much under anesthetic, aside from a few ambitious ones. Cat after cat, large and small, male and female, solid, striped spotted, I cleaned ears and checked toes and combed fur for fleas and other parasites and finished off their ear tips, applied flea treatment and in passing studied their fur and their markings.

In that state they all look pretty much the same as far as where they came from and where they will be returned, whether it’s to a human and a loving home or to a human and a parking lot where they’ll be fed and watched over by a colony caretaker, regardless of whether their paperwork says they are stray or feral or owned by a caring human, at that moment, as I always say, they are all just cats.

All the fur colors and patterns and textures, the way they felt as I handled them, each of them soft and warm and relaxed, and then later as they awoke in recovery and began to get up and bathe a little and find a comfortable spot and position in their carrier or trap, stayed with me and I envisioned this artwork as I drove home, all those cat shapes together in simple marker sketches, simple colors, clearly visual, telling the story of TNR.

I began to plan it out that evening, but especially since it’s far from my usual daily sketch I knew it would take extra time. The idea stayed with me and each day after I worked out a few more details of medium, style, the actual shapes of all the kitties and how I’d represent their spots.

I decided I’d do it for “Just One Day” day, June 11, when shelters are encouraged to stop any voluntary euthanasia for just one day and instead photograph and actively promote the animals in their care for adoption, making the United States a no-kill nation for just that one day. Spaying and neutering companion animals regardless of whether or not they are actually a pet is a big part of reducing the amount of killing that happens in shelters, both by reducing populations being born and populations living on the streets by removing kittens and rescuing friendly cats for adoption, and by keeping these cats, considered unadoptable, out of shelters altogether.

We served 63 cats at the May 25 clinic, so there are 63 little cats in the art. I don’t know if the balance of coat colors and patterns and fur types and sizes represent what was actually there, but I let the choices rise from my subconscious so it’s no doubt in part from memory and in part from my design sense of a visually interesting layout of colors and shapes. I tried to capture each cat in a very simple representation so they were seen as a group, the way I remembered them all.

I also intentionally kept the colors limited. In part that’s the way I visualized it and I honor those visualizations. Each cat is outlined in black and the coat patterns and colors, built from a light orange and a dark orange and a gray to shade the black. As I continued to visualize I decided it could also easily be reproduced by screen printing so I planned it out with clear edges that could be easily color separated.

I had planned how I would draw the grid of cat shapes and laid out a physical grid in pencil on a piece of semi-transparent layout bond way back on clinic day, leaving space top and bottom for the text, then spent the intervening time thinking about cat shapes and how I’d represent the stripes and spots and such, letting the layout of colors and patterns work itself out in my mind. I watched my cats in sleep and at rest to derive the positions of the cats and drew a little cat shape in pencil inside each of the blocks where a cat would appear. I then laid another sheet of the layout bond over top and began coloring them in starting with the lighter orange and determining which would stay solid light orange and which would have stripes and which would have spots—and which would become dilute calico and dilute tortoiseshell—then moving to the light blue to represent the gray and dilute kitties, adding black stripes to some and building tuxedo cats and cow spotted cats and tortoiseshell cats and even a few Siamese-patterned cats, outlining them after finishing each coat pattern.

I actually used my set of colored Sharpie markers for this because it gave me the line quality I wanted, but I didn’t have a gray marker the right shade in any of my marker sets. I used a light blue intending to desaturate it in Photoshop after I’d scanned the art so that the blue appeared gray, which I did but I decided I really liked it better with the original light blue. Gray cats do have a bluish cast, and it simply looks more colorful and eye-catching with the blue, plus blue and orange are color complements and I think that visual is at work here as well.

Certificate of Excellence

CWA Certificate of Excellence badge.
CWA Certificate of Excellence badge.

I’m pleased to say that it won a Certificate of Excellence for Illustration in the 2014 Cat Writers’ Association annual communications contest!

I’d love to screen print this art just for the sake of screen printing, but for now I am offering this print as an archival digital print and as a poster on a lighter weight non-archival card stock. I was glad to share this inspiration for Just One Day” and now for Feral Cat Day we can still work to reduce the numbers of animals killed in shelters every day.

 

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1″ warm white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ purple bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Here in the Shadows", pastel on pastello paper, 7.5" x 11" © Bernadette E. Kazmarski

Here in the Shadows original pastel is available framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

"Here in the Shadows", pastel on pastello paper, 7.5" x 11" © Bernadette E. Kazmarski

“Here in the Shadows”, pastel on pastello paper, 7.5″ x 11″ © Bernadette E. Kazmarski

 

June is sunny, July is usually a little too sunny—and hot. But a shady corner next to an open window is a respite from midsummer heat, and sable house panthers tend to melt into the shadows. Seeing my daily photographs you can probably tell I love this mirror and using the reflections in it. In this sketch I had the chance to paint the reflection, so much fun to render mostly with the pastel remaining on my fingers after sketching the Bean.

Here’s what I had to say from 2013:

A very good place to be on a hot day. Jelly Bean is in the shadows behind the curtain, dozing on top of the wardrobe by the open window. He was really the only part I was interested in, his deep blackness with the few intense highlights defining a few features. It’s how I see him when he sleeps there. Pastel carries this off so well, even the texture of the paper.

And then there’s that red velvet highlight across his mid-section. Sometimes I’m less specific in my sketches and I don’t always remember which black cat was the model, but in this case only Mimi has red velvet highlights like this—that’s where Bean got them. But she is much smaller and while she sits there to look out the window all the time, she rarely stretches out for a nap. That’s a Bean thing, and he was at it a little earlier today.

In 2014 when I posted this image again, I said this:

Over the year I’ve grown to like this simple pastel more and more. The simple shapes in the shadowed warm amber tones of a hot summer afternoon with the blinds pulled halfway, the way the natural texture of the paper became the pattern of the lace curtain, Jelly Bean’s fur, dense black in the shadows but with its natural red velvet cake tones in the mid-range, the highlight on his face and whiskers, and the reflection in the mirror, softened, blurred, natural. It’s one of those I look at later and think, “I don’t remember doing that, as I walked right past my logical mind choosing colors and planning how I’d put the pastel on the paper to my intuitive mind that just went ahead and did what it pleased.

All that comes with practice, and again it’s one of the reasons I am glad for my daily sketches, even if I don’t do them each day; right now I’m working on other art that you’ll see at some point.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Paws for Reflection, Pastel, 18" x 14", 1999 © Bernadette E. Kazmarski

This painting is my pastel, “Paws for Reflection,” 14″ x 18″. The original was a commission and is not available, but I have prints on paper and canvas.



ABOUT THE ARTWORK

Paws for Reflection, Pastel, 18" x 14", 1999 © Bernadette E. Kazmarski

Paws for Reflection, Pastel, 18″ x 14″, 1999 © Bernadette E. Kazmarski

In 1999 I was honored to create artwork for a limited edition print to be sold as a benefit for The Animal Rescue League of Western Pennsylvania, Inc. I donated original art to the shelters for their art auctions all the time as well as certificates for a custom pet portrait, and I was known for this realistic and colorful style. I was honored that the shelter chose me for this project.

“Limited Edition” is a rather outdated term referring to the days when art was printed on printing presses. Printing plates were made and once the press tests produced an artist’s proof that was as close to the original as possible, an “edition” of a limited number was printed like 50 or 500, then the press was stopped, the plates used to print were destroyed. This gave each of the authentic prints a higher value because they were limited in number.

The shelter had purchased the rights to that limited run of prints and they bought the original painting. As part of the agreement, I agreed not to make prints of the image for five years following that, though I could include it in my portfolio to show others as examples of my work.

I worked with the shelter to design the image, and chose a cat from photos I had on hand, then worked with the rest of the composition so it was pretty, but not overdone. I love those old wooden casement windows, and you’ll see windows, curtains and vases of flowers as a theme in several of my paintings.

The Animal Rescue League of Western Pennsylvania, Inc. has merged with the Western Pennsylvania Humane Society to become Humane Animal Rescue Pittsburgh. Limited edition prints are no longer available, but the artwork still hangs in the shelter’s original building.

Why have I waited so long to offer it as a print?

