“Hangin’ in the Kitchen” prints are made in archival inks on Epson Velvet Art Paper, Cold Press Digital Giclee Paper or Artist Canvas.
ABOUT THE ARTWORK
Giuseppe, Mr. Sunshine and Mimi hang out with me in the kitchen.
Often when I draw these five black cats, and even when I don’t but just visualize, I am visualizing their silhouette as a shape, but not paying any attention to their color. That may be stating the obvious seeing cats in every shade of pastel and watercolor and colored pencil and any other medium I have, but because they are solid and because they are black, I can start with them and go on to other ideas.
But I like their darkness and while I often use a blue or purple or other dark color instead of black so the deepest areas have their own brilliance, sometimes I really want pure black. There are many other ways than using a black medium such as ink or charcoal to draw them—and that’s just too easy, sometimes I want a challenge. And instead of the flat representations I often have, I wanted them to look a little more dimensional, as if their shapes lifted from the surface.
I was watching them in the kitchen as the five of them moved on and off the cabinet under the light in the middle of the room bathing themselves and each other, watching me, looking out the door and just engaging in feline meditation, seeing the deep black of their fur with just minimal highlights made by the light shining from directly above, and highlights in warm yellow tones. To catch this, I’d want the black to be about as solid as possible, and that’s easiest accomplished by starting with a black base. I decided to use a black sheet of my pastello paper.
Totally unrelated, I had been testing the points on my pastel pencils and had a sheet of brown paper with different colored lines sketched on it, and I liked how it looked. I decided I’d use this the next chance I got, and decided this was my chance.
The challenge, of course, is to NOT draw the cats, but to draw just their highlights and the background around them. I did end up outlining them, but that was because in watching them moving around I kept losing their shapes as I moved from Sunshine in the middle, Giuseppe on the left and Mimi on the right before I ran out of paper. Seems like I need a little more practice in this! I’m not sure why I used the green for the cabinet top when it wasn’t in my initial visual palette, keeping with yellows and blues because those were the most convenient pencils, but I like its brilliance.
And no matter the colors I used, they are strong shapes and have just enough dimension to them.
Mr. Sunshine is ignoring me and Mimi is washing her face, but Giuseppe is watching me sketch because the pencil is making exciting little scratching noises on the paper, kind of like a mousie.
SHIPPING AND CHARGES
Shipping within the US is included in the cost of each print.
Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.
Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.
Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.
I do all my own framing and can custom frame a print for you. Please ask.
- Cards are blank inside but can be customized with your message for an extra charge.
- Feline Fine Art Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
- Individual cards are shipped by first class mail.
- Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.