These signed prints of “Lazy Saturday Afternoon”, watercolor, 9″ x 12″ are made in archival inks on various media. I’ve also included an image of the original as I framed it. A print framed like the original is also available.
Shipping is included in all prices listed.
ABOUT THE ART
It’s Giuseppe in the front in teal, Mewsette draped off the edge in green, and Jelly Bean in purple. Rather than use the colors I associate with each of them, these colors came about because of the reflections on each of them from the window light, the mirror behind them and the walls. I hadn’t intended to do them in different colors though! This time I actually wanted them to be purple, maybe, with tints of other colors, but here we are again.
No watercolor pencils this time, no pencil lines, just the colors and a brush and three cats having a really good afternoon nap on top of the wardrobe—so good they stayed still long enough for me to paint the basics before they moved. This is a first for me (not them, they nap all the time)—I have never been able to watercolor without an underlying pencil sketch. I’ve never put the brush to paper and felt I had enough control to just paint in watercolors. I have to credit all the daily experience of my daily sketches with giving me this confidence and control. My goal was this loose quality, though, just enough to indicate their shapes and positions, no more.
Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.
This sketch was framed with 1.5″ white rough finish wood, and a natural white 2-1/2″ top mat with 1/4″ blue bottom mat. Backing is acid-free foam core and the glass premium clear glass. All framing is custom and is done by me in my studio. I can also offer other options for mat and frame if you are interested, please ask.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. The giclees have 2″ of white around the outside edges.
Digital prints are made on acid-free matte-finish white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is blue on the sides.
I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.
Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.
Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.