I have offered this image on gift items and a greeting card in the past. But my digital file of this image was based on my photo of the artwork, which I took with my film camera. It wasn’t bad for photographing a larger painting in those days, but was still too “soft” to offer as a full-size print; even as an 8″ x 10″ I could see the soft edges that should be sharper and more clear and in this painting it didn’t work for me. Because I have many of these older paintings that I photographed with film and sold or gave the painting to its commissioned owner before I got the prints back and found the photos weren’t clear enough, I recently purchased a program that uses more refined methods of sharpening images no matter the reason it’s blurry. Now I can finally revitalize these older paintings, and photographs too. I’m happy to offer this kitty now.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Mother and Daughter, Sun and Shadow, watercolor pencil, 5" x 7" © Bernadette E. Kazmarski

Mother and Daughter, Sun and Shadow, prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

ABOUT THE ARTWORK

“Mother and Daughter, Sun and Shadow” is one of my daily sketches from last June when I was still experimenting with my watercolor pencils, mixing my love of simple sketches with the ability to blend colors, though not with my fingers as I am accustomed with my other familiar dry media of pastel, pencil, charcoal and the like. I sketched the basis of this, Mewsette and Mimi curled together on that pink flowered rug in a patch of sun on the upstairs landing, then ran a wet watercolor brush over it, just water, and let the colors blend as they would, magically turning my sketch into something I had not visualized.

These two were curled up together on the rug on the landing, in very diffuse sunlight, not the bright morning light we often have, but it reflected off the white walls and created some interesting color combinations in their fur as well as reflected areas. Nice composition they made, and I wasn’t quite sure what I wanted to do with it at first, but I’m glad I chose watercolor for its opacity.

One of my all-time favorites! I don’t remember making the logical decisions to blend those colors, outline in green and soften it all with a wet watercolor brush, and I love it when that happens.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

NOTE CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

watercolor of tortoiseshell cat

Draw Me Like One of Your French Cats, watercolor and pastel pencil, 8″ x 10″, 2021. The original is available and digital, giclee and canvas prints as well as greeting cards are available.



ABOUT THE ARTWORK

watercolor of tortoiseshell cat

Draw Me Like One of Your French Cats, watercolor and pastel pencil, 8 x 10 © Bernadette E. Kazmarski

I just couldn’t resist. when Sienna decided to help me make the bed by showing me her belly and looking coy. Especially on that woven throw with its all-over pattern of fruits and leaves, I just had to draw her! Well, paint her, but “draw” is what she actually said in the movie, so I’ll go with that.

Yes, this painting is brand new. One of my goals for this year, and the month of January, was more art! And also new art that I could use for my monthly desktop calendars. Mission accomplished from a photo I took in November, the best photo of sooooo many.

Sienna is one of my TNR kitties who turned out to be friendly and adoptable, but she developed a urinary issue that tends to turn off adopters so she’s still with me. She is very shy but a total love and silly and purry and playful.  She loves to help make the bed and rolls around and chirps and races back and forth. She posed like this more than once, and from the very first time I visualized a painting of her, on this blanket, with this title. Lots of photos later I had a selection to choose from, and this was the winner.

When I started painting I thought the throw looked odd without the woven pattern, it just needed that texture. I had used a textured watercolor paper, then also used a piece of linen to “print” a fabric pattern in medium gray watercolor where I needed it to add the texture of the throw. Then when the watercoloring was done I finished Sienna’s fur with white, orange and russet pastel highlights and furs on that sweet belly.

I love cats on floral and decorative patterns, and that theme has been one I’ve wanted to pursue for years. Purrhaps a solid-color kitty would have been a better choice as she seems to blend into the background, but that makes it fun to discover her.

 

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I print the smaller ones myself, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Three Warm Cats on a Cool Ground", pastel, 7" x 10" © Bernadette E. Kazmarski

Three Warm Cats on a Cool Ground, pastel original is sold, but prints are available in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

"Three Warm Cats on a Cool Ground", pastel, 7" x 10" © Bernadette E. Kazmarski

“Three Warm Cats on a Cool Ground”, pastel, 7″ x 10″ © Bernadette E. Kazmarski

Where do these visual inspirations come from? Giuseppe, Mr. Sunshine and Mewsette were enjoying the view as I rode my exercise bicycle, having plenty of time to watch them and the light and visualize this composition. I wanted lots of mixed colors, but muted, indefinite edges, but the sketch in black on top of all the pastel. The light comes in the door and fills the space among them, then fades to shadows behind. I had sketchbook and basic pastels to block in the shapes and areas, then finished it later from a photo. Mostly, I had a really strong visual that stayed with me as I played fingerpaints with my pastels on the paper.

As I watched them and began visualizing, I also envisioned the style of another artist. See if you can guess who I mean before you click here to see this painting and especially this painting.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
"Gentle Highlights", pastel on black paper, 9" x 7" © Bernadette E. Kazmarski

Gentle Highlights original pastel  is sold but prints are available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

About the Artwork

My fine felines happily spent supervisory time with me in my studio, mostly napping, but I’m sure they could have awakened at any time to give me whatever direction I might need. I took plenty of photos of sweet, sweet naps of one and two, as well as an important meeting among the four, but there was just something delicately inspiring about Mewsette and Bean, backlit by my work lights, with gentle highlights on their faces and whiskers. Mostly soft and grayish and just a touch of their mahogany but lots of delicate whiskers, I could picture a soft sketch on black paper using just the pastel I had layered on my fingers from the portrait I was working on and gentle touches of white charcoal or pastel pencil. I could also feel my fingers applying the pastel to the paper and see the marks I’d leave that described their noses cheeks, ears using the shapes of my fingertips…heck, if I was that distracted by this sketch and visualizing that fully, I might as well do it! So I did.

I’ve done a few of these before—why waste the pastel, and the inspiration?

In truth, this was almost another scratchboard, except for catching that softness, and all that pastel on my fingers…

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas wraps around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Late Winter Sunbath, pastel, 6.5 x 9.5 © Bernadette E. Kazmarski

Winter Sunbath, Pastel, 6.5 x 9.5, 2017. The original is sold, but digital, giclee and canvas prints as well as greeting cards are available.



ABOUT THE ARTWORK

Late Winter Sunbath, pastel, 6.5 x 9.5 © Bernadette E. Kazmarski

Late Winter Sunbath, pastel, 6.5 x 9.5 © Bernadette E. Kazmarski

I’d always wanted to paint this photo of my orange boy, Allegro. I took the photo in 1993 or 1994, and it’s been on my mind all this time.

I wanted not so much to paint a portrait of Allegro as I wanted to capture that moment that was so much Allegro in his quiet, understated self, having wandered around and found a warm spot in the sun, decided to drop everything and enjoy the sun while it lasted. He sat down between the window and the plant on a cold late winter afternoon and had a nap. I worked it loosely with lots of extra colors to capture the feeling of streaming sunlight. I initially cropped it much tighter, focusing on him, but then I lost the light, the reflections on the window, the sun on the plant, and all the things in addition to Allegro that I loved about the scene.

This was my painting from Day 16. See other paintings in this and other painting challenges on the page Creative Challenges.

See more paintings in Leslie Saeta’s 30 Paintings in 30 Days Painting Challenge, September 2017.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

"Dusk", blue soft pastel on black pastel/charcoal paper, 6" x 11" © Bernadette E. Kazmarski

This art is “Dusk”, 6″ wide x 11″ high on acid-free Canson black pastel paper and one color of soft pastel © Bernadette E. Kazmarski, signed and dated 3/8/15.



ABOUT THE ARTWORK

It’s really some of my smaller, quick sketches that are deceptively simple where I feel I both captured the moment and my technique was right on spot, and this is one. Working quickly from life with light blue on black there is no room for “error”—marks can often be integrated into a composition, but can’t be removed or covered up in a sketch like this. I’ve got to trust the communication between my hand and my eyes to put down on paper what I’m seeing…that doesn’t actually exist.

But I captured not only the three sections of the old metal casement filled with blue light along with the light on the walls around, but also Mimi’s familiar little shape by not actually drawing her, but leaving her space open as negative space while filling in the windows, only to apply a few fingertips of pastel where soft highlights touched her fur to give her dimension.  The highlight on the cabinet top that faded into the darkness, too, and her shadow were quick guesses and blending out with the tip of my pinky finger.

