It’s really some of my smaller, quick sketches that are deceptively simple where I feel I both captured the moment and my technique was right on spot, and this is one. Working quickly from life with light blue on black there is no room for “error”—marks can often be integrated into a composition, but can’t be removed or covered up in a sketch like this. I’ve got to trust the communication between my hand and my eyes to put down on paper what I’m seeing…that doesn’t actually exist.
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