This is a pastel painting, “A Warm Bath”, pastel, 12″ x 10″, 1997 © Bernadette E. Kazmarski.
About the painting
I chose this pose because you could still see Sally’s face, though she was looking down, and there is something I love about a cat’s face at that angle, the soft forehead, the nose, the whiskers sprouting here and there.
This painting sold in the days before I took adequate photos, and though I’ve been working on getting an image of the original I just have to live with this for now, so I don’t have any closeups. Still, this is the painting where I remember the feeling of “fingerpainting” for the first time, applying layers and colors of pastel, them mixing them with my fingertips and knuckles, the sides of my hands, both hands, a different color in each area. It was because I looked at the fur on Sally’s head in the reference photo and imagined digging my fingers into it to scratch the top of her head, which she loved, and I did my best to make the top of her head make me, and you, want to do that, even to feel it. The bright pink of her ear, the cool and warm highlights in her fur, it was all I could do to focus on one area to work it out completely.
Then there were the long angled shadows from the metal muntins in the windows, on the wall and book case and on Sally, the white-painted stucco wall, and the dappled side yard outside the window. I’m still very pleased with this painting, and even if I painted it today I may do some things differently, but I don’t think I could improve on this.
The little deaf cat who began her life with me as a distant and defensive, emotionally neglected one-year-old grew into one of my greatest friends through our fourteen years together. A “pet quality” Angora kitten, she’d been adopted for her looks, the perennial kitten face, silky white fur, petite size. Not all white cats are deaf, but most Turkish Angora cats turn out to be, and the person who “bred” her didn’t warn the adopting party. The person who adopted her truly loved her, but between her high activity level and eventual deafness, and his schedule of being out most of every day, she became a little wild child, unaccustomed to being handled in any way. I heard later that Angora kitties are known for being physically combative and don’t necessarily like to be touched, but when I adopted Sally I thought it was just her youth and kittenhood that had influenced her personality.
This was very early in my rescue career; I had two cats, believe it or not, my first cat, gray and white Bootsie, and my first cat adopted as an adult, solid black Kublai. Sally was cat number three.
Read more about my beautiful whipped cream kitty in “My First “Less Adoptable” Kitty”.
This painting is included on one set of cards, “My Cat in the Sun”.
Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames. The giclees have 2″ of white around the outside edges.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
The 5″ x 7″ and 8″ x 10″ digital prints are centered on 8.5″ x 11″ digital cover while the 11″ x 14″ has 1″ around the edges because the digital paper is 12″ wide. All are countersigned by me.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth. I set them up so the image runs from edge to edge, then the sides are black or white or sometimes I slip in a color that coordinates with the painting. This canvas is black on the sides.
Mousepads are 8″ x 7″, always horizontal, 1/4″ black foam rubber with the image printed on a flexible fabric on top.