If I stand there and think too much about the creation of a drawing like this, I chicken out. I have to jump right in.

(March 8, 2015) We spent so much time in the last few days enjoying the sun at this upstairs window that it’s only fitting we enjoy a sketch at this window to end the weekend—but not a bright sunny day. Just now as I carried the laundry upstairs Mimi ran ahead and jumped up onto the wardrobe, and crouched to watch the back yard gather darkness in a pose very characteristic of her. I dropped my laundry and grabbed the charcoal/pastel pad and a blue pastel that approximated the color of light and quickly sketched. She got up and came over to see what I was doing, but obliged me in returning to her spot in the approximate posture she’d been in. Now that’s a professional.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

ORIGINAL PAINTING

This sketch is 6″ wide x 8″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-1/4″ acid-free purple top and bottom mats, framed in a 1-1/2″ dusk blue barnwood 8″ x 10″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

FRAMED PRINTS

The framed digital and giclee prints I’m offering are 5″ x 7″ prints in an 8″ x 10″ frame identical to the framed version you see in the thumbnails at the top.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

This drawing is pencil on smooth vellum bristol, “Don’t Wake Me Up”, 6″ x 6″, 1989 © Bernadette E. Kazmarski.



Don’t Wake Me Up, pencil 6 x 6, 1989 © Bernadette E. Kazmarski

About the artwork

Years ago the owner of the veterinary hospital I used suggested he’d like to have customized sympathy cards. The project never came to be but I kept the ink and monochrome drawings I did in working out ideas for those cards and printed my own first set of note cards in 1992.

A soft sketch of a pensive kitty is always a suitable memorial, and it helps that its color and even markings are non-specific. That’s why I chose this kitty for that project, but I also knew I had immediately had a visualization of a sketch when I saw the image, softening all the edges, using positive and negative space, and using all the assets of pencil on paper as part of it with sketching, blending, drawing, using the side and the tip of the pencil, and leaving some areas of the paper completely untouched. That’s what you see here. At the time I was thrilled with being able to reproduce my visualization, and that I didn’t overwork the simple scene. I would be happy with it today too.

The one thing I don’t know is where the reference image came from. Typically, once I’d finished a sketch or painting, I kept the reference image in an envelope with others. In time I had too many and had to sort them out but I can usually remember at least which cat they were and where the image came from. When I began drawing cats, people gave me their favorite photos of their cats for me to draw someday. At the time the drawings had to be my cats for me to be as emotionally involved as I needed to be to produce a good piece of artwork. This reference may have been a photo from someone else that I gave back after I finished. It might have been one of those early short-term fosters and someone gave me the cat’s photo to get me to foster, or it might have been one of my own short-term fosters that I photographed. And it could also be a sketch of Sally in the summer when her ruff shed out, or Allegro at aby time, both of whom slept like this. As I’ve been digging through those old photos from the 80 and early 90s I’ve found some of these reference images.

Sometimes the simplicity of a single color line or tone on a beautiful paper stock tells the story more expressively than a full-color, scenic rendering. The expressions and close-cropped scenes of cats just being the individuals they are inspired me to create these little cameos.

This image is one in my Feline Pencil Sketches set of note cards, first set of notecards I had printed from my artwork. They are still very special to me.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

 

Curled on the Bed, 5 x 8, pencil © Bernadette E. Kazmarski

The original sketch of Curled on the Bed, Pencil, is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 5″ x 8″, 2012 © Bernadette E. Kazmarski

About the artwork

 

What else to do on a lovely sunny afternoon but curl up in the sun on the bed? Well, some of us have to work, but kitties need their beauty sleep. They gave me a break from the computer when I decided they’d be today’s subject.

This was just as much about capturing all three, each of whom moved enough that they needed extra sketching, as it was about the bedding. I enjoyed the challenge of depicting the pattern on the postage-stamp quilt, each little square with its own pattern and color and the squares arranged in a repeating geometric pattern, as well as the pillow shams with the ruffled eyelet edging. How to render the details in pencil when much depends on color, and how much detail is just enough without drawing every little eyelet opening and every flower and line on each square? Very fun to let my hands figure it out without overthinking it, which is how I end up overdoing it.

I added a little more shading to Mimi, Jelly Bean and Mr. Sunshine since they are black, and I also liked their contrast against the quilt.

I love this particular vintage quilt because I love handmade things, and I use it as much for the background in photos and eventually paintings as just to enjoy its springtime feel. But I have to be careful with it and soon it will be gently soaked in the washer and dried outside in the shade on a warm sunny day to be put away for another spring.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

"Spring Morning", pastel, 6" x 8" © Bernadette E. Kazmarski

Spring Morning, Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.

ABOUT THE ARTWORK

Spring Morning

Such a lovely spring morning with sunlight so full of color. Mimi was feeling the weather and was everywhere—every windowsill, every spot of sun, challenging her children to wrestling matches, then running off and wrestling with the roll of paper towels. But she allowed herself a few quiet moments to just enjoy the warm sunshine now and then.

I’ve been ready for a regular old pastel painting after wandering around to other media and seeing her in the sun I could feel the pastels beneath my fingers. It wasn’t only Mimi and all the rich tones in her fur, but the colorful and varied shadows in the lace curtain, both creamy and cool, and the light from the window glaring pale blue and green and yellow with the hints of blue sky and promise of leaves. Yesterday morning was exceptional and full of inspiration.

This is done in Sennelier soft pastels on a scrap of Wallis sanded paper in Belgian mist.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Spring", pastel, 12" x 24", 1998 © Bernadette E. Kazmarski

Spring is 12″ x 24″,  and though the original is sold but I offer a variety of prints on canvas or paper.



ABOUT THE ARTWORK

This painting is 12″ x 24″, and I offer dimensional canvases and full-size giclee prints, but I also offer a cropped version that fits into standard frame sizes and captures the left side of the painting only. Below is the story of the painting.

Years ago a patron of a gallery in Carnegie where I hung my artwork asked me to paint four images for a very special frame she had.

It had been designed and handmade in wood by her father-in-law, long and narrow, and had four openings, each 12″ high by 24″ wide. Each opening had its own piece of glass, and between each opening was a 1/2″ slat of wood as a divider. The outside border of the frame was 2″ wide and flat with hand carved figures which I believe were leaves, like a vine. Overall it had a warm and rustic appearance.

The frame came apart in the center so that there were two panels in each half, and art and glass slid in and out through this opening. The area for the artwork was barely deep enough for a piece of drawing paper, so he must have intended it for photos when he designed it. The frame locked together in the back so that the two halves held together and hung on the wall without sagging.

She was interested in pastel drawings on paper, which were a good choice for this since even flat painting panels would not have fit.

As soon as she described the frame to me I thought of painting the four seasons, in part because of the four sections of the frame, and it’s also a theme I enjoy here in Western Pennsylvania. The customer would enjoy it too, because I’d been to her house and large picture windows were placed to enjoy the landscape from all angles, and the view of the countryside was something she always mentioned.

So I collected reference photos from my rambles for each of the seasons, thinking purely of landscapes. But she loved white cats and had actually purchased my painting “A Warm Bath” featuring my Angora cat Sally in a bath in morning sun at my side window, and asked me to add a white cat in somewhere since she’d given that painting as a gift.

pastel painting of white cat

A Warm Bath, pastel, 12″ x 10″, 1997 © Bernadette E. Kazmarski

I really considered the best way to show this. The scenes of the landscapes were typical of landscape paintings, showing the middle and far distance, where a cat would be hard to spot. But I remembered one of her picture windows and a countertop that extended partway in front of it and decided what I’d do.

I had taken several reference photos of Sally having a good bath in front of that window for “A Warm Bath”, and chose the pose I actually painted because you could still see Sally’s face, though she was looking down. Photographing a cat in the process of a bath, white or black or striped or spotted, was no easier then than it is now except that I didn’t know what I hadn’t caught until I had the photos developed. Most of the photos were when Sally had her back turned, but in this case, in the more upright posture, she appeared to be looking out the window, also typical of her and other cats positioned on such a shelf in front of a picture window. The cat looking out the window in the first painting would also lend the idea that you were looking out the window at all the landscapes.

