This art is “Cool Morning Bath”, 5″ x 7″ oil pastel on textured paper, © Bernadette E. Kazmarski, signed and dated 12/3/13. The original is available and so are various prints.
[ss_product id=’d57babb6-ef23-11e7-a7af-f3e6c8e7b879′ ]Feline Artwork, “Cool Morning Bath”[/ss_product]
ABOUT THE ART
Mimi twisted and turned in the diffuse morning light at the door, all those delicate shades reflecting warmer on the floor, cooler on her, but still all in greens and blues and a very pale yellow, the light swirling around her. I liked this sketch a lot a year ago when I painted it in 2013, and I like it even more every time I look at it.
Oil pastel again, for the strength of colors and the texture, but here the delicacy of the mixed pale yellows, greens and blues carries the idea of cool winter morning light that I wanted, the shadows deeper and just a bit warmer, Mimi’s black fur turned blue and green in all the reflections. Mimi, so inspiring!
ABOUT MY WORK IN OIL PASTEL
I’ve been working out this style now following Two Cats After van Gogh. I traveled with a friend in April 2012 to see the “Van Gogh Up Close” exhibit. All the way home on the Megabus I remembered the colors and shapes and textures, and wanted to work the same energy and form I saw in his brush strokes, visualizing oil pastel to layer and blend the strokes as an experiment. Arriving home in Pittsburgh just a few hours later I saw Giuseppe and Mr. Sunshine, just quietly hanging together on the landing, Giuseppe sitting upright, Sunshine loafing, and visualized exactly what I would sketch, and posted Two Cats After van Gogh as my daily sketch that very day.
After seeing so many van Gogh paintings up close in the exhibit my goals in working “after van Gogh”, or in the style of van Gogh, are to be aware of the colors he used, and why, and to use the textures to build the image, so that every color and stroke, and the shape, direction and energy of the strokes, would be important to the painting. Like poetry, nothing is extra, nothing is wasted.
You can see other oil pastels in Two Cats After van Gogh and you can also see other feline artwork in the following galleries:
ABOUT MY DAILY SKETCHES
I endeavor to do at least a small sketch each day as a warm-up to my aesthetic senses, so I have a small pouch of art materials and a few various sized sketchbooks available in the house and out. Usually, these are done in pencil, my first and favorite medium, though sometimes it’s charcoal, ink, colored pencil, ink and brush, whatever strikes my fancy at the moment, the greatest challenge to keep it quick and not get caught up in details, let the idea flow onto the paper.
Most often, the subjects are my cats because they are such willing models, though sometimes I’ll also wander afield, literally, and sketch in my yard or anywhere I go for errands. Medium and especially style vary just so I get a chance to do something new.
Every once in a while, they are meant for framing, and I’ve designed a series of notecards, notepaper and notepads using other daily sketches (see my notecards section). Often I use them as illustrations for graphics projects I’m designing.
Shipping within the US is included in all the prices listed. All shipping is via Priority Mail. Prints are shipped flat in a rigid envelope. Canvases are shipped in a box to fit with padding. Since this original is small it is also shipped in a box with extra padding.
Note that prints are not the same dimensions as the original and may be cropped on the top or sides to fit the dimensions of the print size.
The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.
I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship.
Digital prints are made on acid-free matte-finish natural white 100# cover using archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original.
I usually have at least one of the smaller sizes of canvases on hand, but order larger ones as they are ordered here because customers often want a custom size. Smaller canvases are a 3/4″ in depth, Canvases 12 x 16 and larger are 1-1/2″ in depth.
All framing is done by me in my studio. This print is matted with a double mat 1.5″ wide, white on top with a rust underneath to match the outline of the two cats. The frame is a molded 1.25″ natural white flat painted wood. The backing is acid-free foam core and the glass is premium clear glass. On this piece, the frame and mats may vary slightly since both the mat and frame are on the list to be discontinued, though that may take more than a year. The framed pieces will definitely resemble the one shown here.
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© 2018 | www.PortraitsOfAnimals.net | Published by Bernadette E. Kazmarski
All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.