Sally Profile, Photo prints are made in archival inks on Epson Silky Photo Paper, Cold Press Digital Giclee Paper or Artist Canvas.
[ss_product id=’daa84434-3113-11e6-bb17-0cc47a075d76′ ]Feline Photo, “Sally Profile”[/ss_product]
About the artwork
This photo was taken with black and white film in 1984, just a year after I’d bought my Pentax K-1000 fully manual camera. Sally was an Angora-mix cat who was deaf. I’d taken her in from a friend who had a hard time handling a spirited and unpredictable deaf cat, and she did eventually calm down somewhat but was always a bit of a wild child. Sally’s deafness may have added to her mystique as a model since she was often so deeply focused on something without the distraction of sound that she could hold perfectly still and I could capture an immense amount of detail, even as a total amateur.
I still can’t believe I managed to take these photos after having my camera for only about a year. I laid on the floor watching the late afternoon sunlight fill Sally’s frothy fur, its texture and depth holding the light more than reflecting, and in the shadows showing the textures of her fur instead of just a shadow as if she was emitting light on her own. Kublai was black and I was just learning how to photograph him in different lights, without too much success, and Bootsie was gray and white and much easier, but Sally, I found, was the perfect model.
At the time I took these photos I had little understanding of what I was doing. That’s okay, we all begin somewhere. I continued on with this photo shoot, seeing the interesting difference in texture between her fur and that awful olive green sculptured carpet, much improved in contrasty black and white, and the unintended nearly solid black background. The prints have been missing for a while—I find them among a stack of reference photos, then I lose that folder, etc. —and now that I’ve scanned the negatives I have them all digitized.
But I also liked the effect of her face in shadow instead of in the light. I would never have thought of that at the time, I know, if she hadn’t posed herself like that. And this was still in her wild days so I don’t know if she was actively teaching me a lesson or if she was just being Sally. Probably a little of both.
All the photos in this series
SHIPPING AND CHARGES
Shipping is included in the cost of each print.
Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off of each side.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting.
I sign all prints next to my original signature.
Greeting cards are printed on 12 pt, stock and come with a choice of envelopes.
- Card is blank inside but can be customized with your message for an extra charge.
- Feline Photo Cards assort with all other 5″ x 7″ greeting cards (except custom printed cards) for a quantity discount.
- This design comes with a square 5″ x 5″ option. Remember that square cards have a 21-cent surcharge in addition to first-class postage. But they’re so cool.
- Individual cards are shipped by first class mail.
- Sets of six and twelve are packed in a clear-top stationery box. Price includes shipping via Priority Mail.
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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.