"The Swimming Hole", pastel, 17 x 8, 2014 © Bernadette E. Kazmarski

The Swimming Hole, Pastel

“The Swimming Hole” is a pastel painting of my great niece and nephews swimming in Robinson Run, 17″ x 8″ using mixed pastels on Wallis pastel paper.

Note that 11 x 14 and 12 x 16 canvases and prints will crop image from left and right.


This painting was actually visualized during one of the visits with my great nieces and nephews and I knew I’d have to paint it, but this one came about in bits and pieces, and I’ll say it evolved over a period of years. I took a photo during one visit in 2010, but that wasn’t enough information when I decided I wanted to catch the whole scene, not just the kids in the water so I went back to the spot and took more photos on my own, but no one was in the water and it just wasn’t right.

On another visit in 2011 I took lots of reference photos from different angles and even did a small pencil sketch, then individual photos of them in the water, knowing I could never get out my pastels and paint them right there. In my studio the following year I lined up my photos and visualized something pretty close to this but couldn’t get a feel for it from just the photos, so I took my pastels to the trail the next summer, 2013, and laid down the basics of this sketch while there, trying to capture the colors and light and positioning of everything. I didn’t have all the colors with me which I needed and I knew I’d be working on it in my studio to add the kids in the water so I knew I wouldn’t be finishing it right then. I set the sketch in my holding area for more work, and there it sat. I finished it in time for my exhibit “Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail”, the very first one in 2014.

I love painting water, and never give myself enough of a chance to paint it. I just couldn’t wait to get my hands on all the details in the water as well as the direct and reflected light and the colorful shadows on the kids, the way the mid-day sun fell on the water, alighting the top layer of the brush and just touching leaves in the trees with brilliant highlights and creating deep shadows underneath. It’s part of what I think of when I think of summer.

Like the rope swing, how did we kids live through our childhoods jumping into a deep pool of water in a creek off in the woods? For me, unless the water smelled really bad or it was filled with something I didn’t want to touch, I was in it. Water is irresistible to me—if there is water, I at least have my feet in it, if that’s at all possible, and even when it rains I’m out in it for a bit, or standing in the gutter along the street in front of my house letting the rain water run over my feet. I think most kids are like that, and while there are dangers in places like swimming holes, avoiding dangers is not always the best way to deal with them. Instead, learning how to safely use the swimming hole can help teach a life lesson about observation, caution, and when to let go and enjoy things that aren’t manufactured for our use. That’s one of the joys, and lessons, of nature.


Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope. Larger prints are shipped rolled in a mailing tube unless otherwise requested; flat shipping is an extra cost because it’s oversized.


The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.

I offer giclees of this painting in two different sizes: the full size of 31″ x 23″, a half-size of 16″ x 12.5″. The giclees have 2″ of white around the outside edges. All are countersigned by me.


Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. Digital prints are only available up to 11″ x 17″ and some of the prints are cropped to fit standard mat and frame sizes.

Digital prints have at least 1/2″ around the edges depending on the size of the print. All are countersigned by me.


Because the standard size canvas prints are not proportional to the original painting, canvas prints of this painting will have a portion cropped off.

I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered because I have limited storage space. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas mirrors the edges of the image around the sides.


I do all my own framing and can custom frame a print for you. Please ask.

You can also find this painting in my Landscape Artwork gallery and in my exhibit 2014: Sun Shadow Ice & Snow: Seasons Along the Panhandle Trail and Seasons Along the Panhandle Trail,  All Paintings.

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