To add to the interior I decided to use another detail that may look familiar to some regular readers of The Creative Cat, the draped lace curtain from the window on the second floor landing of my house. It’s quite clear in several of the photos I posted from 1994 as well as many photos of cats today, literally. In part I chose it for its own pattern and the natural appearance of a lace curtain next to a window, and also to balance the detail and pattern in the landscape outside the window.

Fawn on the windowsill with the lace curtain.

Fawn on the windowsill with the lace curtain.

I was glad to draw Sally’s dreamy white fur again as well as the sun and shadow on the wall inside the window, and looked forward to the lace curtain because I’d not painted one before and had been looking for a reason to add one to a painting, determining how much detail I’d actually include and how I’d do it in pastel.

 "Spring" detail of cat and curtain; sorry for the poor resolution if you are seeing this 1000 pixels wide.

“Spring” detail of cat and curtain; sorry for the poor resolution if you are seeing this 1000 pixels wide.

I apologize for the slight blur in the photos of this painting; it’s as clear and sharp as other finely detailed paintings I’ve done, and while I’ve been able to rephotograph older works by visiting the customer, because of the nature of this frame and the difficulty in handling it, we haven’t been able to do so yet. But reference “A Warm Bath”, above, for the style and level of detail.

For the landscape itself I remembered the layout of her yard and acreage, and collected some of my favorite photos of spring blooming gardens; in the end I toned down the rhododendrons and daffodils. But skies are one of my favorite daily studies, no matter the season; I could watch skies forever, the clouds moving, the changing light. Choosing the right moment of sky to paint into a landscape is a very serious choice for me, as you’ll see in looking at all four paintings in this series. In this painting of spring I chose a misty moment in early morning, it’s rained overnight, all is covered with raindrops and the mist is still rising, the clouds parting.

Here are the other three seasons in order, “Summer”, “Autumn” and “Winter”, and I’ll also point out a few correlations to the overall composition of the set a little later.

While “Spring” is based on the customer’s property, the other three are not only treasured landscapes but also have emotional ties to the cats in my life. “Summer” is an abandoned farm field on a high ridge which I passed regularly on the way to work each morning for six years, seen right after an early morning storm. I remember in the last few months Kublai was with me I hated to leave him every day and I would reach this portion of my drive and pause to look at this field with the morning unfolding above it, different each day, take a deep breath, and go on. The site was developed a few years later, but I still remember that each time I pass by it, even now.

"Summer", pastel, 12" x 24", 1997 © B.E. Kazmarski

“Summer”, pastel, 12″ x 24″, 1997 © B.E. Kazmarski

“Autumn” is a hay field with a rambling little stream and scrubby trees as autumn rain clouds roll in which I saw along a road and went to explore during that October after I’d lost both boys.

 "Autumn", pastel, 12" x 24", 1997 © B.E. Kazmarski

“Autumn”, pastel, 12″ x 24″, 1997 © B.E. Kazmarski

And “Winter” is a winter view of the friend’s family farm that I visited during that November to paint and find peace in the quiet of the empty fields and big open sky, the sound of the wind.

 "Winter", pastel, 12" x 24", 1997 © B.E. Kazmarski

“Winter”, pastel, 12″ x 24″, 1997 © B.E. Kazmarski

If you let your eye run from one to the next you’ll notice that the horizon line is consistent from one to the next, and the time of day is actually progressive with “Spring” being very early morning, “Summer” about noon, “Autumn” mid afternoon, and “Winter” at sunset. I had first considered actually having the seasons and times of day blend into one another, but decided the frame really wouldn’t accommodate that convincingly, instead letting the viewer’s eye fill in the connections. One of these days she and I will get together so I can take good updated photographs of all four seasons.

"The Four Seasons" © Bernadette E. Kazmarksi

“The Four Seasons” © Bernadette E. Kazmarksi


pastel portrait of two borzois

“Borzois”, pastel, 20″ x 26″ © Bernadette E. Kazmarski

This woman is also the one I’d painted the two portraits of the borzois, and while I have the one original of the one on the left and have taken a good clear photograph of it, I’d love to get the details of the other one as well.

portrait of two borzois

“Traveler and Emma”, pastel, 12″ x 21″ © Bernadette E. Kazmarski

Read articles on The Creative Cat featuring current and past commissioned portraits.

Read about how I create commissioned portraits.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

ORIGINAL PAINTING

The painting is 23″ x 16″, matted with a deep forest green watered silk acid-free mat edged with a dull gold rounded fillet, framed in a 2″ wood frame with two tones of antique silver edged with antique gold, outside edge finished in deep cherry mahogany.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Feline Artwork, Interior With Cat[/ss_product]

ABOUT THE ARTWORK

It was just meant to be the flowers and the cloth, but around my house it’s hard to keep the cat out of the picture.

Those calendulas, which had braved a pretty hard frost, opened fully when the sun shone in the windows the next day, and that was the first inspiration for this piece. I photographed the calendula, intending to paint only them, but when I looked over the photographs in preparation for painting, I noticed the cloth, the paperwhites in the pot, the light glare on the table, and of course, the cat. It developed into a much larger work than I had wanted, but it was a real challenge to create something from a different perspective than I usually have. And since I create so many other works involving my cats, I really tried hard to keep the cat out of it, but it just wasn’t complete until I painted Sophie in. I’m glad I have this memory of her longtime habit of sitting in that corner of the door, looking out on the deck and yard.

While I render many other subjects now it all began with my cats and the hopeless affection I felt for each of them and all their moods and quirks and manners of affection toward me. This is the gift they gave to me, and I will be forever in their debt, spending a lifetime to pay it off by sharing them with others.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

ORIGINAL PAINTING

This painting is 8″ wide x 12″ high on acid-free 90 lb. watercolor paper. It is matted with 2-5/8″ acid-free white mats with black core on top, then 1/8″ red mat with white core, then 1/4″ white with black core on the bottom. The frame is a 1″ decorative solid wood frame painted white. The backing is acid-free foam core and the glass is premium clear glass. All framing is done by me in my studio.

WHEN ORDERING PRINTS
Because this painting is 8″ x 12″, ordering an 8″ x 10″ will crop a portion from the top of the image so I’ve offered full-size prints in various types for the same price.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Peaches' Nap Spot, pencil with watercolor, 11″ x 7.5″, 2008 © B.E. Kazmarski

The original sketch of Peaches’ Nap Spot, Pencil and Watercolor is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 8″ x 10″ and is framed.



About the artwork

 Peaches' Nap Spot, pencil with watercolor, 11″ x 7.5″, 2008 © B.E. Kazmarski

Peaches’ Nap Spot, pencil with watercolor, 11″ x 7.5″, 2008 © B.E. Kazmarski

Peaches was a perfect model, even when she wasn’t sleeping. Her markings always fascinated me—I was accustomed to torties in Cookie and Kelly, and even the calicoes I had fostered had smaller spots and clearly striped areas. Peaches’ dilute peach and gray and large clearly outlined shapes reminded me an older two-color wall map on cream-colored paper, slightly mellowed with age, where each of the countries were filled with a different color so you could distinguish them at a distance.

Here she was sleeping in classic Peaches stretch on her favorite fleece on a chair in the kitchen, above the heater vent, and certain to get a bit of sun at some time during the day. This may have been from 2008, but if you follow my daily sketches I’m sure you can see some of the same pencil lines and watercolor washes you see in my sketches from today. It was from looking at this painting in my studio and remembering Peaches that I decided I really wanted to—and really should—start seriously doing daily sketches again, remembering how pleased I was with this, how I have these little moments to remember from each of the cats I sketched, and how the brief time I did these in 2008 really helped me improve my daily work. Thanks again, Peaches, for all the gifts you gave me.

I offer this image in my Feline Art Cards collection.

Peaches' Nap Spot Fine Art Card

Peaches’ Nap Spot Fine Art Card

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED ORIGINAL

I framed the original sketch with a soft warm cream flecked top mat and charcoal gray bottom mat in a charcoal gray frame.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

 

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

This art is “Beans”, 10″ wide x 6″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels © Bernadette E. Kazmarski, signed and dated 6/9/13.

