The deer were in my back yard this afternoon, well-camouflaged by the light and the muted colors. If you look closely, there are two in this photo.
I had seen the most prominent one reclining on the ground, and all I had was my cell phone but I tiptoed around the side of the house to the back yard to take a few photos before they saw me. When then did and she got up, only then did I see the second deer get up, hidden behind more branches, and just a flash of sunlight lit her face. I can almost see an Escher-esque drawing in this.
The leaves have fallen, yet the deer think they are still well hidden. It’s kind of funny. That was where the idea for this painting “Safe” originated.
Though they nibble on some of my favorite foods and flowers that grow in my back yard, I enjoy observing the two does who have visited for the past three years, sometimes with their boyfriend and sometimes with a fawn. When I came outdoors they would often leave my vegetable garden and scurry through my woodland garden to the overgrown area between all our yards. Though they were in plain sight of about six houses and all of us watched them, they apparently felt they were safe—and they were, really, because when I looked at the reference photo for this I wondered why I’d taken a photo of the brush at the end of the yard, and then I saw the ears. It was the perfect cover, hidden in plain sight.
“Safe” is painted in various pastels on Strathmore pastel paper from my photo references. This work was one of my new paintings for the 2015 Wings & Wildlife Art Show at the National Aviary in Pittsburgh.
Purchsae the Original or a Print
You can find “Safe” in my gallery of Available Original Art and my gallery of Wildlife Artwork.
SHIPPING AND CHARGES
Shipping within the US is included in the cost of each print.
Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.
Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.
Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.
I do all my own framing and can custom frame a print for you. Please ask.