Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

Unnamed Tributary, en plein air

Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

Unnamed Tributary, 9 x 12, pastel © Bernadette E. Kazmarski

On a quiet sunny winter afternoon this little unnamed tributary surely had a lot to say, babbling along over rocks and shelves of slate and limestone on its way to Scrubgrass Creek a distance away.

Off in the woods on January 12, 2012, I stood in the snow and painted a little pastel sketch as well as took photos of the snowy hollow at Kane’s Woods in Scott Township, PA. I’d been waiting for a significant snowfall, enough to give good even cover to most of the leaf litter. Much of this conservation area faces north and doesn’t catch significant sunlight, especially in the winter when the sun’s angle is low, but this little hollow and the hill next to it face south. Once the sun gets into the hollow it just fills it up, especially when snow can reflect it in all directions.

A friend took my photo while I sketched in the woods.

A friend took my photo while I sketched in the woods.

The Kane Woods Conservation Area is a place I’ve known since I was a child, before it was conserved and trails were established, but my lifetime of visiting and that of others is what inspired Scott Conservancy to consider the site worth working for.


Shipping within the US is included in the cost of each print.

Prints up to 16″ x 20″ are shipped flat in a rigid envelope.


The frame is 1.5″ white painted wood frame, the mat 1″ slate blue with black core, frame size is 9″ x 12″. I purchase the frames randomly from my frame supplier so the style may vary a little from what is shown.


The giclees are printed on acid-free hot press art paper for a smooth matte finish using archival inks. Giclee is the highest quality print available because the technique uses a dozen or more ink ports to capture all the nuances of the original painting, including details of the texture, far more sensitive than any other printing medium. Sometimes my giclees look so much like my originals that even I have a difficult time telling them apart when they are in frames.

I don’t keep giclee prints in stock for most of my works. Usually I have giclees printed as they are ordered unless I have an exhibit where I’ll be selling a particular print so there is a wait of up to two weeks before receipt of your print to allow for time to print and ship. All are countersigned by me.


Digital prints are made on Epson Velvet fine art paper, acid-free matte-finish white 100# cotton rag archival digital inks. While digital prints are not the quality of a giclee in capturing every nuance and detail of color, texture and shading, I am still very pleased with the outcome and usually only I as the artist, could tell where detail and color were not as sharp as the original. In fact, I make the prints myself as ordered and ensure each one is as close to the original as my printer can get.


The larger canvas print is twice the size of the original because that’s a standard size with the company which makes my canvas prints. The actual size canvas is actually a custom-order item and the print is made and stretched by the same small local company as my giclee prints. Because I have limited space, I order canvases as they are ordered. The larger canvas is 1-1/2″ in depth, the smaller is 3/4″, and I set them up so the image mirrors around the sides.

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All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in using one in a print or internet publication. If you are interested in purchasing a print of this image or a product including this image, check to see if I have it available already. If you don’t find it there, visit “purchasing” for availability and terms.

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