[ss_product id=’ca94b750-4f1f-11e7-b592-002590785994′ ]Feline Artwork, “Beans”[/ss_product]

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

“Beans”, pastel on pastello paper, 10″ x 6″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

I had a day of painting en plein air, and came home and sketched my cat en plein air.

It’s interesting to see what I would come up with after a day of art. Typically the daily sketch of one of my cats is the first piece of art-on-paper I do in a day, and often the only thing, but I looked at the weather and knew it was one of my Sunday art days, no matter what I “should” have been doing. I’d started out with my contrived trip to the grocery store knowing I’d pass several areas I’d want to sketch and photograph, so when I came back I’d been warmed up with landscapes and streetscapes, then saw Bean on the top shelf of the cat tree in the quiet corner of the kitchen where the shadows are very green from the trees outdoors and the light is blue reflected from the sky.

The original inspiration was Bean’s toes, his little toe beans, oddly enough the clearest thing in the scene, matched with the subtleties of the light on his fur. I watched him settling for only a moment before getting the art bag I’d just put down and quickly roughing him in with the softer black pastel on the dark green paper and pulling the highlights with a few strokes of only three highlight colors. Then I blend with my fingers, one of the things I love best about drawing any animals in pastel but especially my cats, that as I use my fingers to blend the pastel into the paper and the colors into each other, the subject emerges, as if I’m petting them and they come to life.

And warmed up after a day of going about the business of art, photographing and painting and visualizing, this came about much more quickly and surely than it otherwise would have.

~~~

I actually did this sketch on a Sunday but waited to post it on a Money. There are no coincidences. I know the reason for the title and perhaps my even noticing Bean’s toes was the thought of another kitty and a conversation about the nickname “Bean” for her, and the name “Bean” turning up for several other cats at an auspicious time. We lost that little Bean on Monday, another little black Bean, way too early. She was so beautiful, and made me think of Mimi. For my friends who are missing their Sabrina Bean tonight, this sketch is in her memory, whether I intended it or not.

~~~

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

This sketch is 8″ wide x 10″ high on acid-free Fabriano Tiziano Pastello drawing paper and Sennelier pastels. It is matted with 1-3/4″ acid-free black core sage top mat and black core white bottom mat, framed in a 1″ flat matte black 11″ x 13″ solid wood frame. The backing is acid-free foam core and the glass is premium clear glass. Other framing styles are available. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Kelly in Warm Colors, Pastel, original art is 5″ x 7″ pastel on textured pastel paper. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



ABOUT THE ARTWORK

“Kelly in Warm Colors”, pastel, 5″ x 7″ © Bernadette E. Kazmarski

This sketch is a sweet memory, still one of my favorites, and one through which I still feel a deep bond with Kelly. The sketch is from April 17, 2012, and the light is coming around to that angle now as the daylight approaches the same position a few weeks before the autumnal equinox as it does a few weeks after the vernal equinox. I remember the warm and saturated colors as Kelly napped on the cabinet, and I’m so glad I had the chance to sketch Kelly right in that moment. Here’s what I had to say when I sketched this scene and shared it:

Because I always hope she feels the warmth of love.

I hadn’t set out to do quite this, but this was what resulted from a lovely ideal of Kelly sleeping quietly in the sun…right after her hatha yoga bath. It turned out to be all about Kelly today, but she was so enjoying the sun on that cabinet, and I was so enjoying her.

This is done in my old friend, pastel, or chalk pastel to differentiate from my new friend oil pastel (read this article to understand the difference between and how they are made). This is the joy of daily sketches for me, that little exploration.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Suncatcher, , pastel on Canson Mi Tientes, 16" x 22", 1989 © Bernadette E. Kazmarski

Suncatcher is a 16″ x 22″ pastel on navy Canson Mi Tientes pastel paper. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

Suncatcher, , pastel on Canson Mi Tientes, 16" x 22", 1989 © Bernadette E. Kazmarski

Suncatcher, , pastel on Canson Mi Tientes, 16″ x 22″, 1989 © Bernadette E. Kazmarski



About the artwork

This sketch was among my four first pastels. I remember studying the highlights on Allegro’s fur, and the light outside the window and on the wall, with the deep shadows. He was on the basement windowsill, and I’ve always love the dramatic lighting of scenes like that. I decided to use dark paper and just sketch the highlights rather than paint the entire thing in pastel. Here’s what I had to say about it at the time.

“Cats always find the sunshine, and a sunny basement window at ground level provides hours of entertainment; Allegro sat there pretty regularly on bug and bunny watch. The contrast of the brilliant orange outline and his whiskers and muzzle silhouetted in reverse against the intense shadow of his body, the sun shining through his ear, the graceful curve of his tail and the isolation of the scene within the shadow of the wall made me follow him down there with a camera until I finally caught him.”

. . . . . . .

What is the difference between a “sketch” and a “painting”? Because pastel is a dry medium and not paint at all works have long been classed as drawings, and pastel works not considered “finished” or “final”, more like studies. But as pastel has become more popular and considered a medium in its own right, some works are also considered paintings. If a work covers the entire surface edge to edge in what is considered the image area, the work is considered a painting. If not, it’s considered a sketch. Of course, that can be subjective—many of the daily sketches I’ve done could be considered paintings because they fill edge to edge, but I’d still consider them sketches in part because that’s the way I think if them. But things evolve in our daily use, and art materials and works of art are among them.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Front and Back", white and black charcoal on toned paper, 8" x 5" © Bernadette E. Kazmarski

“Front and Back”, black and white charcoal pencils on tan toned paper, 5″ x 8″ © Bernadette E. Kazmarski. The original is sold but prints are available.

"Front and Back", white and black charcoal on toned paper, 8" x 5" © Bernadette E. Kazmarski

“Front and Back”, white and black charcoal on toned paper, 8″ x 5″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

Giuseppe and Jelly Bean were sharing the same spot of sun on the landing today, contentedly tucked side to side, facing opposite directions. Jelly Bean looks like just a pile of something. Giuseppe at least has ears. They were absolutely fast asleep.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards page). Often I use them as illustrations for graphics projects I’m designing.

MORE LIKE THIS

Visit my gallery of Daily Cat Sketches.

Visit The Creative Cat to scroll through them all, but be prepared—I actually sketched about 1,000 over the course of four years!

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size signed digital prints are matted and framed. Custom framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

All prints are countersigned by me.

CANVAS PRINTS

I order canvas prints as they are ordered. Smaller canvas prints have a 3/4″ depth, larger canvas prints have a 1.5″ depth. All are gallery wrapped.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Catamount Brushmore”, black and white charcoal on toned paper, 5.5″ x 8″ © Bernadette E. Kazmarski

Catamount Brushmore prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas, and the original art is still available as well.



ABOUT THE ARTWORK

ABOUT THE ARTWORK

I mean no disrespect to these four presidents, but when I looked down from my computer screen at the four, this is what I saw. Well, what I saw is above, but really, this was what I immediately visualized—look at the photo below I used for reference!

“Catamount Brushmore” reference photo.

“Catamount Brushmore” reference photo.

Not quite the same, but certainly suggestive. I just moved Bean up a bit. I quickly blocked out the shapes and snapped a reference photo, sketched in white and black charcoal as long as I could until they’d moved too much, then finished from the photo. In case you didn’t “get it”, I added the blue sky in pastel pencil, like that was going to help. And I looked at a photo of the actual Mt. Rushmore and added the pine trees at the bottom for authenticity. From the left it’s Bean, Mr. Sunshine, Mewsette and Giuseppe.

Really, what would I do without such unusual inspirations! What they were doing was invading my desk and preparing to occupy, my daily torture of cuteness and interruption. Better get all my papers and stuff off my desk because everything will be buried under the pile. See below for how it turned out. Looks like the mountain collapsed. Look at that Bean belly–he’s laying on top of a small box. No wonder I can never clean my desk.

How it all turned out.

How it all turned out.

So now I actually get to get back to work so I can finish what didn’t get done while pursuing my big inspiration.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas carries the gray-toned paper background around the sides.

