"Bandit", pastel, 18" x 14", 2004 © Bernadette E. Kazmarski

Bandit, Pastel

“Bandit” was an original pastel commissioned portrait, 18″ x 14″, painted in 2004. It’s available as prints on paper and canvas and as a note card.

[ss_product id=’591eb73e-050e-11e7-bf8f-002590787d08′ ]Feline Artwork, “Bandit”[/ss_product]


Bandit also predated the woman who commissioned me to do his portrait, Bandit having spent most of his life with his human rescuer as a couple of bachelors. Because the portrait was a gift we weren’t sure what type of a pose his person would want, but, as always, I liked one of the photos I saw in her stack, the light and the feeling of space, the details of their home that was obviously so dear to them, plus the commanding way Bandit is reclining surrounded by plants give it visual depth; sometimes an image that is fully from that time and place, houseplants and all, is simply the best way to remember a moment. She readily agreed, and I knew it was right.

You can read more about this portrait and others for my veterinarian below.


Shipping is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.


The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 25″ x 22″ and a half-size of 12.5″ x 11″ and an 8″ x 10″ that crops a portion of the image top and bottom.


Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ so I trim a bit off each end to fit, and also offer the half-size 12.5″ x 11″.

The giclees have 2″ of white around the outside edges, while the digital print has 1/2″ around the edges. All are countersigned by me.


Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.

More about this portrait

 "Bandit", pastel, 18" x 14", 2004 © Bernadette E. Kazmarski

“Bandit”, pastel, 18″ x 14″, 2004 © Bernadette E. Kazmarski

SOMETIMES WE DON’T realize until years later that a series of odd circumstances has an intention beyond our control; often this involves the entry of one of our most cherished animal companions into the sphere of our life, and our entry into theirs.


One of the Great Rescues families, Bandit is one of my commissioned portraits that I’ve long wanted to offer as a print both for the art and the story. I contacted Bandit’s family and they were happy to share Bandit with whomever might want to enjoy his image. Bandit is the February cat for Valentine’s Day in Great Rescues, and contact took a little extra time but well worth the wait as the story of Bandit and his human is truly a story of love at first sight between a man and a cat.

Bandit’s story from Great Rescues:

Bandit’s dad arrived home early from vacation and decided to visit the gym. Exiting the building after his workout he saw in the parking lot two women trying to coax a small black and white cat, four to six months old, from under the front of a car with offerings of tuna. The famished kitten finished his second plate but went back up into the wheel well where he was seeking sanctuary. When they left, Bandit’s dad went around to the side of the car. Bandit came down from the engine compartment, covered in grease and oil, looked his future human companion in the eye and let the man pick him up, trembling in his hands. “He needed a friend and I gained one of my best.”

I never had the chance to meet Bandit; his portrait was a gift from Bandit’s mom to his dad after Bandit had passed. Bandit and his dad were very closely bonded, and both people told me that while his dad was very upset when Bandit was near his end, Bandit was just as concerned about him, trying to comfort him. Cats are very sensitive and compassionate creatures, but I could tell Bandit was one of those souls who had a definite wisdom beyond the typical cat. His rescuer knew this too.

 Detail of Bandit's face.

Detail of Bandit’s face.

Bandit also predated the woman who commissioned me to do his portrait, Bandit having spent most of his life with his human rescuer as a couple of bachelors. Because the portrait was a gift we weren’t sure what type of a pose his person would want, but, as always, I liked one of the photos I saw in her stack, the light and the feeling of space, the details of their home that was obviously so dear to them, plus the commanding way Bandit is reclining surrounded by plants give it visual depth; sometimes an image that is fully from that time and place, houseplants and all, is simply the best way to remember a moment. She readily agreed, and I knew it was right.

The reference photo of Bandit.

The reference photo of Bandit.

I remember looking at both the cat and those croton plants, just waiting to dig into both subjects. Building the whole scene was a joy, the rich red of the radiator cushion, the simple familiarity of the plant stand and woven basket and the painted windowsill as well as the main subject.

 Detail of portrait, paws and plant

Detail of portrait, paws and plant

When I felt the portrait was finished I was so excited about contacting the woman who’d commissioned me. I’d updated her with progress photos, but even though it felt finished I always let my customers have the last say on that—this is their artwork, forever, and I want it to feel as if they are not only looking at their animal companion, but in the space with them.

Still, I always let the portrait sit for a day or two, and let the glow wear off, even ignore it, so that I can get a perspective. I was still working downstairs by the big window so that I could look at my art in progress all the time, but this one I covered up for a couple of days. After I’d removed the paper covering and walked into the room forgetting it was there, a glance past it caught the full impact and it took my breath away for a moment; it looked like a window into another world. I couldn’t do a single thing to it anywhere, and when she saw it my customer agreed.

