Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

Unnamed Tributary, Pastel

Unnamed Tributary, Pastel, 9″ x 12″, 2012. The original is framed in a 1.25″ wood frame with white wash, matted with slate blue black core mat. Digital, giclee and canvas prints are also available.

Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

From January 12, 2012, the day I painted this en plein air:

On a quiet sunny winter afternoon this little unnamed tributary surely had a lot to say, babbling along over rocks and shelves of slate and limestone on its way to Scrubgrass Creek a distance away. I see a few things I’d still like to do with it but I’m pretty pleased. The light changes quickly at this time of year, and I had to work quickly.

Off in the woods today, I stood in the snow and painted a little pastel sketch as well as took photos of the snowy hollow at Kane’s Woods in Scott Township, PA. I’ve been waiting for a significant snowfall, enough to give good even cover to most of the leaf litter. Much of this conservation area faces north and doesn’t catch significant sunlight, especially in the winter when the sun’s angle is low, but this little hollow and the hill next to it face south. Once the sun gets into the hollow it just fills it up, especially when snow can reflect it in all directions.

The Kane Woods Conservation Area is a place I’ve known since I was a child, before it was conserved and trails were established, but my lifetime of visiting and that of others is what inspired Scott Conservancy to consider the site worth working for.

person standing in snow sketching

There’s me, feeling a little silly.

Along with the benefits of preserving water quality and air quality, protecting steep slopes from erosion and landslides and managing stormwater naturally, greenspace at the same time provides natural recreation areas that require little maintenance compared to a playground or formal park with accommodations. And for me, it provides a subject for my creative efforts, my paintings, photos, poems, and just a place to rest my eyes and ears from the onslaught of digital and social information and just listen to the breeze and the birds and watch the sunlight play across the snow.

Here is the framed version.

Unnamed Tributary, framed.

Unnamed Tributary, framed.


Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.


The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.


Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.


Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.


I do all my own framing and can custom frame a print for you. Please ask.

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