FRAMED PRINTS

I am reframing the original and will post as soon as it’s done. I do all my own framing and can custom frame a print for you as well. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Kelly Has a Drink, 6" x 8", colored pencil © Bernadette E. Kazmarski

These signed prints of “Kelly Has a Drink”, colored pencil, are made in archival inks on various media. I’ve also included an image of the original as I framed it. A print framed like the original is also available.



Shipping is included in all prices listed.

ABOUT THE ART

I always have prints and framed prints. I often have wood-mounted art and keepsake boxes, and also have large and small placemats and other kitcheny items. This art accommodates easily to a square format like the 8″ x 8″ wood-mounted print. I also use this image on round and square maiche boxes like the ones pictured. For all other gift items not listed here, check on “Handmade Gift Gallery“.

Kelly Has a Drink

What legs! Kelly really does have long legs, especially when she does her drinking dance, solidly planting all four paws, then prancing her hind paws and waving her tail while she drinks. There’s something so precious about Kelly drinking; I think it has to do with her timid nature, yet she totally enjoys her water so I enjoy her enjoyment.

This was done in steps as we spent time in the studio upstairs, similarly to one I did of Cookie the previous December. This bowl is on my work table because Kelly has always preferred to drink from a bowl on a surface above the floor. In the heat, she marches back and forth to it through the day, and always stands in the same spot in the same position. Kelly is a creature of habit, so I can anticipate her actions and keep my sketchbook handy, drawing the outline one time, adding her black markings another, then her orange.

. . . . . . .

This is the last sketch I did of Kelly while she was still with me, ironic that I would catch one of the poses I really wanted to be sure to catch before it was too late. It’s one of those poses I’d watched Kelly take for years, her little drinking stance, leaning way down from those long legs and lapping noisily at the water; for such a fastidious and rather timid kitty, she made noises drinking and bathing that I could hear two rooms away, and they always made me laugh.

But there is always something like this that we remember about our animal companions, something that makes no sense to anyone else. You know, the odd bathing position, the awkward sleeping habit, the strange toy, all these things are what show us they really are individuals and are often the things we remember the longest about them.

I had the sense on this day in 2012 that something serious was happening with Kelly, but I didn’t realize how serious. She died August 11, but on this evening, August 8, when she hopped up onto my work table to have her drink in exactly the position I remembered her, it was a sketch I had decided I wanted to get. Sometimes we pass up a photo thinking we’ll have another chance, and I’ve passed up sketches thinking the same. On that evening I decided I wasn’t going to trust this to chance and I’d get this sketch right then, even if I didn’t finish it right then.

Looking at her legs, the arch of her back, the curve of her tail, the position of her ears, her chin, and the black and orange of her markings, the backs of her legs looking as if she’d sat in paint, the wide areas across her back of black fur then orange, her one pale orange toe, all so familiar even now, and at that time and still I could apply them without even looking at her.

I knew when I finished it that this sketch captured more than a sweet and familiar visual memory I wanted to make sure I’d captured. It captured a lot of Kelly too, and I can still feel her presence when I look at the sketch. This was the last time I saw her drink at that bowl, or saw her drink in anything near the position I’d always wanted to remember. I’m so glad I took the time.

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINT

This sketch was framed with 1.5″ white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ violet bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

"Garden Sketch With Mimi", 5" x 7", watercolor, 2013 © Bernadette E. Kazmarski

Garden Sketch With Mimi prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



"Garden Sketch With Mimi", 5" x 7", watercolor, 2013 © Bernadette E. Kazmarski

“Garden Sketch With Mimi”, 5″ x 7″, watercolor, 2013 © Bernadette E. Kazmarski

ABOUT THE ARTWORK

This was not what I’d intended to paint that day but I like it anyway. It’s Mimi napping in the shadow on the cool bricks among the geraniums, near the vintage aluminum tub where I grow pole beans. Mimi was so happy to be outside she only rested in each position for less than a minute, and the sun was in and out behind the clouds. The temperature was in the 90s and we weren’t doing much but looking for a comfortable spot.

I had wanted something a little tighter in detail, but I like the details this one has. I did a light pencil sketch underneath because it’s so small I knew I’d run out of space if I didn’t give myself some guidance about Mimi, the geraniums and the barrel, but aside from that I just painted.

In part I was using the quick and easy eight-color grade-school watercolor set that’s easy to carry and use. I really need to get a set with a greater color range if I’m going to paint outdoors.

But what was my purpose with this painting? Sometimes I sit down to capture the details of the moment, and some day I’d like to do just that with the reference photos from this, but with my actual sketch, and all my daily sketches, my purpose is just to capture the essence of the moment and share what moved me to render the scene. In this case it was a relaxed Mimi in the shade on a hot morning, stretched on those familiar bricks next to the cool anodized aluminum tub where I’ve always planted pole beans and surrounded by my geraniums saved from year to year. It was a scene I loved for my love of my garden, my appreciation of Mimi relaxing in a place she’d once hunted for food to feed her kittens, and the memory of the generations of cats before her who enjoyed that very spot, this little patio and the verdance of my garden.

I also have this art as a garden flag in a separate listing.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.

GARDEN FLAG

I also have this art as a garden flag in a separate listing.

"Mimi Sitting", compressed pastel on toned paper, 5" x 7" © Bernadette E. Kazmarski

Mimi Sitting, black and white charcoal pencils on tan toned paper, 5″ x 7″. The original is available and prints are made in archival inks on I offer full-size giclee prints as well as a variety of digital and canvas prints.



"Mimi Sitting", compressed pastel on toned paper, 5" x 7" © Bernadette E. Kazmarski

“Mimi Sitting”, compressed pastel on toned paper, 5″ x 7″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

I love views of my cats from above. Perhaps that’s because most often that’s the angle from which I see them. I was actually waiting for Mimi to pause so that I could get a start on a sketch. I saw so many highlights and reflected tones on her and as soon as she decided to just sit still I began to sketch. Promptly she noticed me, got up and left the room, came back in and got up on my lap so I finished it from memory, missing much of the reflected highlights. As soon as I finished, she got back down on the floor. She was pretty clear in her message! I sketched her anyway.

I liked this sketch so much you’ll notice it’s the cover image for my Feline Style Sampler!

Feline Style Sampler

Books

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size digned digital prints are framed as you see above with a double mat of greystone black core and a 1.25″ matte black frame. Other framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The giclees have 2″ of white around the outside edges. The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal so in this case it crops quite a bit from the top and bottom, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

A Tangle of Cats at the Door, 5 x 8, pencil © Bernadette E. Kazmarski

The original sketch of A Tangle of Cats at the Door, Pencil, is still available, and I also have a variety of prints and note cards (and even a few gift items). The original sketch is 5″ x 8″, 2012 © Bernadette E. Kazmarski

About the artwork

A Tangle of Cats at the Door, 5 x 8, pencil © Bernadette E. Kazmarski

A Tangle of Cats at the Door, 5 x 8, pencil © Bernadette E. Kazmarski

Not that they’d all keep still while I sketched them, instead I wanted to catch their energy, not sure how many or how detailed I’d get I let the sketch build itself and drew them one by one as they moved around at the basement door, looking out at the garden in the morning while I did some work in the basement.

Fun, all five in a row, I believe it’s Mewsette, Giuseppe, Bean, Mimi and Mr. Sunshine.

I’ve been surprised at the popularity of this sketch. I can only guess that my sketchy pencil lines really did capture their energy while they watched at the door. It’s one of the most often-viewed sketches of all time and gets at least one view per day, often as many as ten.

Purchasing prints

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.

MOUSEPADS

Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

Best Friends, pastel on burgundy Canson Mi Tientes paper, 9 x 24, 1992 © Bernadette E. Kazmarski

This is an original pastel painting, 9 x 24. The original is sold, but prints on paper and canvas and greeting cards are available.