Years later when I was putting together Great Rescues I realized this was one of the portraits that had a great story and looked okay on my computer but would not work for print. I would be contacting Bandit’s people to ask if they minded me including Bandit in my project; I always like to be careful with the hearts and memories of people I’ve worked with. They were thrilled and they didn’t mind at all if I came over to photograph the portrait. It was a joy to meet them again and meet their two shelter kitties, Atticus and Boo.

Atticus and Boo

Atticus and Boo

Here is February with Bandit’s portrait and rescue story in Great Rescues Day Book:

cat portrait, story and calendar page

February in Great Rescues Day Book.


February quote in Great Rescues Day Book

Cats are intended to teach us that not everything in nature has a purpose. ~ Garrison Keillor

About Great Rescues Calendar and Gift Book and Great Rescues Day Book

day book with cat portraits

Great Rescues Day Book

Bandit is one of the rescued cats in my Great Rescues Day Book, an undated monthly journal to record the dates of birthdays, anniversaries and events featuring sixteen of my commissioned portraits of rescued cats along with their rescue stories.

This book is built from Great Rescues Calendar and Gift Book, the original 16-month calendar published in 2011 to inaugurate my series of rescue stories related to the portraits I’ve painted over the years.

Click here or on the image of the book at left, or either of the links above to read more.

Also, read more about Great Rescues families, those who appear in each of the two volumes so far. I’ll be featuring one story each month corresponding with the portrait that appears in the book for that month. That means there are four extra, and I’ll slip those in when the story itself feels appropriate.

Also read about other current Commissioned Portraits and Featured Artwork

I also feature artwork which has not been commissioned, especially my paintings of my own cats. If you’d like to read more about artwork as I develop it, about my current portraits and art assignments and even historic portraits and paintings, I feature commissioned portrait or other piece of artwork on Wednesday. Choose the categories featured artwork.

Take a look at other portraits and read other stories

Read articles on The Creative Cat featuring current and past commissioned portraits.

Read about how I create commissioned portraits.

Commissioned Cat Portraits

portrait of black cat on wicker chair

Samantha, pastel, 1994 © B.E. Kazmarski

Commissioned Dog Portraits

portrait of two dogs

Sophie and Ellie, pastel, 2009 © B.E. Kazmarski

Portraits of My Cats

pastel painting of cat on table

After Dinner Nap, pastel, 1996 © B.E. Kazmarski

Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.

Download a Brochure

cover of brochure

My Portraits Brochure

My brochure is an 8.5″ x 11″ two-page full-color PDF that half-folds when it’s all printed out, showing examples of portraits with an explanation of my process and basic costs.

Purchase a Gift Certificate

Sample Commissioned Portrait Certificate

Sample Commissioned Portrait Certificate

I offer gift certificates for portraits in any denomination beginning at $125.00, which is the basic cost of a portrait; the recipient is responsible for any amount the portrait costs over $125.00.

The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards.The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.

I can also make it downloadable if you’re in a hurry.

Portrait certificates are a minimum of $125.00 because that is the minimum cost of a portrait.

Certificates are good for up to one year after issue.

I prefer to look over the work and price the portrait according to how much work will go into it, as described above, but you can either set a budget or get started by purchasing a certificate for yourself or as a gift.

How to Order

  • “Certificate A” is for a minimum-size 8 x 10 black and white or monochromatic portrait with one subject.
  • “Certificate B” is for a minimum-size 8 x 10 color portrait with one subject.
  • Choose “A” or “B” depending on whether your portrait is black and white or color.
  • If your portrait will be larger or have more subjects, add $50 or $100 or more to your certificate value with the drop-down below.


  • Size: 8 x 10
  • Subjects: One
  • Color: black and white media such as charcoal, pencil, ink, or monochromatic media such as one color of pastel, watercolor, colored pencil, etc.
  • Background or objects: none but shading or colored paper


  • Size: 8 x 10
  • Subjects: One
  • Color: full color media such as pastel, watercolor, colored pencil, etc.
  • Background or objects: none but a color or colored paper

Add to your certificate purchase

You can use the second drop down to add $50.00 or $100.00. For amounts over this I’m working out the easiest way to give options so it’s not too confusing.

[ss_product id=’ee6d37ec-349a-11e6-a43c-0cc47a075d76′ ]Commissioned Portrait Certificate[/ss_product]

You only need to enter an address if it is different from the address I’ll receive when you order. These are often surprise gifts and need to be shipped away from the home address to make sure they are a surprise.

Other items with the same art or design To find all items on this site with the same art or design, use the search box for the name of the artwork and you'll find all that's available.

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For art, photos and writing as I develop it, visit my blogs.

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See daily photos as I post them on Today.

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© 2022 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski

All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.