ABOUT THE ARTWORK

Best Friends, pastel on burgundy Canson Mi Tientes paper, 9 x 24, 1992 © Bernadette E. Kazmarski

Best Friends, pastel on burgundy Canson Mi Tientes paper, 9 x 24, 1992 © Bernadette E. Kazmarski

Moses and Fawn were inseparable when Fawn was a kitten; here they are relaxing after a strenuous wrestling session, close enough friends to settle their differences and share the one spot of sunshine in the room. But who needs all that garbage in the background? I just wanted to show the attachment between these two. The sun on them is like a spotlight holding the two of them together against the darker background. It was drawn on burgundy paper to match the decor of the recipient.

That’s what I had to say in the early 90s when I painted this and also set up my portfolio album.

I know that I was very inspired by the contrast of the sunlight and darkness on these two, and the way the two were spotlighted by it. I had wanted to use a sketchy style, not a smooth one with a lot of blending, but one where you could see the diagonal lines I’d used to stroke the color onto the paper. I can see the awkwardness of my inexperienced strokes, of the shapes of the cats, of the lack of proportion, but it all still works. Moses was a solid gray tabby and Fawn was a torbie. Moses’ marks were regular and symmetrical and Fawn’s were anything but. I had fun tackling a torbie for the first time, and their naturally graceful composition whet my appetite for other similar portraits.

And it’s my yittle girls. Moses was the first feral cat I rescued, and didn’t even know it. Fawn was the kitten not adopted from “my first litter”. They were only a year apart in age, and after the other kittens and mother were adopted I was so happy to see Fawn found a friend in her shy “big sister” Moses, and Moses responded by actually playing, the first serious play I’d seen her engage in. The room they are in was my foster room at that time as well as my sewing and craft room, and Moses had been in there the year before and still considered it her “safe room”. When I took in Fawn’s mother I installed her in there and closed the door, much to Moses’ consternation. But she patiently waited through the gestation and kittening and nuturing and then adoptions, and as soon as the door was permitted to be open again, she was back in there. I would guess Fawn always felt an affinity for that room too, since it was the first she’d remembered, and so the two encountered each other frequently. Seeing them wrestle just made my heart sing. And settling down like that was pure joy for me. When we moved here two years later the two remained friends but not playmates anymore.

I painted it as a thank you gift to a friend who had come to my house to feed and play with my cats while I was away for nearly a week (for my first ever trip to the ocean, the only thing that could get me away from my cats for that long). She didn’t want any money for what she’d done, so I fixed her with something that wasn’t money. She liked these two the best and told me about petting them, interesting since Moses had been a feral kitten who vaporized when other humans than me were around, and Fawn was too busy to be petted.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Waiting Around the Corner”, black and white charcoal and pastel on toned paper, 5″ x 8″ © Bernadette E. Kazmarski

“Waiting Around the Corner”, black and white charcoal and pastel on toned paper, 5″ x 8″ © Bernadette E. Kazmarski. The original is available as well as prints made in archival inks on paper and canvas.

“Waiting Around the Corner”, black and white charcoal and pastel on toned paper, 5″ x 8″ © Bernadette E. Kazmarski

“Waiting Around the Corner”, black and white charcoal and pastel on toned paper, 5″ x 8″ © Bernadette E. Kazmarski

ABOUT THE ARTWORK

This bright morning sunlight gets us all up and around and doing interesting things. It may look as if Giuseppe is planning something, really he’s just basking in that wonderful sun puddle that cats have enjoyed in exactly that spot since I’ve lived here. I stopped and looked at the deep shadows, the brilliant highlights and the reflected highlights in between and there was my daily sketch. Couldn’t sketch him right then, but took a quick photo, just before he stood up and stretched and walked toward me.

The toned paper is wonderful for black cats, especially in the sun. Click here to see more sketches on toned paper. One of these days, I’m going to have to do something with that collection.

DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

MORE LIKE THIS

Visit my gallery of Daily Cat Sketches.

Visit The Creative Cat to scroll through them all, but be prepared—I actually sketched about 1,000 over the course of four years!

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

FRAMED PRINTS

Full-size signed digital prints are matted and framed. Custom framing is available upon request. All framing is done by me in my studio.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

All prints are countersigned by me.

CANVAS PRINTS

I order canvas prints as they are ordered. Smaller canvas prints have a 3/4″ depth, larger canvas prints have a 1.5″ depth. All are gallery wrapped.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Cool Morning Bath", oil pastel, 5" x 7" © Bernadette E. Kazmarski

This art is “Cool Morning Bath”, 5″ x 7″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 12/3/13. The original is available and so are various prints.



"Cool Morning Bath", oil pastel, 5" x 7" © Bernadette E. Kazmarski

“Cool Morning Bath”, oil pastel, 5″ x 7″ © Bernadette E. Kazmarski

ABOUT THE ART

Mimi twisted and turned in the diffuse morning light at the door, all those delicate shades reflecting warmer on the floor, cooler on her, but still all in greens and blues and a very pale yellow, the light swirling around her. I liked this sketch a lot a year ago when I painted it in 2013, and I like it even more every time I look at it.

Oil pastel again, for the strength of colors and the texture, but here the delicacy of the mixed pale yellows, greens and blues carries the idea of cool winter morning light that I wanted, the shadows deeper and just a bit warmer, Mimi’s black fur turned blue and green in all the reflections. Mimi, so inspiring!

ABOUT MY WORK IN OIL PASTEL

I’ve been working out this style now following Two Cats After van Gogh. I traveled with a friend in April 2012 to see the “Van Gogh Up Close” exhibit. All the way home on the Megabus I remembered the colors and shapes and textures, and wanted to work the same energy and form I saw in his brush strokes, visualizing oil pastel to layer and blend the strokes as an experiment. Arriving home in Pittsburgh just a few hours later I saw Giuseppe and Mr. Sunshine, just quietly hanging together on the landing, Giuseppe sitting upright, Sunshine loafing, and visualized exactly what I would sketch, and posted Two Cats After van Gogh as my daily sketch that very day.

After seeing so many van Gogh paintings up close in the exhibit my goals in working “after van Gogh”, or in the style of van Gogh, are to be aware of the colors he used, and why, and to use the textures to build the image, so that every color and stroke, and the shape, direction and energy of the strokes, would be important to the painting. Like poetry, nothing is extra, nothing is wasted.

Mimi is the subject of another oil pastel, In Window Light, and also participates in yet another oil pastel with Mewsette, Kitty Spoons.

You can see other oil pastels in Two Cats After van Gogh and you can also see other feline artwork in the following galleries:

ABOUT MY DAILY SKETCHES

I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.

Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.

Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.

 

SHIPPING

Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.

PRINTS

Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.

CANVAS PRINTS

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.

FRAMED PRINT

All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

“Five Cats and One Box”, brush markers, 6.5″ x 9″ © Bernadette E. Kazmarski

Five Cats and One Box original marker sketch is available matted and framed. Prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.



 

ABOUT THE ARTWORK

“Five Cats and One Box”, brush markers, 6.5″ x 9″ © Bernadette E. Kazmarski

“Five Cats and One Box”, brush markers, 6.5″ x 9″ © Bernadette E. Kazmarski

I love drawing with brush markers, and using them for my daily cat sketches really taught me serious lessons about focus and letting my hands intuitively follow what I saw, letting the brush tip create a fluid line all its own.

All five joined me in the kitchen for lunch, so I gave them a box to keep them occupied. And me too. I put down my lunch and ran to get my markers. I remember those days of daily sketches, one of the lessons to capture the feeling of all those cats in action, and this was one time when my eyes were full of the potential.

When they mill around like this each of them is in constant motion, and I’ll use the old jump rope analogy for how I determine when to jump in—I stand there and watch them moving around, observe what each of them is tending to do in the moment, then sketch them one by one. But sometimes, like Mewsette in the box, they move too much and end up looking vague. Also, see how I changed my mind about the background color from yellow to turquoise, just drawing on top of it. It’s a sketch, not a masterpiece.

So what do five cats do with one box? Mewsette is in the box while Giuseppe is checking under the flap of the box, and Jelly Bean is sitting next to the box washing there, Mimi is experiencing box envy and planning on how to get into the box, and Mr. Sunshine is looking away, acting as if he doesn’t care at all about the box.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

"Mimi in the Formal Garden", pastel, 8 x 10 © Bernadette E. Kazmarski

Mimi in the Formal Garden prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.

ABOUT THE ARTWORK

"Mimi in the Formal Garden", pastel, 8 x 10 © Bernadette E. Kazmarski

“Mimi in the Formal Garden”, pastel, 8 x 10 © Bernadette E. Kazmarski

I was very honored and excited when Deb Barnes, president of the Cat Writers Association, contacted me at the end of March with a very special commission.  She wanted to know if I could create the artwork for the thank you note that would be given by the organization to the many sponsors, donors and others who helped the conference be a success.

Wow, what an opportunity! To not only be able to create art to support the organization but which would also go into the hands of pet food and product manufacturers and services, sure, even though the conference was about two months away and the art had to be designed, finished and cards printed and delivered, I could do that. She asked for a few quotes, and I mentioned a printer I regularly use who she had used as well.

Then we talked about what she had in mind for the image, and she said she’d like a cat in a garden, maybe painting “thank you” on a canvas or something that brought the words into the image. She mentioned a few of my paintings in styles she liked, and when she said “a cat in a glorious English garden” I was ready. Who would know I’d been planning to start a series of paintings and sketches of Mimi and other of my cats in my gardens over the years? I started to visualize what it might look like, but I immediately knew I’d have Mimi on the bench that’s out in the back yard. From there I looked at paintings of English gardens, like Victorian interiors so full and colorful and detailed and always paths and such, and went from there. I decided to build it from sections of my own yard, and began pulling my favorite photos of flowers and bushes and groundcovers and started fitting them together like a puzzle. It turned out to be a spring theme because that happened to be when most of the bushes and trees bloomed. And then, the flagstone path curled around into the image and right up to Mimi on the bench.

The painting had to be small in order for me to get it finished in time, so it’s 8 x 10. I created a layout for it in Photoshop, just mashing all the things in the right place to show off a variety of colors and shapes and heights, and then I blocked it out with watercolor, and not washes but heavy coverage since that would help me along in completing it faster.

To include the words “thank you” I didn’t want Mimi painting but at first had a big “thank you” sign on the bench behind her. But when I started working in the wrought iron scrolls on the bench I thought how cool it might be if I made that form the words “thank you”…? I thought it might be a little too cute, but when I blocked it in, I liked the whimsy of it.

The original painting.

The original painting.

Not all the plants that are in it are in my yard now, but they were at one time. The list of plants that are in it, starting at the top center, are wild black cherry, dogwood, rhododendron, rudbeckia, lamium, ajuga, golden iris, multiflora rose, tangerine azalea, bishop’s weed, cranesbill geranium and clematis on the bench.

Of course, I also decided I really wanted to use the art with Mimi as the first of hopefully several garden cat paintings. I created the “thank you” design for the Cat Writers’ Association, and I also made a print of the original and drew on top of it, replacing the words with the actual scroll work in the bench, so as a notecard or a print, you have the choice of design.

I am honored

This painting was awarded a Certificate of Excellence in Fine Art by the Cat Writers’ Association in the 2019 Communications Contest. Click here to read more about the CWA, the contest and the awards.ogether.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

painting of black cat at window watching hummingbird

The original watercolor of Mimi’s Little Visitor is available as well as prints made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.


ABOUT THE ARTWORK

 painting of black cat at window watching hummingbird

Mimi’s Little Visitor, watercolor, 8 x 10 © Bernadette E. Kazmarski

I was very honored and excited when Deb Barnes, then president of the Cat Writers Association, contacted me at the end of March 2020 with a very special commission, to create the artwork for the thank you note that would be given by the organization to the many sponsors, donors and others who helped their annual conference be a success. That painting is Mimi in the Formal Garden, which won both a Certificate of Excellence and a Muse™ Medallion in last year’s CWA Communications Contest.

I was possibly more honored and excited when, in September, as immediate past president, she again contacted me for artwork for a thinking of you, get well, all-purpose greeting card to be used by CWA for correspondence with members.

Creating the image

Her idea this time was again to include little Mimi cat with flowers in a very colorful composition. Another opportunity for a cat painting that I’d been wanting to do! And which would also go into the hands of cat lovers who, like me, were members of this organization (more about CWA below).

We discussed a few of the photos I’d posted over the summer which included colors we both wanted to use, Including one that I’d wanted to create a painting from, but it just wasn’t coming together no matter how I tried to visualize the finished work. So I took the elements we wanted, worked my way through ideas as I organized my studio spaces, and came up with a combination of the colors we both liked and which I’d been wanting to paint: Mimi at the window watching birds.

I have always had a windowbox at my dining room window, and for most years I had geraniums in that box until the shade became too dense. I had plenty of photos, and red was one of the colors we wanted. Also, years ago, I had grown morning glories around that window, and while they never looked like this, that was my aspiration, plus I’ve got plenty of photos of morning glories since I photograph them wherever I see them.

My current window wasn’t really good for this painting, too dark brown and not enough of a “window” look without too many muntin bars. Of course, I have photos of windows I like and slipped one in. And then there had to be a covering of some sort behind Mimi so you could actually see her. Originally I had wanted a vase of flowers indoors, or perhaps some pretty glassware in the sun, and a patterned or lace curtain. But with the flowers all those patterns and objects were just too much and distracting, so I made it a simple white curtain.

And then the bird, which one or ones would that be? I have feeders outside all windows, and we attract all sorts of birds. Of course, my first thought was a sampling of all those colorful little friends. But then I thought I was channeling a lot of similar art I’ve seen all my life and I wanted something a little different, and perhaps more accurate and appropriate. I’ve also always had hummingbird feeders, and those little hummers have come right up to the screen to look at Mimi! Plus, they are attracted to the red geraniums so of course they’d be around outside the window. And I have photos of hummingbirds and the feeder, of course. Then I had to add a couple of Tiger Swallowtail butterflies because they visit us too, and they also visit morning glories. Then finally Mimi’s silhouette shape, her tail curled in a circle, her alert ears and eyes intent, the red collar with the jingle bell, that’s my girl.

Thank goodness Deb was patient while I worked my way through all these ideas last autumn, completely distracted by all the physical work of renovating my basement for studio space and reorganizing nearly the entire house in the process, until some painting area in the house was ready for me to work. I didn’t actually finalize the idea until November, and painted the painting in December. Normally I jump right on things, but by the time I could finally sit down and paint again I was so ready for this painting it practically painted itself. I chose watercolor for all the details and contrasting light and shadow, and enjoyed every stroke.

About the CWA

Conceived on November 21, 1992, the Cat Writers’ Association is a worldwide, 300 members plus organization comprised of a wide variety of talent, supporting evolving mediums and platforms such as Fine Arts, Journalism, Social Media, Graphic Design, Writing, Radio, Television, Videography, Podcasts, Websites, Blogs, Photography, Illustration, Cartoons, and so much more! Their goal, whether through humorous and lighthearted pieces, to serious, highly technical information is to improve the quality of cat information for the general public and to inspire, educate, and inform.

SHIPPING AND CHARGES

Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.

GICLEE PRINTS

The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

DIGITAL PRINTS

Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.

CANVAS PRINTS

Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

FRAMED PRINTS

I do all my own framing and can custom frame a print for you. Please ask.

GREETING CARDS

  • Cards are blank inside but can be customized with your message for an extra charge.
  • 5″ x 7″ Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
  • Individual cards are shipped by first class mail.
  • Set of six 5.5″ x 4.25″ note cards are printed on textured watercolor paper and packed in a clear-top stationery box.
Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

Flourish-darkgray-100Don’t miss any new items or opportunities!

“Follow” the Portraits of Animals blog with the link in the upper left. Sign up to receive posts in email, or in your favorite reader using the links in the right-hand column.

Sign up for e-newsletters

You can also sign up for my monthly e-newsletters to receive special discounts and find out where I’ll be with my artwork.

Click here for the Creative Cat Preview E-newsletter, for feline and animal-specific products and information.

Click here for the Art & Merchandise E-newsletter, for landscapes, nature, urban scenes and more.

For art, photos and writing as I develop it, visit my blogs.

See feline art and photos as they happen on The Creative Cat, along with feline news, health, welfare, rescue stories and more.

See daily photos as I post them on Today.

Read poetry, short stories, essays and more on Paths I Have Walked.

. . . . . . .

© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.